Manitoba Museum Honours Leaders of Tomorrow at 2020 Tribute Gala, a Celebration of the Museum’s 50th Anniversary

Update: the Tribute Gala will now take place virtually on April 15, 2021. The Manitoba Museum will honour the leaders of tomorrow at its annual Tribute Gala on April 23, 2020.

Manitoba Museum Honours Leaders of Tomorrow at 2020 Tribute Gala, a Celebration of the Museum’s 50th Anniversary

Winnipeg, MB (January 23, 2020): Update: the Tribute Gala will now take place virtually on April 15, 2021. The Manitoba Museum will honour the leaders of tomorrow at its annual Tribute Gala on April 23, 2020. This year, for it’s 50th anniversary, the Museum has taken a new approach to its annual Tribute Gala.

“Traditionally, the gala evening has celebrated the contributions of well-established individuals and organizations whose leadership and philanthropy have shaped our city and our province,” says James Cohen, Chair of the Museum’s Board of Governors. “This year, as we celebrate our last 50 years and consider our future, the Museum asked past Tribute honourees to identify leaders of tomorrow. These people have the vision and drive to propel Manitoba’s future for the next 10, 20, or even 50 years.”

To determine these leaders, past honourees and the Museum Board of Governors considered who might be community champions that reflect the makeup of Manitoba – the next generation of visionaries, philanthropists and community leaders. The following five dedicated and influential individuals were selected.

 

Formal headshot of Abdikheir Ahmed smiling at the camera with his arms crossed over his chest.ABDIKHEIR AHMED has extensive experience working with immigrant and refugee communities in Winnipeg’s inner city and is a passionate advocate for immigrants and refugees in Canada. He is the Director of the Immigration Partnership Winnipeg (IPW) and previously served as the Executive Director of the Immigrant and Refugee Community Organization of Manitoba (IRCOM) Inc.

Abdi has received numerous awards for his work creating life-changing opportunities for new Canadians. He was a CBC Manitoba Future 40 Finalist in 2014 and is the recipient of the Order of the Buffalo Hunt, one of the Province of Manitoba’s highest honors, for his work advocating for refugees and building bridges with Canadian communities.

 

 

 

 

Formal headshot of Hilary Druxman smiling at the camera.HILARY DRUXMAN dedicates her unwavering passion, artistry and expertise to jewelry design and handcrafted production. She channeled this drive to create the Good Works initiative, designing unique jewelry for local and national charities, with more than $500,000 in profits from sales donated back to them.

Passion and perseverance, talent and skill, strong leadership and an unfailing sense of humor are the cornerstones of Hilary’s success. She established Hilary Druxman Design in 1994 and her work has been showcased in Toronto, New York and global markets; and featured in fashion and industry magazines, retail stores and advertising in Canada, the United States, Europe and Asia.

 

 

 

 

Informal headshot of Jamie Isaac smiling at the camera.JAIMIE ISAAC is a Winnipeg-based curator and interdisciplinary artist, and a member of Sagkeeng First Nation. She holds a degree in Art History and a Masters of Arts, with research focus on Indigenous Curatorial Praxis, and methodologies in decolonizing and Indigenizing.

At the Winnipeg Art Gallery, Jaimie has curated and co-curated many shows featuring Indigenous artists exploring their current and past experiences through art. She has also independently curated and worked on national collaboration projects.

An advocate for Indigenous representation, Jaimie is an advisor for many organizations. She was one of the Canada Council’s Indigenous delegation at the 2017 Venice Biennale, the International Curatorial Exchange in Finland, and EXPO Chicago. Jaimie has contributed content related to Indigenous creative expression to various art publications and projects. She has also presented her research at symposiums and conferences in North America and Europe.

 

 

Formal headshot of Niigan Sinclair looking at the camera.

NIIGAAN SINCLAIR commented in and wrote for international and national print media for years before joining the Winnipeg Free Press as a columnist in 2018. In May of 2019, his work at the Free Press was recognized with the top columnist award by the prestigious National Newspaper Awards.

Niigaan, who is Anishinaabe-born and grew up in Treaty One territory, is also an associate professor at the University of Manitoba. He is also a recovering high school teacher.

 

 

 

 

Informal headshot of Hannah Taylor smiling, looking off camera.HANNAH TAYLOR began raising funds and awareness for Canada’s homeless at age 7. She founded The Ladybug Foundation and raised millions of dollars for more than 65 shelters, food banks, missions, and other organizations across Canada that support people who are hungry, homeless, and living on the street.

The Ladybug Foundation Education Program developed and distributed a multimedia classroom resource to empower young people to make a difference in their world. That project evolved into a free website to access video, music, lessons, and other elements for use in schools.

Hannah had January 31 declared National Red Scarf Day in Canada to raise awareness of homelessness issues, together with her annual Walk a Mile in Their Shoes fundraisers.

She has spoken at more than 350 conferences and events in around the world and her simple message of caring and sharing has been spread to millions of people. Hannah has been recognized for her influence with service and humanitarian awards and received the Queen’s Diamond Jubilee Medal.

 


The Manitoba Museum is thrilled to have James Richardson & Sons, Limited as the Presenting Sponsor of the 2020 Tribute Gala.

“Honouring the leaders of tomorrow at the Tribute 2020 Gala is an excellent example of how the Manitoba Museum has devoted 50 years to connecting our past to our future,” says Hartley Richardson, President & Chief Executive Officer of James Richardson & Sons, Limited, noting that his late father, George T. Richardson, was honoured at the first Tribute Gala in 2005. “JRSL is proud to continue our long-standing support of the Manitoba Museum as it educates and enriches our community.”

Proceeds from the Tribute Gala support the Manitoba Museum’s Access for All community initiative, which provides complimentary Museum visits for more than 35,000 individuals living with special circumstances each year. Contributions to the 2020 Tribute Gala will make an impact by helping the Museum create memorable learning experiences that build pride in Manitoba and tell the province’s essential stories, bridging language, culture, ethnicity, and age.


