January 20, 2014

Joe Maruca's "Secret" Notebook

Joe Maruca’s “Secret” Notebook

At some time or another, we have all experienced a really satisfying day at work, or perhaps more often, a day that left us wanting to vent our frustrations. Today we might use social media to voice these emotions. In the days before Facebook or Twitter, Joe Maruca documented his working life in a ‘Secret’ notebook filled with amusing cartoon sketches. 

Recently, I processed a fascinating collection of family items donated by the children of Joseph and Alice Maruca. These include a porter’s uniform, photographs, documents and the notebook. Joe’s father, Vincenzo had immigrated from Italy in 1920 and worked as a freight carpenter at the CNR shops in Transcona. In the 1950s Joe Maruca was employed as a Porter Captain at the Royal Alexandra Hotel in Winnipeg. The “Royal Alex” was part of the Canadian Pacific chain and was considered one of the finest hotels in western Canada. It opened its doors on Higgins and Main in 1906 and served as a social centre of Winnipeg until 1967. The hotel was demolished in 1971. 

A worn sketchbook, it’s red cover torn and with the remains of torn off tape or stickers. A reminding piece of blue tape reads, “Secret” below a slightly torn sticker showing an image of a large red and white multi-story building and text reading, “The Royal Alexander / Winnipeg Man. / Canadian Pacific”.

Through Joe’s sketches we can see a humorous account of the inner workings of the Royal Alexandra as viewed through the eyes of the front line staff. There is the frustration of being under tipped by a wealthy client or being “twisted” by a co-worker. The word twist can be as slang expression meaning to cheat or have something wrench from your grasp – when a fellow porter takes your next client and tip! We also see Joe as the hero of the story and a bit of a lady’s man. 

Cartoon sketch showing a round man flicking “1 thin dime” to a struggling porter holding a bag of golf clubs and standing beside three suitcases. A bubble above the porter’s head reads, “I should have stuck to shoe shines”.
“One Thin Dime” sketch by Joe Maruca
Cartoon sketch showing a man on his knees in front of another man who stands filing his nails, with one foot up on a chair. The standing man saying, “Well I don’t know – coax me”, while the kneeling man says, “Please Maruca I’ll never twist ya again”. Sketch title at the top reads, “CONTROL / Yes Sir”.
“Control”
Cartoon sketch showing two women standing near the foot of a large flight of stairs with a framed mountain landscape hanign above the landing. One woman says, “Oh! There’s Maruca” and the other says, “Yea! Smile”. In the upper left corner is written, “Great guy when it comes to women”.
“A great guy when it comes to women”

The Royal Alex was home-on-the-road to musicians who came to play at the hotel or local hotspots such as the Don Carlos night club. Included in the donation is a collection of signed photographs of notable African-American musicians of the era – The Mills Brothers, The Charioteers, Nellie Lutcher and The Deep River Boys. Joe enjoyed a positive reputation among these performers and the service he provided would have been in marked contrast to the discrimination they faced at segregated American hotels in the 1950s. “When you’re in Winnipeg ask for Joe, he’ll take good care of you” was the message passed among the performers. A couple of his sketches suggest that Joe may have had musical dreams of his own.

Signed black and white photograph with slightly weathered edges of Joe Maruca in his porter’s uniform posing with Harry Douglas.
Harry Douglas with Joe Maruca “To Joe, Thanks for being so wonderful to me. Sincerely, Harry Douglas, Deep River Boys”
Cartoon sketch showing a four-man band on a stage. In the corner is a large firepace and a person sitting in an armchair watching the band. The cellist is labelled “Maruca” and writing near the pianist reads, “How’d Maruca get in this one”. Wriitng along the bottom reads, “Sunday Evening (Irving Plumb.)”.
“Long hair Maruca”

As new artifacts are added to the Manitoba Museum’s collection, our understanding of the past expands. Donations from families like the Marucas help to give us a glimpse the life of a talented ‘average working Joe’. 

Nancy Anderson

Nancy Anderson

Collections Management Specialist – Human History

Nancy Anderson holds a B.A. (Hons) in History from the University of Winnipeg, and received her M.A. in Canadian Social History jointly from the University of Winnipeg and University of Manitoba. She has over 30 years experience…
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Mini-Diorama Opens

By Kevin Brownlee
Past Curator of Archaeology 

Yesterday the Museum launched a spectacular new mini-diorama in the Grasslands/Mixed Woods Gallery. The exhibit highlights the incredible talent of diorama artist Betsy Thorsteinson. Betsy along with Debbie Thompson, Ruth Dowse and countless volunteers worked on the project. The diorama highlights four separate scenes: a mid winter camp in Duck Mountain, moving camp in late winter, early spring maple sugar camp and fishing camp in late spring. These scenes represent an Anishnaabe family as they move across the landscape about 800 years ago. 

Close-up of a Museum diorama featuring members of an Anishnaabe family moving camp on snowshoes and sleds through a snowy forest.

