Conservator

Conservator

Pay Group: 6

General

This position reports directly to the Senior Conservator. The Conservator is responsible for the preservation of the Museum’s large and diverse collections of artifacts and specimens through an established program of preventive maintenance; remedial treatments, based on institutional need and the incumbent’s area(s) of specialization.  They work closely with staff members throughout the Museum to provide optimum standards for display, handling, and maintenance of the Museum’s collections. The incumbent is expected to undertake tasks with minimal supervision; to be proactive in identifying areas of concern; and to serve as a resource for both general conservation inquiries and specific (depending on area(s) of specialization and experience) from staff, other community museums in Manitoba, and the public.

 

Criminal record and child abuse registry checks will be required of the successful candidate.

Key Accountabilities and Responsibilities

Priority 1: Care of Collection

To implement a program of preventive conservation and to perform remedial treatments, when necessary, to ensure the care and long-term preservation of the Museum’s collection of artifacts and specimens.

  1. Responsible for the monthly environmental monitoring and the integrated pest management program throughout the Museum complex, taking corrective action when required.
  2. Completes condition assessments, photographic documentation, and conservation treatments adhering to professional standards, as assigned by the Senior Conservator.
  3. Prepares condition reports, and conservation treatments if required, for all external loans including packing and crating of objects safely for shipment.
  4. In consultation with Collections Specialists, plans and implements improvements to storage areas and methods of storage including building new storage boxes, textile supports, or other type of storage mounts.
  5. Responsible for completing condition reports for all incoming loans.

 

Priority 2: Exhibits

To assist with exhibits from design and production to installation and takedown, including handling of artifacts and specimens, regular maintenance, and production of conservation records, for all internal and external exhibitions.

  1. Undertakes preventive maintenance and ongoing refurbishment of existing dioramas and permanent exhibitions.
  2. Updates preventive maintenance schedule of dioramas and exhibitions as tasks are completed, notes any future repairs required.
  3. Designs and constructs exhibition mounts from a variety of materials for museum objects going on display or out on loan.
  4. Installs museum collections as part of exhibitions ensuring proper environmental and lighting conditions are met.
  5. Responsible for the dismantle of museum collections from exhibitions, completing condition reports and returning collections back to storage areas.

 

Priority 3: Service to Others

To provide up-to-date information and foster awareness and understanding, in all aspects of collections care and preventive conservation to staff, volunteers and the general public.

  1. May conduct behind-the-scenes tours for staff and the general public as requested.
  2. May be requested by the Senior Conservator to perform fee-for-service based conservation projects.
  3. Provides functional or technical guidance and/or informal training or instruction to coworkers, volunteers, and interns; may coordinate job tasks within the work unit.
  4. Responds to requests from outside cultural agencies and answers inquiries from the general public.
  5. May perform research in the field of conservation and present results in reports, publications, and other media.
  6. May provide input for the preparation of grant applications in support of exhibition refurbishment, collections maintenance and preservation, remedial treatments, professional development, and/or student funding.

Minimum Required Qualifications:

Skills, Abilities, and Knowledge

  1. Thorough, current knowledge of the philosophy and practice of conservation within a mixed Human and Natural History museum collection, preferably with an area of specialization in either organic or inorganic materials.
  2. Advanced knowledge of digital photography and environmental monitoring devices.
  3. General knowledge and understanding of museum operations, including automated collections management systems.
  4. Ability to communicate clearly, both verbally and in writing.
  5. Functional ability in computer operations, including word processing, spreadsheets, databases, and Internet research.
  6. Knowledge of health and safety procedures as applied to conservation, including WHMIS training.
  7. Ability to work in an organized and independent manner, to identify priorities, and to meet deadlines.
  8. Manual dexterity; close attention to detail; able to accommodate various working conditions including at heights and in confined spaces.
  9. Valid Driver’s License is an asset.
  10. Eligibility to obtain a Firearms License.
  11. Ability to obtain Fall Protection Certification.

