A person wearing a bright orange jacket and black toque bends over to examine a piece of stone they've picked up off the stony ground where they stand.

Finding the Impossible, Part 1: Getting There

Finding the Impossible, Part 1: Getting There

Image above: In late autumn, the search for fossils in the Grand Rapids Uplands can be cold yet rewarding. Dave Rudkin of the Royal Ontario Museum visits a collecting site on a cold October morning.

 

Blog by Dr. Graham Young, past Curator of Palaeontology & Geology

 

This year, our Museum foyer has featured an exhibit of unusual fossils in the New Acquisitions Case. This exhibit, Finding the Impossible: Unique Tropical Fossils from William Lake, Manitoba, included a video “slide show” that documented the expeditions during which we collected these fossils. My colleague remarked to me the other day that this slide show should be shared widely using the Museum blog; this post, and some subsequent ones, will do just that!

A Museum display case from the side, with the contents obscured by the angle. A label panel is on the wall next to the case.

A closer look at the contents of the display case in the previous picture. Eight fossil specimens with label copy providing more information about them. One smaller piece has a magnifying glass set up in front of it.

The exhibit panel’s text gives a brief outline of the project:

How does an animal become a fossil? How is a fossil jellyfish even possible? Only bones, teeth and shells are commonly fossilized, while soft tissues rot or are eaten by scavengers. Jellyfish and other soft tissue fossils are not quite impossible, but they are very rare, preserved only in unusual environments.

The fossils at William Lake are 445 million years old, dating from the Ordovician Period of geological time. They represent creatures that lived along a tropical shore when Manitoba straddled the equator. The remarkable preservation resulted from low oxygen and high salt levels in lagoons.

These specimens were collected by a Manitoba Museum research team, collaborating with scientists from the Royal Ontario Museum and University of Saskatchewan, and students from the University of Manitoba. During fieldwork in central Manitoba in 2000, we discovered the first of these soft-tissue fossils. Through hard on-the-ground work, we located the site. We travelled there numerous times, excavating thin dolostone (limestone) layers to extract the specimens displayed here.

 

The first part of the accompanying slide show provided some background on Manitoba limestones, and shared the experience of travel to the Grand Rapids Uplands of northern Manitoba. I hope you will enjoy these images.

Looking towards the Rotunda in the Manitoba Legislative Building. A large foyer space with a fenced empty circling in the middle, looking down tot he floor below. Tall Tydall Stone walls with pillars encircle the space, with three arched doorways in frame.

Manitoba is famous for its Ordovician-age limestones (shown here in the Manitoba Legislative Building) …

Two photos side-by-side. On the left is a picture of an exterior stone wall and a sidewalk. On the sidewalk "Note the fossils" is written in chalk, below a portion of the wall with a fossil in it. On the right is a close up of a fossil embedded in stone.

… such as the fossil-rich Tyndall Stone. The fossil on the right is the receptaculitid Fisherites. This is a member of an extinct group of organisms; it is commonly called a “sunflower coral”, but was most likely a green alga (“seaweed”).

View into a Museum diorama. Seafloor scene showing various corals, sponges, seaweeds, and sea creatures.

These limestones formed on a tropical seafloor about 450 million years ago (this is the Ordovician seafloor diorama in our Earth History Gallery).

Looking out over a large body of water from the shoreline.

To go from this seafloor to the shore (photo: Graham Young) …

Two adults loading luggage and supplies into the back of a vehicle parked outside of the Museum.

… we must pack our gear (photo: David Rudkin) …

Photo taken from inside a car looking at the driver and a passenger in the back.

… and travel north (photo: Michael Cuggy) …

Photograph looking out over a body of water towards the far shore, where there is a house and outbuildings. On the water a small motorboat passes a group of swimming pelicans.

… to the Grand Rapids area.

The exterior of a single-storey motels with several vehicles parked in front. Early morning light, with snow falling.

Morning weather can be varied …

Photograph from inside a vehicle looking down a longer stretch of two-way road, with conifer trees across the ditch on either side.

… as we get on the road, northward again …

A map of Manitoba (green) showing an area of Ordovician bedrock (beige) and the location of William Lake (about centre of the province).

… toward William Lake, in the middle of Manitoba.

Photograph from inside a vehicel looking down a long stretch of two-way road. Tree along the left side of the road are bathed in evening sunlight under a blue sky,

The beautiful wilderness of the Grand Rapids Uplands …

A black-feathered bird picking something up with its beak from the gravelly ground.

… is home to a great variety of animals …

A collage of four picture of flowers. Top left: close up on small purple flowers with orange-yellow centre. Top right: yellow iris-like plant with a large lower petal with a "pocket". Bottom right: A low-growing plant with small purple flowers. Bottom left: A low-growing plant with clusters of tubular yellow flowers.

… and plants (upper left photo: Michael Cuggy).

Hydro towers and lines follow along the side of a road, as a flock of Canada Geese flies across the frame.

Hydro lines span the landscape.

Looking down a stretch of two=way road, lined with stone shoulders and banks leading up to treed areas.

Limestone bedrock is very close to the land surface.

