Halkett Boat to Halkett Collection

Halkett Boat to Halkett Collection

By Dr. Jamie Morton, past Curator of the Hudson’s Bay Company Museum Collection

 

The Arctic explorer and HBC employee Dr. John Rae maintained his enthusiasm for Peter Halkett’s invention through several expeditions. A Halkett boat was left for him at Sault Ste Marie in 1845, and in the record of his first Arctic voyage in 1846-47, he referred to it in glowing terms. Rae described Peter Halkett as “the ingenious inventor of the portable air-boat, which ought to be the travelling companion of every explorer.” In August 1847 Rae reiterated his enthusiasm for the Halkett boat:

During the whole of our spring fishing Halkett’s air-boat was used for setting and examining the nets, and was preferred by the fishermen to the large canvas canoe, as it was much lighter, and passed over and round the nets with more facility. Notwithstanding its continued use on a rocky shore, it never required the slightest repair. It is altogether a most useful little vessel, and, as I have said before, ought to form part of the equipment of all surveying parties, whether by land or sea. (John Rae, Narrative of an Expedition to the Shores of the Arctic Sea in 1846 and 1847, London, T. & W. Boone, 1850, 116, 176.)

In 1852 Rae requested “1 Halkett’s Air Boat large enough to carry 3 persons,” and referred to “Halkett’s admirable little boats” following his 1853-54 Repulse Bay expedition. After using them on several Arctic voyages, he was convinced  of their usefulness. (E. E. Rich, ed., Rae’s Arctic Correspondence, 1844-55, London, The Hudson’s Bay Record Society, 1953, 224, xcvi.)

A moosehide coat with a squared neckline and embroidered floral patterns along the centre point and the lower portion of the coat. Short fringes hang off the shoulder points.

Métis or Cree Moosehide Coat collected by John Halkett on his 1821-22 visit to the Red River Settlement. With its combination of European form, floral decoration, and indigenous materials, this coat is a fine example of early nineteenth century Métis or Cree art. TMM HBC 34-30-A.

A whalebone club with a wrapped handle above a carved face at the base of the club.

Nuu chah nulth Whalebone Club collected by John Halkett. This is one of several Northwest Coast objects in the Halkett collection. TMM HBC 38-25.

While the Halkett boat in the HBC Collection evokes the heroic era of Arctic exploration, and remarkable characters like Sir John Franklin, Sir George Simpson, and Dr. John Rae, the associations extend further. The inventor of the boat, Lieutenant Peter Halkett (1820-1885) of the Royal Navy, was the son of John Halkett (1768-1852), a major shareholder in the HBC who became a member of the company’s managing London Committee in 1811. Peter Halkett’s mother was the sister of Lord Selkirk, another major shareholder in the HBC, and the initiator of three schemes to relocate displaced Highlanders from Scotland to British North America. The last of these, in 1811, included a large land grant from the HBC in Rupert’s Land, centred on the forks of the Red and Assiniboine Rivers, which became the Red River Settlement, and later the Province of Manitoba. When Selkirk died, John Halkett became the executor of his estate, travelling to Canada, Rupert’s Land, and the Red River Settlement in 1821-22 as part of his duties.

In his travels, he assembled a collection of objects produced by Inuit and First Nations societies from Hudson’s Bay to the Northwest Coast, which today forms an important and well-documented part of the HBC Museum Collection. Many of the objects John Halkett collected are on permanent exhibit in the HBC Gallery of The Manitoba Museum.

Collections, Convergence, and Coincidence

By Dr. Jamie Morton, past Curator of the Hudson’s Bay Company Museum Collection

 

I started my position as the Curator of the Hudson’s Bay Company Museum Collection in January, and am familiarizing myself with this fascinating collection, comprised of objects which reflect more than three centuries of HBC operations. There is not a single organizing principle, other than objects having some association with the HBC or its employees. The vast majority of the collection was donated by the Hudson’s Bay Company to The Manitoba Museum in 1994. Of the roughly 25,000 objects in this collection, about 1/3 are of indigenous origin – “curiosities of the country” collected by HBC employees – while about 2/3 are of Euro-North American origin. The collection contains some remarkable and iconic objects, but an equally important aspect is the ways in which the collection symbolizes and evokes larger themes in corporate, Canadian, and world history.