Two of the scenes are based on archaeological excavations. The mid winter camp is representing a site on Child’s Lake in Duck Mountain. The spring fish weir is representing the Aschkibokahn Site at the mouth of the Duck and Drake Rivers on Lake Winnipegosis. The use of a mini-dioramas to depict the past is an exceptional way of communicating the results of archaeological research. There is no better way of bringing the past alive.

I have had the pleasure of assisting Betsy on this exhibit. I provided the colour of fish both before and after it was smoked, how bear paw snowshoes are worn and how the internal organs of fish were prepared. In other circumstances I related stories and experiences to Betsy and these would appear in the diorama. Grey Jays or Whiskey Jacks are called Grandmother by many First Nation people, who will feed these birds when they visit camps. Feeding these birds shows respect to the visiting grandmothers. When you visit the diorama find the Grandmother.

Pīsim finds her Miskanow 

By Kevin Brownlee
Past Curator of Archaeology 

I have to share with you about the results of a wonderful project that I have been working on for the past 6 years… actually more like 20…

Open pages of the book Pīsim Finds her Miskanow showing text with diagrams, and artistic illustrations.In 1993, the remains of a woman were found at Nagami Bay (Onākaāmihk) west shore of Southern Indian Lake. The following year, community members from South Indian Lake and archaeologists worked together to recover our ancestor in a respectful and honourable way. The story of her miskanow, life journey, was pieced together from her remains and her belongings and told in the book Kayasochi Kikawenow, Our Mother from Long Ago, which I co-authored with E. Leigh Syms.

After Kayasochi Kikawenow shared her teachings, she was respectfully brought home for reburial in the community of South Indian Lake in 1997. Now, 16 years after her reburial, her story is being retold in a new way for young people. Using historical fiction, William Dumas brings Kayasochi Kikawenow to life as the main character, Pīsim, in Pīsim Finds Her Miskanow. This book shares a week in the life of Pīsim as a 13-year-old living on Southern Indian Lake during the mid 1600s just before Europeans arrived into the region. The book was reviewed by renowned archaeologist Brian Fagan, Emeritus Professor of Anthropology, University of California) who states the book is the result of brilliant teamwork between archaeologists, the Cree, and an accomplished storyteller… the book promises to be a classic of Canadian history. 

Councilor Esther Dysart speaking into a microphne at a podium. Kevin Browlee stands to the side.

In September the Museum hosted a book launch that brought together the research team, members from O-Pipon-Na-Piwin Cree Nation (South Indian Lake) including youth, the author and illustrator and many dignitaries including a councilor from the community. It is rare to have over 200 people attend a book launch but this is no ordinary book. Buy your own copy from the Manitoba Museum gift shop.

Image: Kevin Brownlee and Councilor Esther Dysart at book launch.

The clam that sank a thousand ships 

Unless you happen to be chowing down on some steamed clams at the time, a discussion of important influences on human history is unlikely to include a clam as part of the conversation. But the eating habits of one small group of highly evolved clams has altered the travel plans of Christopher Columbus and Sir Francis Drake, changed the outcome of naval battles, and has inspired folklore and poetry. 

Clams are members of the Bivalvia, a relatively diverse subgroup of molluscs that includes about 10,000 living species of oysters, mussels, scallops and any of the typical “seashells” we are used to finding washed up on beaches, whether on fresh- or saltwater. Other molluscs include snails, slugs, squids, and octopus. Bivalves are creatures that have two roughly symmetrical hinged shells (hence Bivalvia from the Latin bi = two, and valva = leaf of a folding door) that usually can enclose the entire animal for protection. Most are filter-feeders, meaning they take in great quantities of water through one siphon, pump it through the gills that strain out small food particles, and then send it out a second siphon. 

Three illustrations of shipworm getting progressively close-up on the front-end.

Old woodcut illustrations of “shipworm” showing the worm-shaped body (B) on the left along with the shell valves at the front (S) and the siphons for incoming and outgoing water to the gills for breathing (IO). The middle figure is a close up of the front part of the animal and the shell valves (S) and on the right is the shell itself, showing its modification into a grinding surface. From Popular Science Monthly, August 1878. 

But bivalves have been around a very long time, over 500 million years, and over that time some strange exceptions to the usual life history have evolved. The two valves of its shell have been modified from protective devices into two small, but extremely effective grinding surfaces at one end that are used to bore into any piece of wood encountered in the ocean. The clam starts out as a small juvenile that settles on a wood surface. As the new small clam bores into its new home, the wood is digested with the help of symbiotic algae that live on its gills. As the hole gets deeper, the animal’s body elongates to maintain a connection to the surface, and the burrow is buttressed with a shell-like lining. 

An illustration demonstrating the growth stages of shipworm, starting from a small hole and growing into a long, curved tube through the wood. As the worm growing further into the wood, two small siphons at the back end remain at the surface of the wood.

