A blog about a (yule) log: Plants of Christmas

A blog about a (yule) log: Plants of Christmas

The use of plants during Christmas arose from pagan Yuletide celebrations of the winter solstice in ancient times. The pagan beliefs have become interwoven and associated with the Christian festival of Christmas, which occurs during the same season. Those plants which remained green, flowered, or bore fruit in the darkest season of the year were felt to have special powers. These powers could be invoked by appropriate ceremonies and could renew the vigour of family and herds, and ensure abundant crops during the coming year.

Yule Log

The tradition of the Yule Log in Europe goes back to prehistoric tree worship and the custom of re-kindling the hearth-fire each year. A log burnt on Christmas Eve was believed to give protection from ill-luck for the following year. The ashes of the log were strewn on the fields to promote good crops and charcoal from it was believed to heal many ills. In many parts of Europe and Britain, an elaborate ceremony of bringing in the Yule Log, “greeting” it with corn and wine and accompanying it with carols has been followed for centuries.

A close-up on a sprig of dried and pressed dwarf mistletoe.

Mistletoe

Revered by the Druids of ancient Britain, mistletoe was believed to have magical powers. Called “all-healer”, it protected against poison and made barren cattle fruitful. Kissing under the mistletoe is an old English custom, perhaps associated with the belief that the plant would transfer its protection to the person kissed. European Mistletoe (Viscum album) is only partially parasitic on evergreen trees; it still produces green leaves and manufactures some of its sugar. In Canada, we only have Dwarf Mistletoe (Arceuthobium) which is completely parasitic and much less pretty.

 

Image: Dwarf mistletoe is entirely parasitic unlike its European counterpart that is only partially parasitic and has leaves.

Holly and Ivy

These evergreen plants, which bear fruit in winter, were considered examples of the continuing vitality of the plant world. Originally used as Christmas decorations in England, they were believed to transfer their vitality to the people whose homes they graced. In ancient legends, holly (Ilex) represented the male and ivy (Hedera) the female.

A small sheaf of grain tied in a bunch with a red and green ribbon.

Yule Straw

In Sweden and Poland, it was the custom to place straw under the Christmas Eve tablecloth. Sometimes a sheaf of grain was also brought in to stand in a corner, bringing the wholesome influence of the corn spirit into the home. The straw was then used to bind fruit trees or as feed for cattle to make them fruitful.

 

Image: Yule straw was an important part of European winter celebrations.

A dried Lodgepole pine specimen in a museum storage box. A dense bush of branches grows out of a splitting cone with spreading roots.

The Christmas Tree

Evergreens have always been considered special or sacred trees because they remain green throughout the year. Long before the Christmas tree as such became a part of the Christmas tradition, garlands and boughs of evergreens were used to decorate houses and other buildings at that time of year.

Legend has it that Martin Luther set up the first real Christmas Tree, a fir decked with candles for his children. Whether this is true or not, the Christmas Tree is indeed of German origin and was first mentioned specifically in 1605. In Germany, it is called “Weinachtsbaum” (Sacred Night Tree) or Tannenbaum (Fir Tree). In Canada Christmas trees are typically spruce (Picea), pine (Pinus) or fir (Abies) trees.

 

Image: Pines are popular Christmas trees. This is a specimen of Lodgepole Pine in the Museum’s collection.

Dr. Diana Bizecki Robson

Dr. Diana Bizecki Robson

Curator of Botany

Dr. Bizecki Robson obtained a Master’s Degree in Plant Ecology at the University of Saskatchewan studying rare plants of the mixed grass prairies. After working as an environmental consultant and sessional lecturer…
Meet Dr. Bizecki Robson

Crowd Control

A museum exists to share artifacts, not hide them. Artifact loans are therefore a crucial part of any museum’s activities. The Manitoba Museum and the Canadian Museum for Human Rights (CMHR) have recently agreed to work together when it makes sense to join forces.

Our first “handshake” was the loan of some of our artifacts related to the Winnipeg General Strike of 1919 to the CMHR. Some of you may have seen this on television recently: there were speeches, photo-ops, and the media’s flare for cool optics. But behind the scenes, there were some serious discussions about which objects were best suited to tell the story of labour rights in Canada, not to mention the safety of display conditions (could the artifacts be harmed by too much light or moisture?) , the period of the loan (two years), and so on.

A wooden club with a strap at the base, against a grey background.

