HBC on the Web

HBC on the Web

There are a number of good sites to visit if you’re interested in learning more about the HBC but one of my favourite go-to sites is produced by some good colleagues of mine at HBC Heritage Services. You can check it out here.

This website has a ton of information so I encourage you to take some time and explore it if you haven’t already. Teachers and students should head to the Learning Centre where they will find numerous features specifically created to complement curriculum across the country. The rest of the site, which is easy to navigate, is full of informative articles about HBC history. Much of the content is supplied by Joan Murray, the Corporate Historian for HBC Heritage Services, and she’s based out of the HBC’s head office in Toronto. Joan knows a lot about the company’s history and material culture, and she’s always willing to help out a newbie like me.*

I was pretty excited when Joan and her team approached me for some assistance with their website. They wanted to showcase some of the amazing artifacts from the HBC Museum Collection in the Artifact Gallery of their Learning Centre. I was able to provide them with some nice photos and captions and they took it from there, here’s a teaser but to see the full gallery click here.

Screengrab of the HBCHeritage.ca homepage.

Screen grab from HBC Heritage Services home screen.

Screengrab of the Learning Centre on HBCHeritage.ca.

Screen grab from HBC Heritage Service’s Learning Centre.

Screengrab of an artifact details page on HBCHertiage.ca featuring a beaded octopus bag.

One of the artifacts from the HBC Museum Collection housed here at TMM.

I’ve been really fortunate to work with great people like Joan during my first year as a Curator, and I look forward to future collaborations with her and others. In fact, my next two blog posts will be about collaborations with some other fantastic institutions. Stay tuned!

 

* I can still play the “new” card until I hit my official one-year anniversary with TMM (September 3rd!).

Dr. Amelia Fay

Dr. Amelia Fay

Curator of Anthropology & the HBC Museum Collection

Amelia Fay is Curator of Anthropology and the HBC Museum Collection at the Manitoba Museum. She received her BA in Anthropology from the University of Manitoba (2004), an MA in Archaeology…
Meet Dr. Amelia Fay

World War One: In the Trenches

Part II in a three-part series.

 

The Manitoba Museum is currently hosting “The Victoria Crosses of Valour Road”, a new exhibit in our foyer in which all three of the famous Victoria Crosses presented to WWI military servicemen Hall, Clark and Shankland are on display for the public. To put this exhibit of such important artifacts into a larger perspective I am providing three blog entries about the war’s beginnings, drastic developments, and the effects of the war after it ended in 1918. This entry, Part II, explores the effects of industrialization on the war, Canada’s role, and some of the massive geo-political and combat developments that took place during the war.

A New Kind of War

Two display cases with artifacts and text panels under a large Manitoba Museum banner.

The Great War quickly intensified and within a month it became obvious that the mounting casualties were unprecedented. This was partly due to industrial technology. Extensive railway systems allowed a constant supply of food and men, even through winter months; rapid-fire machine guns caused massive loss of life; barbed wire (invented in the 1860s) slowed attacks; poison gas, used by both sides, terrified the enemy and killed thousands; heavy artillery shells were produced and fired by the millions; tanks were introduced; mines were used to blow up trenches from beneath; flamethrowers induced panic; grenades were used to clear trenches, but also caused many accidents; aeroplanes and blimps proved invaluable for reconnaissance; destroyers and sub-marines armed with torpedoes were used in the open seas.

 

Image: Victoria Crosses of Valour Road Exhibit in the foyer at The Manitoba Museum.

At the same time horses, swords, bayonets, and trench clubs were reminiscent of an earlier period of war. What most characterized the conflict, however, were the vast trench systems that became like cities to the men involved. Trenches were so important because defending was much more successful than attacking. Defending from a trench with machine guns was extremely effective against a group of men with rifles running across an open field and then trying to wade through barbed wire. While the forward “creeping barrage” of artillery was meant to dislodge trench defenders and protect advancing forces, it was even more effective at creating a landscape of mucky craters that slowed things down even more.

A wooden club with a metal core visable from the top, and hobnails affixed to the sides.

This was an incredibly dangerous environment for individuals like Hall, Clarke, and Shankland. In the first month of the war 75,000 French soldiers were killed – 27,000 of these on August 22 alone. In one battle at the end of August their allies the Russians suffered 50,000 casualties and 92,000 of their men were captured. Armies adapted to the slaughter by entrenching themselves in defensive positions. However, by 1917 the “creeping barrage” had been perfected, often moving forward only 300 yards ahead of advancing forces. Also, new independent attack teams had been organized that cleared enemy machine gunners more effectively.

