Research Request Leads to Vacuuming

Research Request Leads to Vacuuming

Three individuals at the ends of a green cariole sledge mounted on a wall.

Recently, researcher Tim Worth requested access to the cariole, a toboggan-like sled, on exhibit in the Hudson’s Bay Company Gallery. Curator Katherine Pettipas agreed it would be a good opportunity to clean the cariole and assess its current condition. The work was scheduled for a Monday, a closed day, to minimize disruption for any visitors. Conservators Ellen Robinson and Lisa May, with assistance from Tim Worth and myself, took the cariole off its shelf, put it on a dolly and took it up to the HBC Lab, where Tim was able to make a thorough examination. He was joined by conservator Rick Lair from Parks Canada, a furniture and wood expert. While the cariole was in the lab, Ellen took the time to give it a thorough vacuuming, inside and out.

 

Image: The cariole is lifted off its shelf.

Collections Assistant Nancy Anderson took numerous photos to enhance the conservation documentation. The interior fabric, a luxurious velvet, had undergone previous conservation treatment by Parks Canada conservator Lorrie Storr. Tim completed his examination and the cariole was returned to its exhibit location at the end of the day. All in all, many people were pleased!

Several individuals working together to lift down a green cariole sledge from display.

We slid the cariole down on a piece of wood.

Four individuals standing around a cariole sledge on a table in a museum lab.

We all wanted to take a good look.

Three individuals around a cariole sledge on a table in a museum lab. Two are in discussion, and the third is vacuuming the inside of the cariole.

Rick and Tim look at construction details while Ellen vacuums the interior.

Close up on a side of the inside of a cariole on a display in a museum lab. Some repair work has been done along one of the edges.

The damage has been repaired with a backing fabric.

Fairly Scientific Community Science Fair

If you’re like me, we probably look back on your elementary school days with a mixture of nostalgia and dread. Yes, your hair really was that bad back then! However, there were likely some standout moments as well. For me, it was the annual science fair – the time of the year it was OK to be a science geek. I remember the brainstorming for topics, the hand-lettered backboards with pencil crayon drawings, the obligatory volcano and solar system model made of Styrofoam balls. For me, the science fair led me to a career in science communication – now I have a nicer backboard and better pencil crayons, but essentially I get to do science fairs every day!

A poster for the Fairly Scientific community science fair on Saturday, April 9, 2011.

Most people think they can’t do that sort of thing anymore – but now you can. “Fairly Scientific” is a community science fair open to anyone. Your project must be on a standard tri-fold cardboard or foam core backboard, but other than that you can do any sort of project you want (well, no explosives, toxic fumes, or injuries allowed). There will be a volcano contest for those who don’t want to do a full-on project.

So, who is this for? Well, students who want to continue their school science fair projects for one, but it’s especially aimed at the people who don’t get to do science fair projects any more. Folks who watch “Mythbusters” and always wanted to try something like that; grad students who want to take their thesis topic and have some fun with it for a public audience; basement tinkerers or inventors who want to show off their latest creation; it’s all appropriate for the science fair.

The projects will all be on display in the Planetarium Concourse downstairs at The Manitoba Museum on Saturday, April 9 as part of our Yuri’s Night celebrations. To get involved, contact Fairly Scientific.

Scott Young

Scott Young

Planetarium Astronomer

Scott is the Planetarium Astronomer at the Manitoba Museum, developing astronomy and science programs. He has been an informal science educator for thirty years, working in the planetarium and science centre field both at The Manitoba Museum and also at the Alice G. Wallace Planetarium in Fitchburg, Massachusetts. Scott is an active amateur astronomer and a past-President of the Royal Astronomical Society of Canada.

Century Eggs of a Different Flavour

Century eggs are a Chinese tradition where eggs are placed in an exotic recipe of alkaline clay and brine solution over several months. This preserves them for later consumption, and the chemical changes in the egg proteins makes for an interesting flavour. Of course, these “century” eggs are not, in truth, one hundred years old. The Museum, however, does have actual century eggs that have been carefully prepared and preserved for later use, and can provide science with a very tasty treat.

I’m afraid I couldn’t help myself, and once I had found 100-year-old eggs in the collection for my last blog post, I thought I would see if we had others. The Museum has 8 sets of eggs that are 100 years old this year. And we do have even older-than-century eggs, with over 120 clutches collected before 1911. The oldest is a set of five Clapper Rail eggs collected in Louisiana in April 1880.

Two photos side-by-side of two century eggs each. The eggs on the left are both a deep green-black. The eggs on the right are white shells with brown flecks.

