February 17, 2015

Public Archaeology - What Should have been in The News

Public Archaeology – What Should have been in The News

By Kevin Brownlee
Past Curator of Archaeology 

Open pages of the book Pīsim Finds her Miskanow showing text with diagrams, and artistic illustrations.

Today’s post is a bit of a stretch for the theme public archaeology in the news, since media did not pick up on our recent work. The project most deserving of media attention would be the teaching resources recently released for the book Pīsim Finds her Miskanow. 

Educational resources now available for Pīsim Finds her Miskanow, a nationally awarded publication. The centre for research in young people’s texts and cultures (CRYTC) at the University of Winnipeg has released an 80 page teachers guide available for download on their website. The guide is written for Grade 5 in the Manitoba curriculum. You can also listen to two of the songs from the book, the Paddling Song and the Lullaby. 

Image: Highly illustrated book brings Rocky Cree history to life, now easier to use in the classroom.

Noteworthy Public Archaeology

By Kevin Brownlee
Past Curator of Archaeology 

Open pages of the book Pīsim Finds her Miskanow showing text with diagrams, and artistic illustrations.A number of events have occurred this past year that are noteworthy. The book Pīsim finds her Misknaow won a public communications award from the Canadian Archaeological Association in May 2014. This national award recognizes archaeology publications that engage the general public. 

Two display cases were produced for the Sagkeeng First Nation Heritage Centre. The exhibits were unveiled at the Heritage Centre on May 12, 2014.

Looking into a blue display case shadow box with photographs and illustrations of artifacts as well as descriptive text.

Two Eagles Cache Education Exhibit showcases replica artifacts found with a 4,000 year old ancestor.

Looking into a green display case shadow box with photographs and illustrations of artifacts as well as descriptive text.

Rivermouth Cache Education Exhibit showcases replica artifacts found with two ancestors dating to 450 years ago.

Something Old, Something New, Something Borrowed, Something Blue

No, this post isn’t about a wedding, but that old saying works equally as well for our new permanent exhibit leading into the Nonsuch Gallery!

Despite the fact that the Nonsuch is one of our biggest attractions at the museum, some people were missing it entirely due to some poorly positioned carpet arrows and a drab entryway. Last fall I sat down with our amazing designer Stephanie Whitehouse to figure out how to tackle this problem. We decided that we could not only improve the wayfinding to the Nonsuch Gallery and well-hidden bathrooms, but also put more of the HBC Museum Collection on display, win-win!

 

A dark entryway with a sign labeling it as the Nonsuch Gallery.

Here’s what the space looked like before.

Looking down a weaving hallway with two rows of arrows directing visitors both down and up the hallway.

We call this space the “throat” as it funnels you down towards the Nonsuch. The brown colour is definitely a bit drab!

You can see that the black wall with dusty old model of our Parklands Gallery needed an update. And even when you stepped up and looked to the right (towards the Nonsuch) the area was a bit dark and uninviting. No wonder people were turning left and missing it all together!

The finished product is the result of an amazing collaboration between design, productions (carpentry/lighting), conservation, and curatorial.

Now when you emerge from the Boreal Forest Gallery you round the corner and see this:

An open entryway with a two steps going up the the left, and a hallway to the right. Directly in front is an exhibit case with a large wooden steering wheel, ship's bell, and small canon on display. Signs overhead direct visitors right for both the Nonsuch and the bathrooms.

A bright and welcoming display area with directions to the Nonsuch and washrooms very visible!

Looking down a weaving hallway with two rows of arrows directing visitors both down and up the hallway. Lighting casts a blue glow on the main walk way, and illuminated signs direct visitors in the directions of the washrooms.

Watery motion lights, the blue colour carried through, and a nicer approach through the “throat”!

Something Old: the selection of artifacts from the HBC Museum Collection from various ships used by the Company.

Something New: the signage, lights, and new exhibit space.

Something Borrowed: the pipe and pocket telescope in the little cubby are borrowed from the History collection.

Something Blue: the fabulous blue paint colour that takes you all the way to the Nonsuch.

Here are a few pics from our installation day:

Two individuals either side of a wheeled cart prepping two large ships lanterns for display.

Bert and I prepping the lanterns for display.

One individual on a ladder hanging a large ship's lantern for display, while another individual stands nearby working on some electrical wiring.

Carolyn and Sean hanging the lanterns and rigging up the lights.