 

Image: While aeroplanes and artillery shells flew through the sky, trench warfare could be as simple and brutal as hand-to-hand combat. This oak “trench club”, fitted with hobnails and weighted with a lead core, was used against the enemy once trenches were overrun. H10-1-84. Copyright The Manitoba Museum.

But casualties continued to grow. During the four-day battle for Vimy Ridge in 1917, Canadians experienced 10,000 casualties (including over 3,500 dead), with the Germans suffering perhaps 20,000 casualties as they defended and then retreated. It is difficult to imagine the sheer number of families back home that experienced profound loss during WWI.

Canadian Involvement

Canada became involved on August 5, 1914, the day after the United Kingdom declared war, and eventually over 600,000 Canadians volunteered, of which 458,000 were sent abroad, with about 61,000 killed in the war. Among British Empire colonies, only India provided more volunteers (1,440,000).

Over 18,000 Manitobans volunteered for the war effort, spurred on by patriotism and in many cases lack of work in a province that was beginning to experience an economic downturn. Camp Hughes became a major training ground for Canada’s army, including the construction and use of trenches (which can still be seen today). Manitobans were involved in many of the major Canadian battles in Europe, including Ypres and Vimy Ridge.

The battle for Vimy Ridge was symbolic for Canadians because for the first time all four Canadian divisions fought together and were immensely successful. However, it should be remembered that this was one flank in a much larger operation at Arras that eventually cost the British 150,000 soldiers, compared to the defending German losses of 100,000.  Arras, in turn, was used to support the major attack by the Allies at Chemin des Dames, which stalled and ended in mutiny. In a recent 729-page history of WWI, Vimy Ridge receives mention in one sentence and doesn’t even show up in the index (David Stevenson 2012, “1914-1918”). As important as Canadian battles were to Canadians, their contributions were dwarfed by the giant scale of the war itself.

Russia Collapses

The war was particularly devastating for Czar Nicholas’ Russia, with the number of war dead reaching over 1,800,000, a staggering number, and twice that of the entire British Empire. By 1917 Russians had lost faith in their leadership, soldiers had lost faith in their commanders, and the economy was collapsing. The people of Russia wanted peace and bread. This opened the way for new leaders such as Lenin, who helped usher in the Communist Revolution. This event would affect world history to the present day, as the establishment of the Soviet Union, the Eastern Bloc, the Berlin Wall, and the Cold War led to a nuclear arms race and Communist movements all over the world (including in China). The collapse of the USSR continues to have consequences to this day.

Enter the Americans

What finally tipped the balance in favour of the French and British was the turmoil within Germany combined with the late involvement of the United States of America on the side of the Allies. The USA entered the war on April 6, 1917, almost 3 years after Canada. The new troops, supplies and funding were crucial to the Allies partially because they helped to replace an exhausted Russia. As American support continued to grow over the next year, Germany attempted one last massive offensive in the summer of 1918…which failed.

Even during the war it was obvious that the world would never be the same. Economies were collapsing and political uprisings surfaced in many nations. Too many husbands and brothers and sons were missing or forever maimed. And yet, when the war did end, the borders of Germany, France, and Great Britain survived in largely the same manner as before. Which would later raise the question: What did ten million soldiers die for?

 

Coming up in Part III: How the war ended and what it accomplished.

Dr. Roland Sawatzky

Dr. Roland Sawatzky

Curator of History

Roland Sawatzky joined The Manitoba Museum in 2011. He received his B.A. in Anthropology from the University of Winnipeg, M.A. in Anthropology from the University of South Carolina, and Ph.D. in Archaeology…
Meet Dr. Roland Sawatzky

Manitoba’s Miniature Forests

Last year I was able to attend a moss identification workshop given by Dr. Richard Caners. I had largely been ignoring the mosses because it is really hard to be good, all-around naturalist these days. My specialty is vascular plants. When I first started working here at the Museum, I had to learn how to identify fungi and lichens. Then I had to learn how to identify pollinators for my research (and trust me that’s not easy!). This year though I’m determined to collect and identify some mosses for an upcoming exhibit.

This July I spent several days hiking through the forests and rocky outcrops in Whiteshell Provincial Park. Although you’d think rocks would be devoid of life, there are all sorts of creatures making themselves at home on the granite outcrops out there. First the lichens show up, forming a thin crusty, coating. Then in the small cracks where there is a little bit more moisture, the mosses show up. Flowering plants like blueberries (which I thoroughly enjoyed eating!) then germinate in the moist, tiny pockets of soil that the lichens and mosses have created.

