1916: Votes for (Some) Women

1916: Votes for (Some) Women

The Manitoba Museum is planning an exhibit called “Nice Women Don’t Want the Vote”, opening in November, 2015, commemorating the Suffragist movement in Manitoba.  The exhibit will also discuss some of the ways Manitoba and Canada have struggled to provide full voting rights for all its citizens.

History is never neat and tidy, and the history of the franchise (the right to vote) in Canada is about as messy as it comes. While 1916 was a big year for voting rights, Manitoba being the first province in the country to extend the right to vote to women, we do need to remember that this was only for some women.

An old, worn ballot box with a latch for a lock on the front and a slit for votes in the lid. Still faintly visible is the number 105 in red.

In Manitoba, First Nations people living on reserves and receiving an annuity from the Crown were barred from voting until the mid-20th Century. Indeed, from Confederation on, both provincial and federal voting rights for First Nations were curtailed and cut off until, by 1919, no First Nations people living on reserves were allowed to vote in federal elections. In Manitoba, the Treaty population, both men and women, were only enfranchised in 1952, a full 36 years after the vote was extended to women from newcomer populations. In 1960 the House of Commons gave First Nations the right to vote for the first time federally, with no restrictions. For many years before this, First Nations people could only attain the right to vote if they gave up their rights ensured under Treaty.

The women who fought for the vote in 1916 seem to have completely ignored the issue of voting restrictions on First Nations men and women. Through our research we have come across no references to the issue, and the silence is telling. Canada was dominated by a British population who considered themselves an extension of the British Empire. The leaders of the women’s suffrage movement were largely of this background, as were most of the followers of the movement. Voting rights for First Nations were just not on the radar.

Likewise, some of the women involved in the Suffragist movement debated granting the vote to immigrant women (those not born in the United Kingdom). It must be noted that this was occurring during the height of the First World War, when anti-foreign sentiment was running hot, and any ideology that was perceived as a threat to the Empire (like giving immigrants the vote) had little chance of passing through the corridors of power. Mennonites and Doukhobors, for example, had their right to vote rescinded in 1917-18 because of their refusal of military service.

Enfranchisement, the right to vote in a democratic society, has only in the last 50 years been seen as a general right of all adults in Canada. Before this, it was a slow crawl to full suffrage. In 1867, only 11% of the population could vote, and these were almost exclusively white males that owned a certain amount of property or cash. Even before this, Catholics, non-British immigrants, Jacobites (!), Jews and First Nations were excluded in one way or another from voting in different parts of Canada. The vote was also denied to Asians in British Columbia until 1948, and to women in Quebec until 1940. The geographical isolation of some groups in the north until the second half of the 20th century also hindered them from exercising their right to vote.

As we work to create this exhibit, we hope that Manitobans continue to contact us with artefacts, stories and opinions about the right to vote for women in Manitoban history.

Dr. Roland Sawatzky

Dr. Roland Sawatzky

Curator of History

Roland Sawatzky joined The Manitoba Museum in 2011. He received his B.A. in Anthropology from the University of Winnipeg, M.A. in Anthropology from the University of South Carolina, and Ph.D. in Archaeology…
Meet Dr. Roland Sawatzky

Scientific Jargon: Translated

While proofreading a scientific journal article I recently wrote, I found myself thinking “wow, this is really boring!” Scientists always write their journal articles in technical, impartial terms so as to sound as objective as possible. That’s part of the reason why scientific conferences are so enjoyable; you often get an opportunity to find out about the real problems scientists encountered while trying to conduct their field research. That got me thinking – what if scientists wrote the blunt, honest truth about our field research experiences instead of the dry, dispassionate scientific jargon that we feel compelled to write? So for your benefit here are some of the things a scientist might write in a journal article and what it might have actually meant.

Woman kneeling in a wild prairie and closely examining yellow flowers for pollinating insects.

Due to a technical error, some data was unusable.
Translation: I dropped my portable computer in a swamp.

The first attempt at relocating the rare species was unsuccessful.
Translation: I couldn’t figure out how to use my new GPS.

The second attempt was also unsuccessful.
Translation: We couldn’t find the #$%&* thing!

The plant was located on the third field visit.
Translation: The guy we hired to pilot the boat found it.

Wildlife interference prevented collection of additional data.
Translation: A polar bear tried to eat me.

View over a field where cows are grazing towards storm clouds brewing in the distance.

Voucher specimens of most insect species observed were collected.
Translation: The wily ones got away.

Collection locations are correct within a 1-km radius.
Translation: The batteries in my GPS died half way through the hike. The spares didn’t work either.

Images from the field trip were unrecoverable.
Translation: I forgot to put the memory card in my camera.

The maximum amount of time I could spend surveying was four hours.
Translation: I spent the other four hours getting my flat tire fixed.

Data from one of the plots could not be collected.
Translation: Rabbits ate the plants I was studying.

Due to inclement weather, the survey was not completed.
Translation: I was afraid of getting struck by lightning because I was carrying a metal hiking pole.

Now you might think I’m joking but some of the things I mentioned really happened either to me or someone I know. Guess which ones! So remember if you are ever reading something written by a scientist, there’s often a much more interesting story behind it than anyone will ever know.