Three individuals moving together to transfer a large wooden ship's wheel into an exhibit case.

Moving the ship’s wheel into the case.

Two individuals securing the upper right corner of a large sheet of glass on an exhibit case.

Marc and Bert putting the glass in place.

Our lovely designer Steph was behind the lens for these photos, how convenient 😉

Next time you’re at the museum be sure to slow down when you round that corner out of the Boreal Forest Gallery and check out our recent addition!

Shout out to everyone involved:

Stephanie Whitehouse (Designer); Marc Hebert (Carpentry); Carolyn Sirett (Conservation); Bert Valentin (Productions); Sean Workman (Productions); and Holly Durawa (summer intern from U of T’s Museum Studies Program, she assisted with artifact selection and label copy!).

Dr. Amelia Fay

Dr. Amelia Fay

Curator of Anthropology & the HBC Museum Collection

Amelia Fay is Curator of Anthropology and the HBC Museum Collection at the Manitoba Museum. She received her BA in Anthropology from the University of Manitoba (2004), an MA in Archaeology…
Meet Dr. Amelia Fay

1916: Votes for (Some) Women

The Manitoba Museum is planning an exhibit called “Nice Women Don’t Want the Vote”, opening in November, 2015, commemorating the Suffragist movement in Manitoba.  The exhibit will also discuss some of the ways Manitoba and Canada have struggled to provide full voting rights for all its citizens.

History is never neat and tidy, and the history of the franchise (the right to vote) in Canada is about as messy as it comes. While 1916 was a big year for voting rights, Manitoba being the first province in the country to extend the right to vote to women, we do need to remember that this was only for some women.

An old, worn ballot box with a latch for a lock on the front and a slit for votes in the lid. Still faintly visible is the number 105 in red.

In Manitoba, First Nations people living on reserves and receiving an annuity from the Crown were barred from voting until the mid-20th Century. Indeed, from Confederation on, both provincial and federal voting rights for First Nations were curtailed and cut off until, by 1919, no First Nations people living on reserves were allowed to vote in federal elections. In Manitoba, the Treaty population, both men and women, were only enfranchised in 1952, a full 36 years after the vote was extended to women from newcomer populations. In 1960 the House of Commons gave First Nations the right to vote for the first time federally, with no restrictions. For many years before this, First Nations people could only attain the right to vote if they gave up their rights ensured under Treaty.

The women who fought for the vote in 1916 seem to have completely ignored the issue of voting restrictions on First Nations men and women. Through our research we have come across no references to the issue, and the silence is telling. Canada was dominated by a British population who considered themselves an extension of the British Empire. The leaders of the women’s suffrage movement were largely of this background, as were most of the followers of the movement. Voting rights for First Nations were just not on the radar.

Likewise, some of the women involved in the Suffragist movement debated granting the vote to immigrant women (those not born in the United Kingdom). It must be noted that this was occurring during the height of the First World War, when anti-foreign sentiment was running hot, and any ideology that was perceived as a threat to the Empire (like giving immigrants the vote) had little chance of passing through the corridors of power. Mennonites and Doukhobors, for example, had their right to vote rescinded in 1917-18 because of their refusal of military service.

Enfranchisement, the right to vote in a democratic society, has only in the last 50 years been seen as a general right of all adults in Canada. Before this, it was a slow crawl to full suffrage. In 1867, only 11% of the population could vote, and these were almost exclusively white males that owned a certain amount of property or cash. Even before this, Catholics, non-British immigrants, Jacobites (!), Jews and First Nations were excluded in one way or another from voting in different parts of Canada. The vote was also denied to Asians in British Columbia until 1948, and to women in Quebec until 1940. The geographical isolation of some groups in the north until the second half of the 20th century also hindered them from exercising their right to vote.

As we work to create this exhibit, we hope that Manitobans continue to contact us with artefacts, stories and opinions about the right to vote for women in Manitoban history.