Flat stretch of land with sparse vegetation growing through the rocky ground.

This limestone is home to many fossils.

To be continued . . . next time I will talk about the fossil collecting process, with many graphic images of dusty and hot, or cold and wet paleontologists!

Wading for Water Lilies: How a Landlubber Botanist Learned to Love Collecting Aquatic Plants

I’m a landlubber I admit it. How could I not be? I’m from Saskatchewan. That’s the driest place in the country! Not only is it completely devoid of coastline, but its largest lake is practically in the arctic. Before I came here I did field work in Grasslands National Park, a place where the Frenchman “River” is shallow enough to wade across. Then I did field work in the Great Sand Hills, a place where there is no water at all, just sand.

A vaguely brain-shaped taupe mushroom growing near green lichens.

When I moved to Manitoba I noticed right away that something was wrong; the air was weird. I’m used to having all the moisture sucked out of my body by hot, dry air. In Manitoba I felt damp, like I was perpetually in a steam room. I began noticing that the vegetation was unusual as well. Plants that grew up to my ankles back in Saskatchewan were up to my waist here. And there were weird mushrooms sprouting up everywhere—even in the city—things that looked like brains and hair and ears. Lichens cover everything that doesn’t move: rocks, trees, benches, farm equipment. Sit on a bench long enough and they’ll probably start growing on you.

 

Image: I had never seen so many weird mushrooms until I moved to Manitoba. This brain-like mushroom is a false morel (Gyromitra).

Being a prairie girl, I was attracted to the idea of doing field work in tall grass prairie, an ecosystem that I was unfamiliar with but that I assumed (incorrectly) would be dry. So I got permission to do some pollinator research out at the Tall Grass Prairie Preserve in 2004. When I got there, I could barely find any prairie that wasn’t soaking in at least a foot of water. Eventually I found out about Spruce Woods Provincial Park and its famous sand dunes. “Now that’s my kind of park” I thought “dessicatingly dry”. But as it turns out Spruce Woods ain’t no Great Sand Hills. Sure there are dunes there, but they’re surrounded by spruce forests, wetlands, a river and little springs bubbling out of the sand. Even the deserts in Manitoba are wet!

Gently rolling dunes with sparse green grass growing on them along with small bushes and evergreen trees. In the distance are sandy dunes, lined by more evergreens.

Image: The dunes at Spruce Woods Provincial Park are actually pretty wet. There are rivers, lakes and springs in the park as well as sand dunes.

Then one day I was asked to prepare a collections assessment report to identify gaps the Museum’s plant collection. I found out that of the 562 species of native plants that are underrepresented in the collection, a whopping 43% of them grew in some kind of wetland: a bog, a riparian area, a lake, or a marsh. Clearly, reducing the gaps in the collection was going to require that I get wet. But I was reluctant to dive in to aquatic plant botany, never having done it before so I decided to focus my research on pollination ecology and ugly little rare plants that grew in sand dunes. As a result, I was able to avoid wetlands for many years.

Then one day a man named John Wiersema called me up. John is an American water-lily expert who helped write the volume on those plants in the Flora of North America. He had discovered several unusual herbarium specimens of water lilies from Canada, including one on the Minago River, which he thought might be a different species. But he needed fresh material to do genetic work to make sure. Was I willing to come along with him to search for this species? I was wary. We might need a boat. I don’t really do boats. “Perhaps we could just walk along the river bank?” I suggested.

Well that turned out to be a terrible idea as the banks of the Minago River just off of highway 6 contain the densest collection of deadfall and brush that I’ve ever bushwhacked through. I can’t recall how many times I tripped and very nearly impaled myself on a fallen log. Fortunately, John determined that that part of the river seemed unsuitable for this particular water-lily so we cut our surveys short. We decided to go further north to where the Minago crosses the highway leading to Manitoba Hydro’s Jenpeg Generating Station. Although no one at Manitoba Hydro was available to take us out on the water that day, they generously offered to fly us up at a later date and arrange a boat trip down the river. It was on that trip that I was to see what a real aquatic botanist was made of.

A shirtless man in water up to his mid-torso, with his hands underwater selecting an aquatic plant.

A year later, John and I boarded a plane for Jenpeg. While on that trip I discovered the secret to becoming a successful aquatic botanist: you have wear clothes that you can remove quickly and easily.  When John saw a water lily he wanted, he just tossed off his shirt, unzipped his pant legs and dived right in. As it turns out, jumping into the river paid off. John got the specimens he needed, arranged for genetic analysis and was eventually able to publish a paper describing and naming the new water-lily: Lori’s Water-lily or Nymphaea loriana. Later on we published another article on the ecology and distribution of this species in The Canadian Field Naturalist, which won the James Fletcher Award for best paper in 2016.

 

Image: John just jumped in the river when he saw a plant he wanted.

This summer I began the field work necessary to understand the province’s floral diversity so that I can write a book on the Flora of Manitoba. At last I was going to have start looking for and collecting those aquatic plants that we know so little of. This summer I was going to have to get wet. But there’s a difference between knowing the path and walking the path.