Century eggs. On the left, the Chinese version where colours should change to insure preservation (photo from Wikimedia Commons). On the right, The Museum version as exemplified by Black-legged Kittiwake eggs collected by A.C. Bent in 1911. Preserving the original colours and shapes are what makes museum eggs valuable.

Five cream-coloured eggs with brown flecks placed together on a black background.

Clapper Rail eggs collected in New Orleans in April 1880 (MM1.21-160).

I’m afraid I couldn’t help myself, and once I had found 100-year-old eggs in the collection for my last blog post, I thought I would see if we had others. The Museum has 8 sets of eggs that are 100 years old this year. And we do have even older-than-century eggs, with over 120 clutches collected before 1911. The oldest is a set of five Clapper Rail eggs collected in Louisian in April 1880.

Of the actual century eggs in the Museum collection, two were collected by Arthur Cleveland Bent of Bent’s Life Histories fame, and examined in the last posting. Of the remaining sets, there is a Sandhill Crane from Alaska,  a Grey Heron from Scotland, a Double-crested Cormorant from Quebec, a Caspian Tern from California, a Clapper Rail from Virginia, and an Osprey from New Jersey.

Three eggs on a black background. On the left an elongated cream-coloured egg with brown flecks, on the right-side are two average-sized white eggs.

A Sandhill Crane egg from Alaska at left (MM1.21-142) and two Grey Heron eggs from Scotland (MM1.21-129), all 100 years old.

Five eggs against a black background. On the left are two white eggs and on the right are three cream-coloured eggs with brown flecks.

Century eggs of Double-crested Comorant at left (MM1.21.-106) and Caspian Tern at right (MM1.21-66).

Older specimens also provide an opportunity to examine ecosystems at the time they were collected – another Museum collection time machine.  Using various chemical analyses, scientists can determine how nutrients were cycled in an ecosystem in the past and compare how those same nutrients cycle today. Are the processes the same? If not, why not? Similarly, original background levels of various elements and chemicals can be determined from old specimens. Are today’s activities changing the levels of particular compounds in our environment compared to what they were 100 years ago?

 

Image: Clutches of Clapper Rail and Osprey eggs, each 100 years old and perhaps providing a record of environmental conditions at that time.

With an active and thoughtfully built museum research collection, the history and pattern of chemical signals in our environment as well as general ecosystem health and composition over the last 130 or more years can be studied and compared. This can help us better understand ecological processes and inform us on how to better manage our environment. It is worth keeping in mind, though, that the original collections were made not for some planned future application, but for the plain joy and fascination in the world around us. Taking an active interest in nature and exploring its riches just out of pure curiosity, just to know, will take us places and provide opportunities we would never have had otherwise.

I wouldn’t recommend making a meal of the Museum century eggs, but they certainly can give science and society a great deal to chew on.

Dr. Randy Mooi

Dr. Randy Mooi

Curator of Zoology

Dr. Mooi received his Ph.D. in zoology from the University of Toronto working on the evolutionary history of coral reef fishes. Following a postdoctoral fellowship in the Division of Fishes of the Smithsonian Institution…
Meet Dr. Randy Mooi

Pest Monitoring is Another Important Task

As well as temperature and RH, the Conservator also conducts pest monitoring. At the Manitoba Museum, we mostly check for insects. Sticky traps in storage and laboratory areas are checked; if a large number of insects are seen, we investigate, looking in the surrounding area more thoroughly. We often find one or two insects on the trap; one or two doesn’t indicate a problem, but is considered a normal condition. And not every insect is one that will feed on our collections.

Museum pests can include mice and squirrels, as well as insects. Although we have had a few problems with mice in the past, our current pest monitoring program focuses on insects.

A small folded triangle shaped pest trap.

Individual traps are place in corners and along walls, and checked monthly.

A sheet of three pest traps before they've been folded.

Sheets of sticky traps are available from pest extermination companies.

As part of their training, Conservators learn about different aspects of the museum environment – temperature, RH, light, atmospheric pollutants – and how these can interact with objects to cause damage and deterioration. Conservators also learn about museum pests, and must become familiar with the common pests they will encounter. We keep examples of insects found in the Museum, for reference and comparison.

A museum storage drawer containing a series of pinned insects and labels.

Examples of insects found at The Manitoba Museum.

Close-up on several pinned insects and labels in a storage case.

Insects are identified as harmless or harmful to the collections.

Jupiter and Mercury Visible After Sunset This Week

If you head outside a half-hour after sunset this week, you can spot the largest and smallest* planets in our solar system right next to each other. The giant planet Jupiter is just ending its months-long appearance in the sky, slipping slowly down towards the sun. This week, the tiny planet Mercury is moving upwards from the horizon, putting in a quick appearance before also disappearing into the sun’s glare. On March 14 and 15, the two planets will be about 2 degrees apart – that’s only about the width of four full moons in the sky. They’ll easily fit into the field of view of pretty much any household binoculars.