An example of this is the Halkett boat – a mid-19th century inflatable or collapsible boat intended for the use of travelers and explorers – in the HBC Collection.

An illustration of two men paddling in a small inflatable boat.

A period image of a two-man Halkett boat in use, from “Footnotes on the Franklin Search,” The Beaver, Outfit 285 (Spring 1955), 48.

A deflated and folded boat in a rectangular chipping case with the hinged lid open.

The Halkett boat in the Hudson’s Bay Company Museum Collection in its shipping box, labelled “Sir George Simpson,” prior to conservation. TMM, HBC 40-95.

A recent request came from Jeremy Ward, Curator of The Canadian Canoe Museum, Peterborough, ON. www.canoemuseum.ca He was interested in obtaining an image and information on this object for an upcoming exhibit on collapsible and folding watercraft. The information he provided, and my search into the records at The Manitoba Museum, produced some interesting results. First, it is one of two known Halkett Boats surviving worldwide. The other, in the Stromness Museum, in the Orkney Islands of Scotland, was associated with the Arctic explorer and surveyor Dr. John Rae – who was employed by the Hudson’s Bay Company. (Click here to learn more)

Rae considered the boats very useful on his Arctic voyages in the 1840s, which included a search for the lost expedition of the famous Arctic explorer Sir John Franklin.

Ironically, the Halkett Boat in the HBC Museum Collection was intended for Franklin, who in turn gave it to Sir George Simpson, the governor of North American operations for the HBC. It is possible that this boat has never been used, but has remained in its box in the corporate collection of the HBC until the HBC Museum Collection was donated to The Manitoba Museum.

Anniversary for a Museum Outlaw

Just outside my office on the 4th floor of the Museum is a big, hairy outlaw that can stare anybody down. It’s the mounted head of one of the original ‘outlaw buffalo’ of the Pablo/Allard herd of Plains Bison (Bison bison bison), the most significant of the private herds purchased by the Canadian government that helped to bring these magnificent animals back from the brink of extinction.

A taxidermized bison head mounted on a large, oval, wooden wall mount.

By 1890, it is believed that there were no bison remaining in Canada. Several private herds started from wild stock during the 1870s were obtained by the Canada government beginning in 1897. The Pablo/Allard herd, the origin of the Museum ‘outlaw’, had its beginnings in about 1872 when Walking Coyote, a member of the Pend d’Oreille First Nation, captured a handful of animals south of the Alberta/Montana border. About a dozen offspring of this group were purchased by Pablo and Allard in 1883 and augmented with others purchased from other private owners some ten years later. When protected and left to their own devices, this bison herd became quite large.

 

Image: The 4th floor Museum ‘outlaw’, an original member of the Pablo/Allard bison herd, but one of several that refused to be driven into a train boxcar for shipping and was shot for its obstinance. Times have changed, we’d like to think.

Michel Pablo rounded up his bison in Montana, loaded them onto boxcars and sent over 700 to Canada between 1907 and 1914. However, there were a few individuals that were too wild and managed to escape. In early 1911, in what was billed by the The New York Times in January that year as “the last big buffalo hunt in the history of the world,” Pablo hunted down and shot these ‘outlaw’ bison. The metal plaque on the Museum hallway head clearly identifies it as a member of Pablo’s ‘outlaw’ herd.

Newspaper clipping reading, "LAST BUFFALO HUNT NOW ON / Michel Pablo Killing Off His Herd In Spite of Montana Authorities. / Special to The New York Times."

The New York Times headline of January 22, 1911 reporting the culling of the ‘outlaw’ bison.

Close up on a metal plaque at the base of a wall mount reading, "Fine Specimen Head of Buffalo Bull of Pablo Herd of Outlaw Buffalo - 1912. / Property - City of Winnipeg".

