Manitoba Museum announces free visual interpreting service for visitors

Manitoba Museum announces free visual interpreting service for visitors

A hand holding a cellphone out in front of the iconic bison diorama in the Manitoba Museum Welcome Gallery. The phone screen is in focus with the Aira app open and text above a telephone symbol reading,

(Treaty One Territory – Winnipeg, Manitoba – January 15, 2026): The Manitoba Museum is pleased to announce the availability of Aira Explorer, a visual interpreting service, free for use by all Manitoba Museum visitors.

Aira Explorer is an app that connects blind or low-vision users to professional visual interpreters at the tap of a button. Interpreters use a caller’s phone camera and microphone to make visual information more accessible; they can describe surroundings, navigate, read aloud, and assist with a vast range of tasks. Visual interpreters can be reached 24/7/365, and no advance bookings are required.

Aira Explorer can be used by the blind and low-vision community to more fully engage with exhibits and experience the Manitoba Museum more independently.

“Implementing Aira at the Manitoba Museum is an important step toward making our galleries more accessible to everyone. Blind and low-vision visitors who may not have considered visiting before can now explore Manitoba’s history with greater independence. Seeing guests use Aira and hearing their positive feedback truly warms my heart. We look forward to welcoming more members of the community who can now experience the galleries in a way that works for them.” – Rhiannon Leier-Blacher, Director of Marketing, Sales, & Visitor Experience at Manitoba Museum.

The Manitoba Museum soft-launched Aira Explorer in December 2025 and invited a group of low-vision and blind visitors to test the app’s effectiveness and ease of use in Museum spaces. Reviews from the testing group were overwhelmingly positive, encouraging the Museum to proceed with implementing the Aira Explorer app for all Manitoba Museum visitors.

“Aira levels the playing field for persons who are blind to enjoy the Museum, especially when travelling alone. Aira provides the assistance to allow the person with no vision to not only navigate the Museum safely, but also allows the visitor to focus on the [Museum exhibits] rather than [focusing on] getting from point A to point B. Public areas that provide this level of technology open up a world to the blind person that is not normally available to them.” – Tanis Woodland, Aira Explorer user on her visit to the Manitoba Museum.

Anyone visiting the Manitoba Museum, Royal Manitoba Theatre Centre, or Centennial Concert Hall can use the Aira Explorer App to connect with a visual interpreter at no cost. At this time, Aira Explorer is not available for use in the Planetarium; within the Royal Manitoba Theatre Centre and the Centennial Concert Hall, Aira is currently available for wayfinding purposes only. Visitors can download Aira Explorer in the iOS App Store and Google Play Store.

This accessibility improvement is made possible through a grant provided by the Province of Manitoba.

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About the Manitoba Museum

The Manitoba Museum is the province’s largest, not-for-profit centre for heritage and science learning. Renowned for its vivid portrayal of Manitoba’s rich and diverse history, the Museum is home to nine interpretive Galleries, a full-dome Planetarium, and a hands-on Science Gallery. The Manitoba Museum plays a pivotal role in showcasing the rich heritage and natural wonders of our region. Our collections encompass both cultural artifacts and scientific specimens and are a testament to the diversity of life and the importance of preserving our past for future generations. We strive to conserve, collect, and share knowledge, while encouraging intercultural dialogue and understanding within our communities, showcasing diverse perspectives, and promoting inclusivity within our society.

 

About Aira

At Aira, we believe access to information is a human right. Aira breaks down accessibility barriers by providing on-demand video remote interpreting for both the blind and low vision community, and the Deaf and hard-of-hearing community. People can download the Aira Explorer app or the Aira ASL app and be instantly connected to a highly-trained professional interpreter. Available 24/7/365, interpreters work with callers to facilitate more efficient communication and accomplish tasks together. Aira’s services are offered by leading companies globally, and our commitment to accessibility has garnered substantial recognition including a 2025 Golden Apple Award from AppleVis. Learn more about Aira Access here.