If you watch them from night to night, you’ll see the clockwork dance of the heavens: Mercury and Jupiter will change their relative positions from night to night, not just due to their own motion but that of our planet as well. The ground you’re standing on is part of this ballet, orbiting the sun along with Mercury and Jupiter.

The best nights to see this are March 14th and 15th, but Mercury should still be visible for another week or so after that. SkyNews Magazine rates this one of the top 11 celestial events this year.

 

*Yes, Mercury is the smallest planet which orbits the Sun; Pluto is still a “dwarf planet” along with Eris and Ceres.

Scott Young

Scott Young

Planetarium Astronomer

Scott is the Planetarium Astronomer at the Manitoba Museum, developing astronomy and science programs. He has been an informal science educator for thirty years, working in the planetarium and science centre field both at The Manitoba Museum and also at the Alice G. Wallace Planetarium in Fitchburg, Massachusetts. Scott is an active amateur astronomer and a past-President of the Royal Astronomical Society of Canada.

The Birch Bark Canoe: Step 1

By Kevin Brownlee, past Curator of Archaeology

 

The best way to understand any skill or expertise is by trying it out. Experimental archaeology attempts to replicate past activities to improve our understanding and interpretation of archaeological material. My interest in experimental archaeology is broad since I am interested in all aspects of past technology, working stone, clay, bone, antler, wood, bark, and hides.

In some cases I am replicating tools that I have recovered or items from the collection in other cases I am learning from Elders and knowledgeable community members on traditional activities. I have learned how to tan hides and make birch bark baskets from the First Nation community members. In other cases I have learned on my own how to make bone and antler tools. Here are a few pictures when I used a replica antler pick (not original) to see if it would chop through lake ice at -30.

An individual wearing full winter wear, kneeling on a snowy outcropping. They hold a long stick, pick type impliment.

Experimental archaeology using antler pick.

An individual kneeling over a whole cut into deep ice, and reaching in with a stick-like tool.

Experimental archaeology chopping hole in ice.

Close up on two mitted hands holding chunks of ice, and the tip of a white antler tool.

Results of chopping hole in lake ice with tool.

This past August my wife Myra and I were taught how to make a birch bark canoe by Jim Jones Jr. and Grant Goltz who are colleagues of ours in Minnesota. Jim Jones Jr. is an Ojibway Archaeologist and member of the Leech Lake Band working for the Minnesota Indian Affairs Council. Grant Goltz is a consulting archaeologist and is a master of many skills and makes traditional First Nation pottery, birch bark canoes, kayaks, furniture, and guitars, to name a few. Grant started making canoes in 1995 when he and his wife Christy taught an archaeology field school. The students learned how to make a canoe during the 6 weeks of the field school and everyone involved gained a better appreciation of this ancient craft. Since then he has made 20 – 30 birch bark canoes. The most famous was 27.5 feet long and was paddled from Portland Oregon to York Factory Manitoba.

Four birchbark canoes laying on braces on a lawn.

Canoes at Grant and Christy’s home.

Two individuals with heads close together seated on either side of a picnic table looking at a book showing styles of canoes.

Planning the canoe.

We began on a warm afternoon on the property of Grant Goltz and Christy Cain. We examined many books on the subject of birch bark canoes in order to decide what kind or shape to make. None of the books that Grant had provided good examples of northern Boreal Forest Cree canoe so we decided to make one that I found esthetically pleasing. It was called an early Algonquian Canoe “from the Ottawa River valley”. We made a few adjustments to the plan making a 15 foot canoe, 38 inches wide at the middle thwart. We also raised the height of the canoe at both the stern and bow and flattened the bottom somewhat following images of model canoes.

A sketch showing the end of a canoe with notes and measurements.

Sketch of canoe.

Sketch of a full canoe with notes and measurements for construction.

As we headed for bed that night Grant told Myra and I to get a good night sleep as we were going to be up early the next morning to gather spruce roots before the heat of the mid day.

An Exhibit with Teeth

By Dr. Graham Young, past Curator of Palaeontology & Geology

 

The Jaws and Teeth Exhibit, 2007

Since one function of the blog is to focus on our collections, it seems like a good place to occasionally revisit past exhibits, especially those showing items that are normally stored away in the back rooms.

Four skulls of varying sizes on display in a museum case. The lower three are identified as monkey skulls and the upper skull as human.