Looking down at a rock surface with patches of dark green moss growing on it.

Lichens and mosses are the first organisms to colonize bare rock.

Looking out over a rocky surface where green grasses and plants are growing from cracks in the rock's surface.

Flowering plants colonize cracks in the rock where mosses grow.

Part of the reason why mosses are so small is because they lack true vascular tissue (i.e. long, thin straws that help tall trees suck up water). Plants that lack vascular tissues cannot move water as far, restricting their size. Although mosses can’t transport water long distances, they can absorb water very quickly. The most absorbent mosses can suck up 10 to 20 times their dry body weight in water, often within only a few minutes time. Sphagnum is particularly absorbent and was used for bandages in Europe during World War I to save cotton. The antiseptic properties of the moss were also beneficial in preventing infection. Peat moss is still used extensively in the horticulture industry as potting soil and to create industrial chemicals. Peat is also used to create the well known libation-scotch!

 

Image: Sphagnum mosses absorb lots of water very quickly.

Instead of flowers, mosses produce tiny capsules that contain millions of spores. Some of these capsules explode, flinging the spores away from the parent plant; wind helps to disperse them further away. When I’m in the field looking at these unusual ecosystems I find myself wondering what it would look like if I were an insect. Suddenly these tiny plants would be huge trees with massive spiky leaves. Their intricate flying spores would be dangerous projectiles. Among the mosses there would be a stunning diversity of minute insects and bizarre animals like water bears, rotifers, and velvet worms. It would be like getting sucked into a Dr. Seuss book!

So if you’re planning on going hiking in the woods this summer, take a moment to look closely at the moss forests that you’ve probably never noticed before.

Close-up on tiny spores growing from moss like tiny trees.

Moss capsules are full of millions of tiny spores.

A collection of mosses, paper bags, and other collection materials laid out on a rock.

Moss voucher specimens awaiting documentation.

Dr. Diana Bizecki Robson

Dr. Diana Bizecki Robson

Curator of Botany

Dr. Bizecki Robson obtained a Master’s Degree in Plant Ecology at the University of Saskatchewan studying rare plants of the mixed grass prairies. After working as an environmental consultant and sessional lecturer…
Meet Dr. Bizecki Robson

Prairie Pollination: Anatomy of a Virtual Exhibit

A watercolour painting of flowers with fluffy purple flowers at the top of stems with long thing leaves growing up it.

This month a project that I have been working on for almost three years (whew!) finally came to fruition: an exhibit on Prairie Pollination for the Virtual Museum of Canada (www.PrairiePollination.ca). This exhibit is the culmination of ten years of research on the pollinators that visit rare and common plants in Canada’s few remaining prairies. The exhibit features photographs of wild plants and pollinators, as well as some of the beautiful botanical watercolours in our collection made by artist and entomologist Norman Criddle (1875-1933). We even created an app called PlantSpotting that will enable people to photograph and map wildflowers that they themselves observe.

 

Image: A watercolour of dotted blazingstar by Norman Criddle.

Diagram of a Bee fly with labels pointing out each of their parts.

Most people assume that bees and butterflies are the most important pollinators but during my research I found that-surprise, surprise-most flower visits are made by flies! Flower flies, bee flies, soldier flies, and parasitic flies are among the most common flower visitors in the prairies. Since the internet has lots of educational material about butterflies (particularly monarchs) and bees (particularly honeybees), I decided to focus one of my student lesson plans on pollinating flies (available at the Virtual Museum of Canada’s Teacher’s Learning Centre). Local artist Janet LaFrance created a great illustration of my favorite bee fly (Anastoechus) for one of the lessons that Educational Consultant, Angela Fey helped me develop.

 

Image: Worksheet on the parts of a bee fly for the Virtual Museum of Canada’s Teachers’ Learning Centre.

The highlight of the project was travelling to some of the remaining native prairies in Manitoba and Saskatchewan to film short videos with pollination biologists. One of the biggest problems with filming plants on the prairie is the unrelenting wind. Videographer Robert Zirk had to try to film flowers that kept flopping around, and insects that were getting blown off course. Further, the sound of the wind in the microphones sometimes made it difficult to hear what we were saying. Hauling equipment around in the brutal 30 degree heat during our trip to Spruce Woods Provincial Park wasn’t all that fun either.