The police club is a potent symbol of the Winnipeg General Strike, and in particular it is symbolic of the people that feared and opposed labour unrest. The club pictured here was used for crowd control by a “Special Constable” during the strike.  On May 15, 1919, 30,000 Winnipeggers supported a local metal-trades union strike by walking off the job, thus beginning the largest labour resistance movement in Canada. It lasted six weeks, but on June 26, 1919 the resistance was ended violently by police forces.

 

Image: Special Constable Club, 1919. Photograph by Nancy Anderson.

The forces were not made up of actual Winnipeg police however, since they in fact supported the strike and were relieved of their duties by the Police Commission. The forces involved in Bloody Saturday were made up of “Special Constables” (citizens deputized by the mayor), and the Royal Northwest Mounted Police. The “Specials”, as they were known, were mostly young men identified by badges and armbands. They wielded clubs, like the one pictured above, for crowd control. The Special Constables were paid three times more than police officers from funds provided by the Citizens Committee of One Thousand, a group of Winnipeg elite who opposed the strike.

Dr. Roland Sawatzky

Dr. Roland Sawatzky

Curator of History

Roland Sawatzky joined The Manitoba Museum in 2011. He received his B.A. in Anthropology from the University of Winnipeg, M.A. in Anthropology from the University of South Carolina, and Ph.D. in Archaeology…
Meet Dr. Roland Sawatzky

My First Acquisition

Even though the HBC collection is full of amazing treasures, I’m always interested in acquiring other special items with an HBC connection. Curators at The Manitoba Museum can’t just add items willy-nilly, we go through a process with our Collections Committee to make sure that we’re acquiring items that are significant to Manitoba (or in my case, significant to the HBC, which has a much broader geographic scope). I had some help navigating this pre-acquisition process from our Curator of History, Roland Sawatzky, who had been in touch with the donor prior to my arrival, and he showed me the ropes.

An individual holding up a carved piece of horn with a lid affixed to the top.

I’m sure you’re dying to know what I’ve picked up for the HBC collection, and I literally picked it up as the donor lives in Toronto and I happened to be there to meet with the HBC History Foundation.  Following my meetings I met up with Stewart Scriver, he’s a fascinating guy who owns a cool vintage shop (if you’re in Toronto check it out, Courage my Love in Kensington Market) and has a personal collection of some really neat things from all over the world.

An engraved horn with a flat bottom and lid affixed to the top.

What’s he holding?

Why that’s a scrimshawed horn!

Scrimshaw is an art form that involves engraving ivory, bone, teeth (typically from sperm whales) or horn.  The practice originated with whalers who had access to these marine mammal parts.   A black pigment is rubbed into the etching to bring it out, traditionally this would have been soot (lampblack) but later ink was used.  We have lots of great scrimshawed pieces in the HBC collection, but none quite like this.

 

Image: The horn standing upright, note the detail on the brass lid.

What makes this one so special?

Well, for one it’s a horn and not a piece of marine mammal. Its function is also uncertain, it has a wooden base and brass lid so it must have been used to contain something but it’s not like a traditional powder horn. If you have ideas on what this might have been used for please leave them in the comments!

Close-up view on an engraving on the side of a horn container depicting individuals rowing in a boat.

Close-up on the other side of a horn cannister with an engraving depicting an individual on a horse.

One part of the scene depicts men rowing a York Boat, the other side is a man on a horse smoking a pipe.

The base of the horn cannister with "M. McKay Fort York" carved into the base.

What’s the HBC connection?

Take a close look at the bottom, see that name?  M. McKay?  There was an M. McKay (Malcolm) who worked for the HBC, he started out at York Factory from 1841-1842.  Yes, I know it says ‘Fort York’ not York Factory, but in the early days it was probably called Fort York (and we all know how names can stick).  The donor also had the horn looked at by a Curator in Toronto and, based on the engraved images, he determined that it couldn’t possibly be the Fort York in Ontario.

I still have some research to do, but I wanted to share my first acquisition with you because I’m pretty pumped about it. More to come!

