A family looking at the stars.

New Asteroid Named for Ininiwak "Star Guy" Wilfred Buck

New Asteroid Named for Ininiwak “Star Guy” Wilfred Buck

The International Astronomical Union has officially named an asteroid “Wilfredbuck”, in honour of Ininiwak (Cree) astronomer and science communicator Wilfred Buck of Opaskwayak Cree Nation. Buck is known across Canada and internationally as “The Star Guy” as he travels, sharing the star lore of the Ininiwak with students and community members.

The official citation, published June 30, 2025, reads: “Wilfred Buck (b. 1954) is a Canadian knowledge keeper of Cree/Ininewuk star lore. His Cree name, Pawami Nikititicikiw, means “dream keeper.” A member of the Opaskwayak Cree Nation, he has taught Cree astronomy all over the world, and is the author of Tipiskawi Kisik and I Have Lived Four Lives.

Buck stars in the planetarium show, “Wilfred Buck’s Star Stories”, currently showing daily in the Manitoba Museum’s Planetarium throughout the summer.

Asteroid (611326) Wilfredbuck was discovered in 2006 by Canadian astronomer David Balam using a telescope in Hawaii. The asteroid is a piece of rock about a kilometer in diameter. It orbits the sun in the main asteroid belt, a region of space between Mars and Jupiter that holds millions of asteroids.

A diagram of the solar system showing the orbit of asteroid Wilfredbuck relative to the other planets.
Asteroid (611326) Wilfredbuck (shown in white) orbits the Sun between Mars and Jupiter in the main asteroid belt. [Image Courtesy NASA/JPL-Caltech]
Scott Young

Scott Young

Planetarium Astronomer

Scott is the Planetarium Astronomer at the Manitoba Museum, developing astronomy and science programs. He has been an informal science educator for thirty years, working in the planetarium and science centre field both at The Manitoba Museum and also at the Alice G. Wallace Planetarium in Fitchburg, Massachusetts. Scott is an active amateur astronomer and a past-President of the Royal Astronomical Society of Canada.

Join us for the Premiere of Wilfred Buck’s Star Stories Planetarium Show

A round view into blue covered in stars. Overlaid text reads,

Join us for the Premiere of Wilfred Buck’s Star Stories Planetarium Show

Treaty No. 1 Territory, Winnipeg, Manitoba (June 17, 2025) – The Manitoba Museum invites members of the media to join us for the premiere of a brand-new Planetarium show, Wilfred Buck’s Star Stories. Wilfred Buck is an Ininew (Cree) writer, educator and one of the foremost experts on Indigenous star knowledge.

PREMIERE DETAILS

Date: Friday, June 20, 2025

Time: 6:00 pm – 8:00 pm

Location: Manitoba Museum Planetarium, 190 Rupert Avenue, Winnipeg

Q&A Panel: Wilfred Buck, Director Lisa Jackson, Planetarium Astronomer Scott Young

Please RSVP to: BHayberg@ManitobaMuseum.ca

Designed for presentation in domes and planetariums, this 21-minute XR work, directed by Lisa Jackson and the Macronauts, brings to life four star stories, gathered and told by renowned Ininew astronomer/star knowledge expert and author Wilfred Buck. From the practical to the poetic, these tellings of the Northern night sky provide guidance on navigation, the earth’s cycles, and how to live a good life with future generations in mind.

Wilfred Buck’s Star Stories aims to preserve the oral tradition of the Ininew, much of which was lost through colonization and the residential school systems. Wilfred Buck has painstaking collected these tellings and presented them to share with audiences. It’s a way for the people of Manitoba to learn the sky as seen and interpreted by the original people of Manitoba.” – Scott Young, Manitoba Museum Planetarium Astronomer.

Wilfred Buck’s Star Stories offers a rarely heard perspective on astronomy and cosmology. Marvel at immersive night sky cinematography, cosmos CGI, and beautiful macro cinematography of meteorites set to a transporting soundtrack in this expansive yet intimate experience that combines the wonder of the universe with the warmth of listening to a wise Elder whose teachings can help us understand that the stars are in fact our oldest relatives.

“This show is design to be as authentic as possible. It is written and narrated by Wilfred himself, and visualized using artwork drawn by his son, Mistawasis Buck. You feel like you are being included in the telling, which isn’t just about the stars, it’s about life. It’s as relevant today as it was generations ago, because the core of the stories are human truths.” – Scott Young, Manitoba Museum Planetarium Astronomer.