Our worst luck occurred down at the Tall-grass Prairie Preserve where we very nearly missed the blooming of the rare Western Prairie Fringed Orchid. Although we did get some images of it, it was a very dry year and the poor little plants we found were looking a little parched! Fortunately, 2013 was a good year for another rare orchid we filmed a video on: Small White Lady’s-slipper.

An individual crouched in a field with a DSLR camera, taking a photo of something in the field.

Videographer Robert Zirk, getting up close and personal with a lady… slipper’s-orchid.

Close-up on a small white bulbous orchid.

The seductive small white lady’s-slipper orchid.

Close-up on a flower with a cluster of blue tubular flowers, with a bumble bee prying into one of them.

The field work was only a tiny part of the whole project (although the funnest part).  Many hours were spent researching and writing text, photographing and cataloguing specimens and, of course, designing the website. Fortunately I didn’t have to do it all myself (I would have gone crazy) and was able to rely on a team of talented interns (Melissa Pearn and Rebecca Bilsky), staff, consultants and many volunteers.

So if you share my passion for pollination and want to learn more, check out the Museum’s new exhibit.  Funding for Prairie Pollination was generously provided by the Virtual Museum of Canada (VMC), the Heritage Grants Program, Manitoba Culture, Heritage and Tourism Department of the Government of Manitoba and The Manitoba Museum Foundation Inc.

 

Image: Closed gentian can only be effectively pollinated by big, hairy bees.

Dr. Diana Bizecki Robson

Dr. Diana Bizecki Robson

Curator of Botany

Dr. Bizecki Robson obtained a Master’s Degree in Plant Ecology at the University of Saskatchewan studying rare plants of the mixed grass prairies. After working as an environmental consultant and sessional lecturer…
Meet Dr. Bizecki Robson

Prairie Pollination

Get to know your wild neighbours!

Two-thirds of our crop species worldwide depend on wild pollinators to some degree! Those pollinators need more than just crop plants to survive – they need wild plants too.

Staff at the Manitoba Museum have been quietly studying pollinators for over fifteen years. The Museum’s Curator of Botany, Dr. Diana Bizecki Robson notes that “we really don’t know much about how wild plants and pollinators interact with each other or whether their populations are declining. One of the interesting things I’ve discovered during my field work is that pollinators of crop plants like canola and sunflower also need to feed on prairie wildflowers to survive.”

Unfortunately, many of the Manitoba Museum’s plant and insect specimens are difficult to display in regular gallery exhibits and can only been seen during special behind-the-scenes tours or in temporary exhibits. But now thanks to a virtual exhibit you can learn more about these amazing creatures. The exhibit is called Prairie Pollination and can be found at www.PrairiePollination.ca.

Dark butterfly with yellow, orange, and blue spots on it's wings perching on a small fluffy purple flower.

Beautiful photographs of endangered and common prairie plants, and their insect and bird pollinators, are shown in this exhibit. Watercolour illustrations of wild plants from the Museum’s famous Norman Criddle collection, and virtual tours of wild prairies with pollination scientists add depth and context to the specimens. “The great thing about the Prairie Pollination exhibit is that people can find out exactly which plants are attractive to the different kinds of pollinators. This information will be of great use to nature lovers, gardeners, farmers, students and beekeepers” says Dr. Bizecki Robson.

The Manitoba Museum gratefully acknowledges our project sponsors:

The Virtual Museum of Canada (VMC), an initiative of the Department of Canadian Heritage, was established in partnership with over 1,300 Canadian Heritage Institutions.

World War One: How did it all start?

Part I in a three-part series.

 

On August 6, 1:30 pm, the public is welcome to attend the opening of the exhibit “The Victoria Crosses of Valour Road” in the foyer of The Manitoba Museum. Many know the story of the three men from the 700 block of humble Pine Street: Corporal Leo Beaumaurice Clarke, Sergeant-Major Frederick William Hall, and Lieutenant Robert Shankland were each awarded a Victoria Cross during World War I for acts of valour.

Pine Street was renamed Valour Road and has become one of those talismans of Canadian memory that reminds us of the men and women that took part in the Great War, in which nearly 10 million soldiers died and about 20 million were wounded world-wide.

The Great War, the “War to End All Wars”, began on July 28, 1914 with a declaration of war on Serbia by Austria-Hungary. This was 100 years ago, and to many folks the reasons for the war are hazy at best. The world of 1914 seems so remote from today’s realities and some of the countries that participated no longer even exist. Yet that war continues to reverberate in geo-politics and even in our daily lives.