Dr. Diana Bizecki Robson

Dr. Diana Bizecki Robson

Curator of Botany

Dr. Bizecki Robson obtained a Master’s Degree in Plant Ecology at the University of Saskatchewan studying rare plants of the mixed grass prairies. After working as an environmental consultant and sessional lecturer…
Meet Dr. Bizecki Robson

Was there a Suffragist in your family?

The Manitoba Museum is currently working on an exhibit that will open in November 2015. “Nice Women Don’t Want the Vote”, named after a statement by former Manitoba Premier Sir Rodmond Roblin, commemorates the 100th anniversary of the right to vote for women in the province in 2016.

Elongated triangular flag. The background is yellow wiith a thick black stripe stitched on top reading “Votes for Women” along the centre.

Felt pennant, circa 1910-1916. Black and yellow were the colours of the Suffragist movement in North America. Donated by Warren West. H9-38-198. Copyright the Manitoba Museum.

A French Limoges jar painted in a mid-tone green with red and gold detailing.

We are looking for artifacts! Social and political movements don’t leave many objects behind. Things like banners, flags, and pamphlets are often lost or thrown away after a movement succeeds (or fades). But we’re not just looking for political statements. Everyday objects that are in some way connected to the Suffragist movement, like a dress or pen or shoes, would be just as welcome. For example, we will be featuring French Limoges porcelain painted by Mae Irene Whyte, who marched with Nellie McClung to the Manitoba Legislature to obtain voting rights for women.

We are interested in loans, but may consider donations as well.

Likewise, if you have an interesting story about a Suffragist in your family history, let us know!

You can contact the Curator of History at RSawatzky@ManitobaMuseum.ca.

 

Image: French Limoges jar, 1912-1919, painted by Mae Irene Whyte, Winnipeg. Whyte participated in the Suffragist movement. Donated by Marion E. Kaffka. H9-9-534. Copyright the Manitoba Museum.

Dr. Roland Sawatzky

Dr. Roland Sawatzky

Curator of History

Roland Sawatzky joined The Manitoba Museum in 2011. He received his B.A. in Anthropology from the University of Winnipeg, M.A. in Anthropology from the University of South Carolina, and Ph.D. in Archaeology…
Meet Dr. Roland Sawatzky

The Old Plesiosaur and the Sea: The Collectors

By Dr. Graham Young, past Curator of Palaeontology & Geology

 

In my last blog post, introducing our plesiosaur exhibit,  I promised to follow up with some of the story of how the collectors found, extracted, and prepared the fossils. When I was assembling the exhibit I interviewed Kevin Conlin and Wayne Buckley, since they tell these stories so much better than I ever could. Here are the interviews, which are also on the panels within the exhibit.

An individual sitting in front of a large fossil slab.

Kevin Conlin

Kevin Conlin is a ceramic artist in western Manitoba who has worked with various museums, collecting and participating in scientific research. He collects fossils under permits from the Manitoba Historic Resources Branch, and has collected significant specimens now in the collections of The Manitoba Museum.

 

How did you get into fossil collecting?

It goes back to Grade 3, on a school trip to the Manitoba Museum of Man and Nature. I took my lunch money and purchased three trilobites from the gift shop. From there, I began to look into what fossils were, and started a long life of keeping my head down whenever I was out where there were rocks or gravels that could contain fossil material.

How do you find the fossils?

When I first got into collecting I didn’t know much about rock types. After taking some geology in school and university I began to recognize and distinguish rocks that would house fossils – the types of sediments or fossils in the area really dictate how you find fossils. I look for the odd shapes, textures, any variations in the surface of matrix or sediment which could indicate something other than just mud, sand or sedimentary rock. It could be anything from a pin prick to the size of a 200-pound boulder!

 

What do you do to prepare the fossils?

Depending on the fossil and its fragility, I use a special glue. For cleaning and preparing fossils, miniature jackhammers and a miniature sandblasting unit are used to remove sediment. It all depends on the fragility. Some fossils come naturally cleaned by the elements. Others still encased in rock can take hundreds of hours of preparation.

An individual standing in front of a large fossil embedded in a slab.

Kevin poses in Brandon with a large fossil fish that he is preparing.

An individual engraving a ceramic in progress in a workshop with other partially completed ceramic vases.

Kevin creating ceramics in his studio (photo courtesy of Kevin Conlin)

An elaborately engraved vase covered in black trilobite designs.

Among the fossils you have found so far, which one is your favourite?

I like all fossils. They all bring great enjoyment – trilobites, birds, a Carboniferous collection that I really enjoy. I have no real favourites.

 

What do you think is the most pleasurable part of fossil collecting?

The most pleasurable part of fossil collecting to me is relaxation. Even though the work can be difficult, finding the fossil and knowing that you are the first human to see it brings a great deal of pleasure.

 

Why do you collect fossils? Why is it important to do this?

I collect fossils for the mystical quality from ancient worlds and the beauty they project. I also collect fossils for the purpose of preservation. It is important to preserve this material because nature will destroy it over time through erosion. Being a ceramic artist, a large part of my fossil collecting becomes an inspiration for my work. The interesting thing about being a clay artist is that many fossils are found in clay!