The settling of a young Teredo onto a piece of wood and its gradual growth. The shell halves grind up the wood. Note that the siphons remain at the wood surface to bring clean seawater to the animal. Figure from Flingeflung, German language Wikipedia. 

As the common name “shipworm” suggests, and is emphasized by its scientific name Teredo navalis, this species has a long history of damaging ships. Some have suggested that the anxiety of Christopher Columbus’ crew to head west from Europe was not fear of the unknown, but fear of shipworm damage on a long journey, and for good reason. The fourth voyage of Columbus to the Americas in 1502 came to a disastrous end when all his ships sank due to damage resulting from Teredo. His ships were, “… rotten, worm-eaten … more riddled with holes than a honeycomb… With three pumps, pots and kettles, and with all hands working, they could not keep down the water which came into the ship, and there was no other remedy for the havoc which the worm had wrought… my ship was sinking under me…”  (from a letter describing the voyage). Columbus was forced by these small clams to land on Jamaica. He and his crews were marooned for a year before being rescued. 

Left, a painting of Christopher Columbus, seated, wearing dark robes and hat. Right, a painting of Sir. Francis Drake, standing near a table with a globe on it with one hand on his hip. Wearing dark robes and an frilled ruff.

The fourth voyage of Christopher Columbus (left) to the Americas in 1502 came to a disastrous end when all his ships sank because of damage from these clams. In 1579, Sir Francis Drake (right), the famous English pirate/explorer/Vice Admiral spent a month on the Californian coast repairing the Golden Hind, which had been eaten by shipworms. 

In 1579, Sir Francis Drake spent over a month on the Californian coast repairing the Golden Hind, which had been damaged by shipworms. And there are claims that shipworm appetites might have been a factor in the English defeat (more like repulsion) of the Spanish Armada in 1588. The Spanish had remained docked in marine waters off Portugal for several months before engaging the English, providing plenty of time for infiltration of ship’s timbers by the clam that would have weakened and slowed the vessels. 

Three paintings, side-by-side. Left, a formal painting of King Philip II of Spain. Centre, a painting of the panish Armada at sea. Right, a formal painting of Queen Elizabeth I.

Perhaps shipworm appetites helped the English defeat the clam-weakened ships of the Spanish Armada in 1588! King Philip II of Spain (left), was forced to keep his Armada at sea several months (centre) before engaging the navy of Queen Elizabeth I of England (right). 

Even the eventual  addition of copper cladding to naval vessels was not certain protection from the “worm”, as this famous poem by Henry David Thoreau (1817-1862) attests: 

… The vessel, though her masts be firm, 

Beneath her copper bears a worm … 

Far from New England’s blustering shore, 

New England’s worm her hulk shall bore, 

And sink her in the Indian seas … 

-(excerpted from “Though all the Fates” 1849) 

It has been estimated that ship timbers needed replacement every eight years on average, largely due to damage from Teredo wood-boring. At this rate, it is clear that this marine clam has had a tremendous impact on terrestrial ecology, too – huge tracts of coastal forests around the world have been cut down to replace damaged hulls of the ships of all the colonial powers as they travelled the seas. And all that travel introduced these clams all over the world as affected ships brought the animals with them. For this reason, scientists are uncertain of the original distribution and habitat of “shipworms.” 

Photograph of a portion of wood that has had grooves and holes eaten into it by shipworms.

A small portion of wood from the Philippines showing the damage that occurs from the activities of Teredo, a woodboring clam that can digest wood with the help of symbiotic bacteria (MM 2.4-1062). Scale bar is 5 cm. 

Of course, Teredo clams do not only target vessels, but any wooden structure in the sea. In 1731, parts of Holland were flooded because wooden dikes were eaten and weakened by “shipworm,” prompting replacement by costly imported stone. And perhaps Teredo was the cause of (or inspiration for) the famous hole plugged by the little Dutch boy’s finger.  Damage to piers and moorings amounts to tens of millions of dollars per year. An infestation in San Francisco Bay between 1919 and 1921 caused over $2 billion of damage in today’s dollars, and repairing such damage is a considerable cost to this day. 

Photograph of a section of fossil wood with bore lines and remnants of holes across the surface.

Woodboring clams have been around for awhile. This is fossil wood from Souris, Manitoba showing the bore holes of Teredo or a similar species from the Cretaceous Period, about 65 million years old (MM I-2139). Because all existing species require salt water, this suggests that the wood had been floating in an ocean environment before it became fossilized. Scale bar is 3 cm. 

The influence that a tiny bivalve mollusc can have on human history and economic activity is truly astounding. And this is only one of many examples from molluscs, a wonderfully diverse group of animals that is usually well outside our consciousness. Given how some have altered history, perhaps we should give these animals more of the attention they deserve. 

Dr. Randy Mooi

Dr. Randy Mooi

Curator of Zoology

Dr. Mooi received his Ph.D. in zoology from the University of Toronto working on the evolutionary history of coral reef fishes. Following a postdoctoral fellowship in the Division of Fishes of the Smithsonian Institution…
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