With the arrival of the Victoria Cross medals from the Canadian War Museum, I felt it was important to outline what the war was about. In Part I I’ll talk about what started the war and which countries got involved and why. In Part II we’ll explore how WWI unfolded and what part Canada played. Finally, in Part III I’ll talk about how it ended and what the war actually accomplished.

Part I

There were two main powerful alliances in Europe in 1914. Austria-Hungary was allied with Germany, and France was allied with Russia (and loosely with Great Britain).

And speaking of countries that no longer exist, the first real belligerent in this series of events was the Austro-Hungarian Empire/Dual Monarchy (a strange bi-national combination). On June 28, 1914, 19-year-old Gavrilo Princip assassinated the Austrian Archduke Franz Ferdinand in Sarajevo, which was part of Austria-Hungary. Princip was a Bosnian Serb and a citizen of the Empire, but he attacked Ferdinand as a terrorist in the name of Bosnian-Serbian independence. Austria-Hungary accused Serbia of assisting the killer (which in fact it did, with an organization called “The Black Hand”). Germany was Austria-Hungary’s main ally and with their backing war was declared on Serbia on July 28.

Why would Germany agree to this? The Germans felt they were threatened by various developments on the continent, something they called “encirclement”. They knew they were the most war-ready and powerful nation in Europe, but they were worried their advantage was slipping away. Basically they wanted a controlled zone of buffer states as protection against Russia and France. Austria-Hungary and Germany knew that an attack on Serbia might draw in the Russians. The Russians indeed mobilized, and Germany declared war on Russia and its ally France on August 1 and 3. The Germans then demanded that Belgium allow free transport of German troops, and this helped to draw in the British, who declared war on Germany on August 4. And of course Great Britain had a vast global colonial network from which to draw troops. Canada (which declared war on August 5), Australia, India, South Africa, and others all contributed to making the conflict a true world war. Meanwhile Italy joined the “Allies” and the Ottoman Empire joined the Germans.

A gas mask with large screened eye windows and a tubular breathing vent.

So that is how it started – an assassination gave Austria-Hungary a pretext for declaring war, which drew in a host of allied states. But what no one knew was how the war would unfold or how it would end.

Coming up… Part II – technology changes everything; Canadian (and Manitoban) involvement; Russia crumbles; the USA attacks.

 

Image: This German gas mask was brought back to Canada as a souvenir by Lance Corporal Arthur E. Diplock, Canadian Expeditionary Force, 1914-1918. Diplock was born in Winnipeg in 1883 and served in the Boer War in South Africa. During WWI he was a sharpshooter and also played clarinet in the 1st Canadian Expeditionary Force Band. H9-21-622. Copyright The Manitoba Museum.

Dr. Roland Sawatzky

Dr. Roland Sawatzky

Curator of History

Roland Sawatzky joined The Manitoba Museum in 2011. He received his B.A. in Anthropology from the University of Winnipeg, M.A. in Anthropology from the University of South Carolina, and Ph.D. in Archaeology…
Meet Dr. Roland Sawatzky

Daytime Fireball spotted over Manitoba

UPDATE – 14 Jul 2014: We have received enough reports to tell that the fireball was well north of Winnipeg – the final burnout/explosion likely occurred near the Poplar River area of the eastern shore of Lake Winnipeg. Any surviving fragments of the meteor would have continued north or northeast of this location. Given the difficulty of finding anything in this terrain, we are no longer planning a search and recovery effort.

 

UPDATE – 10 Jul 2014: We’ve received more than a dozen reports from around southern Manitoba of this rare daytime fireball. Most observers saw it due north, heading almost straight down. This means it was likely quite far north and heading even farther north, although without more observations the details are still hard to pin down. We’re now interested in hearing from anyone who spotted this thing from north of Gimli or anywhere in Westman, or from spots along Lake Winnipeg and into the north. Email skyinfo@manitobamsueum.ca with your report as outlined below.

 

Original post – 9 Jul 2014: Details are still coming in, but we have multiple reports of an extremely rare daytime fireball seen in central Manitoba about 11 am Central Time today (Wednesday, 9 July 2014). We are actively seeking reports from people who saw this event, and once we get enough data we will organize a search for pieces.