 

Education, Training, and Experience

  1. University degree plus Diploma in Conservation from a recognized University or College training program, and
  2. At least three years’ experience in a medium-sized museum setting, preferably in a Conservation Department, or
  3. An equivalent combination of education and experience.

This is a full-time permanent position. The salary range is $56,810.10 to $67,834.17 per annum depending on experience. Application deadline is 4:30 pm on Friday, August 14, 2026.

If selected for an interview, a detailed portfolio consisting of three items will be requested.

 

Please submit your resume and cover letter to:

Manager of Volunteer & Employee Relations
Manitoba Museum
190 Rupert Avenue
Winnipeg, Manitoba R3B 0N2
HR@ManitobaMuseum.ca

 

The Manitoba Museum is committed to inclusion and employment equity and welcomes diversity in the workplace. The Manitoba Museum recognizes the importance of building a workforce reflective of the visitors it serves. Therefore, the Manitoba Museum supports equitable employment practices and promotes representation of designated groups (women, Indigenous people, persons with disabilities, visible minorities).

Employment Equity is a factor in selection for this position. Consideration will be given to Indigenous people, visible minorities, and persons with disabilities. All applicants are encouraged to self-identify if they are members of the designated groups (women, Indigenous people, persons with disabilities, visible minorities) in their application.

This document is available in other formats and accommodations will be provided throughout the selection process upon request. Contact Human Resources at 204-956-2830 if you have an accommodation request.

We thank all applicants for their interest; however, only those being considered for interviews will be contacted. We are not able to acknowledge receipt of applications submitted via Fax or mail.

Manitoba’s Summer Skies

Away from the lights of cities and towns, the sky at night is a stunning sight. Sadly, many people can only see this wonder of nature when visiting a cottage or camping over the summer, when the nights are short and the sun sets very late. It’s totally worth staying up for!

As darkness falls, look for the Summer Triangle high in the southeast. It’s made of three of the brightest stars in the sky, including Vega, which is almost straight overhead. It looks like a big slice of pizza that stretches halfway to the horizon, with lots of other stars around it.

An image of the swirl of the Milky Way wth a bright yellow centre and swirling blue "wings". A red star illustration is labelled "You are here.".

The Milky Way as seen from the outside – a huge spiral of stars, dust and gas. The Sun (circled) is just one of 400 billion stars in the Milky Way. © NASA/JPL/Caltech/R. Hurt

A star map showing common constellations seen in the Southeastern to Southwestern sky on summer nights. Several constellations are outlined in red, with the Summer Triangle outlined in blue.

The Summer Triangle is high in the south during the summer, with the Milky way passing through it and towards the “teapot” shape of Sagittarius.

Photo of the view into a nebula with text on the front reading, "The Milky Way LIVE / Tour the galaxy!".

If you are away from city lights and the Moon isn’t in the sky, you will see a faint, hazy band of light stretching through the Summer Triangle down to the southern horizon – the Milky Way. This is our view of our own galaxy from the inside. This area is full of little star clusters and wisps of gas, perfect for scanning with ordinary binoculars or a small telescope as well as to the unaided eye.

The Milky Way is visible every night of the summer, provided it is clear, and the bright Moon doesn’t interfere. The Planetarium’s show Milky Way Live, showing daily at 2:15 pm throughout the summer, will guide you to the best times and highlight other celestial events like meteor showers and planetary parades.

For full details on all of the Planetarium’s summer offerings, visit the Planetarium webpage or follow @ManitobaMuseum on Facebook and Instagram.

Where Did I Put That…?

The Manitoba Museum houses hundreds of thousands of natural history specimens, and finding the space to put all them can be tricky, especially as our collections continue to grow with new donations and fieldwork finds. Only a fraction of the collections can be found on display in the galleries, and the rest are cared for in dedicated storage spaces. Finding a specimen in storage would be like finding a needle in a haystack if we didn’t have our handy tools: location and movement control!