Dr. Roland Sawatzky

Dr. Roland Sawatzky

Curator of History

Roland Sawatzky joined The Manitoba Museum in 2011. He received his B.A. in Anthropology from the University of Winnipeg, M.A. in Anthropology from the University of South Carolina, and Ph.D. in Archaeology…
Meet Dr. Roland Sawatzky

Scientific Jargon: Translated

While proofreading a scientific journal article I recently wrote, I found myself thinking “wow, this is really boring!” Scientists always write their journal articles in technical, impartial terms so as to sound as objective as possible. That’s part of the reason why scientific conferences are so enjoyable; you often get an opportunity to find out about the real problems scientists encountered while trying to conduct their field research. That got me thinking – what if scientists wrote the blunt, honest truth about our field research experiences instead of the dry, dispassionate scientific jargon that we feel compelled to write? So for your benefit here are some of the things a scientist might write in a journal article and what it might have actually meant.

Woman kneeling in a wild prairie and closely examining yellow flowers for pollinating insects.

Due to a technical error, some data was unusable.
Translation: I dropped my portable computer in a swamp.

The first attempt at relocating the rare species was unsuccessful.
Translation: I couldn’t figure out how to use my new GPS.

The second attempt was also unsuccessful.
Translation: We couldn’t find the #$%&* thing!

The plant was located on the third field visit.
Translation: The guy we hired to pilot the boat found it.

Wildlife interference prevented collection of additional data.
Translation: A polar bear tried to eat me.

View over a field where cows are grazing towards storm clouds brewing in the distance.

Voucher specimens of most insect species observed were collected.
Translation: The wily ones got away.

Collection locations are correct within a 1-km radius.
Translation: The batteries in my GPS died half way through the hike. The spares didn’t work either.

Images from the field trip were unrecoverable.
Translation: I forgot to put the memory card in my camera.

The maximum amount of time I could spend surveying was four hours.
Translation: I spent the other four hours getting my flat tire fixed.

Data from one of the plots could not be collected.
Translation: Rabbits ate the plants I was studying.

Due to inclement weather, the survey was not completed.
Translation: I was afraid of getting struck by lightning because I was carrying a metal hiking pole.

Now you might think I’m joking but some of the things I mentioned really happened either to me or someone I know. Guess which ones! So remember if you are ever reading something written by a scientist, there’s often a much more interesting story behind it than anyone will ever know.

Dr. Diana Bizecki Robson

Dr. Diana Bizecki Robson

Curator of Botany

Dr. Bizecki Robson obtained a Master’s Degree in Plant Ecology at the University of Saskatchewan studying rare plants of the mixed grass prairies. After working as an environmental consultant and sessional lecturer…
Meet Dr. Bizecki Robson

Was there a Suffragist in your family?

The Manitoba Museum is currently working on an exhibit that will open in November 2015. “Nice Women Don’t Want the Vote”, named after a statement by former Manitoba Premier Sir Rodmond Roblin, commemorates the 100th anniversary of the right to vote for women in the province in 2016.

Elongated triangular flag. The background is yellow wiith a thick black stripe stitched on top reading “Votes for Women” along the centre.

Felt pennant, circa 1910-1916. Black and yellow were the colours of the Suffragist movement in North America. Donated by Warren West. H9-38-198. Copyright the Manitoba Museum.

A French Limoges jar painted in a mid-tone green with red and gold detailing.

We are looking for artifacts! Social and political movements don’t leave many objects behind. Things like banners, flags, and pamphlets are often lost or thrown away after a movement succeeds (or fades). But we’re not just looking for political statements. Everyday objects that are in some way connected to the Suffragist movement, like a dress or pen or shoes, would be just as welcome. For example, we will be featuring French Limoges porcelain painted by Mae Irene Whyte, who marched with Nellie McClung to the Manitoba Legislature to obtain voting rights for women.

We are interested in loans, but may consider donations as well.

Likewise, if you have an interesting story about a Suffragist in your family history, let us know!

You can contact the Curator of History at RSawatzky@ManitobaMuseum.ca.

 

Image: French Limoges jar, 1912-1919, painted by Mae Irene Whyte, Winnipeg. Whyte participated in the Suffragist movement. Donated by Marion E. Kaffka. H9-9-534. Copyright the Manitoba Museum.

Dr. Roland Sawatzky

Dr. Roland Sawatzky

Curator of History

Roland Sawatzky joined The Manitoba Museum in 2011. He received his B.A. in Anthropology from the University of Winnipeg, M.A. in Anthropology from the University of South Carolina, and Ph.D. in Archaeology…
Meet Dr. Roland Sawatzky

The Old Plesiosaur and the Sea: The Collectors

By Dr. Graham Young, past Curator of Palaeontology & Geology

 

In my last blog post, introducing our plesiosaur exhibit,  I promised to follow up with some of the story of how the collectors found, extracted, and prepared the fossils. When I was assembling the exhibit I interviewed Kevin Conlin and Wayne Buckley, since they tell these stories so much better than I ever could. Here are the interviews, which are also on the panels within the exhibit.