It’s amazing how many aquatic plants you can collect from a shore line without actually stepping in the water. I spent many days combing shorelines for aquatic plants that had washed up so I wouldn’t have to go in the water. Out at Turtle Mountain and William Lake Provincial Parks I discovered the joys of lake docks and wetland boardwalks! I was able to collect all sorts of plants by just lying on my belly and reaching as far as I could. When necessary I used my trusty hiking pole to capture a few things that were just out of reach. I even went boating to collect a few things. Paddle boats are great for this. I know they’re the goofiest looking boats invented but for a botanist that wants to collect aquatic plants they are awesome. All in all I was pretty pleased with myself for avoiding the water.

A floating wooden view point at the end of a boardwalk on a lake on a cloudy day.

Image: Boardwalks are great places to reach submerged aquatic plants. This one is in Hecla Provincial Park.

Dr. Diana Bizecki Robson wearing a one-piece swimsuit, waist deep in a lake, holding up a freshly caught plant specimen.

Then the moment I had been dreading finally happened. There was an aquatic plant in flower that I really, really wanted. I searched the shoreline in vain for one that had washed up. Nothing. None were in arms reach. I was defeated: I’d have to get wet. So I took off my hiking boots and waded in. To my surprise the water was wonderful! I had spent all afternoon hiking up the Turtle’s Back peak and my feet were hot and sore. Sticking my feet in that cool water and squishing my toes around in the mud felt great. Eventually I realized that getting wet to collect a plant isn’t such a bad thing after all.

 

Image: The botanist in the lake with a freshly captured specimen.

P.S. Collecting plants in national and provincial parks is illegal (with the exception of berries and mushrooms) unless you have a permit (which I do).

Dr. Diana Bizecki Robson

Dr. Diana Bizecki Robson

Curator of Botany

Dr. Bizecki Robson obtained a Master’s Degree in Plant Ecology at the University of Saskatchewan studying rare plants of the mixed grass prairies. After working as an environmental consultant and sessional lecturer…
Meet Dr. Bizecki Robson

Reshaping Chemical Structures: The Conservation of a Home Chemistry Set

This home chemistry set came into the conservation lab for treatment after being selected for display in the soon to be constructed Winnipeg Gallery which is part of the Museum’s Bringing Our Stories Forward Capital Gallery Renewal Project. The set was acquired by the museum in 1979 and was manufactured by Lotts Bricks Ltd., a toy company based in Waterford, England. 

It was noticed during an initial condition report that the cardboard insert was weak, ripped, and warped in several locations and needed to be stabilized before display. Since the cardboard had warped over time, the loose and broken parts would no longer fit together and therefore the cardboard would need to be reshaped before repair could be completed. 

Two photos side-by-side. On the left, a detail image showing the tears in the upper left corner of the chemistry set’s insert. On the right, a detail image showing damage to the insert in the upper right corner of the chemistry set insert.

Detail images showing damage in upper left and right corners of chemistry set.

Catalogue Number: H9-9-622 © Manitoba Museum 

The chemistry set consists of a red cardboard box which has a grey blue box adhered to it. There is also a moss green cardboard insert which holds the pieces of the set in place. There are twelve cardboard canisters with pop-off metal lids, and four glass bottles with metal screw-on lids. All of these containers still have their labelled chemicals inside. There is a small glass tube with a cork stopper which containing purple coloured litmus paper. Hidden under the cardboard insert is a small envelope labelled ‘Litmus Paper’ which has two pink papers inside. Lastly, there is an orange rubber tube with a glass end covered in a black coating. 

Three images side=by-side. Detail images (left to right) showing red box with insert removed, damaged cardboard insert, damaged right corner of insert of chemistry set.

Detail images (left to right) showing red box with insert removed, damaged cardboard, damaged right corner of insert of chemistry set. Catalogue Number: H9-9-622 © Manitoba Museum 

Two photos side-by-side. On the left, looking down at an angle on one of the cardboard canisters from the chemistry set with its metal pop-off lid. On the right, five of the cardboard canisters in a row. The canisters have “Lott’s Chemistry” written on the sides.

Components of Chemistry Set. Catalogue Number: H9-9-622 © Manitoba Museum 

Two photos side-by-side. On the left, the cardboard insert with an old pencil catalogue number written on it. On the right, the insert with the old catalogue number removed.

Eraser bits used to clean off an old pencil catalogue number. © Manitoba Museum 

In the conservation lab, the set was disassembled and the individual parts were examined. In general all surfaces of the set were dusty and covered in grime. The red outer box was very stable but the moss green cardboard insert was ripped in several areas and the structure was warped. The canisters and glass bottles have small areas of corrosion on the metal lids. 

The first step was to clean every surface of the set. This involved brushing all the components with a soft natural hair brush which loosened dust off the surface and allowed the dust to be carefully vacuumed away. The cardboard and canisters were further cleaned by gently rubbing eraser bits over the surfaces to pick up grime and loosen ingrained dirt. 