Wilfred Buck’s Star Stories will be running daily throughout the summer at the Manitoba Museum Planetarium starting June 28, 2025. Visit ManitobaMuseum.ca/Planetarium for planetarium schedules.

View the Wilfred Buck’s Star Stories Press Kit.

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To RSVP or request interviews, please contact:

 

Brandi Hayberg

Manager of Marketing & Communications
Manitoba Museum
BHayberg@ManitobaMuseum.ca | 204.988.0614

A Time and Place to Learn Who We Are

by Lucy Lindell, Manitoba Museum Indigenous Scholar in Residence

 

Opening June 20, the day before National Indigenous Peoples Day, my solo exhibit I Belong Here will be on display in the Manitoba Museum’s Urban Corridor. Through digital art prints, the physical structures of local museums and galleries are transformed into Indigenous teachings that exist to help us live a good life.

This exhibit comes from an in-scholar residence at the Museum with Dr. Amelia Fay, Curator of Anthropology and the HBC Museum Collection. We focused on repatriation and safe museum spaces for Indigenous items.

Previous to the residency, in a cultural leadership course with Stephen Borys, I gained an understanding that historically, museum foundations were built on elitism and were meant to be an escape or distraction to bring temporary moments of freedom.

As a Métis woman learning traditional culture, my museum experiences were quite different; my visits were a time of healing and learning about my relations to Creation. Creation includes all life forms and their energies.

A digital artwork featuring a female figure wearing a shawl designed to look like the Canadian Museum of Human Rights building. Behind the figure colourful ribbons hang from the branches of green-leaved trees.

The Canadian Museum for Human Rights transforms into a shawl worn by a sundance ceremony helper. ©Lucy Lindell

A digital artwork featuring a figure of a pregnant mother laying down on her back on the grass. Behind her rises the Manitoba Museum tower, which, combined with her pregnant belly, creates the exterior of the Manitoba Museum.

The Manitoba Museum transforms into a representation of a sweat lodge; the mother’s womb. ©Lucy Lindell

A digital artwork of a figure kneeling on a blanket. In front of them are several items placed to resemble the WAG-Qaumajuq building, as well as several small bowls and a beaded necklace.

The WAG-Qaumajuq transforms into traditional Indigenous ceremony. ©Lucy Lindell

Respectful relations to Creation continue to be harmed through colonial histories where identities were built by taking from others and going to extreme lengths to receive access to land and resources. This impacts identity, understandings of purpose, and how we think day-to-day.

I Belong Here removes colonial invalidations by sharing relatedness and ways of knowing that not everyone has had the privilege of experiencing. It shares teachings that reflect our own beauty back to us and affirms that Indigenous teachings belong in museum spaces and everyday life.

A special thank you to Dr. Amelia Fay, Dan Thomas, and the Manitoba Museum for working with me on this project.

 

I Belong Here will open on June 20 in the Manitoba Museum’s Urban Corridor and will be on display throughout the summer. Admission to this temporary exhibit is included in an All Attraction Pass. Manitoba Museum Members and Indigenous Peoples can access this exhibit at no charge.

 

Plan your visit today

Preview Critical Distance AR Experience at Manitoba Museum

Promotional image for Nature Canada's
An Orca Pod in Winnipeg? Immersive AR Experience “Critical Distance” Launches at Manitoba Museum for Ocean Week 2025

 

Treaty 1 Territory, Winnipeg, MB – May 28, 2025 — Nature Canada and the Manitoba Museum invite media to an exclusive preview of Critical Distance, a groundbreaking augmented reality (AR) experience that immerses visitors in the world of the endangered Southern Resident Killer Whales of the Salish Sea on Canada’s West Coast.

Launching its Canadian tour in Winnipeg for Ocean Week 2025, Critical Distance transports visitors into the Salish Sea, home to a pod of endangered orcas known as the Southern Resident Killer Whales. Through social augmented reality, audiences follow eight-year-old Kiki and her family as they navigate the challenges of underwater noise and declining salmon stocks – threats driven by human activity.

The experience makes an emotionally powerful case for ocean conservation by blending technology and storytelling. Produced by Vision3, Critical Distance is going on tour with Nature Canada, in association with the Alliance of Natural History Museums of Canada.

Following the AR experience, Nature Canada invites visitors to join the movement to protect Canada’s ocean by connecting directly with ocean conservation experts through a “Ask the Experts” interaction. Visitors can ask whatever they want about the orcas, the threats to the Salish Sea, or the ocean in general. And they will receive real answers from experts including Indigenous elders, marine scientists, and nature advocates.