The metal plate identifying the Museum bison head as an ‘outlaw buffalo’ of the Pablo herd.

I mentioned the Museum bison head mount to a volunteer in Geology and Paleontology, Dr. Jim Burns, who has a fascination with Winnipeg history. He brought to my attention a photograph he had researched that showed 11 bison heads lined up on Main Street in 1911, apparently from that famous last hunt by Pablo (see Burns, J.A. 2010. Edward Darbey, taxidermy, and the last buffaloes. Manitoba History, 63:40-41). It seems that a number of these animals had made their way to a well-respected Winnipeg taxidermist, Edward Darbey. Born in St. Thomas, Ontario in 1872, Darbey came to Winnipeg at the age of 15. In 1898 he purchased the taxidermy shop on Main Street that is the backdrop to the bison skulls in the photo. By 1902, Darbey had been appointed as the “Official Taxidermist of the Manitoba Government,” an odd title by today’s standards, but one that made sense at the time when animal mounts were frequently used to decorate public buildings.

The Pablo bison were hunted in early 1911, the bison head and taxidermy shop photo was dated by Dr. Burns to around mid-1911, and there is record of a Winnipeg auction of bison head mounts and capes in late November, 1911. According to the plaque on our Museum mount, it became property of the City of Winnipeg in 1912, a reasonable date to link it with the somewhat gruesome Main Street display.

Eleven bison skulls posed infront of and atop sandbags in front of a the E. W. Darbey Taxidermy shop.

Eleven bison skulls outside Edward Darbey’s taxidermy shop on Main Street in Winnipeg, mid-1911. Photo courtesy of the Archives of Manitoba through J.A. Burns.

A close up on the upper portion of the skull and the horns of a bison skull. "#5" is written along the top of the skull.

A close-up of the horns of one of the skulls from the 1911 Main Street photograph. Enhancing images like this provided a way to compare the horns of the undressed skulls with that of the Museum head mount to see if it could have been one of these animals.

Two close ups of left-side bison horns. On the left side is a black and white photograph of a horn on an undressed skull bearing very similar markings to the horn on the right side image, which is a colour image of a horn on a taxidermized skull.

Enlarged images of the undressed skulls in the old photo show distinctive patterns on the horns. I spent some time photographing the horns of the hallway ‘outlaw’ at similar angles to those of the 1911 photograph. From careful comparison, I am reasonably certain that there is a match for our 4th floor ‘outlaw’ – skull #5, second from the right in the back row of the Main Street photo (just right of the bottom of the door to the shop). The numbers on the skulls likely linked them with the appropriate skins for later mounting.

 

Image: A comparison of the left horn of skull #5 from the 1911 photograph (left) with the left horn of the Museum ‘outlaw’ mount. Although difficult to discern on the low resolution images here, patterns on each of these horns and also the right horns are strikingly similar, suggesting a match.

So our big, hairy ‘outlaw’ bison mount is 100 years old this winter. This could be considered a depressing anniversary of the killing of some of the last ‘wild’ bison in North America. But for me, the old head commemorates the beginning of an incredible conservation story, the salvation of our provincial emblem and, just perhaps, an altered attitude of society towards the world around us.

Dr. Randy Mooi

Dr. Randy Mooi

Curator of Zoology

Dr. Mooi received his Ph.D. in zoology from the University of Toronto working on the evolutionary history of coral reef fishes. Following a postdoctoral fellowship in the Division of Fishes of the Smithsonian Institution…
Meet Dr. Randy Mooi

With a Little Help from my Friends

For the last several years I have been studying the pollination ecology in Birds Hill Provincial Park focusing specifically on the rare Western Silvery Aster (Symphyotrichum sericeum) plant. I discovered that this species is self-incompatible (meaning it can’t fertilize its own eggs), and visited by a wide range of insect pollinators, including both flies and bees.

I also discovered that although this rare plant competes for pollinators with the much more common Showy Goldenrod (Solidago nemoralis) plant, a negative effect on seed production only occurs when their blooming periods overlap.