A smiling individual standing in front of a display cabinet filled with fossil specimens.

Wayne Buckley

Wayne Buckley is a retired agricultural research scientist in western Manitoba. He collects fossils under permits from the Manitoba Historic Resources Branch and has donated significant specimens to The Manitoba Museum.

 

How did you get into fossil collecting?

As kids, my cousin and I had an interest in collecting rocks. We had heard that you might be able to find fossils at a place we were camping, so we went looking and we found this beautiful ammonite. I remember being struck that it was possible for someone like me to find beautiful and interesting things like that. I was hooked for life!

What do you have to do to pull out a fossil you have found? What sorts of tools do you use?

I suppose the most important tool is a shovel; we do a lot of digging! Then we get the picks and crowbars to lever out big chunks of shale. As we get further into the rock it becomes quite hard, and I use a small jackhammer. Once the fossil is exposed, we need to prepare a trench around it, then cover it with a burlap and plaster cast. We’ve used various techniques to get fossils out of the bush. Early on it was mainly inner tubes with a piece of plywood – we would drag and float it out. Later I made a skid that would float and we could haul that behind an Argo (an amphibious vehicle).

 

Among all the fossils you have found so far, which one is your favourite?

That’s easy. That plesiosaur that I just donated [to the Museum] is certainly my favourite.

 

What do you think is the most pleasurable part of fossil collecting?

Well, I guess there are really two things that come to mind. First of all, there’s the thrill of making a discovery. That, however, is fairly rare. Probably just as important is that I enjoy being out in the bush. I really enjoy the relaxation that comes with eating my lunch on a vantage point, listening to the silence and watching the birds and other animals.

A large fossil slab strapped to a raft attached to the back of an Argo water vehicle.

Dragging a field jacket with the Argo. (photo courtesy of Wayne Buckley).

An individual with a hand-held tool attached to a hose working on a fossil skull.

Wayne preparing the plesiosaur skull (photo courtesy of Wayne Buckley).

A smiling individual standing with their arms spread in front of a fossil fish mounted on a wall.

Wayne with a large fossil fish (Ichthyodectes sp.) that he collected and prepared. This fish is featured in our current exhibit.

An individual standing on a stone shelf against a stone wall next to a shovel and pick tool.

What sorts of sources do you use to identify the fossils?

There’s a great website called Oceans of Kansas. It describes many of the fossils that we find in Manitoba, because they are also found in Kansas. Also, as I have a background in science, I am quite comfortable with searching the scientific literature and ultimately going to the original research papers where new species were named.

 

Why do you collect fossils? Why is it important to do this?

I have a passion for fossils. I think collecting them is important because we don’t have a complete record of the early life that was in Manitoba during the Cretaceous Period. I feel that we are able to make significant scientific contributions. It’s also important to save the fossils; erosion is very rapid where we are collecting and fossils simply erode away.

 

Image: Wayne in the fossil quarry he created during collection of the plesiosaur (photo courtesy of Wayne Buckley).

New Species of Canadian Water-lily Finally Named

Seven years ago I went to northern Manitoba in search of a rare water-lily with American botanist John H. Wiersema. This water-lily appeared to be a fertile hybrid between two species: Fragrant Water-lily (Nymphaea odorata) and Pygmy Water-lily (N. leibergii). The only problem was that the specimen had been observed only once way back in 1948 by renowned botanist Homer J. (no not Simpson!) Scoggan. In order to determine if the water-lily was a unique species, we needed some fresh DNA!

After a fruitless (literally and figuratively) trip in 2007, Manitoba Hydro graciously flew both John and I up north to search a small river for the elusive water-lily in July of 2008. After a long boat ride, our persistence was rewarded with the first sighting of the water-lily in 60 years. John took DNA samples to give to his research associate Dr. Thomas Borsch to do the required genetic research. The genetic work confirmed that this plant is a fertile species of hybrid origin that does not reproduce with either of the parent species. Six years later, a peer-reviewed paper describing and naming the new species as Lori’s Water-lily (Nymphaea loriana) has been published the the NRC Press journal Botany (Read more here). The water-lily was sadly named after Dr. Wiersema’s late wife.

A small white water lily with a yellow centre held up in someone's hand.

The flower of Lori’s Water-lily (Nymphaea loriana).

Two individuals wearing life jackets leaning far off either side of a boat, looking for water lilies on the lake surface.

Searching for water-lilies requires some precarious perching!

Most people do not realize how long and laborious the procedure to scientifically describe new species is. Herbarium specimens must be studied, field work undertaken, and often genetic and biochemical laboratory work performed. This process can take years, even decades to complete as scientists usually cannot spend all of their time doing research (other stuff like tedious paperwork usually gets in the way). Even after the research is all done, a species is not officially recognized until it has been peer-reviewed and published in a scientific journal. Further, the specimens collected must now be protected and cared for in perpetuity as they are the official documentation of the species’ existence, a task that The Manitoba Museum gladly undertakes. The dried, pressed specimens were glued onto special acid-free paper, labelled, databased, and stored in a climate-controlled vault for future reference and scientific research.

An individual seated at a table placing botany specimens in newspaper for pressing.