In the field of collections management, location and movement control refer to a system of recording all the locations where objects are stored or displayed, and attaching those locations to a museum’s object record. This is often part of the collections procedures of museums, galleries, and archives, for the efficiency that implementing it provides, or sometimes for standard accreditation requirements.

At the Manitoba Museum we use a system of location codes recorded in our collections database. These location codes are in a standard format and attached to object records. It’s a two-way street: not only can we search specific objects and see their locations, but we can also search by location to get a list of all the objects stored there.

Screenshot of databse search results for a location code of BC-10, offering results including Acilius semisulcatus, Ilybius sp., and Calopteryx aequabilis.

The database results for a search of location code “BC-10”, or, the Aquatic Insects case in the Boreal Gallery corridor.

The degree of precision used in this system can vary. We can record the room number, aisle unit, cabinet, and shelf number, or be even more precise with a box or bin number. Objects on the move can be assigned to transit records, like truckload or crate number. We can gauge how precise a location code needs to be depending on the kind of object, what collection it’s in, and how easy it is to find in that location. Information about who moved the object and when they moved it is also recorded alongside the location, so that an accurate and thorough movement history can be associated with it.

Keeping track of an object’s permanent location becomes even more important when you know that objects can be in temporary locations as well. Permanent locations tend to be shelves in storage rooms, but can also apply to objects permanently in the galleries. Temporary locations can refer to objects that are off-site, such as for outgoing loans, but can also refer to many on-site locations. Objects may need to be moved temporarily for short-term exhibits, conservation, preparation, short-term storage, or quarantine, and these spaces all have location codes that keep an object from getting lost, even while remaining within the building.

Looking down the aisle between two rolling units of storage cabinets. On the outer sides, closest to the camera, labels read "Unit 8" and "Unit 9".

An aisle in natural history collections storage, with unit numbers and numbered cabinet labels.

Looking toward a dark metal cabinet with two silver handles in the centre on each door. Labels on each side read, "14 280. Asteraceae (Picris - Soliago)" and "15 280. Asteraceae (Sonchus - X.)".

Cabinets 14 and 15 in an aisle in natural history collections storage, labelled with the taxonomic identifiers of the herbarium specimens they contain.

Utilizing location and movement control in the natural history collections means that we are able to store our specimens in specialized ways. Filing systems in collections storage can be based on taxonomy, age/stratigraphy, object size, catalogue number, special grouping, or a combination of these. The advantage to most of these systems is that they can enable browsing of similar collections material without jumping around to different areas of the collections. Location control works in the opposite way: to pinpoint objects among these complex systems, so that you can save time sifting through many potential locations.

Nearly a dozen mounted pairs of antlers, some with skulls attached as well, on a wall rack above tall metal cabinets.

Specimens with multiple parts can also have multiple locations. For example, a skull and antlers may be stored on the wall rack, the skeleton of the same animal may be stored in one cabinet, and its tanned skin may be stored in another. All of these locations are listed in the object record, so that collections staff are able to find whichever particular element they’re looking for.

 

Image: Oversized antlers (and some attached skulls) stored on a wall rack in natural history collections storage. Some of their mandibles and other skeletal parts are stored inside the labelled and numbered cabinets below.

From a broader perspective, location and movement control is also helpful for inventories, audits, risk assessment, and object history. Imagine a scenario where an object has been located, and it has some damage. By looking at the object’s record in the database, collections and conservation staff can see that at one point in time the object was being stored in a location known to have had non-ideal storage conditions, which adversely affected a number of objects in the same way. If staff kept good records about its movement from the old location to the new location, this object’s damage could be traced back to the period of time when it was stored there. With the help of dated condition reports attached to the object record by conservation staff, we can even corroborate the cause of the object’s damage to its previous location.