An individual sitting in front of a large fossil slab.

Kevin Conlin

Kevin Conlin is a ceramic artist in western Manitoba who has worked with various museums, collecting and participating in scientific research. He collects fossils under permits from the Manitoba Historic Resources Branch, and has collected significant specimens now in the collections of The Manitoba Museum.

 

How did you get into fossil collecting?

It goes back to Grade 3, on a school trip to the Manitoba Museum of Man and Nature. I took my lunch money and purchased three trilobites from the gift shop. From there, I began to look into what fossils were, and started a long life of keeping my head down whenever I was out where there were rocks or gravels that could contain fossil material.

How do you find the fossils?

When I first got into collecting I didn’t know much about rock types. After taking some geology in school and university I began to recognize and distinguish rocks that would house fossils – the types of sediments or fossils in the area really dictate how you find fossils. I look for the odd shapes, textures, any variations in the surface of matrix or sediment which could indicate something other than just mud, sand or sedimentary rock. It could be anything from a pin prick to the size of a 200-pound boulder!

 

What do you do to prepare the fossils?

Depending on the fossil and its fragility, I use a special glue. For cleaning and preparing fossils, miniature jackhammers and a miniature sandblasting unit are used to remove sediment. It all depends on the fragility. Some fossils come naturally cleaned by the elements. Others still encased in rock can take hundreds of hours of preparation.

An individual standing in front of a large fossil embedded in a slab.

Kevin poses in Brandon with a large fossil fish that he is preparing.

An individual engraving a ceramic in progress in a workshop with other partially completed ceramic vases.

Kevin creating ceramics in his studio (photo courtesy of Kevin Conlin)

An elaborately engraved vase covered in black trilobite designs.

Among the fossils you have found so far, which one is your favourite?

I like all fossils. They all bring great enjoyment – trilobites, birds, a Carboniferous collection that I really enjoy. I have no real favourites.

 

What do you think is the most pleasurable part of fossil collecting?

The most pleasurable part of fossil collecting to me is relaxation. Even though the work can be difficult, finding the fossil and knowing that you are the first human to see it brings a great deal of pleasure.

 

Why do you collect fossils? Why is it important to do this?

I collect fossils for the mystical quality from ancient worlds and the beauty they project. I also collect fossils for the purpose of preservation. It is important to preserve this material because nature will destroy it over time through erosion. Being a ceramic artist, a large part of my fossil collecting becomes an inspiration for my work. The interesting thing about being a clay artist is that many fossils are found in clay!

A smiling individual standing in front of a display cabinet filled with fossil specimens.

Wayne Buckley

Wayne Buckley is a retired agricultural research scientist in western Manitoba. He collects fossils under permits from the Manitoba Historic Resources Branch and has donated significant specimens to The Manitoba Museum.

 

How did you get into fossil collecting?

As kids, my cousin and I had an interest in collecting rocks. We had heard that you might be able to find fossils at a place we were camping, so we went looking and we found this beautiful ammonite. I remember being struck that it was possible for someone like me to find beautiful and interesting things like that. I was hooked for life!

What do you have to do to pull out a fossil you have found? What sorts of tools do you use?

I suppose the most important tool is a shovel; we do a lot of digging! Then we get the picks and crowbars to lever out big chunks of shale. As we get further into the rock it becomes quite hard, and I use a small jackhammer. Once the fossil is exposed, we need to prepare a trench around it, then cover it with a burlap and plaster cast. We’ve used various techniques to get fossils out of the bush. Early on it was mainly inner tubes with a piece of plywood – we would drag and float it out. Later I made a skid that would float and we could haul that behind an Argo (an amphibious vehicle).

 

Among all the fossils you have found so far, which one is your favourite?

That’s easy. That plesiosaur that I just donated [to the Museum] is certainly my favourite.

 

What do you think is the most pleasurable part of fossil collecting?

Well, I guess there are really two things that come to mind. First of all, there’s the thrill of making a discovery. That, however, is fairly rare. Probably just as important is that I enjoy being out in the bush. I really enjoy the relaxation that comes with eating my lunch on a vantage point, listening to the silence and watching the birds and other animals.