“It’s like sending fishy letters to Santa.” – Scott Mullenix, Exhibit Director, Nature Canada

 

MEDIA PREVIEW DETAILS

Date: Tuesday, June 3, 2025

Time: 9:00 am

Location: Manitoba Museum, 190 Rupert Avenue, Winnipeg

Opportunities:

  • Experience the Critical Distance AR presentation
  • Interview Nature Canada’s ocean conservation experts in-person
  • Hear remarks about the national tour (including why we launched it thousands of kilometres from the coast)
  • Light Refreshments

 

The following experts will be available for media interviews:

Adam Olsen  (SȾHENEP)
Lead Negotiator and Member, Tsartlip First Nation (W̱JOȽEȽP)

Julia Laforge
Protected Areas Policy Manager, Nature Canada, Ottawa

Rebecca Brushett 
Marine Planning and Engagement Coordinator, Ecology Action Centre, Corner Brook and Halifax

 

Representatives from Vision3, Nature Canada, The Alliance of Natural History Museums of Canada, and Manitoba Museum will also be available for comment.

Note: The AR experience contains flashing lights and loud sounds. It is recommended for visitors aged 10 and up.

Learn more about Critical Distance in the provided video, courtesy of Microsoft: click here.

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To RSVP or request interviews, please contact:

 

Scott Mullenix

Communications Director
Nature Canada
Media@NatureCanada.ca | 613.366.4776 (call or text)

 

Brandi Hayberg

Manager of Marketing & Communications
Manitoba Museum
BHayberg@ManitobaMuseum.ca | 204.988.0614

Logo garden with logos for Nature Canada, Manitoba Museum, Vision3, and the Alliance of Natural History Museums of Canada.

The Sky for June 2025

In many ways, June is a difficult month for Manitoba skywatchers. Sunset is very late as we approach the summer solstice, and the situation is just made worse by daylight savings time which began in March. Even at local midnight (which occurs around 1:30 am CDT for Winnipeg), the sky never gets truly dark from about June 1 to the second week of July – the best we get is “nautical twilight”, which is a deep grey instead of the near-black sky of true night. (Near cities, this effect is usually overwhelmed by light pollution anyway, but it all adds up.)

Yet June is the beginning of Milky Way season as well. After midnight the summer constellations are high enough to view, and the brightest part of our Milky Way Galaxy is on full display. You just have to stay up late to see it.

The Solar System for June 2025

Mercury is in the evening sky this month, but angles conspire to keep it too low for easy viewing from Manitoba. Look for it very low in the northwest after sunset. Don’t confuse it with brighter Jupiter, which is descending into the twilight just a few degrees to the left of Mercury.

Venus is very low in the eastern sky just before dawn. It reaches “greatest elongation west” of the sun on June 29, but practically it remains low in the east all month. The crescent moon is nearby on the mornings of June 21 and 22.

Mars is in the constellation Leo, to the lower right of the “sickle” asterism that includes the bright star Regulus. Mars passes within one degree of Regulus on July 16 and 17. The planet and the star will be almost the same brightness, and binoculars will show a nice colour contrast – Mars a ruddy orange, and Regulus a blue-white.

Jupiter fades into the sunset this month, dropping behind the Sun from our point of view. It is in conjunction on June 24-25, passing directly behind the Sun.

Saturn rises about 3 am at the beginning of June, and by 1am at the end of the month. The rings are inclined only a few degrees from our line of sight and we’re seeing the unlit side of them. Neptune is nearby for most of the summer (see below). The last quarter Moon is nearby on the morning of June 19.

Uranus passes behind the Sun as seen from Earth on May 17, and is invisible all month.

Neptune is in the same binocular field of view as Saturn for the entire month, closing to within a degree at the end of June. Too far to see without optical aid, Neptune requires good binoculars or a small telescope to even spot, and a large telescope to make it out as anything more than a faint dot.

Of the five known dwarf planets, only (1) Ceres is close enough to be seen in binoculars or a small telescope. In June, Ceres in below and to the left of Saturn and Neptune; you’ll need a chart like the one in the RASC Observer’s Handbook or an app like Stellarium to track it down. Ceres will be easier to spot in the fall as it gets closer and brighter.

Sky Calendar for June 2025

All times are given in the local time for Manitoba: Central Daylight Time (UTC-5). However, most of these events are visible across Canada at the same local time without adjusting for time zones.

Monday, June 2, 2025: First Quarter Moon

Sunday, June 8, 2025 (evening): Jupiter and Mercury are beside each other low in the northwestern sky after sunset.