 

 

To arrange interviews, please contact:

Brandi Hayberg
Manager of Marketing & Communications
BHayberg@ManitobaMuseum.ca
204-988-0614

The Many Sides of Glass

In our everyday lives, glass tends to be categorized as a basic material that can be used for many things such as windows, cups, cellphone screens, doors, and pickle jars. Glass is a fan favourite material for recyclers, up cyclers, and mother nature in general, and truly has many different purposes. The glass collection in the Manitoba Museum is filled with a historic variety of objects throughout time, but there are some interesting secrets in this collection and the challenges that come with its preservation.

Two photos, one above the other. Top, glass bottles in a storage container, the centre two glowing yellow under a black light. Bottom, glass lamp bases on a museum collections storage shelf, one of which glows a vibrant yellow-green under a black light.

You would never know at first glance, but the unassuming glass objects in the images on the right are glowing because they are radioactive. In some historic glass objects, uranium was added during the manufacturing process to give glass a fluorescent appearance or colouring effect. How do we know it has uranium in its make-up? We set the mood in the room like a late-night bowling alley and hit those objects with a black light! The glowing fluorescence under blacklight is indicative that there is uranium, and although considered to be radioactive, exposure to these collections is safe for staff as the measured concentration is very low.

 

Images: Glass bottles and glass lamp bases in the Museum Collection viewed under a black light. Not everything that glows under UV contains uranium. Manganese in glass can glow a dull not very bright green, cadmium can also be found which can glow yellow to orange. If selenium is added to glass it will glow pink and lead sometimes can glow blue!

Did you know that there is also something called glass disease? Not in the viral sense, but this descriptive term is given to glass objects that show a few irreversible degradation signs. Glass disease can look like a rainbow effect on clear glass as you spin it in the light, it can make glass tacky or sticky, there might be a hazy cloudy appearance, and in some cases such as glass beads, the glass will split or physically breakdown. The root cause of glass disease in an object is that poor quality materials went into its manufacture and with time and shifts in fluctuating environmental conditions such as higher relativity humidity, the salts in the glass begin to leach to the surface creating all the oddities described above.

Close-up on a piece of floral beadwork. A section of the beads, particularly a group of purple ones, have taken on a hazy, clouded appearance.

An example of glass disease that has developed on a piece of beadwork in the collection.

Microscopic image of broken and hazy light blue glass beads.

Microscopic image of glass disease on historic glass beads.

The last and somewhat unfortunate part of glass is when two sides need to be put back together if there is an accident. Glass is a very challenging material to repair due to its refractive index. What does this mean? It means that when light hits the glass where the break has occurred, air can get trapped between the two joints, and the light shines in a different direction through the clear surface, making it visible where the crack or break happened. Conservators use optically matched adhesives and epoxies to repair glass objects to try to minimize this refractive index magic, but it is very difficult to make a completely seamless repair.

A wide necked glass bottle with a chunk broken off the top and laying beside the bottle.

A glass bottle in the collection before conservation treatment for its broken section and cracked portion.

The same wide-necked glass bottle with the broken section reattached to the neck. The crack of the break is still visible.

The same glass bottle after conservation treatment. While the broken section has been repaired, the crack and location of the original break are still visible.

Our glass and ceramics storage vault holds a lot of fun histories and secrets that we continue to passionately study. The next time you look at a glass object, remember, you never know what it might be hiding!

Carolyn Sirett

Carolyn Sirett

Senior Conservator

Carolyn Sirett received her B.A. in Anthropology from the University of Manitoba, Diploma in Cultural Resource Management from the University of Victoria, and Diploma in Collections Conservation and Management…
Meet Carolyn Sirett

Weird and Wonderful Fossils at the Manitoba Museum

Temporary display features remarkable fossils and new research from the Burgess Shale.