The most complicated step of the treatment was reshaping the cardboard insert. The insert was reshaped by misting the surface with distilled water, causing the paper structure to relax, which allowed for the manual repositioning of the cardboard to the original position. The insert was placed onto custom cut wood blocks which were covered in absorbent paper (blotter paper). The wood form was clamped and weighed down which prevented the cardboard from deforming during the drying process. 

 

Four images put together in a collage. On the upper left, the cardboard insert laid on a flat surface, wetted and being reshaped. On the upper middle, blocks of wood with blotter paper, used to reshape the wetted insert. One the upper right, blocks of wood with blotter papers placed onto wetted cardboard. On the bottom, wood inserts clamped and weighted down in a vice to hold the wetted carboard insert still as it dries.

(Top left) Cardboard insert wetted and being reshaped.

(Top middle) Blocks of wood with blotter papers.

(Top right) Blocks of wood with blotter papers placed onto wetted cardboard.

(Bottom) Wood inserts clamped and weighted while drying.

© Manitoba Museum 

After a week, the cardboard insert was dry and removed from the wood form. The cardboard was then repaired by reattaching the loose sections and reinforcing ripped areas with light-weight mending paper and conservation grade cellulose based adhesive. The ripped cardboard was further repaired on the front of the insert by adhering tinted light-weight mending paper to breaks in the structure. 

Three images in a collage. On the top, the cardboard insert being repaired with light coloured pieces of mending paper along the weak or torn joints of the insert. On the bottom left, the cardboard insert beside painting supplies, as the mending paper is painted with watercolours to blend in with the cardboard. On the bottom right, close up of the tinted mending paper now painted to match the cardboard insert.

(Top) Cardboard insert being repaired with light-weight mending paper and conservation grade adhesive.

(Bottom left) Tinting mending paper with watercolours to match cardboard.

(Bottom right) Tinted light-weight mending paper used to stabilize and hide rips in the structure of the cardboard.

© Manitoba Museum 

 

Once everything was stable and dry the insert was set back into the red box and finally all the components were set back into place. 

Treatment completed, the cardboard insert back inside the chemistry set’s red box.

Stabilized cardboard insert placed back into place.

© Manitoba Museum 

 

You will be able to see this home chemistry set in the new Winnipeg Gallery when it opens in the fall of 2019. 

Two photos side-by-side. On the left, Conservation Technician Loren Rudisiela, wearing a white lab coat and teal gloves, holding up the stabilized and reassembled chemistry set. On the right, looking down into the red carboard box with the stabilized insert holding the many pieces of the set in place.

Reassembled and ready for display.

Catalogue Number: H9-9-622 © Manitoba Museum 

Loren Rudisuela

Loren Rudisuela

Assistant Conservator

Loren Rudisuela holds a B.A in Art History from the University of Guelph, a certificate in Art Fundamentals from Sheridan College, and a Graduate Certificate in Cultural Heritage Conservation and Management…
Meet Loren Rudisuela

My Summer in the Collections and Conservation Department

By Matthew Gowdar, Collections and Conservation Assistant

A young man in a brown windbreaker standing in front of a stone tower.

This summer, I was given the amazing opportunity to work at the Manitoba Museum through the Young Canada Woks program. From the end of May until mid-August, I held the full-time position of Collections and Conservation Assistant.

While this was not my first experience working at a museum or archive, the Manitoba Museum was certainly a step up for me, in terms of scale. As a History major at the University of Manitoba, this opportunity was especially exciting, as it fell directly within my field of study.

Each day started with a gallery walk through the whole museum. I would check for garbage and damage to exhibits, clean the glass cases and monitor humidity levels each morning. I was also given two large projects to undertake at the outset of my term. The first was to sort, organize and create a digital database for over three thousand research photos, which had been collected in cardboard boxes throughout the past decades. Despite their fascinating nature and relevance to the ongoing Bringing Our Stories Forward Capital Gallery Renewal Project, searching through these photos in their original state was impossible. Therefore, my goal was to make the collection easy to browse, as well as searchable for specific subjects via the digital database.

 

Image: Collections and Conservation Summer Student Matthew Gowdar.

At the top, a screenshot of an Excel document breaking down artifact details. At the bottom, a photograph of an open photo album with black and white photos.

Using a Microsoft Excel spreadsheet, I created a series of binders, each assigned to a different subject.  Each individual photograph corresponded to a different record in the database, which contained information such as date, photographer and a brief description.  Although not quite complete, this system perfectly meets the project’s original goals.

My second major task was a total revamp of the Manitoba Museum’s Institutional archives. These boxes of documents were stored on dangerously unstable shelving which did not use the space efficiently, and contained a wealth of irrelevant material. The first step was to clean out the room as much as possible, followed by the disposal of the old shelving. New shelving was ordered and assembled. Each box was culled for material which could be discarded, and then placed on the new shelving. While this sounds simple enough, when one has over two hundred boxes to evaluate it becomes more complicated. The project was a great success, and resulted in a substantial increase in free space within the archive room.