Wednesday, June 11, 2025: Full Moon

Monday, June 16, 2025 (evening sky): Mars passes within one degree of the bright star Regulus in Leo.

Wednesday, June 18, 2025: Last Quarter Moon

Friday, June 20, 2025: The Summer Solstice occurs at 9:42 pm Central Daylight, marking the beginning of summer in the northern hemisphere.

Tuesday, June 24, 2025: Jupiter is in superior conjunction, behind the Sun from our point of view on Earth.

Wednesday, June 25, 2025: New Moon

Sunday, June 29, 2025 (morning sky): Saturn is one degree south of Neptune in the morning sky.

Monday, June 30, 2025 (evening sky): The Moon is near Mars in the evening sky.

Monday, May 26, 2025 (evening): New Moon

 

People stare up at the northern lights above them.

Outside of the regular events listed above, there are other things we see in the sky that can’t always be predicted in advance.

Aurora borealis, the northern lights, are becoming a more common sight again as the Sun goes through the maximum of its 11-year cycle of activity. Particles from the Sun interact with the Earth’s magnetic field and the high upper atmosphere to create glowing curtains of light around the north (and south) magnetic poles of the planet. Manitoba is well-positioned relative to the north magnetic pole to see these displays often, but they still can’t be forecast very far in advance. A site like Space Weather can provide updates on solar activity and aurora forecasts for the next 48 hours. The best way to see the aurora is to spend a lot of time out under the stars, so that you are there when they occur.,

Random meteors (also known as falling or shooting stars) occur every clear night at the rate of about 5-10 per hour. Most people don’t see them because of light pollution from cities, or because they don’t watch the sky uninterrupted for an hour straight. They happen so quickly that a single glance down at your phone or exposure to light can make you miss one.

Satellites are becoming extremely common sights in the hours after sunset and before dawn. Appearing as a moving star that takes a few minutes to cross the sky, they appear seemingly out of nowhere. These range from the International Space Station and Chinese space station Tianhe, which have people living on them full-time, to remote sensing and spy satellites, to burnt-out rocket parts and dead satellites. These can be predicted in advance (or identified after the fact) using a site like Heavens Above by selecting your location.

Scott Young

Scott Young

Planetarium Astronomer

Scott is the Planetarium Astronomer at the Manitoba Museum, developing astronomy and science programs. He has been an informal science educator for more than thirty years, working in the planetarium and science centre field both at The Manitoba Museum and also at the Alice G. Wallace Planetarium in Fitchburg, Massachusetts. Scott is an active amateur astronomer and a past-President of the Royal Astronomical Society of Canada.

Meet Me at the Bug Light

Spring has finally arrived on the prairies! Trees are leafing out, flowers are in bloom, days are getting hotter, and, of course, the insects are back! They’re flying, swimming, and crawling around, playing important ecosystem roles that make the world go ‘round. While you can always come to the Museum to see the insect specimens that we have on display in the Museum Galleries, nothing beats the real live thing. But what’s the best way to get a good look? Take it from your Collections Technician for Natural History, if you want to see some cool insects, nothing beats night lighting.

What is night lighting?

The words “Night lighting” on appear on data labels for specimens throughout our entomological collection, but what does it mean? “Night lighting” is the use of light sources at night to attract insects for observation, photography, or collection. When a specimen has “Night lighting” on the label, it means that the collector set up a night light to catch the specimen. While serious entomologists use expensive rigs involving power generators and mercury vapour lamps, low-cost setups can be put together easily, with supplies you likely already own or can get at a hardware store. Once you’ve got your kit together, you can set it up in your yard, at a city park, or even take it camping!

Here’s what you need to get started:

  • A white sheet, the bigger the better
  • A regular flashlight, the brighter the better
  • An ultraviolet flashlight (AKA blacklight), the broader the UV spectrum the better

A bright rectangular light box, about the height of an average adult, being held up in a park at night. A small group of people all stand nearby.

A professional night lighting setup, sometimes they attract humans too!

Night time, a white sheet hung over a fence with a small stepladder in front of it. On the stepladder, pointing towards the sheet, sit a flashlight and a UV flashlight.

A backyard bug night light set up.

A nighttime selfie of a smiling individual standing in front of a hanging sheet that is lit blue by a UV flashlight.

Basic UV flashlights can be purchased in many hardware stores, and ones that emit a broader spectrum of UV light can be found online. A quick safety note: UV light can damage the skin and eyes. Do not look directly into the light, and limit skin exposure by avoiding the beam and wearing long pants and sleeves.