However, if there is a gap in the record so that the location history of the object in this scenario was never updated to the new location, collections staff can ask questions like: Should this object be returned to the old location listed in the record, if that location was the cause of damage for this object? Is the place that I found this object meant to be its new storage location? If so, who authorized it to be moved here and when? What is the current location of other objects moved out of those poor storage conditions, and should I relocate this object to the same new location as them? As you can see, location and movement control is just one piece in the ever-evolving puzzle of proper collections management.

For a long time, the natural history collections at the Manitoba Museum didn’t have the resources to implement location codes more precise than storage room level. This can make it difficult to find and track where specimens are located. Without precise locations, we rely only on cabinet labels and general knowledge of the room layout. Unfortunately, these could change over time and misrepresent locations if not updated promptly, or may not take into account special storage conditions that require objects to be in different locations than expected. A specimen could even be on permanent display in the galleries, but if that information is not attached to the object record then collections staff could spend a lot of time looking in storage for something that is not there.

Over my last two years managing the natural history collections with our brand new database, I’ve been working to add and update location information to as many natural history specimens as possible. I can do this by making inventories, incorporating location information into cataloguing procedure, and updating a record when an object is accessed for research, a loan, or an exhibit. This important work helps make accessing all areas of the collections a smooth process for collections staff, conservators, and curators.

Dr. Brigit Tronrud

Dr. Brigit Tronrud

Collections Management Specialist – Natural History

Dr. Brigit Tronrud earned her D.Phil in Earth Sciences from the University of Oxford (2022) specializing in paleontology and zoology, following her B.Sc. from the University of Chicago (2017). Her doctoral research focussed…
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The Passing of Elder Louis Bird

A black and white photo of a man from the waist up, wearing a windbreaker jacket and sitting outside, smiling over and past the camera.

It is with great sadness that the Museum expresses their sincere condolences to Elder Louis Bird’s family, and all who knew him. As a highly respected Ininíwi (Omushkego Cree) Elder, Knowledge Holder, educator, and storyteller, Louis Bird was often called upon by institutions like ours to help with developing content for exhibits and programming. Thanks to a longstanding friendship with former Curator of Cultural Anthropology, Dr. Maureen Matthews, he was willing to share stories of the first ships to arrive in Hudson Bay as part of our Nonsuch Gallery renewal in 2018. We are so honoured that his words continue to reach our visitors through this exhibit and educational programming, as part of his lasting legacy at the Manitoba Museum. His voice and words remind us to pause, listen, and reflect on the stories of our shared history on this land. It was a privilege to know and work with Elder Bird – he will be deeply missed.

Keeping Indigenous Voices Alive

Did you know that Indigenous languages across Canada are considered endangered or at risk of becoming endangered?

Canada is home to 70 distinct Indigenous languages, belonging to several language families and including multiple dialects. Unfortunately, some of these languages have fewer than a thousand or only a handful of fluent speakers left, and protecting them now is more important than ever.

In an effort to support the revitalization of Indigenous languages, the Manitoba Museum has been working to incorporate them into all areas, both on and off the floor, from galleries and exhibits, to Museum publications and online platforms, to shared office spaces. Some of the languages represented include Anishinaabemowin, Ininímowin, Anishininiimowin, Denesułine Yatié, Inuktitut, Dakhótiyapi, and Michif. As an educational institution, the Museum has a responsibility to accurately and respectfully share stories and to represent the languages that are deeply intertwined within them.

Portion of a large wall mural depicting a mammoth on a grassy plain.

Follow a self-guided trail to learn stories that date back to the Ice Age ©Manitoba Museum

Circular sign on a handrail with a illustration of two bison. Text on the sign reads, "What is "Bison" in Anishinaabemowin? / Mashkode-Biziki / Play Anishinaabemowin with Amik language game online". Out of focus in the background is the iconic Manitoba Museum bison diorama.