John Wiersema pressing scientific specimens. These specimens will be cared for in perpetuity at The Manitoba Museum.

Close-up on a patch of lily pads and water lilies on a water surface.

Lori’s Water-lily (Nymphaea loriana) floating in the river.

Now the next phase begins: conservation. This species is endemic to Canada, meaning that it is found nowhere else in the world. My colleagues and I estimate that there are only about 750 Lori’s Water-lilies in the world, making them extremely rare. Pollution of our northern waters from agriculture and natural resource development, and changes in water levels due to climate change are potential threats to this species here and in central Saskatchewan where two other populations are found. In a soon to be submitted paper, my colleagues and I will be recommending that this new species be protected under Canada’s Species at Risk Act, due to its extreme rarity.

Dr. Diana Bizecki Robson

Dr. Diana Bizecki Robson

Curator of Botany

Dr. Bizecki Robson obtained a Master’s Degree in Plant Ecology at the University of Saskatchewan studying rare plants of the mixed grass prairies. After working as an environmental consultant and sessional lecturer…
Meet Dr. Bizecki Robson

Sea of Monsters

By Dr. Graham Young, past Curator of Palaeontology & Geology

 

The Old Plesiosaur and the Sea Exhibit, Open November 14, 2014 – April 6, 2015

Looking into the entrance of an exhibit room. A large plesiosaur skull is in a display case beneath a sign reading, "The Old Plesiosaur and the Sea".

Tomorrow morning we will be opening our new Discovery Room exhibit, The Old Plesiosaur and the Sea. Some Discovery Room exhibits show exciting or previously unseen objects from the Museum’s collections, while others feature collaborations with the community. This exhibit will do both: some of the beautiful specimens have been donated over the past few years by two remarkable fossil collectors, but many of the other specimens are being loaned by those collectors, just for this exhibit.

The collectors, Wayne Buckley and Kevin Conlin, spend much of their spare time collecting and preparing fossils from Cretaceous rocks in the Manitoba escarpment. These fossils include large marine reptiles, beautiful fishes, and many other forms of sea life. The exhibit is intended to share with the public some of the fossils Wayne and Kevin have collected, along with the story of how and why they have carried out this difficult and complicated work.

The exhibit itself is partly tied to a donation to the Museum. This spring, Wayne Buckley very generously donated a plesiosaur, the skeleton of a huge swimming reptile that he had collected, prepared, and studied over a period of several years (hence the name of this exhibit). We are planning a major new gallery exhibit that will feature this fossil, but we wanted to share it with the Museum’s visitors as soon as possible, and this temporary exhibit seemed like a wonderful opportunity to also display some of Wayne and Kevin’s other fossils.

The photos below simply show parts of the exhibit, and some of the behind-the-scenes work that was required to put the specimens there. I will try to follow up in a week or so with some of the very interesting story of Wayne and Kevin’s fossil collecting.

A small group of people in a museum back room standing around a large plesiosaur skull in a mount on a cart.

After we brought the plesiosaur to the Museum, we worked on it in one of the back rooms. Here, we are placing the skull onto a cart so that it can be moved to the exhibit. L-R: Ed Dobrzanski, Bert Valentin, Ellen Robinson, Carolyn Sirett, Stephanie Whitehouse, me, and Sean Workman. (Photo by Randy Mooi)

Two smiling individuals standing beside a cart containing a mounted plesiosaur skull in the metal cage of a freight elevator.

Carolyn Sirett and Ellen Robinson accompany the skull in the freight elevator. (Photo by Randy Mooi)

Two individuals standing at either end of a large mounted plesiosaur skull on a cart in front of an open, empty display case.

Will it fit into the case? Fortunately the skull is not quite as big as it looks from here (note the metal mount, devised by Bert and Carolyn). (Photo by Randy Mooi)

Four individuals from behind as they work together to left a large, mounted plesiosaur skull into its display case.

All together now! The skull is heavy and fragile, a tricky thing to move into a tight space. L-R: me, Stephanie Whitehouse, Bert Valentin, Sean Workman. (Photo by Randy Mooi)

Five individuals from the side as they adjust the placement of a large mounted plesiosaur skull in its display case.

Adjusting the skull on its mount.

A large mounted plesiosaur skull in a display case.

The plesiosaur skull and neck vertebrae (V-3151).

View of temporary exhibit from the back of the room, with four display cases visible.

Close-up on a fossil slab containing the disarticulated bones of an ancient fish.

A splendid example of the fishIchthyodectes, disarticulated (broken up) by currents or scavengers on the ancient seafloor. This fossil was donated to the Museum by Wayne Buckley. (V-3122)

A display case containing four different fossil slabs under a label copy sign about sharks.

Sharks are widespread in Manitoba’s Cretaceous rocks. Shark teeth are very hard and commonly fossilized. Shark skeletons are made of softer cartilage, so most parts of the skeletons are rarely preserved. As shown by the specimens here, however, vertebrae (backbones) and jaws are sometimes fossilized because those parts are hardened with calcium salts. The fossils in this case are on loan from Wayne Buckley.

Three fossils on display in exhibit.