Once you have your supplies, wait for a warm evening with low wind and no rain. Drape the sheet over a low-hanging tree branch, a fence, or anything else that’s handy. It’s best to hang the sheet low enough that a little bit of it can trail out over the ground, allowing crawling insects to climb up from the bottom. Set both flashlights on an elevated surface where they can shine at the middle of the sheet, and turn them on as the sun is setting. Soon enough, insects in the area will land on sheet so you can get a good look!

 

Image: A badly-lit and somewhat blurry Collections Technician waiting for the insects to hurry up and get to the party!

A Family Friendly Activity

Now, I know some readers are probably thinking “Why would I want to attract insects? Will they bite? Is this safe?”, and to that I would say: Using a night light to attract insects is a really excellent way to get up close and observe some of Nature’s coolest critters, even for those who are skittish around insects. Once the insects are on the sheet, they tend to stay on the sheet, and if they do take off, they’ll be much more interested in getting back to the sheet than investigating you! Since the insects are so preoccupied with getting to and staying on the sheet, it makes for a controlled way to introduce young ones to insects and teach them about the creatures they find. Here are some common insects to find at light traps in the city:

A long-legged insect with long thin wings, transparent around the veins.

Crane flies:

These insects have been the subject of salacious urban legends! Some say they are male mosquitoes, others call them “mosquito hawks” and claim that they devour mosquitoes, and others yet claim that they have an extremely potent venom that could take out a human in a single bite if only their fangs were long enough to break human skin. None of these rumours are true! Crane flies (which aren’t mosquitoes) are flies from the superfamily Tipuloidea, known for having legs and wings that are notably long and slender. They eat nectar and pose a threat to neither humans nor mosquitoes.

 

Image: A crane fly.

A moth, holding its wings open, on a white sheet. The moth has shades of brown, but under the bright light source its wings, especially the hind wings, are very shiny. On the moth’s left are a smaller moth and a very small rove beetle.

Moths:

Moths, famous for their attraction to lamps and flames, are never late to the night light party. Many moths that appear to be drab shades of gray and brown during the day shimmer and shine under a bright light at night!

 

Image: A moth (and friends), shimmering under the bright lights.

A caddisfly at rest on a white sheet, which is being held flat to show the antennae. The antennae are more than two times the length of the rest of the caddisfly’s body. The caddisfly is small and mostly brown.

Caddisflies:

These insects resemble moths at first glance, but if you see extremely long antennae compared to their body length, you might be looking at a caddisfly. On closer inspection, their wings are covered in fine hairs, rather than the scales that are found on moth wings. Caddisflies start their lives underwater and take to the skies as adults.

 

Image: A caddisfly with its very long antennae.

A stonefly at rest on a white sheet. The stonefly’s slender body is mostly yellow. Its wings are held flat over its back, and two cerci (“tails”) can be seen poking out from under the ends of the wings. Its five black eyes are visible on its head.

Stoneflies:

Similar to caddisflies, stoneflies are aquatic in their early life stages, and fly around to look for mates as adults. They can be identified by a pair of thin cerci (tail-like structures) extending from the end of the abdomen, and the way they hold their wings flat over their backs when at rest.

 

Image: A stonefly (if you look closely, you can see the cerci coming out from under the wings).

Gather your supplies and give night lighting a try this summer! Happy bug hunting!

Aro van Dyck

Aro van Dyck

Collections Technician – Natural History

Aro van Dyck earned her B.Sc. from the University of Manitoba, majoring in Biological Sciences and minoring in Entomology. She has also researched the diversity of wasps and bees Winnipeg’s greenspaces…
Meet Aro van Dyck

Manitoba Museum Issues Apology to First Nations, Inuit, and Métis Communities

Treaty No. 1 Territory – Winnipeg, Manitoba – May 22, 2025 –Today, the Manitoba Museum issued a formal apology to First Nations, Inuit, and Métis communities, acknowledging that it has held Ancestral remains and associated belongings from these communities within its collections.

The Museum held a closed Ceremony and gathering in respect for the Ancestors and kinship communities, with the guidance of Spiritual Advisors. Representatives witnessing this important moment included Grand Chief Jerry Daniels of the Southern Chiefs’ Organization, Elders from the Assembly of Manitoba Chiefs, Leaders from Inuit and Métis communities, Chiefs of First Nations Communities across Manitoba, as well as representatives of the National Centre for Truth and Reconciliation. They were joined by the Manitoba Museum Board of Governors, the Indigenous Advisory Circle to the Museum, and Museum staff who help to care for the Ancestors.