Dr. Amelia Fay

Dr. Amelia Fay

Curator of Anthropology & the HBC Museum Collection

Amelia Fay is Curator of Anthropology and the HBC Museum Collection at the Manitoba Museum. She received her BA in Anthropology from the University of Manitoba (2004), an MA in Archaeology…
Meet Dr. Amelia Fay

Pīsim finds her Miskanow 

By Kevin Brownlee
Past Curator of Archaeology 

I have to share with you about the results of a wonderful project that I have been working on for the past 6 years… actually more like 20…

Open pages of the book Pīsim Finds her Miskanow showing text with diagrams, and artistic illustrations.In 1993, the remains of a woman were found at Nagami Bay (Onākaāmihk) west shore of Southern Indian Lake. The following year, community members from South Indian Lake and archaeologists worked together to recover our ancestor in a respectful and honourable way. The story of her miskanow, life journey, was pieced together from her remains and her belongings and told in the book Kayasochi Kikawenow, Our Mother from Long Ago, which I co-authored with E. Leigh Syms.

After Kayasochi Kikawenow shared her teachings, she was respectfully brought home for reburial in the community of South Indian Lake in 1997. Now, 16 years after her reburial, her story is being retold in a new way for young people. Using historical fiction, William Dumas brings Kayasochi Kikawenow to life as the main character, Pīsim, in Pīsim Finds Her Miskanow. This book shares a week in the life of Pīsim as a 13-year-old living on Southern Indian Lake during the mid 1600s just before Europeans arrived into the region. The book was reviewed by renowned archaeologist Brian Fagan, Emeritus Professor of Anthropology, University of California) who states the book is the result of brilliant teamwork between archaeologists, the Cree, and an accomplished storyteller… the book promises to be a classic of Canadian history. 

Councilor Esther Dysart speaking into a microphne at a podium. Kevin Browlee stands to the side.

In September the Museum hosted a book launch that brought together the research team, members from O-Pipon-Na-Piwin Cree Nation (South Indian Lake) including youth, the author and illustrator and many dignitaries including a councilor from the community. It is rare to have over 200 people attend a book launch but this is no ordinary book. Buy your own copy from the Manitoba Museum gift shop.

Image: Kevin Brownlee and Councilor Esther Dysart at book launch.

Top 10 plants for the Apocalypse: Part 2

Hooray the apocalypse hasn’t happened yet! You’ll be able to learn what the final five most important plants are before the end of days. So without delay here’s number 6…

A leafy branch of a wild red raspberry plant.

6. Wild Red Raspberry

(Rubus idaeus)

Since exploding nuclear power plants are likely to be a problem in a post-apocalyptic world, it would be useful to know which edible plants are likely to do well under such conditions. Fortunately, the Museum has an entire collection of plants that have been bombarded with gamma rays from the old Whiteshell Nuclear Research Establishment. And the clear winner is: Wild Red Raspberry. This plant actually increased in abundance when other plants withered and died!

Identification: A short, spiny shrub with compound leaves in threes, and white, five petaled flowers which turn into delicious giant, slightly radioactive (but that’s the least of your worries) raspberries.

 

Image: Wild Red Raspberry: Delicious and radiation tolerant.

A museum exhibit with specimens, imagery, and information about Wild Rice.

7. Wild Rice

(Zizania spp.)

Wild rice has been cultivated by Indigenous people in Manitoba for at least 2000 years and is now found in many northern wetlands. Wild rice is much higher in protein, iron, and vitamins E and B6 than white rice. Plus it’s loaded with fibre so bowel irregularity is one less thing you’ll have to worry about.

Identification: This tall, aquatic grass grows in shallow wetlands and river banks. It has separate male and female flowers that dangle from the stems.

 

Image: You can learn more about wild rice in The Manitoba Museum’s Boreal Forest Gallery.

Close up on two dandelions, one of which has a black and yellow bumblebee on it.

8. Dandelion

(Taraxacum officinale)

Yes, dandelions are “weeds” but during the apocalypse they’ll be everywhere and you can eat them, so they are your friends. The leaves are edible and very high in iron and vitamin A. The roots are good roasted and ground as a cocoa substitute or to make “coffee”. You can even eat the flowers! Plus as mentioned in a previous blog (http://www.manitobamuseum.ca/main/botany/2012/05/14/the-virtuous-dandelion/) they appear to have some anti-cancer properties.

Identification: If you can’t identify a dandelion you’re completely hopeless. Let the zombies eat your brain!

 

Image: Bees love dandelion. You should too!

Close up on a bunch of brown burr-like fruits on a cut branch.

9. Burdock

(Arctium lappa)

This is another “weedy” plant with an annoying habit of possessing fruits that stick to your socks, pants, jackets, and hair. But despite that, young burdock roots (called gobo in Asia where it originated) are edible and tasty when cooked. It grows well in disturbed, high nitrogen soils, which there will probably be a lot of.