 

Image: Research photographs were put into a database and rehoused in archival sleeves. © Manitoba Museum

I was lucky enough to work alongside a group of intelligent and hardworking colleagues, whose passion for museum work was evident from day one. The support and direction I received from both Cindy Colford, Manager of Collections and Conservation, and Roland Sawatsky, Curator of History, was invaluable. I also would like to thank Loren Rudisuela, Carolyn Sirett, Nancy Anderson, Cortney Pachet, and Amelia Fay and numerous other staff members for all the help they provided me over the last few months. The Manitoba Museum truly employs a special group of people.

Exploring Manitoba’s Mountains

Last week I spent some time looking for rare and under-collected plants in the “Turtle Mountains” of Manitoba. First off let me say that I think the term “Manitoba mountain” needs its own definition in the dictionary. To most people the word “mountain” conjures up images of snow-capped peaks and sure-footed Mountain Goats clambering up rocky screes. Climbing a mountain is to risk life itself due to treacherous terrain, exposure to harsh weather and utter physical exhaustion. In contrast, climbing a “Manitoba mountain” is to risk breaking out in a light sweat, if it’s a hot day-a really hot one. Now please don’t get me wrong, I love the Turtle Mountains. I just don’t think they should be called “mountains”. But I suppose perspective is everything and the people who named them were likely so tired of the monotony of the Red River Plain that something that you could see rising up slightly in the distance was good enough to be called a “mountain”.

Looking out through a break in trees across a lake to a treed hill, "Turtle Mountain".

Grain-like stalks growing on a lake's edge.

Sedges (Scirpus sp.) growing along the shore of Adam Lake in Turtle Mountain Provincial Park.

Before I reached the “Turtle Mountains” south of Boissevain, I had passed another mountain that isn’t really a mountain: Mount Nebo. Named after Mount Nebo in the Holy Land, it has a similar hump-like shape. Just southwest of Miami, Mount Nebo is part of the Manitoba escarpment, the ancient shore of glacial Lake Aggasiz. I was interested in this feature because there is exposed Cretaceous shale there. Such material is where a rare plant (e.g. Eveningstar or Mentzelia decapetala) that historically occurred in Manitoba likes to grow. Unfortunately, I was not able to find this species here, nor at one of the sites where it was collected decades ago near Boissevain. Sadly, it is likely extirpated in the province (i.e. not found here but present elsewhere in Canada).

 

Image: Shale outcrops with unusual plants occur at Mount Nebo, near Miami, Manitoba.

In Turtle Mountain Provincial Park, I hiked several trails searching for rare sedges. I was also interested in seeing if the brome (Bromus) and wild rye (Elymus) grasses that I was searching for in the Otterburne area in June might occur here instead. Jackpot! I discovered that the brome and wild rye grasses I was looking for are present in the park, likely because human disturbances that favour non-native grasses are minimal here. I may have found some of the rare sedges, although I won’t know for sure until my plants are completely processed here at the Museum as they have to be thoroughly dried, and then frozen for pest control purposes before I can look at them closely.

While I was in the area, I decided to search for rare plants along the Turtle’s Back trail in William Lake Provincial Park, a small park adjacent to Turtle Mountain Provincial Park. At the summit (84 m above nearby William Lake), I discovered that this area was visited by Indigenous peoples for thousands of years as it is the highest point of land for many kilometers, providing an excellent view of the area around it. It was humbling to know that in climbing this peak, I was following in the footsteps of First Nations from long ago, and those who still visit here today.

Looking towards a boardwalk over a portion of water that is dipping significantly to one side.

Boardwalks over wetlands enable easy collection of aquatic plants. Fortunately I didn’t have to use this boardwalk as a new one had been built right next to it.

Standing at the base of a set of wooden outdoor stairs. Either side of the staircase are wooden signs. One reads "Summit" with an arrow pointing up, and the other is an information panel about "The Turtle's Back".

The sign at the base of the lookout tower at the Turtle’s Back peak in William Lake Provincial Park.

View looking out of the tree tops down towards a river on a sunny day with a clear, blue sky.

View from the top of the tower on Turtle’s Back summit, in William Lake Provincial Park.

Dr. Diana Bizecki Robson

Dr. Diana Bizecki Robson

Curator of Botany

Dr. Bizecki Robson obtained a Master’s Degree in Plant Ecology at the University of Saskatchewan studying rare plants of the mixed grass prairies. After working as an environmental consultant and sessional lecturer…
Meet Dr. Bizecki Robson

Star-Crossed Lovers in the Summer Triangle

by Claire Woodbury, Science Communicator

 

“Once upon a time there was a beautiful and talented weaver, the daughter of the Sky King. She met and fell in love with a handsome and skilled herdsman. They were so devoted to each other that they neglected all else. The weaver stopped weaving and the herdsmen let his animals wander all over the place. The Sky King didn’t approve of this behaviour, and separated the lovers on either side of the heavenly river. His daughter was heartbroken and despondent so the Sky King relented and allowed the couple to meet, but only once a year. Every year, on the seventh day of the seventh lunar month, a flock of magpies would fly into the sky and create a bridge, allowing the lovers to cross the heavenly river and be together.”