Following a Pipe Ceremony, Manitoba Museum CEO, Dorota Blumczyńska provided an official apology on behalf of the Museum.

“We sincerely and profoundly regret that the Museum has held Ancestors of First Nations, Inuit, and Métis communities within our collections for decades. In doing this, we know we have contributed to and played a role in colonialization. We apologize for our actions, inactions, and failures, past and present. We know that what is required now is that our actions be transparent, honest, and meaningful. This apology is just the beginning of the Homeward Journey of the Ancestors,” said Blumczyńska.

“We promise that no Ancestors will enter the Museum in the future.”

This apology to communities, is part of the Homeward Journey, which began at the Manitoba Museum in 2022. Guided by the Indigenous Advisory Circle and with a Spiritual Advisor’s blessing, Homeward Journey aims to identify and bring home Ancestors to their kinship communities.

The important work will take several years and will be led by First Nations, Inuit, and Métis peoples, in preparation, during, and after the Ancestors’ return.

The apology represents a significant milestone in the Manitoba Museum’s commitment to rematriation / repatriation – the return of Ancestors and associated belongings. Kevin Brownlee, former Curator of Archaeology, and member of Norway House Cree Nation (Kinosao Sipi) cared for the Ancestors and advocated for the establishment of dedicated funding for rematriation / repatriation of Ancestors and belongings. The Museum began the Homeward Journey in 2022 when the Museum committed to correct this historic injustice. The Museum’s Board of Governors regretfully acknowledged that bringing the Ancestors home was long overdue and took steps to set the work in motion.

“The Museum is committed to rebuilding trust with these communities, repairing those important relationships, and moving forward in a good way,” said Blumczyńska.

For more information about the Manitoba Museum’s Homeward Journey project please click here.

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Brandi Hayberg
Manager of Marketing & Communications
BHayberg@ManitobaMuseum.ca
204-988-0614

Manitoba Museum, ROM Palaeontologists Discover 506-Million-Year-Old Predator

(Winnipeg, MB/Toronto, ON: May 14, 2025) – Palaeontologists at the Manitoba Museum and Royal Ontario Museum (ROM) have discovered a remarkable new 506-million-year-old predator from the Burgess Shale of Canada. The results are announced in a paper in the journal Royal Society Open Science (https://doi.org/10.1098/rsos.242122).

Artist's rendering of Mosura fentoni in life. The underwater creature has two long limbs covered in spines pointing out in front of it, three eyes, and a number of fin-like swimming flaps along the sides of its body.

Mosura fentoni was about the size of your index finger and had three eyes, spiny, jointed claws, a circular mouth lined with teeth, and a body with swimming flaps along its sides. These traits show it to be part of an extinct group known as the radiodonts, which also included the famous Anomalocaris canadensis, a meter-long predator that shared the waters with Mosura.

However, Mosura also possessed a feature not seen in any other radiodont: an abdomen-like body region made up of multiple segments at its back end.

 

Image: Life reconstruction of Mosura fentoni. Art by Danielle Dufault © ROM

“Mosura has 16 tightly packed segments lined with gills at the rear end of its body. This is a neat example of evolutionary convergence with modern groups, like horseshoe crabs, woodlice, and insects, which share a batch of segments bearing respiratory organs at the rear of the body,” says Joe Moysiuk, Curator of Palaeontology and Geology at the Manitoba Museum, who led the study.

The reason for this intriguing adaptation remains uncertain, but the researchers postulate it may be related to particular habitat preference or behavioural characteristics of Mosura that required more efficient respiration.

With its broad swimming flaps near its midsection and narrow abdomen, Mosura was nicknamed the “sea-moth” by field collectors based on its vague appearance to a moth. This inspired its scientific name, which references the fictional Japanese kaiju also known as Mothra. Only distantly related to real moths – as well as spiders, crabs, and millipedes – Mosura belongs on a much deeper branch in the evolutionary tree of these animals, collectively known as arthropods.

“Radiodonts were the first group of arthropods to branch out in the evolutionary tree, so they provide key insight into ancestral traits for the entire group. The new species emphasizes that these early arthropods were already surprisingly diverse and were adapting in a comparable way to their distant modern relatives.” says study co-author Jean-Bernard Caron, Richard M. Ivey Curator of Invertebrate Palaeontology at ROM.

Several fossils of Mosura additionally show details of internal anatomy, including elements of the nervous system, circulatory system, and digestive tract.