Identification: Burdock has very large spade-shaped leaves and tall stalks with purple, thistle-like flowers. The fruiting heads have hooked prickles that stick to clothing easily.

 

Image: Burdock: the plant you love to hate. The burs will stick to you but you can dig it up and eat it (ah, sweet revenge).

A spindly plant growing long and tall with many green leaves.

10. Lamb’s quarters

(Chenopodium album)

A popular and highly nutritious pot herb in northern Europe at one time, it has largely been supplanted by spinach and lettuce. However, while spinach and lettuce need to be coddled, Lamb’s Quarters is a tenacious survivor, often growing in the nastiest of habitats. It will be everywhere once farmer’s fields are abandoned and since you can eat it raw, you can forage while keeping your eyes peeled for intelligent robots trying to wipe humanity off the earth.

Identification: An annual herb with slightly fleshy, triangular leaves and tiny, greenish-white flowers that produce round, black seeds.

 

Image: Lamb’s-quarter’s: its downright ugly but it can keep you alive.

There are many other plants that are edible, medicinal or useful for creating shelter or rope.

 

(Caution: Some edible plants, mushrooms and berries can be easily confused with poisonous ones. Make sure you have correctly identified a plant before eating it. If you are truly serious about learning to identify and use wild plants, I highly recommend taking a survival training or edible plant course).

Dr. Diana Bizecki Robson

Dr. Diana Bizecki Robson

Curator of Botany

Dr. Bizecki Robson obtained a Master’s Degree in Plant Ecology at the University of Saskatchewan studying rare plants of the mixed grass prairies. After working as an environmental consultant and sessional lecturer…
Meet Dr. Bizecki Robson

Fireballs over Winnipeg

Over the past week we have had dozens of reports of green fireballs over Manitoba. Here’s the typical description: A flaming object, greenish in colour, flashing into existence and flying in a straight line towards the horizon. Perhaps it explodes; perhaps it heads behind some trees or buildings and disappears. It’s usually visible for only a few seconds, leaving many viewers wondering if they even saw it or imagined it. It usually looks like it is very close overhead, or came to earth just behind the trees nearby.

These are well-known objects, although we seem to be getting a lot of them lately. Called bolides, they are basically large versions of meteors (which are commonly called “shooting stars” or “falling stars”). They are dying gasp of a small piece of rock that has been in space since before the Earth itself was formed.

Back in the day, about 4.6 billion years ago, the solar system itself was just forming from a slowly-spinning disk of gas and dust. Most of the materials went to form the Sun; most of the rest formed the planets. All that was left were tiny pieces of dust and rock, scattered throughout the solar system, orbiting the sun in oval-shaped orbits that carried them across the solar system. Eventually, they crash into a planet, like the Earth as an example.

When a piece of this cosmic dust crashes into earth, there is no danger to us – Earth is significantly larger than a piece of dust, and so we win this particular collision. The dust hits our atmosphere at orbital speeds, without the benefit of the heat shields we put on our returning spacecraft. The friction with the air heats the dust and surrounding air so quickly that the air itself glows in a long trail which marks the dust’s demise. Many kilometers below, we can see the streak of light as a meteor. This happens all the time – if you go outside on a dark, moonless night away from city lights, on average you will see a half-dozen meteors per hour. If the piece of material is bigger – say the size of a grapefruit – it makes a much bigger flash. It may survive long enough to get to the deeper layers of our atmosphere, where it explodes in a bright flash. These are much rarer – you are lucky to see one or two of these in your lifetime, since larger pieces of rock in space are (thankfully) much rarer than dust-sized specks.

Every so often, a comet can go by and leave a big trail of dust in the Earth’s path – a cosmic dustbunny in space. When the Earth goes through this cloud of cometary dust, we can get a lot of meteors in a short period of time – a meteor shower. Meteor showers usually produce a few meteors per hour, with the more active ones producing a few dozen per hour – much more than the average, but still the sort of thing you have to be looking for to see.

It so happens that right now, we are just coming off of the annual Leonid meteor shower – a relatively weak shower that can produce a dozen or so meteors an hour in most years. This is the source of many of the meteors seen over the last week – the bright green fireballs are larger pieces of the cometary dust that Earth encounters at this time of year.

Alas, none of these fireballs are likely to survive all the way down to the ground to become meteorites – cometary materials are made mostly of ice, and so the heat of their passage through the atmosphere completely vaporizes them.

