The Sky for March 2025

The Sky for March 2025

March brings the spring equinox, warmer weather, and the last chance to see the winter constellations. This year, March also hosts a pair of eclipses (one visible from North America) and a planetary line-up that is almost as good as it gets.

A simulated view of the "parade of planets" on March 2, 2025. [Image: Stellarium]

The Solar System

The “Planetary Parade”: While it’s over-hyped online by people who don’t know the sky very well, this month *is* a good time to spot the planets. In late February and early March, we can see 4 of the 5 bright planets at the same time in early evening. But, it isn’t any more spectacular than it has been for the last month – the planets are effectively always in a “parade”, and so if you didn’t notice it in January or February you might wonder what the fuss is all about. That’s social media for you – anything that reliably generates “likes” or “shares” will be used to drive engagement without managing expectations or even providing accurate content.

Bottom line: you can see most of the planets this month, including Mercury which is generally the hardest one to see because it’s so close to the sun. Enjoy the view!

Mercury reaches its best visibility of 2025 this month, rising into the evening sky at the beginning of the month.

Venus still dominates the western sky at sunset at the beginning of March, but it dives towards the Sun by mid-March. For a few days around its closest conjunction to the Sun, it will be visible in both the morning and evening sky at the same time. See the Sky Calendar for details.

Earth reaches the point in its orbit when its poles are perpendicular to its orbital path around the Sun. We call this occurrence the equinox, and this year the Spring Equinox occurs at 4:01 a.m. Central Daylight Time on March 20, 2025. While this marks the astronomical beginning of spring, it has little connection to the weather. The main event is that the hours of daylight and nighttime are equal – equinox means “equal night”. Any stories about being able to balance an egg on its end only during the equinox are false – you can do that any day of the year, if you have the time and patience for it.

Mars is still bright in the evening sky, forming an ever-changing triangle with the bright stars Castor and Pollux in Gemini. The Moon is nearby on the evening of March 8th.

Jupiter still shines brightly in the evening sky, high in the southwest after sunset in the constellations of Taurus.

Saturn drops into the sunset glare early in the month, and is lost to sight. You *might* catch it in binoculars during the first few days of the month below Mercury, if you have a perfectly flat horizon and crystal-clear skies.

Uranus is to the right of Jupiter, but invisible to the unaided eye. A pair of binoculars will show it as a star-like dot among a sea of other star-like dots; you need a detailed finder chart like those in the RASC Observers’ Handbook to track it down.

Neptune, while technically part of the “parade”, is invisible without a telescope at the best of times, and this month is not the best of times. Neptune is near Venus in the bright twilight sky and probably unobservable this month.

Of the five known dwarf planets, none are visible with typical backyard telescopes this month.

Sky Calendar for March 2025

All times are given in the local time for Manitoba: Central Standard Time (CST) before March 9, and Central Daylight Time beginning at 2:00 a.m. on March 9, 2025. However, most of these events are visible across Canada at the same local time without adjusting for time zones.

Saturday, Mar. 1, 2025 (evening): Mercury begins its two-week period of visibility, rising into the evening sky below Venus. The very thin crescent Moon is nearby on March 1, but likely invisible in the bright sky without binoculars or cameras. (For the “young moon” hunters, it’s a 24-hour-old moon at sunset in Manitoba, close to the limit for what is potentially visible. Flat horizons and clear skies are a must!)

Sunday, Mar. 2, 2025 (evening): The crescent Moon is above Venus in the evening sky, visible to the unaided eye and with glorious Earthshine illuminating the dark side. Photo op!

Monday, March 3, 2025 (evening): The crescent Moon is mid-way between Venus and Jupiter, while Mercury continues to rise higher in the west below Venus.

Wednesday, March 5, 2025 (evening): The Moon and Jupiter form a nice grouping with Aldebaran and the Pleiades star cluster this evening.

Thursday, March 6, 2025 (evening sky): The Moon is above Jupiter, high in the southwest in the evening sky.