When we think of fossils, dinosaur bones, mammoth tusks, or the corals and shells seen in Winnipeg Tyndall stone building blocks might come to mind. These creatures had hard, mineralized body parts which are resistant to decay and can be readily preserved. However, under rare circumstances, traces of the soft tissues of organisms, such as eyes, guts, and nervous systems, can be fossilized too!

Two curving and barbed claws fossilized on a piece of dark grey stone.

A pair of claws of Anomalocaris canadensis. When first found, they were thought to be the body of a shrimp, until more complete specimens were uncovered. Photo by Jean-Bernard Caron © Royal Ontario Museum.

Aqua-coloured digital reconstruction of an aquatic predator with two long curving, barbed claws on the front of its face and a round, toothy mouth below.

Reconstruction of Anomalocaris canadensis, which was one of the top predators of its age, reaching up to a metre in length! Art by Marianne Collins © Royal Ontario Museum.

A smiling Dr. Joe Moysiuk wearing a white hard hat and sunglasses poses on the ground next to a fossil specimen on an embedded rock.

One of the most famous sites where this sort of exceptional fossil preservation can be found is the Burgess Shale, located in Yoho and Kootenay National Parks, British Columbia. This fossil deposit dates back about 506 million years, to the dawn of animal life on Earth.

This year only, come and see a selection of some of the strangest fossils ever recovered from the Burgess Shale on display at the Manitoba Museum. From Anomalocaris canadensis – which was first thought to be multiple different animals until scientists pieced its remains back together – to Mosura fentoni – a three-eyed oddity which was recently named by Manitoba Museum and Royal Ontario Museum researchers.

 

Image: Dr. Joe Moysiuk, Curator of Palaeontology and Geology at the Manitoba Museum, discovering a specimen of Mosura fentoni at the Burgess Shale. © Joe Moysiuk

Two photographs of a Mosura fentoni fossil specimen under different lighting conditions The left photo shows the general outline of the specimen with a rounded abdomen and bulby head and tail ends. The right side shows the brain and circulatory system within the fossil.

Specimen of Mosura fentoni, photographed under different lighting conditions. Left photo shows the body outline while right one shows details of the brain and circulatory system! Photos by Jean-Bernard Caron © Royal Ontario Museum.

Artist's rendering of Mosura fentoni in life. The underwater creature has two long limbs covered in spines pointing out in front of it, three eyes, and a number of fin-like swimming flaps along the sides of its body.

Reconstruction of Mosura fentoni, which was named in 2025. Its name was inspired by its moth-like appearance, in reference to the Japanese movie monster Mothra! Art by Danielle Dufault © Royal Ontario Museum.

The exhibit “Weird wonders from the dawn of complex life” is on display in the Museum foyer and is FREE to view! While you’re visiting, come and check out other new additions to the Galleries, such as our Ice Age mural, a brand-new installation in the Earth History Gallery.

Plan your visit

Dr. Joe Moysiuk

Dr. Joe Moysiuk

Curator of Palaeontology & Geology

Joe Moysiuk recently completed his doctoral dissertation at the University of Toronto and Royal Ontario Museum. His expertise centers on the oldest animal fossils and insights they provide about the evolution…
Meet Dr. Joe Moysiuk

Museum Stories: DYK Discovery

Our Favourite Things at the Manitoba Museum Shop

The holiday season is upon us once again! Are you looking for unique ideas for loved ones in your life? For gifts ranging from STEM kits for young learners to unique Manitoban-made jewelry, look no further than the Manitoba Museum Shop! We’ve gathered a few of our favourite things for everyone on your list!

Two red Manitoba Museum Membership cards alongside a red felt stocking decoration.

Our Favourite for Epic Fun All Year Long

Give the gift of epic fun! A Manitoba Museum Membership is so much more than just unlimited admission to the Museum Galleries, Planetarium, and Science Gallery. Museum Members enjoy many benefits throughout the year: Member-only events; deals at local businesses; discounted memberships at organizations such as Fort Whyte and the Children’s Museum; and more! Plus, Members always receive 10% off at the Museum Shop!