Scott Young

Scott Young

Planetarium Astronomer

Scott is the Planetarium Astronomer at the Manitoba Museum, developing astronomy and science programs. He has been an informal science educator for thirty years, working in the planetarium and science centre field both at The Manitoba Museum and also at the Alice G. Wallace Planetarium in Fitchburg, Massachusetts. Scott is an active amateur astronomer and a past-President of the Royal Astronomical Society of Canada.

Raise the Sails!

The Nonsuch at the Manitoba Museum is the largest artifact (in size) in the collection. It is unique in that it is an artifact that visitors get to walk aboard, touch and literally step into a piece of history. Another interesting part is that the Nonsuch is a real life ship that was once sailed by a crew and it is because of this that the Conservators at TMM care for it a little differently than other objects in the collection.

One aspect of caring for such a large artifact is following a routine maintenance plan in order to keep the ship in first-class shape. This includes regular cleaning of the decks, captain’s quarters, sails and hold, as well as taking twice-yearly measurements to see if there are any changes or movements to the wooden components. Another part of the maintenance plan is moving and adjusting the rigging. When we talk about the rigging of the Nonsuch we are talking about a lot of different components including the masts, ropes, yards, and sails. One of the reasons why we undo and move the lines as part of the conservation maintenance plan is to allow the ropes to not stiffen overtime. Movement of the rigging also allows the sails to be unrolled so that they do not become stretched from sitting in the same position.

A woman wearing a white lab coat stands on the deck of a wooden sailing vessel, holding a rope taught as she looks up.

Carolyn working on deck.

A pile of loose rope on the wooden deck of a ship.

We’ve thrown the lines off the belaying pins and they’re lying loose on deck.

Three individuals standing on the deck of a wooden sailing vessel. All are looking up, as one pulled on a rope threaded through a pulley.

Museum staff moving lines on the ship.

Some other unique things that are done by the Conservation team to keep the Nonsuch as close to working order include tarring the deck seams, repainting the stern carvings, and splicing rope works when needed.

The next step in our maintenance plan, which will hopefully be completed in the upcoming months, includes climbing the ratlines (rope ladders leading up the mast) with our special vacuums and giving the ship a good dusting. This probably wouldn’t have been done in the high seas due to the abundance of wind available but since the ship is permanently stored indoors it does get quite dusty. Part of our training for this task includes taking fall protection training so that we are as safe as possible when geared up in harnesses and climbing the rigging. Stay tuned for a future blog on what it’s like to vacuum a ship 60 ft. in the air!

As mentioned earlier, the Nonsuch is treated differently from other artifacts and needs to be preserved in a way that maintains it in working order to prevent further damage. This is in comparison to our regular collections which mostly stay static in their positions tucked away in storage vaults. Having the opportunity to be a part of the preservation of the Nonsuch is a rare opportunity and also a chance for Conservators to trade in our lab coats for a sailor’s cap every once in a while.

Carolyn Sirett

Carolyn Sirett

Senior Conservator

Carolyn Sirett received her B.A. in Anthropology from the University of Manitoba, Diploma in Cultural Resource Management from the University of Victoria, and Diploma in Collections Conservation and Management…
Meet Carolyn Sirett

Top 10 plants for the Apocalypse: Part 1

Post-apocalyptic and dystopian fiction is all the rage these days. From zombie plagues (World War Z, The Walking Dead), to genetic engineering gone wrong (Oryx and Crake, MaddAddam), to who knows what (The Road), people are clearly fascinated with this somewhat morbid genre. Reading these stories made me realize that most people are ill-equipped to deal with a world overrun by the living dead, ill-tempered intelligent swine or bloodthirsty cannibals. Sadly, most people can identify more corporate logos than they can edible and medicinal plants. Sorry to say but knowing what the Nike logo looks like won’t help you treat an infection or keep you from starving to death while on the run from skin-eating mutants! So with all this in mind here are my top 10 plants that everyone should know how to identify in case the worst should ever come to fruition.

A dense patch of green vegetation and reddish-brown moss.

1. Sphagnum moss

(Sphagnum spp.)

There’s a reason why bog mummies don’t decompose! Sphagnum moss has antibacterial and antifungal properties and can help prevent wounds from becoming infected. It is also highly absorbent and can be used as an emergency bandage for zombie bites.