Play and learn with the Anishinaabemowin with Amik language game. ©Manitoba Museum

This June, in celebration of Indigenous History Month and Indigenous Peoples Day on June 21, we invite you to visit the Manitoba Museum to learn a few words in one or more of these languages.

Follow a brand new self-guided trail to discover an Anishinaabe word for an Ice-Age animal, learn about the origins of the word “tipi,” and find out where Winnipeg got its name.

As you explore the Museum Galleries, keep your eyes open for animals included in our Anishinaabemowin with Amik language game. Scan the QR code and learn!

Star chart showing a constellation of a sturgeon in the night sky.

Learn with Indigenous star lore expert Wilfred Buck in the Planetarium. ©Door Number 3 Productions

A full-sized tipi set up in the centre of a Museum Gallery with a digital mural of a open grassy plain behind it.

Do you know what language the word tipi is derived from? ©Manitoba Museum

For further learning, head down to the Planetarium to learn some words in Ininímowin during a showing of Wilfred Buck’s Star Stories.

Join us this month to explore, learn, and celebrate Indigenous languages and culture at the Manitoba Museum. Plan your visit today!

 

Plan your visit this June

A Paper Trail That Speaks Volumes

What can a piece of paper reveal about a life? In May, in honour of Asian Heritage Month, the Manitoba Museum invites you to discover how fragile documents—certificates, photos, and government records—reveal powerful stories of tragedy, loss, survival, adaptation, and triumph.

A newspaper clipping from "The Morning Leader" newspaper in Regina. The headline reads, "R.C.M.P. to round up Chinese for registrations and photos".

The Paper Trail to the 1923 Chinese Exclusion Act is an adapted travelling exhibition from the Chinese Canadian Museum which shines a light on a monumental but largely forgotten chapter in Canadian history. Crowdsourced from the fragments of memories and documents of hundreds of Chinese Canadian families across Canada, including those from Manitoba, as well as extensive and painstaking research, the stories reveal the impact exclusion left on the lives it touched.

Visitors to The Paper Trail will encounter moving personal stories that bear witness to how a law deeply affected Chinese in Canada during and even after its repeal. This special exhibition connects past and present, inviting reflection on a period of Canadian history that had gone silent. 

 

Image: Regina’s Morning Leader newspaper article, August 21, 1923.

A small open drawer containing index cards, the front of which has a black and white documentation photo of a Chinese Canadian man, identified at GIN Wah Yee (1890-1968).

A story from The Paper Trail exhibition. Photo by Larry K.F. Chin.

An immigration card issued from the Dominion of Canada Department of Immigration and Colonialization Chinese Immigration Service with an identification photograph of a small child, George Wesley Wong.

Wes Wong was born in Brandon in 1922, yet was issued this immigration card. Supplied by: Wesley Wong Family.

Continue learning with the accompanying book, The Paper Trail to the 1923 Chinese Exclusion Act, by award-winning curator and author Catherine Clement, available in the Manitoba Museum Shop. Expanding beyond the exhibition, this landmark book delves deeper into the human experiences of the exclusion years, revealing the lived realities behind one of the most consequential yet often overlooked chapters in Canadian history.

Come see The Paper Trail to the 1923 Chinese Exclusion Act, now on exhibition at the Manitoba Museum.

Plan your visit

Sepia toned photograph of a somber faced child with part of an embossing stamp visible in the lower left corner.

ID photo from the head tax certificate of Jackie Lee who settled in Winnipeg. Supplied by: Victor Lee.

Book cover for The Paper Trail to the 1923 Chinese Exclusion Act. The cover features a historical identification photo of a young Chinese man, with the book title on a red bar along the left hand side. Author Catherine Clement's name is along the bottom.

The award-winning book that supplements The Paper Trail exhibition. Supplied by: Plumleaf Press.