2020 Tribute Gala Honourary Committee
Honourary Chair: James E. Cohen
Emcee: Raif Richardson
  

Members:

Gail Asper
Doneta Brotchie
Bob Cox
Albert El Tassi
Susan Glass
Diane Gray
Gregg Hanson
Mary Hanson
Don Leitch
Nick Logan
Susan Millican
Hartley Richardson
H. Sanford Riley
Paul Samyn
Murray Taylor
Arni Thorsteinson

 

The 16th annual Tribute Gala will take place in Alloway Hall on April 23, 2020. For information about reserving tables, buying tickets, sponsorship opportunities, and/or to make a donation to the Access for All community initiative, please contact Lynne Stefanchuk 204-988-0629 or email lstefanchuk@manitobamuseum.ca.

 

Past Tribute Honourees – Winnipeg Free Press (2019); Abdo (Albert) El Tassi & Samira El Tassi (2018); Gregg & Mary Hanson (Ambassadors for Canada 150 Celebration in (2017); Sanford H. Riley (2016); The Winnipeg Foundation (2015); Doug Harvey (2014); Susan Lewis & United Way Winnipeg (2013); Kerry Hawkins (2012); Ambassador Gary Doer (2011); The Chipman Family (2010); Babs & Gail Asper (2009); Kevin & Els Kavanagh (2008); Lawrie Pollard (2007); Murray Taylor & Investors Group Inc. (2006); and George T. Richardson (2005).

– 30 –

 

For interviews or more information, contact:
Jody Tresoor
Communications Specialist, Manitoba Museum
w: 204-988-0614 c: 204-228-2374
jtresoor@manitobamuseum.ca

The Perils of Plant Parenthood, Part 2 – Wildlife

Bristley brown seed pods on branches emerging from grassy ground.

Many plants use the wind to disperse their seeds. But what if a plant lives somewhere that isn’t very windy? How do they encourage their children to “launch”? Many plants decided to take advantage of animals’ mobility. One way plants do this is by growing little hooks or stiff hairs on the fruits that readily catch onto the fur or feathers of an animal when they are ripe. The fruits are carried for possibly hundreds of kilometers before getting rubbed off. The fruits of many North American prairie plants are adapted for transport on bison fur.

Image: The seeds of wild licorice (Glycyrrhiza lepidota) have hooked bristles that catch readily on the fur of passing animals, like bison.

 

But what if you live somewhere where there aren’t a lot of big, hairy animals. As it turns out there are ways to get smaller creatures to transport your seeds as well. You do it by producing a substance that the animals find irresistible: fleshy fruits.

Plants that live on the forest floor have it pretty tough because there is very little wind and there usually aren’t big herds of animals hanging around. So some early flowering plants, including violets, bloodroot and Dutchman’s breeches, adapted to use insects to disperse their seeds instead. The seeds of these plants have fatty structures attached to them called eliosomes. After the seeds fall off the parent plant, ants carry them to their nests, remove the eliosomes and then abandon the seeds.  The plant seeds sprout readily in the disturbed habitat.

Close-up on two five-petaled white flowers with yellow centres.

The seeds of violets (Viola) are dispersed by ants, which eat the fatty structures attached to them.

Close-up on a bunch of small purple-red berries handing from a  branch.

Close-up on a bunch of small orange berries hanging from a branch.

Some fruits, like bittersweet (Celastrus scandens), contain toxins to discourage mammals from eating them.

Plants with fruits that ripen late in the year often rely on flocks of migratory birds for dispersal. Birds are particularly good seed dispersers because they lack teeth, typically swallowing fruits whole. In bird stomachs, the fleshy part of the fruit is digested but the tough seeds usually excreted intact. In fact, the seeds of many plants need to pass through the guts of animals before they will even germinate. However, some fruits are toxic to mammals (like rodents) but not birds.  This is because mammals tend to chew the seeds as well as the fleshy parts, killing the baby plant. For that reason, berries that birds can eat are not always safe for people!  Therefore, make sure you have correctly identified and researched the toxicity of any fruit before you eat it.

View looking out over a wheat field.

There’s one more creature that plays a huge role in the dispersal of seeds: people. Humans are by far the best seed dispersers ever. We don’t just move seeds a few kilometers; we move them to entirely new continents, creating the exact kinds of conditions the plants like to grow in. Humans like to think that we domesticated plants and forced them to do our bidding, but it is entirely possible that it was the other way around; perhaps it was the plants that domesticated us.

 

Wheat (Triticum) plants hookwinked a certain group of mammals into dispersing their seeds all across the planet: humans.

Dr. Diana Bizecki Robson

Dr. Diana Bizecki Robson

Curator of Botany

Dr. Bizecki Robson obtained a Master’s Degree in Plant Ecology at the University of Saskatchewan studying rare plants of the mixed grass prairies. After working as an environmental consultant and sessional lecturer…
Meet Dr. Bizecki Robson

The Perils of Plant Parenthood, Part 1 – Wind

Just like all creatures, plants want to reproduce themselves. But they typically don’t want their offspring hanging around for too long, eating all the food in the fridge and drinking all the beer. But plant babies living on the land can’t move on their own, so how is an exasperated plant parent going to get their children to leave the nest?

Instead of producing swimming babies like algae do, the very first land plants produced special structures called spores. These spores, which grow into tiny plants, are small enough to be carried away easily by the wind, just like dust. For about 80 million years or so, the only plants on land were species that produced spores: club mosses, horsetails, ferns and mosses.

Small spores growing from the tips of fern branches.

A small, green fern growing from a crevice between two rocks.