Some of the fossils in the “Cretaceous Community” case: an example of plesiosaur ribs and gizzard stones (1), the snout of the bony-headed fish Thryptodus? (2), and a vertebra from an elasmosaur (long-necked plesiosaur) (3). These fossils are on loan from Kevin Conlin (1, 3) and Wayne Buckley (2).

A fossil slab with parts of skeleton visible on display above an X-ray of the slab showing further aspects of the skeleton inside the rock.

One of my favourite fossil specimens is this Cretaceous seabird, loaned for the exhibit by Kevin Conlin. The bird is still partly enclosed in dense shale matrix; the X-ray below shows that most of the skeleton is actually present.

An elaborately engraved vase covered in black ammonoid designs with a small ammonoid at the top of the urn lid.

Kevin Conlin is a professional ceramic artist. This ammonoid urn was inspired by Cretaceous fossils and rocks.

How Wildflowers Feed You

For many years native prairies and forests were considered “waste lands” because they don’t produce food for people to eat. But increasingly scientists are finding that natural areas are actually essential for our food production system.

In a recently published paper in the Journal of Pollination Ecology (click here to read), I documented which prairie wildflowers provide food for the pollinators of crop plants like canola. Canola, being a mass flowering crop, produces primarily pollen and some nectar to entice insects, such as domestic honeybees, and native bumblebees and sweat bees, into pollinating them. Pollination by insects greatly increases the seed set of canola. However, before and after canola flowers, its pollinators need something to eat. Enter the wildflowers!

View looking out over a canola field, bright with yellow flowers under a blue sky.

Canola production is higher when wild pollinators are present.

A black and yellow bumblebee on a cluster of yellow Rigid Goldenrod flowers.

In late fall bumblebees love feeding on the nectar of rigid goldenrod (Solidago rigida).

Wildflowers typically start blooming in late April and are in bloom until mid October, providing hungry pollinators with healthy, nutritious nectar and pollen to eat. Essentially, without wildflowers, the bees that we rely on to pollinate our canola crops would starve. And yet sadly these wild plants are being dug up, sprayed with herbicides, and choked out by exotic European weeds. Intensification of agriculture is the main factor causing the collapse in domestic honeybee populations as well as the endangerment of native bees and other pollinators like the monarch butterfly. Wild insects that need prairie plants, such as flower and bee flies, also play an import role in the biological control of pests like aphids.

And so I would like to suggest that we begin re-wilding our province lest our pollinator populations collapse to the point that we can no longer grow canola, sunflowers, or strawberries any more. Protecting the remaining prairies, oak savannahs, and tree bluffs is one important thing we can do. Another is to begin restoring the prairies alongside our farmlands. The Iowa Department of Highways has been replacing exotic weedy species in roadside ditches with native prairie plants creating beautiful stretches of highways that team with insect life and provide crop pollinators with habitat (click here to learn more). Integrated Pest Management (IPM) is a useful tool for controlling pest populations on croplands while minimizing the impact on wild pollinators.

A low-growing plant with clusters of small yellow flowers: Hoary Puccoon.

Wildflowers like hoary puccoon (Lithospermum canadense) provide bees with food before canola flowers.

Close-up on white blossoms on a Saskatoon berry branch.

Saskatoon berries (Amelanchier alnifolia) need pollinators to produce optimal fruit set.

Lastly, please look to your own yard. Are you growing plants that are visited by pollinators? If not, consider growing at least some native wildflowers as our pollinators are adapted to feeding on them, not introduced exotics. I know that butterfly gardens are popular but really it’s the bees and flies that are doing most of the heavy lifting when it comes to crop pollination. The more pollinators you nourish, the better your own garden yields of tomatoes, peppers, squashes, apples, and berries will be!

Still scared of getting stung by a bee? You probably shouldn’t be as we don’t have any “killer bees” in Manitoba. Our native bees are not aggressive (although some wasps and hornets can be) and will more than likely leave you alone unless you step on them or hit them. Also many wild bees are actually stingless! Check out www.PrairiePollination.ca for more information on the wild bees of Manitoba.

Dr. Diana Bizecki Robson

Dr. Diana Bizecki Robson

Curator of Botany

Dr. Bizecki Robson obtained a Master’s Degree in Plant Ecology at the University of Saskatchewan studying rare plants of the mixed grass prairies. After working as an environmental consultant and sessional lecturer…
Meet Dr. Bizecki Robson

The End of World War One

Part III in a three-part series.

 

As we enter the last weeks of our exhibit “Victoria Crosses of Valour Road”, which ends on Sunday, November 16, I want to give some attention to how the First World War ended and some of its implications. My blog entry is illustrated with WWI postcards from the Museum’s collections.

In the summer of 1918 the Germans and their allies had made their final push against the west, and they had failed. Their troops, finances, and population were exhausted and there was serious unrest at home. The counter attack by the Allied forces, strengthened by a major influx of Americans, stormed over western Germany in the fall of 1918. On the eastern front, Bulgaria had decided to leave the German alliance, opening a route for attack as well. Austria-Hungary, which had started the war, was being torn apart by military desertion based on multiple ethnic-nationalist movements. By the end of September, the highest levels of German command were recommending an armistice of some sort, but not “surrender”. They felt a treaty could be negotiated, but in fact they had no position of strength from which to negotiate. By the end of October, revolutions were breaking out around Germany, led initially by the German navy. Wilhelm’s authority was broken, and he was “informed” that he had abdicated on November 9.