My first thought was that reducing the number of Showy Goldenrod plants in the community would result in more insect visitations for the rare plant but then I reconsidered as this did not intuitively seem like the right course of action. I wondered if removing plants would actually end up reducing the local insect population by reducing the quantity of nectar available. Perhaps the plants aren’t really competing at all but rather working together to support their mutual pollinators throughout the year. I also considered that any plant species that completes its flowering before Western Silvery Aster begins blooming would not be competing with it for pollinators at all. In fact, you could argue that the common plants facilitate insect visitation to the rare plant by providing nectar to their shared pollinators. Purple Prairie Clover provides nectar to Western Silvery Aster’s pollinators in July.

A small bee fly on a small flower with thin purple petals and a yellow centre.

Bee flies and syrphids pollinate Western Silvery Aster flowers.

A bumblebee on a stack of small yellow flowers.

Bumblebees love Showy Goldenrod!

Close up on a purple flower with a bare nub at the top.

Purple Prairie Clover provides nectar to Western Silvery Aster’s pollinators in July.

I decided to test this hypothesis by recording the insect visitors to other plant species before Western Silvery Aster even begins to flower. So far I have obtained some interesting results. One of the most important insect visitor species, a bumblebee (Bombus bifarius), was observed visiting five species of plants in June and July in addition to Western Silvery Aster. A second species, a bee fly (Anastoechus barbatus), was observed as early as July 12, pollinating three other plant species. It appears that when plants share pollinators, staggered flowering helps to (a) decrease competition, and (b) sustain pollinating insects throughout their active season.

I think that there is a tendency for western scientists to place too much emphasize on competition when interpreting the results of their research. We need to remember that co-operation, if it results in both species increasing their offspring, is also a beneficial strategy for survival.

Dr. Diana Bizecki Robson

Dr. Diana Bizecki Robson

Curator of Botany

Dr. Bizecki Robson obtained a Master’s Degree in Plant Ecology at the University of Saskatchewan studying rare plants of the mixed grass prairies. After working as an environmental consultant and sessional lecturer…
Meet Dr. Bizecki Robson

Preserving Traditional Knowledge and Practices: How Does it Relate to Museum Conservation?

I recently attended a very interesting conference in Oaxaca, Mexico. It was the 8th North American Textile Conservation Conference. Naturally, the focus was on preservation of textiles. Although I’m not a textile conservation specialist, I do work on textiles here at the Museum, and the conference offered a chance to visit a different area of Mexico, one less travelled by tourists.

As with most conferences, there were paper presentations, posters, receptions, workshops, and tours. The theme I found most interesting was that of preservation of traditional knowledge and techniques. Several papers talked about curatorial research on this subject, in different areas of the world ranging from Romania and Greece to Mexico and a Ukrainian-settled area of Cleveland, Ohio.

The tour I went on also had a focus on traditional knowledge and techniques. We first visited the farm of a local man who is trying to maintain the traditional practice of obtaining cochineal dye from insects that live on nopal cactus. He also collects guano from his ducks to use as a mordant in dyeing.

A group of closely growing cactus pads covered in white spots of cocoons.

The cochineal insects are in waxy “coccoons” on the cactus pads.

A collection tray placed on a folded chair. The dark-coloured tray holds what looks like a white powder.

They are brushed off the cacti into a tray, and will be dried and crushed to use as a dye.

Next we visited a family of artists. The women are all very skilled weavers, using traditional backstrap looms, while the son is a painter. The women gave us a weaving demonstration, and we were able to buy some of their wares. We then went to the home of another weaver, who is teaching young children the use of the backstrap loom, and who wove all the bags the conference attendees received.

Three women kneeling on mats hold the ends of long weaving threads and looms. Behind them a number of people are seated or standing watching.

The traditional weavers showed us their technique.

A smiling woman posing with a shoulder bag with an intricate woven pattern in red and white.

This local weaver made 130 of these bags for conference participants.