About 390 million years ago in the mid-Devonian, a new group of plants evolved that were capable of growing very quickly. They are known as the seed plants, and they have dominated life on land for many millions of years. But what exactly is a seed anyway and how is it different from a spore? A spore consists of only one cell; it’s basically a naked baby. For that reason, spore-producing plants aren’t very good parents; they just boot out their kids with nothing to eat and no clothes on. A seed on the other hand consists of three things: a baby, a bottle to feed the baby and clothes to protect the baby.

A green cone with brown tips on a conifer tree branch.

The first seed-producing plants were the gymnosperms (which means “naked seed” in Latin). They produced multiple babies in structures called cones. But the seeds of these cone-bearing plants are quite heavy compared to the spores of ferns, and initially they may have fallen right under their parent. Plants will obviously not grow very well in the shade of their parent, so any kind of structure that would help the seed move a little further away was advantageous. That’s why many cone-bearing plant seeds evolved a thin wing that increases wind resistance and helps the seed glide further away.

The development of seeds was a real game changer because plant babies were way more likely to survive with a food source. There was just one problem: animals. Seeds represented a new source of food for them and they eagerly indulged.

 

The seeds of Jack pine (Pinus banksiana) cones have tiny wings to help them float away from the parent tree.

A plant head covered in a ball of white, fluffs.

Around the same time mammals evolved, in the Jurassic period about 160 million years ago, yet another group of plants evolved that had an advantage over the cone-bearing plants: they protected their young by enclosing them in fruits. In many species, the fruit also functions as a mode of transportation, essentially a kind of baby carriage. In habitats that are open and windy, like grasslands, many plants continue to use wind to disperse their babies. The elaborate shapes of the fruits (many functioning like parachutes), enables the seeds to fly for much longer distances than the simple gliding seeds of the cone-bearing plants.

Image: The seeds of many aster plants, like goat’s-beard (Tragopogon dubius), have fruits shaped like parachutes, which help them fly.

What if a plant lives somewhere that isn’t very windy though? What do they do? Stay tuned for part 2 of “The Perils of Plant Parenthood” to find out.

Dr. Diana Bizecki Robson

Dr. Diana Bizecki Robson

Curator of Botany

Dr. Bizecki Robson obtained a Master’s Degree in Plant Ecology at the University of Saskatchewan studying rare plants of the mixed grass prairies. After working as an environmental consultant and sessional lecturer…
Meet Dr. Bizecki Robson

Possible meteor outburst – November 21, 2019

Thursday, November 20, 2019 may provide a rare meteor outburst – but only for a few minutes.

The annual Monocerotid meteor shower normally produces about 1 or 2 meteors per hour – and that’s if the sky is dark with no moon. It’s not something some skywatchers would even bother to put on the calendar. In the last couple of decades, however, astronomers have begun to understand meteor showers in more detail, and can predict when activity may pick up. This year, an outburst is predicted to occur at 10:50 p.m. Central Standard Time, and southern Manitoba is predicted to be cloud-free. So what’s going on?

A meteor (or shooting star, or falling star – they all mean the same thing) is caused when the Earth slams into a piece of interplanetary dust about the size of a grain of sand. Space isn’t totally empty – besides planets, and asteroids, and comets, there’s also smaller stuff, down to the size of microscopic dust particles. These tiny particles burn up when they hit the earth because they’re travelling at 40,000 km/h. Just the friction of passing through the air heats them up so much that they vaporize and create a trail of light that we can see from the ground. On a given night, you might see a half-dozen of these per hour if you watch the sky carefully from a dark location. Most of the time, we don’t notice these because we’re not watching the sky carefully, or nearby lights interfere and make it hard to see them.

So, one piece of dust = one meteor. It doesn’t take much of a logical leap to see that more dust means more meteors. If the earth goes through a big cloud of dust, a whole bunch of meteors will happen all on the same night. That is a meteor shower. Each year on the same night, Earth is in the same spot, and goes through the same dust bunny, creating an annual meteor shower.

Through careful analysis, astronomers have determined that the Moncerotid meteor shower has a very dense clump in it, that usually the earth just skims the edge of. But, as gravity adjusts the particles each time the Earth goes by, things change, and so this year we’re expected to hit the dense clump head-on.

How do I see it?

For the best view, you want to dress up warm, and head out of the city to a dark location. Bring a reclining lawn chair or something so you can lean back and look at at the whole sky at once. (Try to stay off the ground, which will suck heat out of you and make you cold very quickly.) Point your feet generally southeast (towards Orion the hunter, if you know your constellations) and look straight up. Don’t look at your phone, because even a quick peek will kill your night vision and maybe make you miss the whole thing.

The time is somewhat uncertain, so be prepared to stay outside in Manitoba November night temperatures for a couple of hours. I’m going to start watching about 10pm and watch until midnight (or until t happens).

What will we see?

Short answer: we won’t know for sure until it happens. But, if the prediction is correct, you’ll see the stars at first. Orion will be visible in the south, and other constellations of the winter sky as well. The brightest star in the sky, Sirius, will be just rising below Orion.  Farther left (almost due east) is another bright star, Procyon. Occasionally, you will see a shooting star flash through your field of view. As the time gets closer, you’ll see meteors more often, and the interval between them will shrink. One every 5 minutes, then 1 every couple of minutes… then two or three a minute. If you trace them backwards, they all seem to radiate from a point near Procyon. If the prediction pans out, at the peak you might be seeing 5-10 meteors per minute for several minutes around 10:50 p.m. Then, the rate will subside, back to a couple a minute, and then one every few minuets, and then back to one every 10 minutes or so.

Or, maybe nothing will happen – the Earth might miss the dust bunny completely.

Or… maybe the dust bunny is even denser than we thought, and we’ll see even more meteors than predicted. Who knows?

For more information on this shower, visit the International Meteor Organization’s page. You can also find info there on how to count meteors and contribute to the science of understanding these rare and unpredictable natural spectacles.