And, all Manitoba Museum Memberships are 25% off until January 4, 2026!

Gift a Membership

Our Favourites for Book Lovers

Did you know that the Manitoba Museum has a collection of publications for every reader on your list? For your budding botanist, check out the newly released Manitoba Flora, a guide to our province’s plant-life compiled by Museum Curator Dr. Diana Bizecki Robson; for the younger language learners, be sure to check out the “Do’s and Don’ts of Anishinaabe” colouring book; and for those who love historical non-fiction, learn the remarkable story of the Nonsuch, the ship that launched an empire – available in both paperback and hard cover.

 

Buy Manitoba Flora: $35.99

Buy Do’s and Don’ts of Anishinaabe: $8.95

Buy The Nonsuch: Paperback: $14.95; buy The Nonsuch: Hard cover: $19.95

Three books in a row on a white background:
Three bags of loose lead tea from Cornelia Bean in Manitoba Museum themed flavours - Aurora Borealis, Nonsuch, and Prairie Grove. In front of the teas are three candles from Leilani Candle Collection in scents of the same themes.

Our Favourites for Cozy Afternoons

The weather outside may be frightful, but your loved one can stay warm with this gift! We’ve teamed up with local tea shop, Cornelia Bean, to create a line of custom loose-leaf teas. Pair your tea with a complementary candle by local candle maker, Leilani Candle Collection!

Museum Teas: $15.99
Museum Candles: $29.99

Shop tea and candles

Be sure to stop by the Manitoba Museum Shop before December 24 to take advantage of our annual Holiday Sale – 15% off everything in store, 25% off for Museum Members! Our Pop-Up Shop is located next to our temporary Box Office in Festival Hall.

 

You can also find our full stock of gifts online at ManitobaMuseumShop.ca. Happy Shopping!

Museum Stories: DYK Discovery

Palaeontological exhibit updates bring Manitoba’s ancient past into the present

Two images side-by-side. On the left, artist's rendering of Mosura fentoni in life. The underwater creature has two long limbs covered in spines pointing out in front of it, three eyes, and a number of fin-like swimming flaps along the sides of its body. On the right, artist's rendering of a wooly mammoth walking on grassy ground against a dark sky.

(Treaty One Territory – Winnipeg, Manitoba: December 9, 2025) – The Manitoba Museum’s Curator of Palaeontology & Geology has been busy bringing the past into the present. Dr. Joseph Moysiuk has had an action-packed year, considering that his area of expertise took place over 450 million years ago. Moysiuk is excited to share some key areas of his work with two brand-new exhibits opening this December at the Manitoba Museum.

Temporary pop-up shares weird wonders from the Cambrian Period

Earlier this year, Dr. Moysiuk and Royal Ontario Museum (ROM) colleague Dr. Jean-Bernard Caron made headlines with the release of a paper announcing their discovery of a remarkable new 506-million-year-old predator, found in British Columbia’s Yoho and Kootenay National Parks. Mosura fentoni caused quite a stir in the palaeontological field due to its unique body segmentation, which differentiates it from other members of its group, knows as the radiodonts.

“Radiodonts were Earth’s first large predators, with some species reaching up to a meter or more in length. They’re arguably some of the strangest-looking fossil creatures ever found, but it turns out they’re also crucial for understanding how modern insects and spiders evolved” says Moysiuk. “We’re excited to be able to share these globally significant fossils with the public, for the first time in Manitoba.”

Visitors to the Manitoba Museum can see fossils and 2D & 3D representations of Mosura fentoni and related species in a brand-new temporary exhibit. These specimens, on loan from Parks Canada and the ROM, come from the Burgess Shale, which is part of the UNESCO Canadian Rocky Mountain Parks World Heritage Site in British Columbia.

“We are really excited to launch Dr. Moysiuk’s first exhibit at the Manitoba Museum, which is based on his doctoral research and strong partnerships with the ROM. I think our visitors will really enjoy a view into current paleontological research and some interesting and unique specimens that we would not typically learn about from Manitoba’s fossil record” says Dr. Amelia Fay, Director of Research, Collections, and Exhibitions.