“Very few fossil sites in the world offer this level of insight into soft internal anatomy. We can see traces representing bundles of nerves in the eyes that would have been involved in image processing, just like in living arthropods. The details are astounding,” Caron adds.

Instead of having arteries and veins like we do, Mosura had an “open” circulatory system, with its heart pumping blood into large internal body cavities called lacunae. These lacunae are preserved as reflective patches that fill the body and extend into the swimming flaps in the fossils.

“The well-preserved lacunae of the circulatory system in Mosura help us to interpret similar, but less clear features that we’ve seen before in other fossils. Their identity has been controversial,” adds Moysiuk, who is also a Research Associate at ROM. “It turns out that preservation of these structures is widespread, confirming the ancient origin of this type of circulatory system.”

Of the 61 fossils of Mosura, all except one were collected by the ROM between 1975 and 2022, mostly from the Raymond Quarry in Yoho National Park, British Columbia. Some also came from new areas around Marble Canyon in Kootenay National Park, 40 km to the southeast, which have revealed spectacular new Burgess Shale fossils, including other radiodonts: StanleycarisCambroraster, and Titanokorys. One previously unpublished specimen of Mosura collected by Charles Walcott, the discoverer of the Burgess Shale, was also studied.

“Museum collections, old and new, are a bottomless treasure trove of information about the past. If you think you’ve seen it all before, you just need to open up a museum drawer,” Moysiuk says.

The Burgess Shale fossil sites are located within Yoho and Kootenay National Parks and are managed by Parks Canada. Parks Canada is proud to work with leading scientific researchers to expand knowledge and understanding of this key period of Earth’s history and to share these sites with the world through award-winning guided hikes. The Burgess Shale was designated a UNESCO World Heritage Site in 1980 due to its outstanding universal value and is now part of the larger Canadian Rocky Mountain Parks World Heritage Site.

Many radiodont fossils can be seen on display in ROM’s Willner Madge Gallery, Dawn of Life, in Toronto, and a specimen of Mosura will be exhibited for the first time at the Manitoba Museum in Winnipeg later this year.

For 50 years, ROM has been at the forefront of Burgess Shale research, uncovering dozens of new fossil sites and species. Located in the Canadian Rocky Mountain Parks of British Columbia, the Burgess Shale fossils are exceptionally preserved and provide one of the best records of marine life during the Cambrian period anywhere. Home to the world’s largest Burgess Shale collection, ROM shares these extraordinary fossils through global research, an award-winning online resource, and its newest permanent exhibition: the Willner Madge Gallery, Dawn of Life.

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Media Contact & Information

Image Gallery: A collection of images and a document with image captions & credits can be found here.

 

Dr. Joe Moysiuk

Curator of Palaeontology and Geology, Manitoba Museum

Research Associate, Royal Ontario Museum

Adjunct Professor, Department of Geological Sciences, University of Saskatchewan

204 988 0648; JMoysiuk@ManitobaMuseum.ca

 

Dr. Jean-Bernard Caron (bilingual)

Curator of Invertebrate Palaeontology, Royal Ontario Museum

Associate Professor, Department of Ecology & Evolutionary Biology and the Department of Earth Sciences, University of Toronto

416 586 5593; JCaron@rom.on.ca

 

Brandi Hayberg

Manager of Marketing & Communications, Manitoba Museum

204 988 0614; BHayberg@ManitobaMuseum.ca

 

David McKay

Senior Publicist, Royal Ontario Museum

416 586 5559; DavidM@rom.on.ca

Manitoba Museum’s Newest Exhibition Opens Today

A word graphic for The Museum Collection Illuminated. On the right is a photograph of a dark-coloured ancient pitcher with an image on it silhouetted in orange. Below the exhibit title on the left side text reads,
TEMPORARY EXHIBITION REVEALS TREASURES FROM THE VAULT

 

Treaty 1 Territory, Winnipeg, Manitoba (May 13, 2025) – A temporary exhibition delving into the “What, Where, How, and Why” of museum collections opens today at the Manitoba Museum.

The Museum Collection Illuminated presents a snapshot of the diverse and extensive work undertaken throughout the Museum’s history of collecting. Research, conservation, exhibitions, and programs are featured in videos showing behind-the-scenes conservation and field work, interpretive panels, and a timeline graphic, alongside answers to frequently asked questions.

“This exhibition explores how and why we have museum collections, what we do with them, and how we preserve them. Visitors will not only gain a better understanding of how and why we collect artifacts and specimens, but also why museums are important cultural institutions.” – Dr. Amelia Fay, Curator of Anthropology and the HBC Museum Collection.