A large fossil slab strapped to a raft attached to the back of an Argo water vehicle.

Dragging a field jacket with the Argo. (photo courtesy of Wayne Buckley).

An individual with a hand-held tool attached to a hose working on a fossil skull.

Wayne preparing the plesiosaur skull (photo courtesy of Wayne Buckley).

A smiling individual standing with their arms spread in front of a fossil fish mounted on a wall.

Wayne with a large fossil fish (Ichthyodectes sp.) that he collected and prepared. This fish is featured in our current exhibit.

An individual standing on a stone shelf against a stone wall next to a shovel and pick tool.

What sorts of sources do you use to identify the fossils?

There’s a great website called Oceans of Kansas. It describes many of the fossils that we find in Manitoba, because they are also found in Kansas. Also, as I have a background in science, I am quite comfortable with searching the scientific literature and ultimately going to the original research papers where new species were named.

 

Why do you collect fossils? Why is it important to do this?

I have a passion for fossils. I think collecting them is important because we don’t have a complete record of the early life that was in Manitoba during the Cretaceous Period. I feel that we are able to make significant scientific contributions. It’s also important to save the fossils; erosion is very rapid where we are collecting and fossils simply erode away.

 

Image: Wayne in the fossil quarry he created during collection of the plesiosaur (photo courtesy of Wayne Buckley).

New Species of Canadian Water-lily Finally Named

Seven years ago I went to northern Manitoba in search of a rare water-lily with American botanist John H. Wiersema. This water-lily appeared to be a fertile hybrid between two species: Fragrant Water-lily (Nymphaea odorata) and Pygmy Water-lily (N. leibergii). The only problem was that the specimen had been observed only once way back in 1948 by renowned botanist Homer J. (no not Simpson!) Scoggan. In order to determine if the water-lily was a unique species, we needed some fresh DNA!

After a fruitless (literally and figuratively) trip in 2007, Manitoba Hydro graciously flew both John and I up north to search a small river for the elusive water-lily in July of 2008. After a long boat ride, our persistence was rewarded with the first sighting of the water-lily in 60 years. John took DNA samples to give to his research associate Dr. Thomas Borsch to do the required genetic research. The genetic work confirmed that this plant is a fertile species of hybrid origin that does not reproduce with either of the parent species. Six years later, a peer-reviewed paper describing and naming the new species as Lori’s Water-lily (Nymphaea loriana) has been published the the NRC Press journal Botany (Read more here). The water-lily was sadly named after Dr. Wiersema’s late wife.

A small white water lily with a yellow centre held up in someone's hand.

The flower of Lori’s Water-lily (Nymphaea loriana).

Two individuals wearing life jackets leaning far off either side of a boat, looking for water lilies on the lake surface.

Searching for water-lilies requires some precarious perching!

Most people do not realize how long and laborious the procedure to scientifically describe new species is. Herbarium specimens must be studied, field work undertaken, and often genetic and biochemical laboratory work performed. This process can take years, even decades to complete as scientists usually cannot spend all of their time doing research (other stuff like tedious paperwork usually gets in the way). Even after the research is all done, a species is not officially recognized until it has been peer-reviewed and published in a scientific journal. Further, the specimens collected must now be protected and cared for in perpetuity as they are the official documentation of the species’ existence, a task that The Manitoba Museum gladly undertakes. The dried, pressed specimens were glued onto special acid-free paper, labelled, databased, and stored in a climate-controlled vault for future reference and scientific research.

An individual seated at a table placing botany specimens in newspaper for pressing.

John Wiersema pressing scientific specimens. These specimens will be cared for in perpetuity at The Manitoba Museum.

Close-up on a patch of lily pads and water lilies on a water surface.

Lori’s Water-lily (Nymphaea loriana) floating in the river.

Now the next phase begins: conservation. This species is endemic to Canada, meaning that it is found nowhere else in the world. My colleagues and I estimate that there are only about 750 Lori’s Water-lilies in the world, making them extremely rare. Pollution of our northern waters from agriculture and natural resource development, and changes in water levels due to climate change are potential threats to this species here and in central Saskatchewan where two other populations are found. In a soon to be submitted paper, my colleagues and I will be recommending that this new species be protected under Canada’s Species at Risk Act, due to its extreme rarity.