Weird Wonders from the Dawn of Complex Life will be on display in the Museum’s Foyer starting December 9.

New permanent mural brings visitors back to the Ice Age in Grunthal, Manitoba

The Manitoba Museum’s Earth History Gallery will be home to a brand-new mural, depicting a verdant scene from a warmer phase of the ice age, when muskoxen, woolly mammoths, and giant beavers roamed the land. Fossil evidence for these ice age inhabitants has been found throughout southern Manitoba and adjacent regions, notably near Grunthal, Manitoba.

“This wonderful artwork brings some of Manitoba’s most charismatic prehistoric creatures ‘back to life’ and showcases how much this landscape has changed over time. I think people will be surprised and amazed to learn about some of the fossil finds that have been made, practically, in our own backyards.” adds Moysiuk.

The mural, created by Canadian paleoartist and natural history illustrator Julius Csotonyi, is based on fossils finds in Manitoba and adjacent areas, particularly around Grunthal. This area has proven to be a trove of fossils, dating back at least 40,000 years, and is still the site of ongoing exploration and scientific work. The Manitoba Museum collection includes fossils found and donated by quarry workers, although at this time they will not be available for display.

The mural can be explored in the Manitoba Museum’s Earth History Gallery.

These exciting projects were funded by the Manitoba Museum Foundation Legacy Fund. Donations to this endowment fund help us continue to update our galleries, bringing Manitoban stories forward and ensuring that future generations can learn and grow at the Manitoba Museum.

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To arrange interviews, please contact:

 

Brandi Hayberg
Manager of Marketing & Communications
BHayberg@ManitobaMuseum.ca
204-988-0614

 

 

Image Captions: 

  1. Life reconstruction of Mosura fentoni. Art by Danielle Dufault © ROM
  2. Small section of the new Ice Age Mural, Earth History Gallery, Manitoba Museum, showing a woolly mammoth reconstructed in the Grunthal area. Art by Julius Csotonyi. © Manitoba Museum

Manitoba Museum welcomes public custodian role in care of Hudson’s Bay Company Royal Charter

The HBC Charter on display in a glass case. A wide piece of parchment, still rolled at the bottom with intricate designs in the margins and the wording of the charter written with flourishes through the body of the page.

(Treaty One Territory – Winnipeg, Manitoba: December 4, 2025) – An $18 million bid for the Hudson’s Bay Company Royal Charter, made jointly by the Weston family and David Thomson, through their respective holding companies, has been accepted. The Charter will be donated in equal parts to a Consortium of four public institutions: the Manitoba Museum, the Archives of Manitoba, the Canadian Museum of History, and the Royal Ontario Museum.

The Consortium will receive the Charter as co-custodians on behalf of all Canadians, with the responsibility to undertake a national consultation on its future, including conservation, interpretation, exhibition, and community engagement.

The Hudson’s Bay Company Royal Charter was issued by King Charles II in 1670, granting the Hudson’s Bay Company a massive land grant that encompassed the entire Hudson Bay watershed – an area roughly two-thirds of what we now call Canada – and which included exclusive trading rights. The Royal Charter reflects the belief that this land was vacant and free for the taking, ideas that today we know are wrong, and thus it is a significant document for Canada, and an important part of our colonial history.

“Placing the HBC Charter in the hands of Canadians marks a monumental step toward Truth and Reconciliation,” says Dorota Blumczyńska, CEO of the Manitoba Museum. “The Manitoba Museum is profoundly honoured to serve as a Public Custodian, recognizing both the privilege and the immense responsibility this role carries. We are committed to ensuring that this historically complex document is preserved while also being placed in service to communities, becoming part of the foundation for healing and a brighter, more just future.”