Identification: Sphagnum mosses are found in boggy areas, are often reddish in colour, and have short branches clustered together and a little pom-pom of leaves at the top.

 

Image: Sphagnum moss-the perfect plant for zombie bite emergencies!

Close up on the flowering tip of a plant. A cluster of small purple flowers.

2. Heal all

(Prunella vulgaris)

Heal all has been used traditionally to umm, well, heal all sorts of things. Since it contains tannins, essential oils, and saponins it has astringent, anti-inflammatory, and antiseptic properties. The plant can be used as a poultice on wounds and as a bonus it’s also edible containing vitamins A, C, and K!

Identification: This member of the mint family occurs in moist prairies and wetland edges. It has opposite leaves, a square stem and a dense spike of white and purple two-lipped flowers.

 

Image: Heal all: you can eat it or use it staunch a wound.

Close up on the dense, fuzzy clustering flowers of willow.

3. Willow

(Salix spp.)

Tea made from willow bark contains salicin, which is related to acetylsalicylic acid, the active ingredient in aspirin. In spring, the young leaf buds are edible, being especially rich in vitamin C. Young shoots and shredded inner willow bark can also be cooked and eaten. Additionally, most willows are very pliable and can be used to make rope, fishing nets, baskets, or shelters.

Identification: Typically found around wetlands, willows have a distinctive cap-like scale over the leaf and flower buds, and simple, linear leaves. Their flowers occur in dense, fuzzy clusters.

 

Image: Willow bark tea can cure those apocalypse blues headaches!

A canoe made of birch bark against a black background.

4. Paper birch

(Betula papyrifera)

Once we run out of gas, transportation will be a problem so you’ll have to go back to using the oldest form of North American transportation – a canoe. Since zombies and mutant pigs can’t swim, water transportation is a definite advantage.

In addition to making great canoes, the outer bark of paper birch can be peeled off and used to make tents, torches, kindling, slings, sleds, snowshoes, arrows and a variety of containers. Birch sap can also be collected in the spring like maple sap and eaten.

Identification: Recognizable by its distinctive whitish bark and catkins (caterpillar-like hanging flower clusters).

 

Image: A traditional birch bark canoe can help you evade those landlubber zombies.

A cluster of cattails growing in shallow water with field on either side.

5. Cattails

(Typha spp.)

This is probably the most useful edible plant in Canada as most of the parts can be eaten. The rhizome can be eaten raw if necessary or used to make a type of flour. Fresh shoots can be eaten like celery. The green flower heads can be eaten raw or cooked like corn on the cob. The high protein pollen can be used as flour. The fluff can act as emergency insulation and the leaves used to make sleeping mats.

Identification: Long, strap like leaves and an unusual flower stalk that looks like a hot dog on a stick.

 

Image: Cattail: Abundant and nutritious food for when you’re on the run.

Coming soon in part 2: the final five plants of the apocalypse!

 

(Caution: Some edible plants, mushrooms and berries can be easily confused with poisonous ones. Make sure you have correctly identified a plant before eating it. If you are truly serious about learning to identify and use wild plants, I highly recommend taking a survival training or edible plant course).

Dr. Diana Bizecki Robson

Dr. Diana Bizecki Robson

Curator of Botany

Dr. Bizecki Robson obtained a Master’s Degree in Plant Ecology at the University of Saskatchewan studying rare plants of the mixed grass prairies. After working as an environmental consultant and sessional lecturer…
Meet Dr. Bizecki Robson

Curator

By Dr. Graham Young, past Curator of Palaeontology & Geology

‘I don’t know what you mean by “glory”,’ Alice said.

Humpty Dumpty smiled contemptuously. ‘Of course you don’t — till I tell you. I meant “there’s a nice knock-down argument for you!”‘

‘But “glory” doesn’t mean “a nice knock-down argument”,’ Alice objected.

‘When I use a word,’ Humpty Dumpty said, in rather a scornful tone, ‘it means just what I choose it to mean — neither more nor less.’

‘The question is,’ said Alice, ‘whether you can make words mean so many different things.’

‘The question is,’ said Humpty Dumpty, ‘which is to be master — that’s all.’

– Through the Looking Glass, by Lewis Carroll

When I started to work at the Museum just over 20 years ago, my job title said that I was the “Assistant Curator of Geology and Paleontology.” Quite a mouthful, to be sure, and one for which the meaning was not entirely clear. Certainly people could understand the “assistant” part, except that I wasn’t actually the assistant to anyone, since I was also the only staff member in geology and paleontology. Rather, the “assistant” in my title was like that for an assistant professor at the university. It meant that I was on the first rung of progress through a professional career, and if I worked hard then I could look forward to being associate curator, and then full curator.