Finally, we went to a town where many families carry on a tradition of making painted woodcarvings. The painting is a more recent variation on a long-known tradition of carving the local copal wood.

The issue of preserving traditional knowledge and practices is being given more and more attention as modernization, wars and other factors reduce or eliminate the practices of century- or millennia-old skills. Museum conservators have access to traditionally-made objects in museums. Their examinations often reveal previously unknown or little-understood details of manufacture. Knowledge of manufacturing techniques is important when treating an object, and such knowledge is critical for producing compatible repair or restoration work.

 

Image: A variety of natural dyes are used to paint the wood carvings.

The transmission of traditional knowledge is also a cultural practice. It’s important for conservators today to bear in mind cultural context in many aspects of the work we do. Attending this conference reinforced that for me.

What inspired Clarence Tillenius?

The recent passing of Clarence Tillenius brings into focus his many influences here at The Manitoba Museum. He was the creator of The Manitoba Museum’s largest dioramas, as well as a comprehensive collection of paintings and sketches. His vision of art and nature, which spanned over 75 years, indicates a persistent dedication to the life of animals and their habitats. What inspired him? Perhaps it was simply the beauty of landscapes: when I look at his paintings, well-liked by many audiences, I see a great respect for wildlife and the use of art as drama. And certainly, there is no lack of drama in nature. But as I looked more deeply into our files I found a quote from Mr. Tillenius that sheds light on his purpose.

Diorama of two pronghorns standing amongst drought-tolerant grasses, low shrubs and herbs in a coulee with a painted mixed-grass prairie backdrop.

Mr. Tillenius was born in 1913 and raised in the Interlake region of Manitoba, which had only recently been settled by European newcomer farmers. Their presence took a toll on the region’s wildlife.

As Clarence wrote, “But while I was growing up, moose, elk, wolves and bears were being destroyed, wiped out by the settler’s ready rifle, leaving only nostalgic memories of the days when their numbers were such that no one thought they could ever disappear. So while I was young, I learned that much of the fascinating world of wildlife will always be doomed to disappear with the coming of settlement by man. I grieved that it must be so, and was determined to paint pictures that would convey what I felt about this wonderful world which I believed was slipping away.”

 

Image: Pronghorn Diorama by Clarence Tillenius. Grasslands Gallery, The Manitoba Museum.

I sense a note of resignation in this quote, but also the need to observe, record and dramatize. While Clarence “grieved that it must be so”, he acted through art to create works that would inspire younger generations. Environmental groups, schools, scientists, and museums have coalesced over the decades to create not only an appreciation of nature, but a way forward to protect Canada’s wilderness.

Dr. Roland Sawatzky

Dr. Roland Sawatzky

Curator of History

Roland Sawatzky joined The Manitoba Museum in 2011. He received his B.A. in Anthropology from the University of Winnipeg, M.A. in Anthropology from the University of South Carolina, and Ph.D. in Archaeology…
Meet Dr. Roland Sawatzky

Pallas Bugseed Possibly Extirpated in Manitoba

For the last two years I have been searching for four species of rare Bugseed (Corispermum spp.) plants. Historically these plants were found in sand dunes and along the beaches of Lakes Winnipeg and Manitoba. Unfortunately there were very few recently collected specimens; most had been collected over 40 years ago. Attempts to determine the rarity status of these plants were hampered due to this lack of information.

During my field work I relocated fewer than half of the historical populations of Bugseeds indicating a substantial loss of habitat. In some cases, dune stabilization appears to have resulted in the loss of habitat for these species, which grow in bare sand. Flooding along the Red River and on Lakes Manitoba and Winnipeg in 2010 and 2011 may have also caused the loss of habitat as several historical populations had been previously found on the beaches, dunes and sandbars along the south shore of these lakes. Balancing out the losses a bit was the discovery of seven new localities in the province including a very large population of Hairy Bugseed (C. villosum) in the sand dunes in Grand Beach Provincial Park.

A series of sand dunes with grass growing at the tops. A body of water is partially visible in the distance beyond the dunes.