 

This classic tale of “boy meets girl, Dad doesn’t approve”, has been told since the 2nd century B.C.E. and celebrated in summer festivals in China, Japan, and Korea. You can read this story every night in the summer sky. The “heavenly” river that separates the young couple is the Milky Way.  The lovers are represented by the stars Vega and Altair, two points in the asterism known as the Summer Triangle. The triangle shape is actually made up of the three brightest stars from three different constellations, Cygnus the Swan, Lyra the Harp,  and Aquila the Eagle. In the city, it is often difficult to see all of the very faint stars of these patterns but the brightest from each are visible on clear nights. The brightest is Vega, the dimmest Deneb, and Altair makes up the point of the triangle.  You can find the Summer Triangle higher overhead, across the sky from the Big Dipper all summer long and even into autumn.

The Perseid Meteor Shower for 2018

by Claire Woodbury, Science Communicator

 

The highlight of August sky observing is the Perseid meteor shower. A meteor shower is a high occurrence of shooting stars over several days. Of course, “shooting stars” aren’t really stars at all, but dust-sized bits of rock or metal (meteoroids) that collide with the earth and burn up in our atmosphere. As they vaporize, they cause a brief streak of light in the sky (a meteor) which can be seen from the ground. Rarely, a larger version of a meteoroid survives its time as a meteor and makes it to the ground intact; we call these meteorites. Confused with the similar-sounding names? The long and short of it is that dust from space burn up in our atmosphere, making brilliant flashes of light that result in a spectacular cosmic show.

But where do these specks of dust come from and why do they sometimes come down all at once in a shower? The answer lies in the earth’s yearly path around the sun. The earth orbits the sun and acts as a cosmic broom to any smaller objects in its path. It just so happens that between mid July and mid August every year, Earth is travelling through the trail of dust left behind by a comet. Comets are balls of ice and dust that orbit the sun. Small chunks can break off as the comet travels through space. When we pass into the path left over from its travels, those chunks collide with the  earth. The Perseids are caused from dust and debris left over from Comet Swift-Tuttle (109P).

How many meteors will I see?

It depends. The maximum number of meteors you could see depends on how dark your sky is, what time you observe, and how long you watch. It’s best to get away from city lights, since the fainter meteors are easy to miss when there are bright lights around. Although we are moving through the densest part of the dust trail on the evening of the 12th, meteor showers are always better after local midnight due to the orbital geometry. Your best bet will be between 11 pm and 4 am on the night of August 12-13, with rates increasing towards dawn. You might see upwards of 50 meteors an hour.

Don’t expect to see a constant stream of meteors; you might see one then nothing for twenty minutes then a whole bunch. Don’t give up if you haven’t seen any, best practice is to observe for at least an hour.

The best thing about meteor showers is that you don’t need any specials tools to see them! Just relax, grab a lawn chair or a blanket (and maybe some bug spray, let’s face it, this is Manitoba after all), lean back and look at the sky! Your ability to see the streaks of light can be hampered by clouds, high buildings, or light pollution. Even a particularly bright moon can obscure your view. Luckily for us, the moon will be very new on the evening of the 12, allowing for near perfect viewing conditions. August 12th between midnight and dawn (morning of the 13th) is the night you will see the most meteors but you can actually start to see the Perseids every night as early as July 17rd and as late as August 24th as we move in and out of Swift-Tuttle’s path. If you’re worried about missing the big show, you can start to practice by doing a little meteor gazing every night.

The Summer of Ugly Plants

For the last 13 years I have spent part of my summer studying beautiful plants; plants with big displays of nice-smelling flowers. The reason I was studying them was because I was interested in learning which insects like to visit them for their nectar and pollen. However, this year I realized that for too long I have been neglecting the ugly plants; you know the ones that we step on without a care.

Close up on a spikey pod growing from a stalk of grass (Carex).

A small plant with waxy green leaves and reddish flower clusters growing from dark sandy soil.

You’ve probably stepped on Oak-leaved Goosefoot (Chenopodium salinum) at the beach. It grows on sandy, often saline shorelines.

So what are these ugly plants and why are they so unattractive? Most of them are grasses, sedges and rushes but some are aquatic plants–the ones that tickle your legs when you go for a swim in a lake. Although they comprise only about a quarter of all plant species in Manitoba, they make up a much greater percentage of the total plant biomass; grasslands are named after grasses for a reason after all. These plant species are relatively unattractive because they are typically wind-pollinated. That means the wind blows the pollen off of one flower and onto the pollen catchers (stigmas) of another plant, resulting in fertilization of that plant’s eggs. Large petals would just get in the way of this process and be a waste of resources to produce, so most wind-pollinated plants have no petals at all or very tiny ones.  The flowers of wind-pollinated plants may consist of just stamens (i.e. pollen-producing structures) and/or pistils (i.e. egg-producing structures). However, some plants, like grasses, have highly modified upper leaves (glumes, lemmas, and paleas) to protect the growing seeds. The flowers of some wind-pollinated plants are so tiny that you can only see their details under a microscope.

Some grass flowers such as this Fringed Brome (Bromus ciliatus) are actually quite attractive.  The colourful uppermost leaves (=glumes), which cover the flower parts, are purplish and covered with fine hairs.