Our Biggest Zoology Specimen

At the Manitoba Museum, our Natural History collections mandate requires that we focus our collecting efforts on specimens that are from Manitoba. We do occasionally make small exceptions to that rule, especially if the specimens were originally collected or acquired by a Manitoban, like the spectacular tropical butterflies that we keep in the collection for occasional use in exhibits. Long-time museum fans may remember the spectacular Colours in Nature exhibit from 2011, where many of these were on display. In 2022, however, we made a big exception. A huge exception. An exception so enormous that the last time we moved it, we needed five people working together just to shift it a few feet to the left. Friendly Manitobans, it is my pleasure to introduce to you mammal specimen #24503, the left-side dentary bone (lower jaw) of a fin whale!

A large jaw bone partially unwrapped from bubble wrap and packing blanket, with a 18-inch long ruler resting near it for scale.

One end of a dentary bone from a fin whale, collected in Newfoundland.

Balaenoptera physalus, the fin whale, is a species of baleen whale that is found both north and south of the tropics in ocean waters around the world. Individuals of this species can grow to be incredibly large, second in size only to blue whales. As with other baleen whales, they sustain their large bodies by eating massive quantities of smaller organisms like krill, fish, and even squid. While Hudson Bay is home to several whale species, the fin whale is not one of them. So how did this jaw get to the Manitoba Museum? Why do we have it in our collection? And just how big is it, really?

Close up on handwriting on a worn cream-coloured background. Writing reads, "Lower Jaw of Balaenoptera physalus / Arctic Fisheries / Dildo, Trinity Bay Newfoundland / W.O. Pruitt 1966".

Part of the story of this specimen is written on the bone itself. In 1966, the jaw bone was obtained by Arctic Fisheries in Dildo, Newfoundland, by ecologist William Pruitt* while he was working at Memorial University in St. John’s Newfoundland. Shortly thereafter, he moved to Winnipeg for a teaching position at the University of Manitoba. While the “how” and “why” of it are somewhat of a mystery to us, the whale jaw also made its way from Newfoundland to the University of Manitoba, where it was stored in the biology collection for decades. During his time at the U of M, Pruitt launched the Taiga Biological Station, where students conducted ecological field research and collected many specimens that now reside here at the Museum. In fact, Pruitt regularly involved the Manitoba Museum in his work, and to this day we hold 1,745 specimens that he collected here in Manitoba.

The University of Manitoba, looking to free up some space in their storage areas, offered the dentary to The Manitoba Museum in 2022. We accepted the offer, thinking that one day it may make a nice exhibit piece. The bone was loaded into a moving van for a short trip over to the Museum where we catalogued it and brought it into our collection. The dentary now lives in our dedicated storage space for oversized Natural History specimens, alongside taxidermy mounts of bears, bison, and other big animals.

The question remains, just how big is this whale jaw, anyway? While we don’t have a weight on file for this bone, it’s been measured at 3.3 metres long from tip to tip, and 3.5 metres if following the inside curve. To put that into perspective using other things that can be found in our collections room, that’s the equivalent length of…

27 blue morpho butterflies…

An image looking down from above a large jaw bone resting on the ground on opening wrappings of bubble wrap and packing quilts. Above the image are 27 blue morpho butterflies lined up to scale.

20 chambered nautilus shells…

An image looking down from above a large jaw bone resting on the ground on opening wrappings of bubble wrap and packing quilts. Above the image are 20 spiraling chambered nautilus shells lined up to scale.

10 American red squirrels…

An image looking down from above a large jaw bone resting on the ground on opening wrappings of bubble wrap and packing quilts. Above the image are 10 American red squirrel specimens lined up to scale.

Or 1.65 Collections Technicians!

An image looking down from above a large jaw bone resting on the ground on opening wrappings of bubble wrap and packing quilts. Above the image are two photos of Collections Technician Aro, lined up to scale, with her head cropped off in the second image just below the shoulders.