If you witnessed this object, please email a report to skyinfo@manitobamuseum.ca and include the following information:

  • Your location (as precise as possible; using GPS or a map)
  • The direction you were looking at the time of the sighting (north, south, etc)
  • The motion of the object ( left-to-right or right-to-left)
  • The path of the object (“straight down and angled slightly to the right”, “45 degree angle to horizon”, etc),
  • A description of the sighting, including smoke trails, colour, sounds, explosions
  • Name and telephone number so we can contact you

You should also report your sighting to the American Meteor Society at http://www.amsmeteors.org/members/fireball/report-a-fireball and the International meteor Organization at http://www.imo.net.fireball/report

It is suspected that the parent object was a small asteroid or comet which burned up in the earth’s atmosphere, high enough to do no damage but low enough the pieces may have survived the fall to earth. Any such pieces are not dangerous, will not start fires or scorch the earth, and will not have bubbles or crystals in them.

Further details will be released as they become available.

Isn’t it iconic? Don’t you think?

An aerial view looking down towards an exhibit showing a mounted plesiosaur and skull below two "flying" pterosaurs hung from the ceiling.

By Dr. Graham Young, past Curator of Palaeontology & Geology

 

What are the Factors that Make an Exhibit “Iconic”?

In the last little while we have been working on the plan for a new exhibit in the Museum’s Earth History Gallery, which will be focused on a large specimen that we recently added to the collections. Around here we like to refer to the specimen and the planned exhibit as “iconic.” But what does iconic really mean? And what makes an object or exhibit iconic?

It seems to be the case that words that were once relatively obscure can become popular, and have their time in the media spotlight before once again slipping into comfortable obscurity. Like curator, icon is currently a popular word; its formerly limited religious application is now being expanded to computing, linguistics, and popular culture. It is the latter meaning that is applicable to museum exhibits, and the Oxford Dictionary says that an icon is “a person or thing regarded as a representative symbol or as worthy of veneration.”

Image: Cretaceous exhibits in the Earth History Gallery: pterosaurs “fly” above the plesiosaur and the mosasaur skull.

Veneration, of course, means respect or reverence. An iconic exhibit must be one that will be admired, honoured, or thought highly of by many of the people who visit the Museum. The creation of an iconic exhibit is, therefore, a rather demanding prospect for the Museum’s exhibit team, since it must be more exciting than many of the other exhibits at the Museum, and more memorable than most of the exhibits they will have seen in other museums!

For an exhibit to be iconic, I think it really needs to have “legs.” It has to have the potential to last not just for years, but for decades, and to be effective throughout that time. It has to be the sort of exhibit that can excite the children when it opens, but that will also be memorable to those same people when they revisit the museum years later as adults, and to excite their children. That sounds like a high order indeed, but how can we consider something to be “revered” unless it is long-lived?

I was contemplating this question a few weeks ago, as I visited the collections building of the New Brunswick Museum in Saint John. The New Brunswick Museum is very different from The Manitoba Museum; one of the biggest differences is that their collections are not stored at the same place where the public view the exhibits. In Winnipeg we have our collections in various spaces within the same large museum building, but in Saint John the exhibits are in a rented space at Market Square near the middle of town, while the collections occupy much of the building that used to be the public museum, located more than two kilometres away on Douglas Avenue (near the Reversing Falls).

Aerial view looking down at a tall mounted giant sloth, or megatherium, across a walkway from a mounted glyptodont.

The Museum’s Megatherium has been exhibited for more than 130 years!

Looking into the Earth History Gallery, seeing a mounted skeleton of a plesiosaur, and further back a mounted giant ground sloth.

Looking into the Earth History Gallery, seeing a mounted skeleton of a plesiosaur, and further back a mounted giant ground sloth.

Since the current New Brunswick Museum’s exhibits were largely created new since 1990 (though of course some specimens and artefacts were relocated there from the old museum), the exhibit halls lack the sorts of long-lived exhibits that are so important at The Manitoba Museum. Some of our major exhibits such as the Nonsuch, the polar bear, and the Urban Gallery have all seen little change in forty years or more. The New Brunswick Museum may lack that sort of long-lived exhibit in its current galleries, but as I studied collections located in the former galleries, I was struck by how vividly I could recall the “ghosts” of some exhibits I had visited there as a child. Old New Brunswick Museum exhibits such the Hillsborough mastodon, the giant sturgeon, and the shipbuilding gallery all had a great impact on me, and were probably influential in my choice of a museum career.

Black and white image of museum display cases showcasing various Indigenous artifacts, including a kayak.

I know when I talk to life-long Winnipeggers that our Museum has had the same sort of impact on them, as they recall with fondness some of their visits to our galleries in the 1970s and 1980s. Some older Winnipeggers, though, have similar feelings about the former Manitoba Museum, which was located in the Civic Auditorium (now the Manitoba Archives Building) from about 1932 to 1970. And the exhibits of that old museum were largely lost or removed from public view when the collections were transferred to the current Manitoba Museum.