Saturday, March 8, 2025 (evening): Starting tonight, the planets Mercury and Venus are visible in the same field of view of typical household binoculars (roughly a 7-degree field). They’ll remain this close until Mercury is lost from sight around March 14.

Also tonight, the Moon is just above Mars high in the southeast after sunset, with the two bright stars Castor and Pollux nearby. Over the course of the night you can see the Moon’s orbital motion as it passes Mars and moves farther away. At 8pm CDT the Moon is right above Mars; by 3am CDT it has moved to be mid-way between Mars and Castor.

Finally, unless you’re up all night, set your non-internet clocks ahead one hour before you go to bed. Daylight Savings Time starts tomorrow at 2am (1:59 a.m. Central Standard Time is followed by 3:00 a.m. Central Daylight Time).

Sunday, March 9, 2025 (morning): Daylight Savings Time started this morning.

Tuesday, March 11, 2025 (evening): Mercury reaches its highest point above the horizon, while Venus has sunk down to almost meet it. After tonight both Mercury and Venus will rapidly sink into the sunset glow.

Thursday, March 13 (evening): The total lunar eclipse begins at 10:57 p.m. CDT tonight and extends throughout the night into early Friday morning. Unlike a solar eclipse, a lunar eclipse is absolutely safe to watch.

Times for the total lunar eclipse on March 13-14, 2025.
Times for the various stages of the total lunar eclipse of March 13-14, 2025. times for Winnipeg, Manitoba, Canada.

 

For local times for other locations across North America, visit the NASA Science Directorate Eclipse Page.

Thursday, March 20, 2025: The Vernal Equinox occurs at 4:01 a.m. Central Daylight Time, marking the beginning of astronomical spring. Also on this date, Venus begins to be visible in both the evening and morning skies (see the entry for March 23 for details).

Sunday, March 23, 2025: The Earth passes through the plane of Saturn’s rings. This would afford a rare view of the rings “disappearing”, but unfortunately Saturn will be too close to the Sun for the event to be easily visible.

Also today, Venus passes between us and the Sun (actually, just “above” the Sun from our point of view). For a few days on either side of this, Venus will be visible in both the evening sky after sunset and the morning sky before sunrise before transitioning into a morning-only object.

Saturday, March 29, 2025: There is a partial solar eclipse on this date, but it is only visible from northeastern Canada, Greenland, Iceland, and northwestern Europe. For details on the view from your location, use this link.

Spring break at the Planetarium: Our spring break programming begins Saturday, March 29 and extends through Sunday, April 6, 2025, open daily from 10 a.m. to 4 p.m. Our brand new family show, “Voyage of the Stars: A Sea and Space Adventure” premieres, and we’ll also have an encore presentation of “Edge of Darkness”, which takes us among the dwarf planets such as Ceres and Pluto. Advance tickets and showtimes are available here.

Northern Lights, Meteors, and other Cool Stuff

People stare up at the northern lights above them.

Outside of the regular events listed above, there are other things we see in the sky that can’t always be predicted in advance.

Aurora borealis, the northern lights, are becoming a more common sight again as the Sun goes through the maximum of its 11-year cycle of activity. Particles from the Sun interact with the Earth’s magnetic field and the high upper atmosphere to create glowing curtains of light around the north (and south) magnetic poles of the planet. Manitoba is well-positioned relative to the north magnetic pole to see these displays often, but they still can’t be forecast very far in advance. A site like Space Weather can provide updates on solar activity and aurora forecasts for the next 48 hours. The best way to see the aurora is to spend a lot of time out under the stars, so that you are there when they occur.,

Random meteors (also known as falling or shooting stars) occur every clear night at the rate of about 5-10 per hour. Most people don’t see them because of light pollution from cities, or because they don’t watch the sky uninterrupted for an hour straight. They happen so quickly that a single glance down at your phone or exposure to light can make you miss one.