Scott Young

Scott Young

Planetarium Astronomer

Scott is the Planetarium Astronomer at the Manitoba Museum, developing astronomy and science programs. He has been an informal science educator for thirty years, working in the planetarium and science centre field both at The Manitoba Museum and also at the Alice G. Wallace Planetarium in Fitchburg, Massachusetts. Scott is an active amateur astronomer and a past-President of the Royal Astronomical Society of Canada.

I Once Caught a Plant That Was This Big

Dr. Diana Bizecki Robson standing on a stand dune. She's wearing moss green coloured pants tucked into hiking boots, a long-sleeved white white, and a wide-brimmed hat, holding up a small plant with a root nearly as long as she is tall.

This summer I spent some time doing what badgers do: digging. What was I digging for? Plant roots. Usually when I collect plants for the Museum I take only a few stems of the above ground portion so that the plant doesn’t die. But this time I needed roots: long ones. I thought that digging up roots would be pretty awful but the soil was sandy, the weather co-operated and, thanks to the presence of two co-workers, it did not take as long as I thought. The worst part was hauling all our gear over the sand dunes to the spot where we would be digging. So why did I need roots? They are for a new Museum exhibit.

A small bushy plant with a long browning root coming out of the side of a sand dune.

This white prairie-clover (Dalea candida) plant was eroding out of a dune and would soon be dead.

An individual in light tan pants and a white t-shirt from behind kneeling on the ground, digging into the side of a sand dune.

Our Diorama and Collections Technician looked like a badger digging up the root.

In early 2021, the Museum will be opening our new Prairies Gallery. This gallery will represent years of work by the staff at the museum, in particular the Curators and conservation staff. One of the exhibits that I am involved in is a new case illustrating life below the surface of a native prairie. In our original gallery we have a wonderful specimen of grass showing the full extent of its root system. You’ve probably seen it: it’s a pretty impressive specimen. There’s just one problem: it is not a native species. It’s actually a Eurasian species called crested wheatgrass (Agropyron cristatum). It was brought to Canada in the 1930’s to help prevent the soil from blowing away during the droughts of that decade.

So we decided to display some native plant root systems for a new case near the entrance to the gallery. Although we are growing a few specimens in a greenhouse for this exhibit, one of the flowers we wanted was not doing well in that environment. After remembering that there are plants with exposed roots on the sand dunes in Spruce Woods Provincial Park, I arranged to excavate one of the common species, white prairie-clover (Dalea candida), with the permission of Manitoba Sustainable Development.

 

Image: The crested wheatgrass (Agropyron cristatum) specimen currently in the Museum will be moved to a new location.

During a reconnaissance trip in July, I found a nice specimen that was eroding out of the dunes and in all likelihood would soon die. After taking some pictures and making a few notes, we channelled our inner badgers and began digging it up. In the end we obtained an impressive 160 cm piece of root along with the flowering stems. Although there were more fine roots lower down, the part we dug up is longer than we can even fit in the case so we left them behind. Since the site was a bit of a mess afterwards, we filled in the hole and patted the dune back to its previous contours. I was happy that a heavy rain that evening obliterated all evidence that we were ever there. The plant is now being pickled by the Diorama and Collections Technician in our secret proprietary solution (even I don’t know what’s in it!) to keep it fresh-looking and bendy!  Eventually it will be painted and mounted in its permenent home next fall.

Dr. Diana Bizecki Robson wearing light coloured clothes and a wide-brimmed hat posing with a shovel in front of a partially refilled sand dune.

After digging, we filled in the hole and patted the sand back into place.

Two individuals part way down a sandy staircase, pulling a small blue sled with carefully wrapped specimens.

We had to carefully haul the plant out along with our digging tools using a sled.

An individual wearing light-coloured clothes and blue rubber gloves kneels on a wooden deck, and lowers a small bushy plant into a bucket.

Our plant was packed into a pail containing our secret pickling solution for the trip to the Museum.

So what is happening with the old crested wheatgrass plant? Don’t worry, it will still be on display but reinterpreted for its role in soil stabilization during the Great Depression.

Dr. Diana Bizecki Robson

Dr. Diana Bizecki Robson

Curator of Botany

Dr. Bizecki Robson obtained a Master’s Degree in Plant Ecology at the University of Saskatchewan studying rare plants of the mixed grass prairies. After working as an environmental consultant and sessional lecturer…
Meet Dr. Bizecki Robson

Bogs and Dunes: Together at Last!

Water-saturated bogs and burning hot, cactus-covered sand dunes are not the kinds of habitats that you would normally expect to find near each other. But on a recent trip to Canadian Forces Base Shilo, I was surprised to find just that!

In July, I was able to visit this restricted area to collect plants as part of a research project. We went to a part of the base that I have never been to before: Sewell Lake. I was expecting the kind of vegetation that you typically find along a prairie wetland: cattails, sedges and bulrushes. What I discovered was an area that looked more like a bog in the middle of the boreal forest. Thick mats of moss floated on top of water and threatened to swallow you up if you weren’t careful. Aquatic plants like water calla (Calla palustris), buckbean (Menyanthes trifoliata) and marsh cinquefoil (Comarum palustre) lined the shore. Even pitcherplants (Sarracenia purpurea) have been found in the deepest areas of the bog. Turtles swam in the water and all sorts of amazing insects were everywhere. It was truly unusual and a biologists’ delight.

A small, low-growing, bushy cactus in sandy ground.

Close-up of a small white water calla bloom among grass.

Water calla (Calla palustris) is usually found in northern lakeshores and bogs.

Close-up on a small low-growing prickly pear cactus in sandy soil near dried leaves and sparse grass.