 

Image: The old Manitoba Museum, housed in what is now the Manitoba Archives Building.

Since The Manitoba Museum is already a place that houses many iconic exhibits, it is incumbent on us to try to keep these as we go forward in the development of new “icons.” Fortunately, from my observation of gallery planning, we are very respectful of the institution’s past, and though we have lost a few exhibits over the years, we have also taken extraordinary steps to ensure that others have been saved and refurbished. As we go forward, and as this institution is itself gradually becoming a historic site (this is hard for us to perceive, but it IS happening!), we will need to ensure that the best and most important of our old exhibits are preserved, with perhaps an occasional updating or “burnishing” to maintain their iconic status. People will always want to come to see the Nonsuch!

For our new exhibits to become icons, we need to always be considering the elements that give them the “wow” factor, that will take away the visitor’s breath, either on first sight or after slight contemplation. The most obvious iconic attributes will be in the exhibited objects themselves, which may be large, or splendidly beautiful, or unique. Again, the Nonsuch is an obvious example, but we have many others: the ground sloth (Megatherium), the giant trilobite, the elk diorama, and many of the artifacts in the Hudson’s Bay Company Gallery. In addition to the specimens and artifacts, though, there are many other factors. Cases are designed to optimize viewing by all visitors, and nowadays the Museum pays immense attention to factors such as lighting, colour schemes, graphics, and text readability.

Of course, there are also the technological elements, which are constantly grappled with by all modern museums. These can frustrate museum staff and they can sometimes torpedo an otherwise solid exhibit, but when they work they can elevate an exhibit to iconic status. I hope that will be the case for our Ancient Seas exhibit, opened a few years ago and a solid favourite of some of our younger visitors. I was very pleased a few weeks back when my friend Cortney posted a photograph of her daughter Teagan, with the statement, “enraptured by the Ancient Seas exhibit, every time.”

An exhibit case with multi-levelled shelves displaying various minerals, brightly lit.

One of the Museum’s mineral cases: lighting and design are critical to modern exhibits.

Entrance of the Ancient Seas exhibit at the Manitoba Museum, with a long curving projection showing an under the sea scene.

The Ancient Seas exhibit (above) and Teagan’s view of it (right).

Photograph looking up into the face of a young child looking up at a museum display behind the camera.

Those of us working at the Museum need to endeavour to find a way to share all of our treasures, but at the same time we should have no room for exhibits that are “worthy but dull.” We have to strive to “enrapture” all of our visitors! This is a big and exciting challenge as the Museum continues to develop and evolve.

Wolves and cougars and bears, oh my!

For most of my career I have studied prairie plants, mainly because prairies are among the rarest ecosystems in Canada owing to the fact that they’ve been almost completely converted into cropland. As a result, I have never had to worry about encountering grizzlies or wolves or cougars while doing my field work. This year in contrast, I will have to be much more vigilant than I am used to. During a reconnaissance trip in May to set up my field plots I was informed that I should be on the lookout for wolves AND cougars AND bears! Not to mention ornery moose and elk! Oh yeah, and ticks and mosquitoes too! Oh my!

Why am I anticipating these wildlife encounters? This year I decided to study pollination in the fescue prairie and my research plots are located just south of Riding Mountain National Park, on land owned by the Nature Conservancy of Canada and the Province of Manitoba. As you may know national parks are wildlife hot spots and Riding Mountain is no exception. After tall-grass prairie, the fescue prairies are among the rarest ecosystems in North America and we don’t know much about the pollinators that live in them.

A wooded, hilly landscape.

The beautiful view from one of my research plots.

View over a landscape of matted green-brown grass.

Fescue grass forms a distinctive “sheep wool” pattern.

Shortly after arriving, one of the park staff told me that he thinks wolves are denning nearby. To be honest though, I think the wolves are the least of my worries as I’ve never heard of wolves attacking a human in Canada. Bears on the other hand are common, and have been known to attack people. I decided to make myself as conspicuous as possible by using a bear bell, blowing a whistle once in a while and loudly singing walking songs from “The Lord of the Rings” in a manner resembling a cat being strangled (I have a terrible singing voice so never ask me to do karaoke).