The Manitoba Museum is home to the HBC Museum Collection. Comprised of 28,000 artifacts and belongings originating from coast to coast to coast, the HBC Museum Collection includes items and stories of great national significance, dating back to the mid-17th century. The Hudson’s Bay Company gifted the collection to the Manitoba Museum in 1994.

“The HBC Museum Collection was originally compiled in the 1920s to celebrate the Company’s 250th anniversary, but over the past century it has grown and flourished after finding a permanent home at the Manitoba Museum in 1994,” says Amelia Fay, Director of Research, Collections, and Exhibitions at the Manitoba Museum. “We work diligently to ensure the long-term preservation of this internationally significant collection, deemed a gift to the nation, as part of our daily work, and enjoy sharing the Collection with visitors through programs, exhibits, and tours.”

This past October, the Museum established the Manitoba Museum HBC Collection Endowment Fund with the goal of providing long-term, sustainable financial support for the HBC Museum Collection.

“This endowment represents a commitment to honouring and protecting one of Canada’s most significant historical collections,” says Charwin Dahl, Director of Development at the Manitoba Museum. “It reflects our responsibility to ensure that the stories within the HBC Museum Collection continue to inspire learning, reflection, and connection for generations to come.”

The Manitoba Museum HBC Collection Endowment Fund held at The Winnipeg Foundation will support conservation, exhibition, research, and community engagement.

The Manitoba Museum is deeply grateful to the Weston Family and David Thomson for their visionary leadership in this exciting moment in Canadian history. Their generous contributions guarantee that this nationally significant artifact will increase understanding of the founding story of Canada and guide us along our shared journey of Truth and Reconciliation.

We invite visitors to come explore the HBC Museum Collection today and look forward to working collaboratively with the Consortium as begin a national consultation on the Charter’s future.

To help us ensure the long-term future of this irreplaceable collection, we invite community members to support the Manitoba Museum HBC Collection Endowment Fund. Please make your donation through the Manitoba Museum website.

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To arrange interviews, please contact:

 

Brandi Hayberg
Manager of Marketing & Communications
BHayberg@ManitobaMuseum.ca
204-988-0614

A selection of artifacts from the HBC Museum Collection along the top of a graphic. Below them, on a red background, text reads, "Manitoba Museum HBC Collection Endowment Fund / For the preservation, understanding, and reconciliation of our shared history".

Support the Manitoba Museum HBC Collection Endowment Fund

 

The Manitoba Museum HBC Collection Endowment Fund supports the continued care of the HBC Museum Collection, gifted to our nation and placed in the stewardship of the Manitoba Museum in 1994. 

Donate today for the preservation, understanding, and reconciliation of our shared history.

Donate today

GivingTuesday: Preserving Manitoba’s Past, Inspiring the Future Together at your Manitoba Museum

A photograph of two adults smiling and laughing together near the caribou diorama in the Arctic & Sub-Arctic Gallery of the Manitoba Museum. Text on the image reads,

(Treaty One Territory – Winnipeg, Manitoba: November 27, 2025) – This GivingTuesday we celebrate how Manitobans have shaped the Manitoba Museum to what it is today, and the inspiring progress still ahead.

Every corner of the Manitoba Museum tells a story. From the smallest artifact to the largest gallery, our work is made possible by the generosity of our community.

Thanks to our supporters, this year the Manitoba Museum:

Together, we achieve the extraordinary, and your support makes it all possible. When you support the Manitoba Museum, you’re not just preserving history, you’re helping create our next chapter. From the northern lights in our Planetarium to our prairie roots showcased in our Museum Galleries, your gift shares Manitoba’s magic with visitors of all ages.

“The Manitoba Museum is more than a building, it is a living collection of Manitobans’ memories and heritage,” said Dorota Blumczyńska, CEO of the Manitoba Museum. “Every donation and act of support helps us write the next chapter, preserving Manitoba’s past while opening doors to new stories for future generations.”

This GivingTuesday join us in celebrating everything Manitobans have built together, and help keep the Museum a place where curiosity, adventure, and discovery thrive for a lifetime.