(Photo by Hans Thater)

A wide-angle view of a museum exhibit displaying a variety of skulls.

(Photo by Hans Thater)

Close-up on a walrus skull in a display case.

This walrus skull was front and centre as you entered the room (photo: Randy Mooi).

I was particularly pleased by the Jaws and Teeth exhibit, which was curated by Randy Mooi and me a few years ago. We combined zoological and paleontological specimens to demonstrate vertebrate anatomy and evolution, with a particular focus on adaptations for eating.

We loved doing this exhibit. To us, it was an opportunity to explore some of the best aspects of the traditional Natural History museum. And the public seemed to thoroughly enjoy it; we would always see family groups in the exhibit, animatedly discussing the various skulls and comparing their similarities. It really showed us that traditional exhibits can still fulfil an important function in the modern museum!

Three large shark jaws on display in a museum case.

This case of shark jaws and teeth highlighted the adaptations of one of the most long-lived vertebrate groups (photo by Hans Thater).

Large set of Tiger Shark jaws on a display mount.

Mounted jaws of the Tiger Shark, Galeocerdo, show how the teeth are continuously replaced like objects on a conveyor belt!

A variety of mammal skulls on display in a glass case.

This case exhibited the diversity of mammal groups, both living and fossil (photo by Hans Thater).

A display comparing the skull of a human to various other mammals including monkeys and beavers.

A human skull is compared to the skulls of other mammals. The beaver skull on the lower right is from an animal that had a displaced jaw, so that the teeth did not meet and wear normally. Its lower right incisor grew continuously until it met the skull! (photo by Hans Thater)

A variety of skulls from commonly recognized animals in a display case.

These are the skulls of familiar creatures such as dog, cat, pig, and pigeon.

The skulls of a variety of carnivorous mammals in a glass display case.

The skulls of carnivorous mammals are of great interest, and merited their own case.

Skulls of a polar bear and a wolf on display mounts.

Skulls of a polar bear (left) and wolf (photo by Randy Mooi).

A display case containing the skulls of a variety of reptiles and birds.

Skulls of a variety of “reptiles” and birds. A modern crocodile is compared to one from the Eocene Epoch, showing how little these creatures have changed in the last 50 million years!

Entry doorway into the Jaws & Teeth exhibit, with a number of display cases visible inside.

(Photo by Hans Thater)

A Real Time Machine: Museum Collections

I’m sure you are familiar with this scenario: getting on the internet for a specific nugget of information and then finding yourself some significant time later on some odd, but interesting tangent, and wondering, “How did I end up here?!” Browsing the Museum collections can be a bit like a 3-dimensional internet search, where examining one specimen can bring you on a voyage across space and time to a fascinating and unexpected place.

I recently had that experience when checking our collection to see what material we had of Black-legged Kittiwake. In an earlier blog, I related my recent sighting of this gull species in southern Manitoba where it is very rarely seen. I was curious to see if we had any kittiwake specimens. As it turns out, we have no adult specimens, but I found that the Museum houses some kittiwake eggs!

Two rounded cream-coloured eggs with brown flecks.

Kittiwakes do not breed in Manitoba, so of course these were not collected in the province. It is not all that surprising to find specimens from out-of-province in the collections; we use this material for reference and to put more local collections in a world context. The kittiwake eggs had come to the Museum as part of a Winnipegger’s private collection obtained in 1969, a collection that also happens to provide some of the earliest specimens of birds from Manitoba that the Museum has (Sandhill Crane and Bald Eagle, 1894). The fact that got me hooked on the kittiwake eggs was that they had been collected 100 years ago by none other than Arthur Cleveland Bent.

 

Image: Black-legged Kittiwake eggs collected 100 years ago by Arthur Cleveland Bent in the Museum collections (MM1.21-44).

Now, unless you are a student of ornithology or an avid birder, you are unlikely to recognize this name. Bent was a successful businessman with an interest in birds, and was commissioned by the Smithsonian Institute in Washington, D.C. to write a series entitled, Life Histories of North American Birds. This series became his own life history, as he eventually produced 21 volumes published from 1919-1968, with the last few completed posthumously from his notes. Although encyclopedic in nature and remaining a standard reference, these books are surprisingly entertaining to read and contain some wonderful natural history writing that gives an authentic account of what fieldwork and life (not just bird-life) was like in the early 1900’s, and shares the joy of discovery.

A white egg on a black background with a centimetre ruler along the bottom for scale.

And here in Winnipeg, we had kittiwake eggs collected by this same Arthur Cleveland Bent in 1911! Now curious, I checked and was rewarded to find that we also had an egg collected by him in that same year of the Parakeet Auklet, a mostly grey, puffin-like bird that lives in the northwest Pacific Ocean.