Dr. Diana Bizecki Robson

Dr. Diana Bizecki Robson

Curator of Botany

Dr. Bizecki Robson obtained a Master’s Degree in Plant Ecology at the University of Saskatchewan studying rare plants of the mixed grass prairies. After working as an environmental consultant and sessional lecturer…
Meet Dr. Bizecki Robson

Sea of Monsters

By Dr. Graham Young, past Curator of Palaeontology & Geology

 

The Old Plesiosaur and the Sea Exhibit, Open November 14, 2014 – April 6, 2015

Looking into the entrance of an exhibit room. A large plesiosaur skull is in a display case beneath a sign reading, "The Old Plesiosaur and the Sea".

Tomorrow morning we will be opening our new Discovery Room exhibit, The Old Plesiosaur and the Sea. Some Discovery Room exhibits show exciting or previously unseen objects from the Museum’s collections, while others feature collaborations with the community. This exhibit will do both: some of the beautiful specimens have been donated over the past few years by two remarkable fossil collectors, but many of the other specimens are being loaned by those collectors, just for this exhibit.

The collectors, Wayne Buckley and Kevin Conlin, spend much of their spare time collecting and preparing fossils from Cretaceous rocks in the Manitoba escarpment. These fossils include large marine reptiles, beautiful fishes, and many other forms of sea life. The exhibit is intended to share with the public some of the fossils Wayne and Kevin have collected, along with the story of how and why they have carried out this difficult and complicated work.

The exhibit itself is partly tied to a donation to the Museum. This spring, Wayne Buckley very generously donated a plesiosaur, the skeleton of a huge swimming reptile that he had collected, prepared, and studied over a period of several years (hence the name of this exhibit). We are planning a major new gallery exhibit that will feature this fossil, but we wanted to share it with the Museum’s visitors as soon as possible, and this temporary exhibit seemed like a wonderful opportunity to also display some of Wayne and Kevin’s other fossils.

The photos below simply show parts of the exhibit, and some of the behind-the-scenes work that was required to put the specimens there. I will try to follow up in a week or so with some of the very interesting story of Wayne and Kevin’s fossil collecting.

A small group of people in a museum back room standing around a large plesiosaur skull in a mount on a cart.

After we brought the plesiosaur to the Museum, we worked on it in one of the back rooms. Here, we are placing the skull onto a cart so that it can be moved to the exhibit. L-R: Ed Dobrzanski, Bert Valentin, Ellen Robinson, Carolyn Sirett, Stephanie Whitehouse, me, and Sean Workman. (Photo by Randy Mooi)

Two smiling individuals standing beside a cart containing a mounted plesiosaur skull in the metal cage of a freight elevator.

Carolyn Sirett and Ellen Robinson accompany the skull in the freight elevator. (Photo by Randy Mooi)

Two individuals standing at either end of a large mounted plesiosaur skull on a cart in front of an open, empty display case.

Will it fit into the case? Fortunately the skull is not quite as big as it looks from here (note the metal mount, devised by Bert and Carolyn). (Photo by Randy Mooi)

Four individuals from behind as they work together to left a large, mounted plesiosaur skull into its display case.

All together now! The skull is heavy and fragile, a tricky thing to move into a tight space. L-R: me, Stephanie Whitehouse, Bert Valentin, Sean Workman. (Photo by Randy Mooi)

Five individuals from the side as they adjust the placement of a large mounted plesiosaur skull in its display case.

Adjusting the skull on its mount.

A large mounted plesiosaur skull in a display case.

The plesiosaur skull and neck vertebrae (V-3151).

View of temporary exhibit from the back of the room, with four display cases visible.

Close-up on a fossil slab containing the disarticulated bones of an ancient fish.

A splendid example of the fishIchthyodectes, disarticulated (broken up) by currents or scavengers on the ancient seafloor. This fossil was donated to the Museum by Wayne Buckley. (V-3122)

A display case containing four different fossil slabs under a label copy sign about sharks.

Sharks are widespread in Manitoba’s Cretaceous rocks. Shark teeth are very hard and commonly fossilized. Shark skeletons are made of softer cartilage, so most parts of the skeletons are rarely preserved. As shown by the specimens here, however, vertebrae (backbones) and jaws are sometimes fossilized because those parts are hardened with calcium salts. The fossils in this case are on loan from Wayne Buckley.

Three fossils on display in exhibit.