Your generosity ensures that Manitoba’s past, present, and future remain connected, so every Manitoban can see themselves reflected in the story of this remarkable place we call home.

Make your GivingTuesday gift by phoning 204-988-0571, or online at  www.manitobamuseum.ca.

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To arrange interviews, please contact:

 

Brandi Hayberg
Manager of Marketing & Communications
BHayberg@ManitobaMuseum.ca
204-988-0614

The Passing of Ian Ross

Ian Ross headshot.

The Museum joins the arts community in sharing our deep condolences to the family and friends of Ian Ross. The Governor General’s award-winning Metis-Ojibway playwright was well known for both his significant writing contributions as well as the creation of the popular “Joe from Winnipeg” character.

The Manitoba Museum’s connection to Ian came during the renewal of our beloved Nonsuch Gallery, where Ian was hired to write all of the new narratives that visitors hear when immersed in the gallery. This includes the longer stories presented in the tavern, as well as all of the fun snippets heard as you walk around the gallery. “Ian’s desire for historical accuracy aligned so nicely with mine when reimagining this gallery, and he was so much fun to work with!” says Dr. Amelia Fay, Curator for the Nonsuch Gallery renewal.

The next time you walk through the Nonsuch Gallery, take some extra time to listen to his thoughtful words that he crafted to create the perfect immersive experience.

Image ©MTYP

A Shattered Past and its Future Preservation

Manitoban Emily A. Parker served as a Nursing Sister during the First World Warthe recent discovery of her nursing cape in the Manitoba Museum collection is bringing her story back to life through careful conservation efforts.

A vintage sepia photograph of a young woman wearing a collared shirt. The image is vignetted in a 3/4 shot. A handwritten signature on the lower right side reads, "Campbell's Winnipeg".

Lieutenant Emily A. Parker, originally from Morden, Manitoba, served as a Nursing Sister in No. 10 Canadian General Hospital in Brighton, England in 1917.  After the war she returned to Canada where she resumed her role as a school nurse for the Winnipeg School Division. Parker’s contributions to the war effort were recently brought to light when Curator of Human History, Dr. Roland Sawatzky, discovered Parker’s nursing cape within our collection during his research on women in war.

The cape is composed of a beautiful navy wool exterior that is lined with red silk and fastens at the neck with a chain connecting two gold-coloured lion’s heads.  This is an amazing object for the quality of materials used and depicts a vibrant story of the contribution women made to the medical field during the war.  Unfortunately, with time and other factors, the silk on the interior of the cape shattered along the hemline and showed significant losses around the neck.

 

Image: Portrait of Emily A. Parker – Courtesy of HSC Archives/Museum

Silk is a particularly tricky textile to repair because not all manufacturers used the same process to create the fabric. The weighted feeling of silk as you hold it in your hands is a result of adding metallic salts during the manufacturing process which can contain undesirable chlorides. The chlorides, in addition to poor storage, accelerate the damage with time and can create a shattered appearance in the fabric.

Despite the finnicky nature of silk, I recently undertook the treatment of the cape in the conservation lab for display in November 2026. Silk crepeline netting was carefully stitched overtop of the damaged areas, the hemline was stitched back into position using the original needle holes, and a support backing was used to stabilize areas of loss.

Close up on the inner collar of a red and black cape. The red silk has shattered, or torn, revealing the inner fabric and strained stitches.

Detail of shattered silk on the collar of cape before treatment. © Manitoba Museum

Close up on three plastic sewing clips holding in place the backing on the torn hemline of a black cape with a red silk inner lining.

Preparing backing material to repair silk hem. © Manitoba Museum

Close-up on the inner collar of a black cape with a red silk lining. Fine crepeline netting has been carefully sewn over a shattering, or tearing, of the silk to prevent further damage.