*Author’s note:

While researching William Pruitt for this piece, I came across a short biography for him on the Manitoba Historical Society Archives website. While it doesn’t fit nicely into this story, there are details about how before his brief tenure in Newfoundland, he worked for the University Alaska at Fairbanks in the 1950s. At the University of Alaska, Pruitt was tasked with researching from an ecological perspective the risks of Project Chariot, which was a plan to use six nuclear bombs to rapidly excavate a new resource export harbour on the Alaskan coast. He roundly condemned the plan for its environmental risks, and the report’s release was suppressed by the United States government. The University of Alaska terminated Pruitt’s employment over the issue, putting him on the road to Newfoundland, and eventually, Manitoba! In the end, Project Chariot was shelved due to objections from the local Inupiaq people and a subsequent wave of coordinated public outrage in the United States.

Learn more about William Pruitt – Manitoba Historical Society

Learn more about Project Chariot – Wikipedia

Aro van Dyck

Aro van Dyck

Collections Technician – Natural History

Aro van Dyck earned her B.Sc. from the University of Manitoba, majoring in Biological Sciences and minoring in Entomology. She has also researched the diversity of wasps and bees Winnipeg’s greenspaces…
Meet Aro van Dyck

Manitoba Museum unveils exhibition exploring the Chinese Exclusion Act

Historical formal headshot of a young Chinese man on the left of a red background. Gold text to the right reads,

Treaty One Territory, Winnipeg, Manitoba (May 1, 2026) – The Manitoba Museum is honoured to welcome a temporary exhibition from the Chinese Canadian Museum which shares moving and powerful stories of Chinese people in Canada and Manitoba during the Chinese Exclusion Act between 1923 to 1947. The Paper Trail to the 1923 Chinese Exclusion Act opens today in recognition of Asian Heritage Month.

The Paper Trail is a special adaptation of the award-winning landmark exhibition that debuted at the Chinese Canadian Museum in Vancouver on July 1, 2023 – the 100th anniversary of the Act. It takes an unflinching look at Canada’s exclusion years when, for the first and only time in Canadian history, the country banned the entry of a single community and issued immigration cards to Chinese who were born here. The exhibition focuses on the human impact and personal cost this law inflicted on Chinese people in Canada. The displays reveal haunting stories of loss, despair and fear, as well as powerful examples of courage and perseverance.

“We are so pleased to be partnering with the Chinese Canadian Museum to share this important history with our visitors. Curator Catherine Clement has done a remarkable job to further tailor the original exhibition to include local stories and connect with the Chinese Canadian community in Winnipeg,” says Dr. Amelia Fay, Director of Research, Collections, and Exhibitions.

Curated by award-winning Chinese Canadian historian Catherine Clement, The Paper Trail exhibition involved extensive crowdsourcing of private documents and stories from families across Canada, as well as hundreds of hours of painstaking research.

“Chinese exclusion was a monumental chapter in Canadian history, yet it was largely forgotten, even amongst Chinese Canadians whose families had been affected,” says curator Catherine Clement. “Fortunately, the extensive government paper trail left behind to enforce exclusion, helped us to slowly uncover the lived experience of this law: the daily realities, the emotional costs and the quiet endurance of a community under siege.”

The Paper Trail exhibition will be on display in the Manitoba Museum’s Discovery Room and Urban Corridor until April 2027

On May 1, Catherine Clement will give an author’s talk at 6:30 p.m. in the Museum’s Auditorium. This will be Catherine Clement’s only talk in Manitoba—an exceptional opportunity to gain deeper insight into this powerful and resonant story.  Learn more: https://manitobamuseum.ca

-XXX-

 

Media Contact & Information: 

Image Gallery: A collection of images and a document with image captions & credits can be found here.

 

Brandi Hayberg
Manager of Marketing & Communications, Manitoba Museum
BHayberg@ManitobaMuseum.ca
204-988-0614

Sophia Cheng
Publicist, Chinese Canadian Museum
Sophia@SophiaChengPR.com
604-828-3102

The Paper Trail to the 1923 Chinese Exclusion Act exhibition is co-hosted by the Chinese Canadian Museum and the Manitoba Museum.