So why am I studying them? Well, we must remember to not confuse appearance with ecological importance. Although ugly plants aren’t always particularly nice to look at, they play extremely important roles in the functioning of ecosystems. Grasses with their enormous root systems, remove tremendous quantities of carbon from the air and lock it underground in the form of soil organic matter. Unlike the carbon in trees, this soil carbon will not burn up in a wildfire. Grasses also provide livestock and wild animals with an abundant source of food. In wetland habitats, the dense roots of grasses, sedges and rushes filter the water, removing contaminants and nutrients like phosphorus, which would otherwise cause algal blooms in our lakes.

Short, feathery plants growing in the mud along a bank of water.

Aquatic plants like Mare’s-tail (Hippuris vulgaris) help filter water.

Overgrown grasses and trees growing along a narrow river bank or brown water.

Exotic grasses like Smooth Brome (Bromus inermis) are invading areas along the Rat River.

Unfortunately, some of these plants are in trouble. While searching for several historically collected grasses, Wiegand’s Wild Rye (Elymus wiegandii) and Hairy Woodland Brome (Bromus pubescens) in southern Manitoba this June, I was upset to realize that the habitats where these plants once occurred have been completely taken over by weedy Eurasian species like Smooth Brome (Bromus inermis) and Quack Grass (Elymus repens). These aggressive, invasive species have benefitted from the soil disturbances associated with human activity and have been able to spread into native grasslands and woodlands, displacing pretty much everything else. I will continue my search for these elusive species during my next field trip further north in the hopes that I will still find them somewhere in the province.

Dr. Diana Bizecki Robson

Dr. Diana Bizecki Robson

Curator of Botany

Dr. Bizecki Robson obtained a Master’s Degree in Plant Ecology at the University of Saskatchewan studying rare plants of the mixed grass prairies. After working as an environmental consultant and sessional lecturer…
Meet Dr. Bizecki Robson

Why a Strawberry isn’t a Fruit (sort of)

I was watching an old episode of “The Big Bang Theory” and Sheldon asked Stephanie what her favorite fruit was. Stephanie said “strawberries” to which Sheldon replied “technically NOT a fruit”. My daughter turned to me and asked “is that true” and I said “yes, sort of.” Let me explain why.

Plants have sex. The evidence of their many dalliances lands on our lawns and patio furniture in the form of pollen in the spring and later on in the year as spores, seeds, and fruits. What’s the difference between these structures? Well, pollen is like sperm in a tiny ping pong ball, a spore is like a naked baby, a seed is like a naked baby with a bottle and a fruit is like a baby with a bottle wearing clothes (or sometimes even driving a vehicle). So at this point you’re probably thinking, “Eeww, I’ve touched that stuff” but let’s cut plants some slack cause if they didn’t have sex, they’d go extinct and that would be bad for us given that we can’t photosynthesize!

Spore-producing plants, including mosses and ferns, are terrible parents: they just abandon their children to the whims of fate with nothing to eat and not a stitch on their backs! Cone-bearing plants (=gymnosperms) like spruces, pines, and junipers, are better parents as they provide their babies with something to eat. Giving their babies a source of food enables these plants to grow in drier, less fertile habitats than spore-producing plants can. However, as their babies are “naked” with no protective covering, they are vulnerable to thieves that want to steal their “bottle”: animals!

Looking down at a leafy, green fern.

Ostrich ferns (Matteucia struthiopteris) aren’t the best botanical parents.

A green pine cone growing on a branch.

Conifers like this pine (Pinus) provide their babies with food.

Flowering plants (=angiosperms) include most of the plants we are familiar with: grains, fruit trees and yes, strawberries! These species don’t let their children go out without a snack and a coat on. However, not all fruits are fleshy and edible as we are accustomed to think. Nuts are actually a type of fruit with a hard shell to protect the baby from hungry animals, kind of like a tank. Grasses give their babies clothing that sticks to their bodies and won’t come off. Maple trees give their kids hang gliders to help them soar away from their parent on the wind!

There are a variety of fleshy fruits as well. A berry is a multi-seeded fruit that includes some plants that we call berries, like blueberries and Saskatoon berries, but also some that we don’t think of as berries, like grapes and tomatoes. Raspberries and blackberries on the other hand, are not true berries, they are aggregate fruits: basically a bunch of tiny fruits clustered together on the enlarged tip of the flower stalk. Stone fruits have a single, hard seed (=drupe) inside; they include peaches, plums, and cherries. Citrus fruits are berries with a tough, leathery rind called a hesperidium. These fruits, according to Sheldon are “true” fruits.

Close-up on a cluster of brown Manitoba maple tree seeds on a tree branch.

Manitoba Maples (Acer negundo) provide their children with a vehicle. From Wikimedia Commons

A deep red raspberry peeking out from green leaves.

Raspberries (Rubus pubescens) aren’t berries: they are aggregate fruits.

A watercolour illustration of a strawberry plant showing the leaves, flowers, immature fruits (seeds), and a ripened strawberry.