In two of his marvelous volumes (Diving Birds, 1919; Gulls and Terns, 1921), we find Bent’s original field notes describing the collection of the eggs we have in The Manitoba Museum. Both the kittiwake and auklet eggs were collected from tiny Walrus Island just off St. Paul Island in the Pribilof Group off Alaska. Bent described these birds as spending “…the greater part of their lives at sea and return[ing] to these lonely fog-bound islands in Bering Sea to rear their young, where they are wholly engrossed with the cares of reproduction.”

 

Image: Parakeet Auklet egg (MM1.21-18) collected by A.C. Bent in 1911 from Walrus Island in the Pribilofs.

Getting to the islands was an adventure in itself: “Our introduction to the famous fur-seal islands was characteristic of that dismal climate. We had been sailing by compass all night from Bogoslof Island, and morning found us still groping in the prevailing thick fog, which serves to keep the seals’ coats cool and moist, but is a menace to mariners. At last, when we had about concluded that we had missed our reckoning and had passed the islands, we began to see a few of these large white-breasted auklets flying past us to the eastward. Turning, we followed them, and before long we could hear the barking, roaring, and bellowing of the fur seals in their rookeries on St. Paul Island. Feeling our way carefully toward them until we could dimly see the outline of the cliffs, we crept along the shore into Village Cove [the main town].”

How about navigating by auklet instead of GPS!! That would sure cramp our style nowadays when we even have to punch in coordinates to find the local Tim Horton’s, never mind a tiny island in a northern sea!

Despite the initial doubtful outcome of the trip, Bent had no reservations about his work once there: “On July 7, 1911, I spent one of the most eventful afternoons of my life studying the nesting habits of this and the hosts of other sea birds that make their summer home on the wonderful, little, rocky islet of the Pribilof group, Walrus Island.”

Close-up on a map of Alaska with red and black dots marking off particular islands off the coast.

A map showing the location of Walrus Island (red dot) in the Pribilofs and Bogoslof Island (black dot) in the Aleutians. Bent sailed from Bogoslof to St. Paul Island (the main island near Walrus), some 400 km, through a thick fog by compass only. They found the island by following sea birds.

A newspaper clipping of two photos of Pacific kittiwakes. The top photo shows the birds on their cliffside nests, and the lower photo shows two eggs in a nest.

A plate from A.C. Bent’s “Life Histories of North American Gulls and Terns” (1921) likely showing the birds that laid the eggs in the Museum collection, and perhaps our eggs in the nest.

I am fond of Bent’s description of the kittiwakes and their nests from which our Museum eggs came: “In Bering Sea we found this to be one of the commonest gulls and found it breeding on all of the islands where it could find high rocky cliffs. On Walrus Island, where there are no high cliffs, we had an unusually good opportunity to examine the nests. Among the hosts of sea birds which made their summer home on this wonderful island a few little parties, of from four to six pairs each, of Pacific kittiwakes found a scanty foothold on the vertical faces of the low, rocky cliffs. Here their nests were skillfully placed on the narrow ledges or on little protuberances which seemed hardly wide enough to hold them, and often they were within a few feet of nesting California murres [another puffin relative] or red-faced cormorants, with which the island was overcrowded. The nests were well-made of soft green grass and bits of sod securely plastered onto the rocks and probably were repaired and used again year after year. They were well-rounded, deeply cupped on top, and lined with fine dry grass. Most of the nests, on July 7 [1911], contained two eggs, some only one, but none of them held young. The incubating birds and their mates standing near the nests were very gentle and tame. We had no difficulty in getting near enough to photograph them.” Or, apparently, to collect a few of their eggs!

Taking short trips like this in the Museum time machine, via collections and the natural history and human stories they tell, makes me wonder at times if I was somehow born a century (or more!) too late. Not as a knock on the modern approach, but wouldn’t it be fun to open up a modern nature guidebook and find such enjoyable, yet informative prose? Bent’s descriptions convey a joy in observation and discovery, as well as a respect for the organism that is inspiring. Museum collections and the stories they tell can help us make a better connection and foster a deeper appreciation for our fellow Earthlings and their habitats, something that can only be for the good as our world view is increasingly dominated by concrete, steel, asphalt, and electronic/entertainment media.

Dr. Randy Mooi

Dr. Randy Mooi

Curator of Zoology

Dr. Mooi received his Ph.D. in zoology from the University of Toronto working on the evolutionary history of coral reef fishes. Following a postdoctoral fellowship in the Division of Fishes of the Smithsonian Institution…
Meet Dr. Randy Mooi