But what was the oddest thing was that not even 50-m away from this wetland there was a huge sand dune that ran parallel to the lakeshore. While walking along the ridge of this dune, I encountered rare plants that you only find on the driest of prairies: prickly pear (Opuntia fragilis), and pincushion cactus (Coryphantha vivipara), winged pigweed (Cycloloma atriplicifolium), American bugseed (Corispermum americanum), and the lovely hairy prairie-clover (Dalea villosa). Our guide told us that there are an astounding 450 species of vascular plants on the base lands, an impressive number when you consider that there are only just under 1700 plant species in the whole province.

 

Image: Fragile prickly pear cactus (Opuntia fragilis) is a highly drought tolerant species.

So, on the one side there were plants that were adapted to dealing with an excess of water and on the other plants that dealt with an almost complete lack of it. So how do plants deal with these conditions? They possess completely different internal structures. In wet habitats, the biggest danger to plants is a lack of oxygen. You’re probably puzzled. Don’t plants need carbon dioxide? Well yes they need carbon dioxide for photosynthesis, which occurs mainly in the leaves, but they also need oxygen to break down the sugars they create to obtain energy for growth. This isn’t a problem for leaves and roots living in soil with lots of air pockets but it is a problem in water-saturated soils. To get oxygen to the roots, many aquatic plants have special tissue called aerenchyma–tissue with big air tubes in it–which functions a bit like a snorkel. The plant moves oxygen from the holes in their leaves, called stomata, all the way through these tubes to the roots. Problem solved! Regular dryland plants don’t have aerenchyma, which is why over-watering your houseplants can kill them; they basically suffocate.

In contrast, for plants in dry habitats like sand dunes, obtaining and retaining water is the problem. To obtain water they either grow roots deep enough to reach the water table, or absorb water quickly when it does rain by growing extra root hairs. To prevent water loss, they may possess thick “skin” that prevents evaporation; cacti are a good example of this. As well, they can prevent evaporation of their water by keeping their air holes (stomata) closed during the heat of the day, opening them to obtain gases at times when it isn’t so hot.

Looking down at several plants growing on the edge of a lake.

For aquatic plants, not drowning is an essential skill!

A dry grassy ridge leading down to a sandy strip. Several tall trees grow on the edges.

Plants on dune ridges take a siesta from photosynthesis in the heat of the day.

The structural uniqueness of plants is not always appreciated, recognized or understood by non-botanists. But really the difference between plants in bogs and sand dunes is like the difference between a fish and a camel!

Dr. Diana Bizecki Robson

Dr. Diana Bizecki Robson

Curator of Botany

Dr. Bizecki Robson obtained a Master’s Degree in Plant Ecology at the University of Saskatchewan studying rare plants of the mixed grass prairies. After working as an environmental consultant and sessional lecturer…
Meet Dr. Bizecki Robson

A Crash Course in Pollinator Identification

Drawing of a bumblebee with the parts of an insect labelled.

Now that the weather is nice and warm, you’re probably seeing pollinators flying about. The main insect pollinators in Manitoba in order of decreasing abundance are: bees, flies, butterflies, moths, wasps, and beetles. If you’d like to tell them apart, there are a few key features you need to look for. First off, count the number of wings. Are there four or just two? What is the texture like: membranous, hard or covered in tiny scales? Second, look at the body: is it smooth or covered with hairs? Does the area where the chest (thorax) connects to the belly (abdomen) get really narrow? Third, check out the antennae. Are they long, short, smooth or feathery? Lastly, is the insect intentionally gathering pollen on its legs or just drinking nectar? Asking these simple questions will help you identify your pollinator.

 

Image: Parts of an insect, as labelled on a bumblebee (Bombus sp.). Drawing by Silvia Battaligni

Close-up of a fluffy yellow and black striped bumblebee on a tall purple flower.

Bees

People are sometimes frightened by bees thanks to stories about “killer bees” but our native ones are actually pretty timid because stinging will kill them. They are usually so intent on feeding that they will ignore you completely. The main bees you will find in Manitoba are bumblebees (Bombus), honeybees (Apis), leafcutter and mason bees (Megachilidae), sweat bees (Halictidae), polyester bees (Colletidae) and mining bees (Andrenidae). Bees like a wide range of plants but seem to prefer yellow, purple or blue flowers. Longer tongued bumblebees prefer tubular plants like legumes.

The key characters of bees include:

  • Four lacy (membranous) wings;
  • Pronounced waists;
  • Long antennae;
  • Eyes at the side of the head;
  • Lots of branched hairs;
  • Pollen-carrying structures like leg baskets (bumblebees & honeybees), leg hairs (sweat, mining and digger bees) or belly hairs (leaf-cutter bees);
  • Straight, long- or short-tongues;
  • Body colour ranging from pale to dark yellow, orange or white and black striped, rusty brown and black, or shiny blue and green.

 

Image: Bumblebees (Bombus sp.) like tubular flowers like Hedysarum (Hedysarum boreale). Note the yellow pollen ball on its leg; only bees collect pollen like this.

Close-up of a smooth white/pale yellow and black striped wasp on a long, tubular purple flower.

Wasps

Wasps are closely related to bees but rather than being complete vegetarians, they typically feed their young meat (i.e. usually other insects). Since wasps can sting multiple times, they are usually more aggressive than bees. Most wasp species will not bother you but paper wasps, hornets, or yellow jackets (Vespidae) can be very territorial so give them a wide berth. Wasps have short tongues so they tend to visit flowers that are open or have short floral tubes.

Wasps have:

  • Four lacy (membranous) wings;
  • Pronounced waists;
  • Long antennae;
  • Eyes at the side of the head;
  • No body hair or unbranched hairs only;
  • No pollen-carrying structures;
  • Straight short-tongues;
  • Body colours that are often bright yellow and black or brown striped, or various solid colours (e.g. black, brown, green).

 

Image: Sand wasp (Bembixpruinosa) on a hairy prairie-clover (Dalea villosa). Wasps are common in sand hills habitats.