But what about the “curator” part of the title? What did that mean?

In the early 1990s, curator was not a commonly-used word, to the extent that it seemed like a lot of people had never heard it. I would tell them that I was responsible for the rock, mineral, and fossil collections, and that I created exhibits and answered inquiries. Those were really the things that were emphasized in my job description, and to be honest I didn’t look further than that into what a curator might be.

A smiling man, Graham Young, standing outside in front of a store under a green sign reading, "CURATOR".

Nowadays, of course, it is a popular thing to be a curator. A quick online search of this word reveals more than twenty-five million website results! Out in the world we hear about fashion collections that have been “curated” by particular experts, or about an interior designer acting as “curator” for the objects included in the public rooms of some famous person. When a word goes from obscurity to flavour-of-the-month, it is bound to be diluted and broadened, as I found earlier this autumn when I came upon an art and décor shop called Curator in the west of England. And beyond the realm of objects there are curators of paper documents, content curators who collect and organize information, and curators of the digital world (as demonstrated in this Dilbert cartoon).

 

Image: A curator stands outside a shop named Curator at Stow-on-the-Wold, England (photo by Katie Murphy)

But where does the word come from, and how does it lend itself to so many different purposes?

Curator is derived from the Latin curare, to care for, so a curator is a person who takes care of something. In fact, in Scottish legal terms a curator is someone who is the guardian of a minor or mentally ill person. Several other nouns that come from the same root have religious connotations, such as the English curate (an assistant priest), the French curé (a parish priest), and the Curia (the central administration of the Catholic Church). It is, perhaps, no coincidence that the name for our profession gives some evidence of the reverence with which we hold the objects given to our care.

Even if you hear that someone is a curator at a museum, as opposed to all those other types of curators, that still doesn’t necessarily give you a clear idea of what that person might do. I know of English museums where the people called curators are what we would call Collections Specialists at The Manitoba Museum, people who are responsible for the care of collections but not their interpretation. Elsewhere, the curator may be the administrative lead for an entire institution, a position more equivalent to that of our Executive Director. In museums of art, curators may have no responsibility for long-term care of collections; rather, they may be specialists hired as consultants to select and interpret the works for a particular exhibition.

The address on an envelope addressed to "Graham Young / Geology, Palaeontology & other things dusty or crusty / The Manitoba Museum / 190 Rupert Ave / Winnipeg, Manitoba / R3B 0N2".

And how do all of those other jobs relate to my job, you might ask? If someone asked me nowadays what the tasks are for the Curator of Geology and Paleontology, I would have to say that it includes some of the sorts of work included in every one of those other “curator” jobs! Certainly I have a role in caring for the collections, I do field collecting and select other pieces to add to the collections, and I am involved in the identification and cataloguing of specimens. But I also carry out primary research about certain parts of the collection, which adds to the body of world scientific knowledge, and I publish that research in scientific journals and present it at conferences. I identify rocks and fossils for members of the public and I give lectures to interested groups. And of course I develop exhibits, including the preparation of grant proposals to raise money for particular parts of our galleries.


Image: One way of looking at my job, according to an envelope received from a curator at another provincial museum.

Writing about my job in this way, it seems like an awful lot. I guess it is. Manitoba is a very big place, and the Museum has a modest number of dedicated curators whose job it is to cover and represent that territory. Like all the other curators at the Museum I absolutely love this job; the diversity of work is just one of the things that makes it possibly the best job in the world.

Hallowe’en is scary…FOR BATS!

Hallowe’en is upon us and all the traditional ghosts, goblins, witches, and bats are making their annual appearance. The Museum just hosted a very successful members’ night that included trick-or-treating for kids. But a recent (unfortunate) offer of a real bat to our Zoology collections has me thinking that we need to re-evaluate the inclusion of bats as a Hallowe’en symbol – they just don’t belong at this time of year!

Manitoba has six species of bats. Half of these are “cave bats” as shown in the image below to the left. Over the winter, most of the individuals of these species likely stay inside the province or in nearby provinces or states by hibernating in caves. Big brown bats occasionally find shelter in buildings. The caves are cool, but do not freeze and offer stable temperatures and humidity that are good for hibernation.