A sepia-toned photograph of a solider sitting on a stool with one leg up across the other. At the base of the stool and hand written sign reads, "Somewhere in France".

This postcard was sent to Mrs. Manchester, of 32 Lipton St., Winnipeg MB. The soldier is probably her son Stewart John B. Manchester, born in Souris, MB in 1888. He survived the war and went on to become a trainman for the CNR in Winnipeg.  H9-21-755. Copyright The Manitoba Museum.

A postcard showing an embroidered image of two hands shaking under British and American flags. Printed text on the card frame reads, "Hands across the sea / R.M.S. Andania / Woven in silk". Handwritten text on the frame reads "Crossed, 1916 / Sunk 1918".

The RMS Andania was a passenger ship that was used to transport Canadian soldiers to Europe. In 1917 it returned to passenger service, but was torpedoed by a German submarine in 1918. The continued destruction of passenger ships by the Germans infuriated the Americans and the British and strengthened their resolve in the final days of the war. H9-15-697. Copyright The Manitoba Museum.

Postcard in dark hues showing two generals in the foreground, in front of piles of skulls lined by crosses. Text along the top reads, "Gott est mit uns".

The black humour in this Belgian postcard is unmistakable. Translated as “God is with us”, it makes fun of the German belief that God was on their side during the slaughter of WWI. H9-16-66. Copyright The Manitoba Museum.

At 11 am on November 11, the guns on the Western front were at long last silent. Unfortunately the greatest killer, the Influenza Pandemic of 1918, which would claim at least 20 million lives worldwide, was just getting underway…

What was accomplished by the Great War? On the surface, nothing. Germany retreated to its former borders, with a few small areas controlled by the allies, and their army and navy were decimated. But the allies suffered even more human losses.

To make it all “worth it”, the allies concocted the Treaty of Versailles, a punitive arrangement in which Germany and its allies, though not believing they had “lost”, were forced to pay massive amounts in reparations to the French and Belgians in particular. Regular Germans were furious, since it was their government, not they themselves, who were responsible for the war. These reparations, which Germany could never afford, led in part to a collapse of the German monetary system and widespread poverty, and helped to fuel the rise of the Nazis less than 20 years later. Remember that Hitler enlisted in the First World War, and used Germany’s treatment at the hands of the Allies as justification for many of his later actions.

Troops amassed on a green field. Text over the blue sky reads, "Holy Father, in they Mercy (3) / May the joy of Thy salvation Be Their strength and stay; May they love and may they praise Thee Day by day."

Not surprisingly, many British and Canadian troops also believed God was on their side. H9-15-470. Copyright The Manitoba Museum.

A postcard showing a leaping lion followed by four cubs pouncing from Britain to two generals depicted in Belguim.

This postcard depicts Great Britain as the lion, and the colonies and dominions as his “cubs”. Canada is the cub on the right. They are attacking a German general to help defend Belgium. H9-16-140C. Copyright The Manitoba Museum.

Back in Canada, tales of heroism and sacrifice, along with the thousands of dead and missing family members lost in the war, seem to have provided Canadians with a new sense of national identity that, while not divorced from the British Empire, was perhaps more robustly independent. On a more practical side, tens of thousands of soldiers returned home looking for work, to find that women had entered the workplace. In a bid for “fairness”, many women were laid off to make room for men. The Communist Revolution in Russia had also inspired workers worldwide to feel that labour could make social change. In Winnipeg, many of the strikers in the Winnipeg General Strike of 1919 were returned soldiers.

The political and social ramifications of the First World War seem endless, but certainly “old” Europe, with its aristocracy and its entrenched class systems, was severely tested and in some cases swept away.

A pillar like war memorial in a green field.

War Memorial, Wawanesa, Manitoba. Photograph by Roland Sawatzky.

A postcard showing an angel standing over a grieving woman and two children at home. Above the scene, encircled in golden light a field with four dead soldiers. Text at the bottom reads, "What though in lovely grief I sigh / For friends beloved no longer nigh, / Submissive would I still reply, / 'Thy will be done.'"

This postcard depicts both dead soldiers and a heartbroken family. The postcard as a form of public mourning was a powerful acknowledgement of the real-life effects of the war. H9-15-469F. Copyright The Manitoba Museum.

Now the common man was seen as the suffering hero. Seventy-one Victoria Cross medals were awarded to Canadians for their service in WWI. Memorials were built by the thousands to commemorate the soldiers who lost their lives with an emphasis on names, dates of death, and ranks. To the best of its ability, society attempted to remember the individual. Governments around the world encouraged this trend, seeing it as conservative and socially integrative – and a far cry from the radical social movements they feared, like Communism (or the Winnipeg General Strike). These memorials can be seen all over Manitoba, from Memorial Boulevard in Winnipeg to many rural town parks (like Wawanesa). These memorials became the focal points of public mourning, such as Armistice Day, which was largely observed by families and friends of the deceased at Thanksgiving. It was not until 1931 that Remembrance Day as we know it was created by the federal government on the annual date of November 11.