Flies

Surprising to many people is the fact that a wide diversity of flies are pollinators. In fact they are second in importance to bees (take that butterflies!). Flies tend to like open (not tubular) flowers that are white or yellow. Flower flies (Syrphidae) often look similar to bees with yellow or orange and black stripes while bee flies (Bombyliidae) look like tiny pussy willow catkins with wings. Soldier (Stratiomyiidae) and blow flies (Calliphoridae) are often bright green in colour and not very hairy, while parasitic (Tachinidae) and Muscid (Muscidae) flies look very similar to house flies with black or grey bodies and long, coarse hairs.

The key ways to tell these insects apart though are:

  • Two wings only;
  • No waist;
  • Large eyes near the front of the head;
  • Short, club-like antennae;
  • Unbranched hairs, if any;
  • No pollen-carrying structures;
  • Straight short or long tongues.

A dark yellow and black striped flower fly perched on a yellow flower.

Flower flies (Helophilus sp.) are often striped like a bee.

A fuzzy light-brown bee fly on a fluffy purple flower.

Bee flies (Systoechus vulgaris) look like pussy willows due to their fuzzy bodies.

An orange butterfly with dark markings on its wings, perched on a flower with long yellow petals.

Butterflies

Butterflies are pretty easy to tell apart from bees, wasps and flies because they have large wings. But telling them apart from moths can be a bit more difficult.

Typically butterflies are active only during the day and have:

  • Four large, brightly coloured wings;
  • Wings that fold upright when not in flight;
  • Long antennae typically with a bulb at the tip;
  • Long, curled tongues.

As they have fairly long tongues, butterflies often prefer flowers with long tubes like bergamot (Monarda fistulosa). But smaller butterflies, like skippers (Hesperiidae), often like flat topped asters like black-eyed Susan (Rudbeckia hirta) and Gaillardia (Gaillardia aristata).

 

Image: Many butterfly species like black-eyed Susan (Rudbeckia hirta).

A brown and white Sphinx moth with triangular wings perched among blades of grass.

Moths

Although moths are typically active only at night (nocturnal) a few species forage during the day (diurnal) like hummingbird clearwing moths (Hemaris). Nocturnal moths prefer tubular flowers that are white but diurnal moths will visit brighter coloured plants, like hoary puccoon (Lithospermum canescens) as well.

You can tell moths apart from butterflies by their:

  • Four large, often duller coloured wings, sometimes with “eye spots”;
  • Wings that stay flat and out to the side when not flying;
  • Long antennae that are often feather-like not clubbed;
  • Long, curled tongues.

 

Image: Though usually active at night, you can sometimes find Sphinx moths (Hyles sp.) hanging out on vegetation during the day.

A smooth red and black striped beetle on a white flower with a purpleish tint to it's large, crepe papery petals.

Beetles

Beetles are not the most common pollinators but there are a few species that will feed on the nectar of flowers that are flat, like woolly yarrow (Achillea millefolium).

Beetles have:

  • Four wings: two membranous, two hard;
  • Short or long antennae;
  • No hairs;
  • Short tongues.

 

Image: Red-checkered beetles (Trichodes nuttallii) prefer flat, open flowers like this wild blue flax (Linum lewisii).

Great web pages with image of pollinators can be found at BugGuide, here, and Xerces Society, here.

Happy pollinator watching!

Dr. Diana Bizecki Robson

Dr. Diana Bizecki Robson

Curator of Botany

Dr. Bizecki Robson obtained a Master’s Degree in Plant Ecology at the University of Saskatchewan studying rare plants of the mixed grass prairies. After working as an environmental consultant and sessional lecturer…
Meet Dr. Bizecki Robson

A Crash Course in Pollinator-Friendly Gardening

The loss of biodiversity and plight of wild pollinators has been all over the news lately. If you’re interested in doing something to make life easier for these creatures, you might want to consider making your garden more pollinator friendly this year. Pollinators have three basic needs: food, nesting/breeding habitat, and shelter.

Food

The best thing you can do is grow at least some native plants in your yard. Native plants have the correct flower shape to fit the local pollinators and typically produce highly nutritious nectar and pollen. Cultivars of native plants, like bee balm (Monarda), and Echinacea (Echinacea) may be OK, but some research indicates that they may produce lower quality nectar and be less frequently visited than native species (Learn more here). Cultivars that are highly modified (e.g. double bloomed species), or lack nectar and pollen (e.g. sterile hybrids) are useless for pollinators. To provide a regular food supply, ensure you have selected a sequence of plants that flower all through the growing season. Helpful ecoregional planting guides have been created by Pollinator Partnership Canada and can be found here. Good plant choices for southern Manitoba are noted below.

A fluffy yellow and black bumble bee crawling along the fringed edge of a purple bergamot flower.

Some cultivars of native plants like bergamot (Monarda fistulosa) may not provide as much nectar as the wild type.

A small bush with heart-shaped green leaves and small white flowers.

Queen bumblebees frequently visit Western Canada violet (Viola canadensis). Their beautiful heart-shaped leaves provide a lovely texture in shady areas.

Flowers for spring insects

Shrubby cinquefoil (Dasiphora fruticosa), strawberries (Fragaria), three-flowered avens (Geum triflorum), native or domesticated cherries and plums (Prunus spp.), wild roses (Rosa acicularis), native or domesticated raspberries (Rubus), meadowsweet (Spirea alba), native violets (e.g. Western Canada violet (Viola canadensis)), and Alexanders (Zizia) all bloom in early May or June. Queen bees, butterflies and/or flower flies will visit these species. Pansies are pretty but typically the wrong size for native pollinators.