Satellites are becoming extremely common sights in the hours after sunset and before dawn. Appearing as a moving star that takes a few minutes to cross the sky, they appear seemingly out of nowhere. These range from the International Space Station and Chinese space station Tianhe, which have people living on them full-time, to remote sensing and spy satellites, to burnt-out rocket parts and dead satellites. These can be predicted in advance (or identified after the fact) using a site like Heavens Above by selecting your location.

Scott Young

Scott Young

Planetarium Astronomer

Scott is the Planetarium Astronomer at the Manitoba Museum, developing astronomy and science programs. He has been an informal science educator for more than thirty years, working in the planetarium and science centre field both at The Manitoba Museum and also at the Alice G. Wallace Planetarium in Fitchburg, Massachusetts. Scott is an active amateur astronomer and a past-President of the Royal Astronomical Society of Canada.

I Love to Read Month – Our Book Collection!

February may be coming to an end, but our love of reading sure isn’t! In this video, our resident Book Girly, Cortney, shows us some of her favourite items in the museum’s book collection – a comic strip series about the life of Louis Riel.

Why is this storage room so COLD?

Only a small percentage of the 2.9 million artifacts and specimens in the Museum Collection are able to be displayed at one time. The rest are kept carefully preserved in collections storage, but that doesn’t just mean they’re just piled on shelves or in cupboards out of sight. Everything is carefully stored to ensure its preserved for as long as possible, and for some artifacts that means keeping them cold!

Find out why cold storage is important for preserving certain artifacts in this video with Senior Conservator Carolyn Sirett.

Amazing Animals: The Cougar

You might be surprised to learn that cougars are found in Manitoba, but they’ve likely existed here for thousands of years!

In this video, join Dr. Randy Mooi in the Parklands Gallery to learn about the features that make this animal such a powerful predator.

The New Hurtig Furrier Exhibit

A. and M. Hurtig Furriers

The A. and M. Hurtig Furriers shop is a new exhibit in the Winnipeg 1920 Cityscape at the Manitoba Museum, featuring authentic fur accessories and furrier tools from the early 20th century. The exhibit includes the front entrance display and the backroom workshop. A. and M. Hurtig Furriers was only one of forty-three furrier shops in Winnipeg.

Entrance to the A&M Hurtig Furriers storefront in the Winnipeg 1920 Cityscape. A display case features a fur coat and fur accessories, and in the back a mannequin can be seen seated at a desk.

The new A & M Hurtig Furriers exhibit in the Winnipeg 1920 Gallery.

Newspaper clipping of a photograph of Max Hurtig.

Max Hurtig. Jewish Post, Sept. 7, 1950. Jewish Heritage Centre of Canada

Adolph and Max Hurtig were Jewish immigrants from Romania who arrived in Winnipeg in 1908. Ten years later they founded the A. and M. Hurtig Furriers business. Anne Hurtig, a relative, was the bookkeeper of the shop. Their employees made fur coats and accessories for a growing Winnipeg population. The early shop was at 476 Portage Ave, across from the current University of Winnipeg, and they in 1935 they moved to 262 Portage Ave.

By the 1920s, about half of all garment industry workers and owners in Winnipeg were Jewish.[i] In Canada, about one third of all furriers were from the Jewish community. [ii]  During this period, First Nations trappers across Western Canada also sold furs directly to Jewish itinerant traders, challenging large companies like the HBC.[iii] In the late 1920s and 30s, Hurtig Furriers became a site of bitter labour disputes that pitted labour unionists against garment and furrier business owners. This was resolved once union contracts were finally signed, and military contracts in the Second World War created huge demand for their products.

[i] https://www.jhcwc.org/exhibitions/a-stitch-in-time/the-garment-business/

[ii] Louis Rosenberg. Canada’s Jews: A social and economic study of the Jews in Canada. 1939. Pp178-179.

[iii] Colpitts, George. Itinerant Jewish and Arabic Trading in the Dene’s North, 1916-1930. 2013. Journal of the Canadian Historical Association, p 172.