A new population of Hairy Bugseed was discovered at Grand Beach!

A dried herbarium specimen of Pallas Bugseed with specimen details in the bottom right of the base paper.

Pallas Bugseed has not been seen in Manitoba in over 60 years!

Unfortunately, I could not locate any Pallas Bugseed (C. pallasii) at the three sites where it was historically found although I did find some American Bugseed (C. americanum) at two of the sites. Pallas Bugseed is still present in other Canadian provinces so it is not extirpated in the country. It is possible that this species spread into Manitoba from other provinces where it is native along railways and then subsequently disappeared as more hardy weeds took over the habitat. As the seeds of these species are quite long lived and tolerant of burial, Pallas Bugseed may still be here in the province, hiding in the soil and waiting for the right conditions to germinate.

Dr. Diana Bizecki Robson

Dr. Diana Bizecki Robson

Curator of Botany

Dr. Bizecki Robson obtained a Master’s Degree in Plant Ecology at the University of Saskatchewan studying rare plants of the mixed grass prairies. After working as an environmental consultant and sessional lecturer…
Meet Dr. Bizecki Robson

Holding it Together

The Canadian Conservation Institute (CCI) is part of the federal Department of Canadian Heritage, created to promote the preservation of Canada’s cultural heritage. Every two to three years, CCI develops and hosts in Ottawa a symposium on a conservation topic.

For a week in October conservator Lisa May attended Symposium 2011 – Adhesives and Consolidants for Conservation: Research and Applications.

Internationally attended, the symposium covered the newest research, techniques and products for a wide range of adhesives and consolidants used in conservation. Papers and posters addressed use of these products on virtually every type of material that conservators encounter.

A dedicated poster session and generous breaks allowed for opportunity to speak to the presenters as well as mingle with the over 200 participants. In addition, one afternoon was dedicated to tours of Ottawa institutions.

The last day of the symposium was at CCI where the paper authors, as well as other conservators and scientists working at CCI, demonstrated their new research, techniques, and applications. There were over 30 participants presenting 25 minute demonstrations, with each offered four to five times during the day to accommodate all those in attendance. -Lisa May

The opportunity to attend this symposium has allowed for Lisa to return with new contacts and up-to-date information we will use in conservation treatments. In particular, there are some Natural History specimens awaiting our attention, about which she gleaned pertinent suggestions on materials and techniques. Below are three photos Lisa took during the demonstration day.

Six sheets of paper, the top three darkens to cream, and the bottom three white. All have various tape samples on them.

Original and oven aged self-adhesive tapes and labels samples.

Close up on somebody's hand as they repair a torn parchment.

Repairing a parchment tear with gelatine and goldbeater’s skin.

A small container with pieces of newspaper next to three red leaves. Both types of objects have charred edges.

Parylene coated newspapers and leaves.

The Hong Kong Veterans, 1941-1945

Part II

During the Battle of Hong Kong, 290 of the 1,975 Canadians defending the island were killed in battle. After the Canadians were captured by the Japanese on Christmas Day, 1941, Canadian soldiers were taken into a brutal period of captivity, first in Hong Kong and then in Japan. Deprived of food and sanitary conditions, 267 more Canadians died as Prisoners of War.

A rough, handmade chess set with red and platinum coloured pieces lined up in starting positions.

In Hong Kong the Winnipeg Grenadiers suffered through long days of hunger and boredom. Woodworking contests were set up to keep minds and hands busy. A very recent donation to the Manitoba Museum includes one of these wooden artifacts: a hand-carved chess set inlaid with bamboo. This belonged to Lieutenant Richard Maze, who signed up for the Saskatchewan regiment with Corrigan (see Part I here): they were both later moved to the Winnipeg Grenadiers. The complete set features tiny chess pieces (about 2 cm tall) that include thin pegs to secure them to the board. Lieutenant Maze received the set from a fellow prisoner who constructed it from wood scraps found around the Kawloon POW Camp, Hong Kong. This little chess set is an example of how creative activity and friendship helped the prisoners withstand deprivation in such difficult conditions. Thanks to Rose-Ann Lewis and Ann Maze for the donation of Lieutenant Maze’s Hong Kong Veterans items to the Manitoba Museum.