 

Flowers for summer insects

Wild legumes like prairie-clover (Dalea), leadplant (Amorpha canescens) and Indigo bush (Amorpha fruticosa), as well as giant hyssop (Agastache foeniculum), milkweeds (Asclepias), fleabanes (Erigeron), wild mint (Mentha arvensis), obedient plant (Physostegia virginiana), black-eyed Susan (Rudbeckia hirta) and Culver’s root (Veronicastrum virginicum) are good choices for summer. They will attract all kinds of bees, butterflies and flower flies.

A fluffy yellow and black bumblebee perched on a cluster of fluffy yellow flowers.

Bumblebees (Bombus) and many other pollinators love rigid goldenrod (Solidagorigida). It is one of the most frequently visited native plants and it doesn’t cause hay fever!

Looking down at a six-petaled Western red lily.

Hummingbirds will visit Western red lilies (Lilium philadelphicum).

Flowers for fall insects

Native composites such as coneflower (Echinacea), blazingstar (Liatris), white aster (Oligoneuron album), goldenrods (Solidago), and asters (Symphyotrichum) are great for fall bees.

 

Flowers for hummingbirds

To attract hummingbirds specifically, tube-shaped flowers that are red, pink, or orange are good choices. Grow plants like wild columbine (Aquilegia canadensis), fireweed (Chamerion angustifolium), wild iris (Iris versicolor), western red lily (Lilium philadelphicum), lilac-flowered beardtongue (Penstemon gracilis), and wild bergamot (Monarda fistulosa) to attract them, and consider putting a hummingbird feeder nearby for extra nourishment.

Nesting/Breeding Habitat

Pollinators need safe places to build their nests. However, different pollinators have different needs. Some bees prefer bare, sandy soil while others nest in tunnels in wood or plant stems. By not mulching all of your bare soil, especially in sunny spots with south facing slopes, you can provide habitat for ground-nesting bees. You can create artificial nesting areas for cavity nesting leaf-cutter and mason bees by building a bee condo (Read more here) or hanging some hollow stems like bamboo, in bundles above the ground. Bumblebees prefer nesting in small cavities or under piles of leaves. To attract butterflies to breed, you must provide them with their larval host plants, often native flowers or grasses (Learn more here). Hummingbirds will nest in small trees, often using milkweed and thistle down, moss, and lichen for their nests.

 

Image: Monarch butterfly larvae need milkweed (Asclepias) leaves to feed on.

Shelter

Pollinators need places where they can spend the winter or undergo metamorphosis. In general, pollinators like “messy places” like tall clumps of grass, bushes, and leaf, rock, or wood piles. Identify an area in your yard that you don’t use regularly and designate that as your pollinator “messy place”. Leave small wood piles there and in fall, rather than raking up every last leaf, create a leaf pile there. Another thing you can do is delay some of your yard clean up till spring. Instead of pruning all your perennial flowers and throwing the dead stems in the compost, leave them standing up until spring. This dead vegetation will help to insulate overwintering queen bees and butterfly larvae from the cold.

 

Happy gardening and good luck with your project! In my next blog, I’ll be giving a crash course in how to identify all those fascinating little pollinators that will be coming to your new pollinator friendly yard.

Dr. Diana Bizecki Robson

Dr. Diana Bizecki Robson

Curator of Botany

Dr. Bizecki Robson obtained a Master’s Degree in Plant Ecology at the University of Saskatchewan studying rare plants of the mixed grass prairies. After working as an environmental consultant and sessional lecturer…
Meet Dr. Bizecki Robson

Dioramas: Where Science Meets Art

Post by Debbie Thompson, Diorama and Collections Technician

 

Dioramas are incredible works of “science meets art”. Planning the layout, construction, and content often takes years, with a tremendous amount of research and collaboration with curators, diorama artists, carpenters, and electricians. Volunteers are also a vital part of the making of dioramas; they take on the mammoth task of hand painting individual leaves. But what happens after the fanfare of the grand opening? What happens as time passes by? There are just a few people to keep a close eye on them, monitoring them for insects, rodents, dust, and repairs.

As Diorama and Collections Technician, I am one of those people. One of my main tasks is the maintenance and repair of the dioramas. Many people, of all ages, want to know if what they see in a diorama is real or not. The temptation to reach in and just test a blade of grass, flower, or a leaf on a tree is enticing. Sometimes, damages occur as a result. Then it’s time for repairs.

Along the fence of the rye field diorama is a thin section of prairie. All the tall grasses and flowers are within reach of visitors, and over time, the combination of accidental and intentional handling had led to the degradation of this section of the diorama. What was once a tall grass prairie has been beaten down to a matted mass of broken, unrecognizable stems.

Knowing where to collect the plant materials, receiving permission to collect in that area, ensuring what I’m collecting isn’t endangered nor threatened, and then processing the plant materials to preserve them is only the first step in repairing the damage. Once the plant material is preserved, its original colours have faded, so the plants must be painted “back to life”. Before the plants were even picked, detailed notes on colour are taken so when the plant is painted, it resembles its living counterpart.

Once the plant materials are painted, then it’s time for the repairs.

A portion of diorama base covered in broken stalks of grass and prairie flowers.

This piece of the diorama has been removed from along the fence that is easily accessible to visitors. The foam base had been painted a dirt colour, and originally it had clumps of tall grasses and flowers.  But now, the plant material lies broken. © Manitoba Museum

The same protion of diorama as the previous image, but the ground layer is more bare. Three green arrows point out particular clumps.

I removed all the broken grasses and stems, revealing a few of the original stumps of grass clumps (green arrows). However, these clumps cannot be reused and so must be removed. © Manitoba Museum

The same portion of diorama base as the previous two image, now looking even barer. In places the white ethafoam base is visible through the surrounding ground and grass areas, signified with yellow arrows. Propped up at the back of the piece are a flathead screwdriver and a hammer.