Many of the others things we call fruits actually consist of both the fruit AND parts of the flower petals. The fleshy part of apples and pears (=pome) that we eat is not actually the fruit; those are enlarged fleshy petals. Only the “core” of an apple is actually the fruit. The fleshy part of a strawberry is actually formed from the enlarged base of the flower stalk called a receptacle. Each of the “seeds” on the outside of a strawberry are actually one-seeded fruits with a thin, dry covering called an achene. So when you eat a strawberry you ARE eating the fruits of the plant, but it isn’t the part you think it is. For this reason, botanists call these types of fruits “accessory” fruits. Regardless of what part you eat though, there is one thing that is indisputable: fruits are one of the best things you can put into your body. Enjoy strawberry season everyone!

 

Image: The fleshy part of a strawberry is actually an enlarged flower stalk. The things on them we call “seeds” are actually the fruits.

Dr. Diana Bizecki Robson

Dr. Diana Bizecki Robson

Curator of Botany

Dr. Bizecki Robson obtained a Master’s Degree in Plant Ecology at the University of Saskatchewan studying rare plants of the mixed grass prairies. After working as an environmental consultant and sessional lecturer…
Meet Dr. Bizecki Robson

“All my love for you and you only” 

Photogaph of a handwritten letter with the sign off, “Diamond Jim”.

 


Fifteen year old Eleanor Geib and eighteen year old James “Jimmy” Brady met at a dance hall on Strood Avenue in North Kildonan.
 

They began courting and after Jimmy enlisted with the Winnipeg Grenadiers, exchanged love letters while he was stationed on garrison duty in Bermuda and Jamaica at the beginning of WWII. His parting words in nearly every letter were “With all my love for you and you only” and he signed many of them “Diamond Jim”, a reference to a popular comic strip of the era, according to his younger sister, Dorothy. 

 

Vintage posed wedding photograph with bride and groom in the centre and bridesmaid and best man either side of them. The groom and best man are both in uniform, while the bride and bridesmaid both hold bouquets.

When Jimmy returned to Winnipeg on furlough in October 1941, the couple married at her parents’ home on Bonner Avenue, with her sister Marguerite and his friend Harry Robinson, a fellow Grenadier, serving as witnesses. Within days of marrying, Jimmy and the rest of the Winnipeg Grenadiers were shipped out to Hong Kong. 

Jimmy wrote to Eleanor about his journey through western Canada and the uneventful voyage across the Pacific Ocean. Upon arriving in Hong Kong, he sent his new bride a beautiful green silk pyjama set and slippers, along with letters about life abroad. 

Telegram bearing the news that Private James Brady was killed in action at Hong Kong.

Expecting a quiet assignment at the former British colony, the Canadian military was surprised when the Japanese army descended on the island of Hong Kong on December 8, 1941. After a 17 day fight, dubbed the Battle of Hong Kong, the Canadians capitulated on Christmas Day and Canadian, British and Indian survivors were taken as prisoners of war of the Japanese for the next 44 months. Private James Brady did not survive the battle, dying in combat on December 19, 1941. In the ensuing chaos, his wife, mother and sisters did not receive word of his passing until January of 1943. 

A Memorial Cross medal on a purple ribbon in a medal box. An engagement ring is fastened to around the medal’s ribbon.

Following the war, widows and mothers of the war dead were given the Memorial Cross medal. Eleanor, widowed at age 17, fastened her engagement ring to the purple silk ribbon of the medal she received and stored it away with the letters, pyjamas, photographs and other objects she had saved from her brief marriage. 

Two Memorial Cross medals on purple ribbons each in a medal box. The medal on the left has an engagement ring fastened to the ribbon.

Eleanor went on to marry again and had four children with her second husband. She spoke little of her first love, but even after her passing in 2005, her daughters kept the trove of mementos safe in her stead. Last summer, after learning of the Manitoba Museum’s Hong Kong Veterans collection on the local CTV morning show, her daughters made the decision to donate Eleanor’s treasures to the Museum. These objects complement the collection in a unique, albeit tragic, way: we have very few materials from Winnipeg Grenadiers who did not survive the Battle of Hong Kong and subsequent internment. 

Photograph of a handwritten letter ending, “Give my reards to all the gang, and also remember me to all at home, and you darling, I want you to keep smiling and don’t give up hope. So until my next letter, adios. With all my love for you and you only, Jimmy. XXXXXXXXXX”.

 

The family also connected us with Jimmy’s surviving sister, Dorothy, who came to the museum to view the new acquisitions –she commented that Jimmy always had excellent handwriting and was a prolific letter writer. Dorothy imparted more information about Jimmy’s short life for our records and donated the Memorial Cross medal her mother had received 70 years earlier, after the loss of her only son. 

 

These new acquisitions have been carefully catalogued and photographed, detailing the story of Jimmy and Eleanor, his death and the events that followed. His story continues through the preservation of his written word and the objects he lovingly chose for his young bride. All his love for her and her only. 

Cortney Pachet

Cortney Pachet

Collections Technician – Human History

Cortney Pachet started working at the Manitoba Museum in 2001 as a tour guide while earning her a BA (Honours) from the University of Winnipeg. She quickly realized that she wanted a career in museums…
Meet Cortney Pachet