The Museum Collection Illuminated showcases unusual artifacts and specimens, hand-selected from the vaults by the Museum curatorial team for their unique qualities, including an 11lb Giant Puffball mushroom, a gloriously gaudy bison horn chair from the 1880s, a 500 BCE Archaic period wine pitcher, and more.

The exhibition had been displayed previously during the height of COVID restrictions in 2021 at a time when the Museum was subject to closures and restrictions which greatly impacted visitation.

“As we enter our 55th anniversary, its timely to reintroduce this exhibition to allow more visitors the opportunity to experience these significant and breath-taking artifacts and specimens representing the Museum Human and Natural History collections as we continue to celebrate community collaborations, scientific research, conservation achievements, and the continued commitment to public programs at the Museum. – Seema Hollenberg, Director of Research, Collections, and Exhibitions.

The Museum Collection Illuminated is now open in the Manitoba Museum’s Discovery Room and will be on display until May 2026. Entrance into this temporary exhibition is included with a Manitoba Museum All Attraction Pass. Manitoba Museum members and Indigenous Peoples can access this exhibition at no charge. Click here to plan your visit.

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Media Inquiries: 

Brandi Hayberg
Manager of Marketing & Communications
BHayberg@ManitobaMusuem.ca

Careful Where You Sit

If these furnishings look weird, it’s because they are. They were oddities even when they were made in the late 19th century, and now you can see some examples on exhibit at the Manitoba Museum.

An ornate armchair with the back, legs, and arms made of interconnected bison horns.

Chairs made with antlers and horns were a fad in the late 1800s, and available to anyone with cash to spend. Some of the earliest pieces date from the 1860s, but it was at the Chicago Industrial Exposition of 1876 that horn furniture was displayed for the first time. Ten years later they featured in the Canadian section of the Colonial Exhibition and were described as having “a very striking and pleasing effect.”

Bison horn furnishings were made for a growing middle class, who had a late Victorian taste for elaborate decorations and overstuffed parlours. After the First World War, horn furniture was seen as distasteful, and much of it disappeared. Some of these pieces later came to museums with stories that they were made by First Nations artists, but real evidence is lacking.

 

Image: This cozy bison horn chair, made in the 1880s, was owned by Archbishop Samuel P. Matheson (1852-1942) of Winnipeg. It will be on display in The Museum Collection Illuminated exhibition. H8-7-6, ©Manitoba Museum

We do know that in Winnipeg, William F. White, proprietor of a taxidermy and curiosities shop, was described as a “horn manufacturer.” He advertised “a wonderful display of fancy horn work in all kinds of useful articles” in a Dec. 12, 1892 Free Press issue, just in time for Christmas. The making and sale of bison horn furnishings was happening right here in Winnipeg.

A short and squat footstool with four legs made of polished bison horns.

A bison horn footstool, now on display in the Darbey Taxidermy shop. H9-36-126, ©Manitoba Museum

An inkwell set in a rough squared base, with a bison horn extending off the left side.

An inkwell swathed in velvet and accentuated by a huge bison horn. Dating to the 1880s, it belonged to Mr. Edward Dickson of Oak Lake, MB. H9-7-445, ©Manitoba Museum

A wall-hanging coat rack made of five pairs of bison horns extending off the base at different angles and intervals.

This bison horn hat rack was likely made in the 1880s. The velvet upholstery, common in Victorian homes, is identical to that found on the chair and inkwell. H9-39-854, ©Manitoba Museum

There was a dark legacy to the crafting of bison horn furniture. The near extinction of the North American bison in the 1880s was caused by many actors, some of whom wanted to weaken First Nations. American hunters killed bison indiscriminately to sell the hides, and dried bones were later sold for fertilizer. It was a huge loss of animal life, and a traumatic change for many First Nations who had relied on bison herds for thousands of years.

You can see – but not sit on – some of these artifacts in our newest exhibition, The Museum Collection Illuminated, opening May 13 in our Discovery Room, or on permanent display in the Darbey Taxidermy Shop in the Winnipeg 1920s Gallery.

Plan your visit today

Dr. Roland Sawatzky

Dr. Roland Sawatzky

Curator of History

Roland Sawatzky joined The Manitoba Museum in 2011. He received his B.A. in Anthropology from the University of Winnipeg, M.A. in Anthropology from the University of South Carolina, and Ph.D. in Archaeology…
Meet Dr. Roland Sawatzky