All the grass clumps are removed with a hammer and chisel (yellow arrows). Not only would it look unnatural to have broken grass clumps, but a level surface to work with is needed for the repairs. The exposed white ethafoam will have to be painted back to a “dirt” colour. © Manitoba Museum

The same diorama portion as the previous three images on a countertop from the side. The white portions of foam have been painted to match the dirt (signified by a blue arrow), and in an aluminum tray sits several clumps of grasses (signified with an orange arrow).

Here you can see that the exposed ethafoam has been painted a dirt colour and then allowed to dry (blue arrow). In the aluminum trays is a special solution that the grasses are soaking in (orange arrow). The soaked grass clumps are placed in the chiseled out areas. When the solution dries, it dries clear and hard, cementing the grass clumps in place. This will in time have to be removed the same way, with hammer and chisel, as damages build up. © Manitoba Museum

The repaired piece of diorama ground from the previous four images. The portion now has upright specimens of Little Blue stem grass (signified with a purple arrow), Stipa grass (green arrow), and Slender Goldenrod flowers (two grey arrows).

Here is a newly repaired section of prairie, with Little Blue Stem (purple arrow ), Stipa (another type of prairie grass, green arrow) and Slender Goldenrod flowers (grey arrows). Extra dirt was placed between the newly installed grasses, with sun bleached grass debris sprinkled over top. © Manitoba Museum

From start to finish, this one piece took just over 2 hours to repair. In all, there were 9 pieces that had to be repaired in this fashion.

Many of the dioramas are composed of real, once living plant materials that have been responsibly harvested and preserved using different chemicals and techniques. Examples of these types of plants include the aspens in the rye field and elk dioramas and mosses and spruces in the  Boreal Gallery. However, the green, living looking plants are made of plastic, such as the many plant species in the wolf den diorama. And then there are combinations, like a real stem but plastic flowers, such as the Black-Eyed Susans in the rye field diorama.

I hope this blog gives you a better understanding of what goes into maintaining the dioramas at the Manitoba Museum.

Monumental Moves: Sweating over Big Artifacts (Part 1)

If you want to see the blood pressure rise in a conservator, display really big, historically significant, breakable objects at least ten feet off the ground. It’s the next phase in our Bringing Our Stories Forward capital gallery renewal project, and the conservation team has moved to treating artifacts for the Winnipeg Gallery set to open in the fall of 2019. The objects going on display are not only monumental in size, but genuine monuments from some of the city’s most iconic architectural buildings. 

Remember the second old city hall? For anyone born after 1962, probably not, as this was the year the building was demolished. But that’s OK! Before the wrecking ball came crashing down to make way for the new modern city hall, the Manitoba Museum was given two large stained glass windows that stood above the main entryways. These beautiful stained glass objects measure approximately nine feet wide by four feet tall and weigh a little over 100 pounds. Being so large, and obviously fragile in nature, you can see why a conservator, who repairs artifacts daily, becomes hesitant when they are handed design drawings of one of these windows being displayed above the entrance to the new Winnipeg Gallery. 

So what’s the big deal? No matter the size, all artifacts are prone to deterioration. The issue that was assessed for our chosen window is that over the last one hundred years the glass on the window has begun to slump and a visible concave shape has formed in the object, as well as several cracks and some areas of loss. In order to reverse this damage, we teamed up with Prairie Studio Glass who will help us with the restoration process. The first big step was moving the nine foot wide window from our basement storage, to the loading dock, onto a trailer, and safely transported to Prairie Studio Glass’s workshop twelve blocks away where they can begin to dismantle each piece before putting it back together again – did I mention that this all needed to be done without causing more damage? 

Three individuals moving a large half-circle stained glass window onto a wheeled cart.

Moving the stained glass window out of basement storage. © Manitoba Museum 

Conservator Carolyn Sirett and Conservation Technician Loren Rudisuela standing smiling at the camera behind a large half-circle stained glass window on wooden supports. The stained glass has a City of Winnipeg crest in the middle.

A very excited conservation team that we made it all the way to the loading dock. © Manitoba Museum 

Large half-circle stained glass window propped up on wooden supports in front of a window. The stained glass features a City of Winnipeg crest in the middle framed by a green wreath.

Stained glass window successfully transported to Prairie Studio Glass’s workshop. © Manitoba Museum 

Our second big artifact preparation is what we like to call the Eaton’s lintel. This structure once resided on Portage Avenue as part of the exterior facade of the downtown Eaton’s department store (1905 – 2003), which after demolition became the home of our beloved Winnipeg Jets. Spanning seventeen feet in length, weighing approximately 5,000 pounds, composed of 17 separate limestone blocks, and three brass fixtures, it is the largest and heaviest artifact going into the new gallery. Currently located in our off-site storage facility, groundwork for this object will include construction of an engineered mount to support the weight of stones, pre-assembly of all the pieces (to make sure everything fits!) and general cleaning of the limestone and brass surfaces. 

Four individuals lining up a metal support beam along the edge of a limestone facade lined up in several large pieces on the ground.

Beginning to piece the lintel together in our off-site storage facility.

© Manitoba Museum 

 

Once this is complete the lintel will be moved to the Museum, carted across the galleries, and installed in its new home. Again, a lot of moving around here! 

Several individuals standing and crouching around the pieces of the Eaton’s lintel and metal support beam in a storage space. Conservator Carolyn Sirett is turned, facing the camera, grinning.

How many architects, engineers, and museum staff does it take to build a mount for a 5,000 pound artifact? © Manitoba Museum 

No matter the size of the artifact, as a conservator we are always up for the challenge of preserving our biggest or littlest objects. Stay tuned for part two of this blog which will capture some of the treatment work performed on both of these monumental pieces. 

Carolyn Sirett

Meet the Conservation Team

Carolyn Sirett

Senior Conservator

Carolyn Sirett received her B.A. in Anthropology from the University of Manitoba, Diploma in Cultural Resource Management from the University of Victoria, and Diploma in Collections Conservation and Management…
Meet Carolyn Sirett