 

Image: Chess set made by Winnipeg Grenadier POW, Hong Kong, ca. 1942-1944. H9-37-547-a-ag. Unless otherwise noted, The Manitoba Museum holds copyright to the material on this site.

The Canadians were later moved to a POW camp in Japan, where many worked in mines and they were limited to less than 800 calories of food a day.

The Japanese government recently offered a full apology for the treatment of Canadians in these POW camps. (Read a CBC article covering the apology, here).

Reactions among Canadians are mixed, with some accepting the apology while others say it’s too little, too late. What do you think?

Dr. Roland Sawatzky

Dr. Roland Sawatzky

Curator of History

Roland Sawatzky joined The Manitoba Museum in 2011. He received his B.A. in Anthropology from the University of Winnipeg, M.A. in Anthropology from the University of South Carolina, and Ph.D. in Archaeology…
Meet Dr. Roland Sawatzky

Musing About Macoun

Today I got to study a plant specimen that had been collected 100 years before I was born in 1872 by one of the most famous Canadian botanists, Dr. John Macoun. Dr. Macoun accompanied the engineer Sanford Fleming to look for a railroad route through the Canadian west and determine the area’s agricultural potential. Macoun collected thousands of plant and animal specimens on his journeys, which involved travelling either by horse or canoe. He collected over 100,000 plants in his lifetime including over 1,000 that were new to science. In total 48 new species were named after him, including Macoun’s buttercup (Ranunuculus macounii).

Touching Macoun’s handwritten label made me wonder what western Canada looked like back then. Just acres and acres of grasses and fragrant wildflowers, and thousands of birds, antelope and deer I imagine. Or maybe it just felt big and empty and utterly overwhelming.

Looking down a railway track with grassy banks on either side.

Macoun and Fleming were trying to determine the route for the western railroad.

Rolling grassy banks with occasional trees at the edges.

Macoun travelled along the Carlton trail through the Brandon Sand Hills.

A stringy plant with small green leaves growing in a sand dune.

I can’t imagine the difficulties he encountered trying to do his field work.  Lugging everything you would need for months on pack animals or wagons must have been difficult to manage.  Being a scientist, he also had to protect his plant press full of specimens from insects and moisture, water being a botanists’ greatest enemy.  Many a brave explorer had his precious specimens go completely moldy.  The botanist David Douglas ended up eating part of his plant collection so he wouldn’t starve to death!  The field work that I do is posh in comparison; I drive on paved or gravel roads and usually stay in hotels or cabins!  Furthermore I don’t have a whole chapter at the end of my reports recounting the loss of life that occurred during the field work.  Sanford Fleming’s “Report of progress on the explorations and surveys up to January 1874” contains such a chapter recounting the loss of 19 men during his survey: seven died in a forest fire, four drowned while canoeing the Ottawa River and eight died in a steamer wreck on a shoal!

 

Image: Dr. Macoun collected a specimen of Hairy Bugseed in 1872 that I have been studying.

I also mused about the end result of his journeys. Macoun’s report on the fertility of the prairies convinced Canada to send immigrant farmers to this land. How would he have felt knowing that his report paved the way for the almost complete destruction of the grassland that he had wandered on? That plants and animals that had once numbered in the billions would be reduced to mere handfuls less than a century after his arrival? Perhaps it would have made him happy, knowing that the land was settled with European farmers and ranchers. But I suspect that that happiness would be mingled with at least some regret that no one would ever again experience the wild west as he had.

Dr. Diana Bizecki Robson

Dr. Diana Bizecki Robson

Curator of Botany

Dr. Bizecki Robson obtained a Master’s Degree in Plant Ecology at the University of Saskatchewan studying rare plants of the mixed grass prairies. After working as an environmental consultant and sessional lecturer…
Meet Dr. Bizecki Robson