Netting carefully stitched over silk to protect from further damage. © Manitoba Museum

As stewards of the belongings found in our collections, it is important to preserve objects like Emily Parker’s cape, as they offer insights into the story of an individual or time that could otherwise be lost to the past.

A black or dark navy cape with a red silk lining laid out on a white surface. At the collar is a gold chain and fasteners.

Although Emily’s cape won’t be on display until November 2026, I invite you to visit the Manitoba Museum to explore other Manitoban stories, including the story of Robert Jamerson, who served in the famous all-Black No. 2 Construction Battalion during the First World War, and his son Frank, who served in the Second World War. This temporary exhibit, Father and Son in Service, will be on display until November 30.

 

Plan your visit today

 

Image: Emily A. Parker’s WWI nursing cape.© Manitoba Museum

Carolyn Sirett

Carolyn Sirett

Senior Conservator

Carolyn Sirett received her B.A. in Anthropology from the University of Manitoba, Diploma in Cultural Resource Management from the University of Victoria, and Diploma in Collections Conservation and Management…
Meet Carolyn Sirett

Modernizing Manitoba’s Flora

Manitoba has over 1,700 species of wildflowers, ferns, shrubs and trees. But identifying them is not easy.  

The original Flora of Manitoba book, published in 1957, is missing more than 300 species known to grow here, including 13 ferns and 10 orchids. For the last two decades, staff at the Manitoba Museum, along with a team of volunteer botanists, have been working on an updated edition of Manitoba Flora to replace the old one.

Woman standing in a mixedwood forest surrounded by waist-high ferns.

This team spent years conducting field surveys to search for new species and relocate rare plant populations. Close examination of the Museum’s preserved specimens was also conducted to verify and update the plants’ names. The new publication will contain all the ‘missing’ species, making it easier for scientists to track the rarity of the provinces’ plants.   

Volume 1 of the Manitoba Flora will cover 614 species of spore-producing plants (i.e. clubmosses, ferns, horsetails, quillworts, and spikemosses), conifers, and flowering monocots (i.e. orchids, irises, lilies, grasses, etc.).  Volume 2, available in a few years, will cover the dicots (e.g. broad-leaved trees, asters, roses, etc.). 

Close up on two bright orange prairie lilies.

The beautiful prairie lily (Lilium philadelphicum) is one of the species described in the new book. © Manitoba Museum

Close up on a Jack Pine cone on a tree branch.

The book contains all the cone-bearing trees in the province, including Jack Pine (Pinus banksiana). © Manitoba Museum

In addition to detailed descriptions of the plants, the book will also contain: 

  • A foreward by elder Mukaday Animikii/Black Thunderbird/Shirli Ewanchuk on Indigenous worldviews and relationships with the plant world;
  • A history of scientific and common plant names;
  • An illustrated guide to vascular plant terminology;
  • Hundreds of species illustrations;
  • Indigenous names of culturally important plants integrated throughout the book;
  • Species’ rarity, ecological zones, habitats, and flowering periods; and
  • An extensive glossary of botanical terms.

It is the Manitoba Museum’s hope that this new publication will make it easier for students, professional botanists, landowners, ranchers, foresters, gardeners and native plant enthusiasts to identify the plants of the province. 

 

You can pre-order your copy of Volume 1 of the Manitoba Flora, available this fall, by visiting the online Museum Shop at ManitobaMuseumShop.ca!

Front cover of Volume 1 of Dr. Diana Bizecki Robson's new publication, "Manitoba Flora: A Guide to the Vascular Plants of Manitoba" with forward written by Shirli Ewanchuk/Black Thunderbird. Book cover is atop a backdrop of an illustrated prairie scene from the Manitoba Museum Prairies Gallery.

Dr. Diana Bizecki Robson

Dr. Diana Bizecki Robson

Curator of Botany

Dr. Bizecki Robson obtained a Master’s Degree in Plant Ecology at the University of Saskatchewan studying rare plants of the mixed grass prairies. After working as an environmental consultant and sessional lecturer…
Meet Dr. Bizecki Robson