Dr. Roland Sawatzky

Dr. Roland Sawatzky

Curator of History

Roland Sawatzky joined The Manitoba Museum in 2011. He received his B.A. in Anthropology from the University of Winnipeg, M.A. in Anthropology from the University of South Carolina, and Ph.D. in Archaeology…
Meet Dr. Roland Sawatzky

Tracking Down Canada’s Last Passenger Pigeon 

September 1st of 2014 marked the grim anniversary of the death of the last passenger pigeon on Earth. It’s extinction is probably the only one for which an exact hour of demise is recorded; the last individual was a captive bird, named Martha, that expired at 2pm local time at the Cincinatti Zoo. The disappearance of this species is almost impossible to comprehend, as it was once the commonest bird in North America, perhaps even the world, with population estimates of between 3 and 5 billion – yes, that’s billion – in the mid-1800s. 

But the capacity of humans to destroy knows no bounds. The awe-inspiring flocks that were described as darkening the sky from horizon to horizon, and the massive breeding colonies that numbered in the tens of millions were slaughtered by market hunters and shamefully wasted by hungry locals alike. Unfettered exploitation along with changes in environment due to deforestation resulted in the shocking disappearance of passenger pigeons from the wild by about 1900. 

Old newspaper clipping reading, “Pigeons. – This morning pigeons passed over the town in immense numbers, and afforded rare sport to the disciples of Nimrod. / Wild pigeons roosted on sundry roofs in the city last night, and some of them only awakened when the felt they No 6 shot coming in.”

Local reports of passenger pigeons from Winnipeg newspapers, the upper from the Manitoba News-Letter of May 31, 1871 and the lower from the Manitoba Free Press of September 19, 1874. 

Although Manitoba never hosted massive colonies, large flocks provided food for First Nations peoples and hungry homesteaders, and were important enough to frontier life to merit frequent mention in local newspapers as “wild pigeon” or merely “pigeons.” Passenger pigeons bred in small groups in the south of the province and were seen as far north as Hudson Bay. 

A passenger pigeon specimen posed on a low tree branch in a mini stand-alone diorama.

A relatively recent addition to the Museum’s passenger pigeon collection, a beautiful mount of a female generously donated by the Delta Waterfowl Foundation in 2013. Note the female lacks the orange breast and bluish back of the male, and is slightly smaller, about 37 cm. MM 1.2-5437 

In contrast to their abundance in the 19th century, there are relatively few specimens of passenger pigeons in natural history museums and even fewer of those that have information on when and where they were collected. This is in part because systematic museum and research collecting in North America was still relatively new, and because passenger pigeons were so common; who carefully collects crows or starlings today? The Manitoba Museum has five taxidermied specimens of passenger pigeon.  

Black and white photograph of a glass display case containing many bird specimens. Three birds are digitally outline in red.

Some of the old bird cases as they were in the Civic Auditorium in the mid-1930s. The passenger pigeons are marked within the red lines. These three mounts are still in the Museum collection today. 

Until recently, all of the Museum’s passenger pigeons were of unknown locality – we weren’t even certain that our birds were actually from Manitoba! Record-keeping was not always thorough in the 1930s when some of them came into the possession of the original Manitoba Museum, and the others were in private collections where their exact histories have been lost. However, while examining some photographs of the exhibits in the old Civic Auditorium from the 1930s, I noticed that some were of the bird cases. One of these had three of our pigeon specimens on display! And another photo showed that one mount had very specific data on its label just below it tacked to the back of the case: 

Close-up of a museum label reading, “Passenger Pigeon. / (Ectopistes m. oris). / Now Extinct. / This specimen taken at Winnipegosis in 1898”.
Close-up of the old museum label from the mid-1930s as it appeared in the case.

Did the Museum still have this particular specimen? Comparing our present collection with the photographs, I was able to determine that one of the five birds we have is an exact match for the Winnipegosis specimen that had been on display in the 1930s. This is especially important because detailed information on this bird was published by G.E. Atkinson in 1904, a taxidermist and naturalist from Portage la Prairie. He prepared this specimen and noted its date of collection as April 10th of 1898 – the last specimen ever collected in Canada! 

Two photographs side-by side. Top, a black and white photo of a passenger pigeon specimen on a small tree branch. Underneath is a colour phtoograph of the same specimen on a different small branch mount.

Comparison of the 1898 Winnipegosis specimen as it appeared in the Civic Auditorium in the mid-1930s (top) with a photo of one of our specimens (MM 1.2-2391) today (bottom). Arrows show the unmistakable features (tuft of feathers at base of bill, ‘ruff-like’ neck feathers, foot shape, leg feathering) that indicate that these are the same specimens. The pattern of black spots on the back are also distinctive. 

So the specimen has come full circle in its history with the Manitoba Museum. It was first on display in the mid-1930s in the Civic Auditorium, was in our collections storage for decades, and is now on exhibit again 90 years later at Rupert and Main. It remains, after all that time, still able to perform the unfortunate, but important function as a flag-bearer representing all extinct species and as a warning of where careless attitudes to our environment can lead us. 