However, while I am actually surveying my plots, I don’t like to make too much noise as that disturbs the pollinators. I figured that if I was ever going to see a wild animal it would happen while I was doing my surveying. And that is exactly what happened. While quietly surveying one of my plots I saw a bear about 30 m away from me. Later on that week, I saw a deer in the valley above one of my plots. My funniest encounter happened in the evening at the research station. I was sitting on the couch playing solitaire when I saw that the neighbours had let their big black dog run loose. Then I shook my head-I had forgotten that I wasn’t in Winnipeg anymore. It was a bear wandering through the yard and I managed to get quite a few photos before it ran off.

A clump of bear scat on the ground.

Plenty of bear poo can be found on the trails I hike on.

A black bear walking across a mown lawn, looking towards the camera, mid-stride.

This young, scruffy bear walked right past the deck of the research station I was staying at.

Anyway aside from the ticks and mosquitoes that were trying to bite me and the local Turkey Vulture that kept circling my head in hopes that I would soon expire, my wildlife encounters were not unwelcome. But I still have three more weeks of field work over the summe; hopefully my luck will hold. Hmm. Perhaps I should be singing songs from “The Wizard of Oz” as I hike around instead. “I could while away the hours conversing with the flowers, consulting with the rain…”

 

Image: Ticks on my pants!

Dr. Diana Bizecki Robson

Dr. Diana Bizecki Robson

Curator of Botany

Dr. Bizecki Robson obtained a Master’s Degree in Plant Ecology at the University of Saskatchewan studying rare plants of the mixed grass prairies. After working as an environmental consultant and sessional lecturer…
Meet Dr. Bizecki Robson

Making Connections

Even though I’ve been in the job for 9 months there are still parts of the collection that I’m not as comfortable with, largely because I’ve never worked in that geographic region. That’s why I was very excited to receive a request from Jennifer Kramer, Pacific Northwest Curator at the Museum of Anthropology (MOA) in Vancouver to come and look at any Northwest Coast artefacts during her visit to Winnipeg. What a perfect opportunity to learn about a part of the collection that I know very little about!

Jennifer has been working closely with the Nuxalk (pronounced new-haulk) community, and quite closely with Clyde Tallio, a Nuxalk culture historian and visiting scholar at UBC. It turns out there is a pretty substantial Nuxalk collection within the HBC collection, and Jennifer was able to tell me more about it while documenting the items, and Clyde provided us with the Nuxalk names and additional information.

One of these items is currently on display in the HBC Gallery, it is listed as a ‘rain hat’ from Bella Coola. Unfortunately the cases in this gallery are difficult to open, so we relied on the database information and anything we could find in the donor file.

Jennifer informed me that this ceremonial hat, likely made from woven spruce root or cedar, would have been worn by someone of great importance. Each of the ball-like additions on the top represent individual potlatch ceremonies, thus this hat was part of four potlatch ceremonies.

The collector of the hat, Clifford Kopas, had sent photos to the Hudson’s Bay Company from Bella Coola and some of these were printed in the June 1948 edition of The Beaver.

A conical shaped woven hat with four ball like forms stacked on the top.

Nuxalk Ceremonial Hat.

A clipping from The Beaver showing a photograph of three Indigenous women, one of whom is wearing a hat very like the one on display in the previous image.

Scan from The Beaver Magazine.

Clifford Wilson, Curator of the HBC Historical Exhibition, wrote to Cliff Kopas to ask about some of the items one of the women was wearing in the photo, in particular “an excellent spruce root hat, which I suspect should be worn by a man rather than a woman” (excerpt from his letter, found in our donor files from the HBC Archives). He went on “I wonder if she still has these items, and whether she would be willing to part with them…our Pacific Coast Indian material is not as good as it should be and we ought to get hold of items like this when they are available”.

One month later the hat arrives and is catalogued as part of the HBC collection.

Jennifer and I found the June 1948 edition of The Beaver and I scanned the photo for her to take back and show Clyde. He was able to tell us the names of both women in the photo: Annie Johnson on the left, and Helen (née Houstie) Schooner. Helen was a very high ranking Heiltsuk woman who married Samson Schooner and Clyde believes the hat did in fact belong to her (rather than Clifford Wilson’s suggestion that it was a male chief’s hat) since her marriage had been validated and potlatched four times (and remember that this hat has four rings!).

So not only did I make some great connections with Northwest Coast scholars, but through this we were able to connect an artifact within the HBC collection to an actual person!

Dr. Amelia Fay

Dr. Amelia Fay

Curator of Anthropology & the HBC Museum Collection

Amelia Fay is Curator of Anthropology and the HBC Museum Collection at the Manitoba Museum. She received her BA in Anthropology from the University of Manitoba (2004), an MA in Archaeology…
Meet Dr. Amelia Fay