The other three species are the “tree bats” that are illustrated in the image below to the right; the red bat is a particularly attractive species (although for many, “attractive bat” is likely considered an oxymoron!). The “tree bats” escape our winters by migrating out of the province in late summer and fall, likely to the southern United States, and return each spring.

Three bat specimens on a black background. Two along the top have their wings folded close, the one at the bottom has its wings spread wide.

The three “cave bats” of Manitoba: big brown bat (Eptesicus fuscus, MM 17638, 12.2 g, Melita), upper left; northern long-eared bat (Myotis septentrionalis, MM 4408, 7g, The Pas), upper right; little brown bat (Myotis lucifugus, MM 17537, 6.8 g, Pinawa), bottom. These hibernate in caves over winter.

Three bat specimens on a black background, growing in size from top to bottom. All three have their wings spread wide.

The three species of “tree bats” in Manitoba (from top to bottom): silver-haired bat (Lasionycteris noctivagans, MM 9972, 11.7 g, Portage La Prairie); eastern red bat (Lasiurus borealis, MM 17529, 9.5 g, Pinawa); hoary bat (Lasiurus cinereus, MM 15008, 27.8 g, Tiger Hills). These species migrate south to avoid our winters.

The other three species are the “tree bats” that are illustrated in the image above; the red bat is a particularly attractive species (although for many, “attractive bat” is likely considered an oxymoron!). The “tree bats” escape our winters by migrating out of the province in late summer and fall, likely to the southern United States, and return each spring.

But just as with us when we wait too long to put on the snow tires, bats sometimes get caught by cold weather. That is what happened to an unfortunate silver-haired bat just last week (October 23) that was found lying dead on a Winnipeg sidewalk. Despite attempts at warming the little guy, it did not revive and was offered to be a part of the research collection here at the Museum. Such donations provide the raw materials to help understand these (and other) little-known animals. The Museum is grateful for these donations, and in some ways, gives the organism a second “life” where it can be studied and be used for exhibits and other educational purposes.

The silver-haired bat is likely the commonest tree bat in Manitoba (and North America), but despite this we know surprisingly little about it. They are long-distance migrants, probably spending the winter in the southern U.S. and returning to Manitoba certainly by May – we have found them clinging to the Museum on occasion as they are on their way to northern forests. These are spectacular trips for animals that weight the equivalent of $2 in loonies! [That’s about 12 g.] In summer, the species is found in north temperate zone conifer and mixed conifer/hardwood forest feeding mostly on soft-bodied insects, particularly moths, but also midges and mosquitoes. Females form small, communal maternity roosts in tree hollows or under bark. In August and September they migrate back south to avoid our cold weather and lack of insects.

Close-up on the face of a small bat specimen.

The face of a silver-haired bat (Lasionycteris noctivagans). This little fellow (it was a male) waited too long to leave the province and was found dead on a Winnipeg sidewalk. He will be donated to become part of the research collection, available to provide a little more knowledge about these poorly-known mammals.  Photo provided by D. Dodgson, and published with permission. 

Close-up on a small fuzzy bat clinging to the side of a wall.

A silver-haired bat (Lasionycteris noctivagans) clinging on to the Manitoba Museum during migration in May, 2008. This bat had disappeared by the following morning, migrating further north.

A bat specimen with spikey burdock fruits stuck to its back.

Cold weather is not the only hazard to bats as they migrate to find caves or move south. This big brown bat (MM 10970, Winnipeg) was caught by the hooked fruit of a burdock plant and could not escape.

Knowing that Hallowe’en frequently seems like the coldest day of fall – it always seemed so to me as a parent taking kids around the neighbourhood! – all of our bats should either have found safe hibernation sites or have moved south by now. Most silver-haired bats should have left at least a month ago (end of  September), long before our local ghosts, goblins, and witches start wondering our streets. And given that October weather is so hard on these little mammals, with the recent offering to the Museum collection as clear evidence, Hallowe’en and bats just don’t mix.

In Manitoba, Hallowe’en is a far scarier time for bats than it is for any of our trick-or-treaters.

Dr. Randy Mooi

Dr. Randy Mooi

Curator of Zoology

Dr. Mooi received his Ph.D. in zoology from the University of Toronto working on the evolutionary history of coral reef fishes. Following a postdoctoral fellowship in the Division of Fishes of the Smithsonian Institution…
Meet Dr. Randy Mooi