Aldo Leopold, the famous Wisconsin environmentalist, said in memory of the passenger pigeon in 1947: 

“There will always be pigeons in books and in museums, but these are effigies and images, dead to all hardships and to all delights. Book-pigeons cannot dive out of a cloud to make the deer run for cover, nor clap their wings in thunderous applause of mast-laden woods. They know no urge of seasons; they feel no kiss of sun, no lash of wind and weather; they live forever by not living at all.”

And indeed, the Museum’s passenger pigeons will not, unfortunately, repopulate our skies. But they will always be here, for that is the value of museum collections – archives of natural history and silent witness to changes in our world. Our collections provide opportunity to study, marvel, contemplate, and learn. And although there are no more passenger pigeons in the wild, they can still be found in museums. I invite you to the Manitoba Museum and the new Prairies Gallery (2021) to see the last passenger pigeon ever collected in Canada, along with one other, and to reflect on their fate as well as our own place in the world. 

If you have any further information on these specimens or others, please contact the Museum. 

 

Dr. Randy Mooi

Dr. Randy Mooi

Curator of Zoology

Dr. Mooi received his Ph.D. in zoology from the University of Toronto working on the evolutionary history of coral reef fishes. Following a postdoctoral fellowship in the Division of Fishes of the Smithsonian Institution…
Meet Dr. Randy Mooi

Solar Eclipse visible from Manitoba

On Thursday afternoon this week, Manitobans will be treated to an uncommon celestial spectacle: a partial eclipse of the sun. Beginning just after 4 o’clock in the afternoon, the moon will move between the Sun and Earth, casting its shadow onto our planet and blocking out part of the sun as seen from earth. While uncommon and interesting to watch, solar eclipses have some particular issues which require some safety precautions.

Safety first: YOU SHOULD NEVER LOOK DIRECTLY AT THE SUN WITHOUT SPECIAL PROTECTION. The protection we’re talking about here is not sunglasses, but a special solar filter material which is the equivalent of the densest welder’s goggles that exist. The best way to observe the sun at any time (and especially during an eclipse) is to purchase special “eclipse glasses”. This silver-colored Mylar filters are designed to filter out all of the harmful light and other radiation from the sun, and provide you with a safe view. During an eclipse, the sun is no more or less dangerous than it is every other day – but then, no one usually stares at the sun for very long except when there is an eclipse to watch.

The following materials are NOT safe solar filters: sunglasses, CDs, Mylar balloon material, exposed photographic film, smoked glass, or any other material not specially-designed for solar viewing.

You should also never point a telescope or binoculars at the sun without a special filter that goes over the front of the instrument. Telescopes and binoculars focus so much sunlight that they will instantly set fire to anything put at the eyepiece – this includes paper, pencils, eclipse glasses, your head… you get the idea.

Having said all of that, a solar eclipse is a great event to watch: you can actually see the clockwork of the heavens ticking forward as you watch. The motion you see if the orbital motion of our moon, a rock hurtling around our planet at about 3,600 km/h. It really is worth watching, you just need to do so properly.

To help, the Museum has brought in safe solar eclipse glasses which are available for $3 a pair at the Museum Shop and Museum Box Offices. You can also head to the public observing session being hosted by the Royal Astronomical Society of Canada at Assiniboine Park’s picnic area, where safely-filtered telescopes will give you an up-close view of the action. Finally, in case it is cloudy here in Manitoba, there will be online feeds from across North America to watch on the web.

Now, to the details…

For Manitobans, the eclipse begins about 4:08 pm, when the moon begins to move in front of the sun starting on the upper left side. At this point, the sun is over in the southwest and fairly low, so you will want o have a good view in that direction. Over the next hour or so, the moon will block out progressively more of the sun’s visible face. At 5:24 pm, we are near the peak of the partial eclipse. From Winnipeg, 60% of the sun will be covered, while in northern Manitoba the eclipse is close to 70%.

Unfortunately, that is about as good as it gets – there will be no “total” phase of this eclipse, where the sun is totally blocked by the moon (as it was in 1979 for Winnipeggers). The alignment between sun, moon and earth is not exact, and so the total phase misses earth completely this time. After 5:24 pm, the moon will start to move off the sun’s disk. The sun will actually set before the eclipse is over, however, so you should have a chance to capture a very unusual picture: a partially-eclipsed sun setting. Sunset in Winnipeg is about 6:22 pm, while around Thompson, Manitoba it sets about 6:12 pm.

SAFETY AGAIN: I can’t stress how important it is to observe this event safely. Use eclipse glasses. If you have older ones from a previous event, discard them if they have *any* scratches or pinholes in them. Your eyesight is worth more than $3. If you want a close-up view, go to the RASC’s observing event – that’s where I will be.

Scott Young

Scott Young

Planetarium Astronomer

Scott is the Planetarium Astronomer at the Manitoba Museum, developing astronomy and science programs. He has been an informal science educator for thirty years, working in the planetarium and science centre field both at The Manitoba Museum and also at the Alice G. Wallace Planetarium in Fitchburg, Massachusetts. Scott is an active amateur astronomer and a past-President of the Royal Astronomical Society of Canada.