Some of the fossils in the “Cretaceous Community” case: an example of plesiosaur ribs and gizzard stones (1), the snout of the bony-headed fish Thryptodus? (2), and a vertebra from an elasmosaur (long-necked plesiosaur) (3). These fossils are on loan from Kevin Conlin (1, 3) and Wayne Buckley (2).

A fossil slab with parts of skeleton visible on display above an X-ray of the slab showing further aspects of the skeleton inside the rock.

One of my favourite fossil specimens is this Cretaceous seabird, loaned for the exhibit by Kevin Conlin. The bird is still partly enclosed in dense shale matrix; the X-ray below shows that most of the skeleton is actually present.

An elaborately engraved vase covered in black ammonoid designs with a small ammonoid at the top of the urn lid.

Kevin Conlin is a professional ceramic artist. This ammonoid urn was inspired by Cretaceous fossils and rocks.

How Wildflowers Feed You

For many years native prairies and forests were considered “waste lands” because they don’t produce food for people to eat. But increasingly scientists are finding that natural areas are actually essential for our food production system.

In a recently published paper in the Journal of Pollination Ecology (click here to read), I documented which prairie wildflowers provide food for the pollinators of crop plants like canola. Canola, being a mass flowering crop, produces primarily pollen and some nectar to entice insects, such as domestic honeybees, and native bumblebees and sweat bees, into pollinating them. Pollination by insects greatly increases the seed set of canola. However, before and after canola flowers, its pollinators need something to eat. Enter the wildflowers!

View looking out over a canola field, bright with yellow flowers under a blue sky.

Canola production is higher when wild pollinators are present.

A black and yellow bumblebee on a cluster of yellow Rigid Goldenrod flowers.

In late fall bumblebees love feeding on the nectar of rigid goldenrod (Solidago rigida).

Wildflowers typically start blooming in late April and are in bloom until mid October, providing hungry pollinators with healthy, nutritious nectar and pollen to eat. Essentially, without wildflowers, the bees that we rely on to pollinate our canola crops would starve. And yet sadly these wild plants are being dug up, sprayed with herbicides, and choked out by exotic European weeds. Intensification of agriculture is the main factor causing the collapse in domestic honeybee populations as well as the endangerment of native bees and other pollinators like the monarch butterfly. Wild insects that need prairie plants, such as flower and bee flies, also play an import role in the biological control of pests like aphids.

And so I would like to suggest that we begin re-wilding our province lest our pollinator populations collapse to the point that we can no longer grow canola, sunflowers, or strawberries any more. Protecting the remaining prairies, oak savannahs, and tree bluffs is one important thing we can do. Another is to begin restoring the prairies alongside our farmlands. The Iowa Department of Highways has been replacing exotic weedy species in roadside ditches with native prairie plants creating beautiful stretches of highways that team with insect life and provide crop pollinators with habitat (click here to learn more). Integrated Pest Management (IPM) is a useful tool for controlling pest populations on croplands while minimizing the impact on wild pollinators.

A low-growing plant with clusters of small yellow flowers: Hoary Puccoon.

Wildflowers like hoary puccoon (Lithospermum canadense) provide bees with food before canola flowers.

Close-up on white blossoms on a Saskatoon berry branch.

Saskatoon berries (Amelanchier alnifolia) need pollinators to produce optimal fruit set.

Lastly, please look to your own yard. Are you growing plants that are visited by pollinators? If not, consider growing at least some native wildflowers as our pollinators are adapted to feeding on them, not introduced exotics. I know that butterfly gardens are popular but really it’s the bees and flies that are doing most of the heavy lifting when it comes to crop pollination. The more pollinators you nourish, the better your own garden yields of tomatoes, peppers, squashes, apples, and berries will be!

Still scared of getting stung by a bee? You probably shouldn’t be as we don’t have any “killer bees” in Manitoba. Our native bees are not aggressive (although some wasps and hornets can be) and will more than likely leave you alone unless you step on them or hit them. Also many wild bees are actually stingless! Check out www.PrairiePollination.ca for more information on the wild bees of Manitoba.

Dr. Diana Bizecki Robson

Dr. Diana Bizecki Robson

Curator of Botany

Dr. Bizecki Robson obtained a Master’s Degree in Plant Ecology at the University of Saskatchewan studying rare plants of the mixed grass prairies. After working as an environmental consultant and sessional lecturer…
Meet Dr. Bizecki Robson