Chinese Canadian Museum logo.

Manitoba Museum bilingual logo.

This exhibition made possible with the support of Canadian Heritage.

Government of Canada logo.

A Planet Worth Celebrating

By Mike Jensen, Science Programs Specialist

 

Every year on April 22, people around the world celebrate Earth Day, a moment to appreciate the wondrous planet we call home. Earth supplies the air we breathe, the water we drink, and the ecosystems that support a mind-blowing diversity of life.

It’s easy to take these systems for granted because they quietly work behind the scenes every day. Forests and wetlands help clean our air and water, oceans and lakes support countless species, and the atmosphere protects life on Earth.

Woman in tall rubber boots with a wide-brimmed hat, large waist bag, and walking stick smiles for a photo among waist high brush with trees behind.

Spring is one of the best times to observe these systems in action. Here in Manitoba, the change in seasons is especially dramatic. The natural world comes alive after a long winter. Melting snow feeds streams and rivers that eventually flow into Lake Winnipeg. Migrating birds return North. Plants begin to grow again.

Earth Day is an opportunity to appreciate this renewal and reflect on how we can help care for the planet. The good news is that even slight actions can make a real difference.

 

Image: Enjoy the great outdoors! Curator of Botany Diana Bizecki Robson hikes – and gathers specimens – in a boreal bog. ©Manitoba Museum

Here are a few simple ways to celebrate Earth Day at home this Spring:

  • Plant pollinator-friendly flowers or native plants.
  • Pick up litter in a local park or along the river.
  • Take shorter showers and turn off lights in empty rooms.
  • Take a hike in a natural space near your community.

 

By learning more about our world and making thoughtful choices in our daily lives, each of us can help keep Earth happy for generations to come.

After all, when it comes to our home planet, every day is a good day to celebrate it.

Four children standing around a round table engaging with exhibit material through with embedded digital screens. A museum staff member guides them through the activity.

Learn what it takes to keep our waterways healthy in the Science Gallery. ©Manitoba Museum/Rejean Brandt

Four yoth stand in front of a pop-up display cart covered in fossils and specimens. A Museum staff member on the other side of the cart talks with them about the artifacts.

Learn more about our world with fun hands-on activities. ©Manitoba Museum

You can also celebrate Earth Days at the Manitoba Museum on April 18 and 19! Explore the Museum Galleries on an Earth Day scavenger hunt. Become a Climate Hero at our Ocean Adventure workshop in the Science Gallery. And take in one of three Planetarium shows, all showcasing our planet.

Learn more about Earth Days programming

A promotional image for Earth Days at the Manitoba Museum. On the right side is an image of a child engaging with a digital display in the Science Gallery. On the left side, next to an illustration of a globe, text reads,

The Passing of Tannis Richardson

Young Tannis Richardson sits on the deck of the Nonsuch replica off the coast of British Columbia (Victoria, BC 1972), wearing a dark coat, headscarf, sunglasses, and striped trousers, with rigging and water visible behind.

Today, we join many across our province in mourning the passing of Tannis M. Richardson. A leader whose quiet strength, deep generosity, and commitment to community helped shape Manitoba in meaningful ways.

Tannis’s connection to the Manitoba Museum ran deep. Her family was part of the very foundation of the Museum, with both her husband, George T. Richardson, and sister-in-law, Lorna M. Thorlakson, serving as founding members. Through them and her own support, Tannis helped ensure that the stories, science, and shared history of Manitoba would have a home for generations to come.

Tannis understood that strong communities are built not only through leadership, but through care, continuity, and a belief in the importance of preserving our collective story.

We are grateful for her family’s legacy, and for the role she played in sustaining it.

Our thoughts are with her loved ones, and with all those whose lives she touched.

Image: Manitoba Museum, HBC 015-212 G.