A mannequin positioned as though working on a fur coat in a furrier back work room. A grey coat is on the work table in front of her, and she wears a white overcoat and a scarf over her hair.

The A & M Hurtig Furriers workshop in the Winnipeg 1920 Gallery.

A mannequin seated at a desk as though writing in an open ledger. Beside the desk is a dress form wearing a dark fur coat. On the wall behind the desk are serval framed vintage promotional images of fur coats and accessories.

The new A & M Hurtig Furriers exhibit in the Winnipeg 1920 Gallery, featuring the storefront area.

Newspaper clipping of an ad for a Hudson Seal Coats sale "At pre-war prices" for three days only at Hurtig Furriers.

Manitoba Free Press ad, June 13, 1920.

The Jewish Community in Winnipeg

A black and white photograph of the Hurtig Furriers storefront, a two-storey art deco building with a large front window featuring mannequins displaying fur coats and accessories.

The Hurtigs were very involved in Winnipeg’s Jewish community, contributing to the Shaarey Zadek and Beth Abraham Synagogues, the Jewish welfare fund, and more.

The first large group of Jewish immigrants to arrive in Winnipeg were refugees from the 1881 Russian pogroms – organized massacres and looting of Jewish settlements.  More Jewish immigrants from other parts of Europe arrived over the decades, and by 1920 over 10,000 Jews lived in Winnipeg. Synagogues and mutual aid societies were founded, especially in the North End. Though the Jewish community was essential to Winnipeg’s growth and prosperity, anti-Semitism was widespread at this time. Many Jews were excluded from clubs, residential areas, employment, and some university programs. After the Second World War, many Holocaust survivors relocated in Winnipeg.

For more detailed information about Jewish participation in the garment trade in Winnipeg, visit the virtual exhibit “A Stitch in Time,” created by the Jewish Heritage Centre of Canada: https://www.jhcwc.org/exhibitions/a-stitch-in-time/

Image: In 1935 the Hurtigs moved shop to a big, shiny, new Art Deco building at 262 Portage Ave. This building was designed by Green Blankstein Russell and Ham, and is considered one the most important Art Deco business buildings in Winnipeg. It currently stands empty, the one-time home of Dominion News. For more details visit https://winnipegarchitecture.ca/262-portage-avenue/

Creating the Exhibit

Exhibit production happens in stages, beginning with research and artifact selection, and moving on through design, purchasing of materials, construction, and artifact installation. In all, 10 museum staff and a volunteer were involved in the creation of the exhibition. Research assistance was also provided by staff at the Jewish Heritage Centre of Canada.

Digital rendering of the A&M Hurtig Furriers exhibit space showing the display cases, desk, and back work room.

A & M Hurtig Furriers exhibit concept design, by Manitoba Museum Exhibit Designer Anastasiia Mavrina.

A black and white photograph of workers in the work room of a 1920s furrier. They stand around several tables, and material scraps litter the floor.

This 1922 photograph of a Jewish furrier workshop in Winnipeg provided us with the inspiration for our reproduction in the exhibit. Jewish Heritage Centre of Canada.

Dr. Roland Sawatzky

Dr. Roland Sawatzky

Curator of History

Roland Sawatzky joined The Manitoba Museum in 2011. He received his B.A. in Anthropology from the University of Winnipeg, M.A. in Anthropology from the University of South Carolina, and Ph.D. in Archaeology…
Meet Dr. Roland Sawatzky

Memories on Paper – Preserving Family History

A birthday card, photograph, diary, or hand-written note – these little archival pieces can be some of the most treasured fragments of family history. Small and unassuming, paper objects tend to get pushed to the back of drawers where they become crinkled, creased, folded, and stained. The good news is that it does not require an archival conservation lab to preserve these historic heirlooms. With a few simple Conservator tips these pieces can last for many generations to come.

An individual wearing a navy blue lab coat leans over a paper map with a scalpel in one hand. Their other hand, in a black glove, carefully holds the paper in place.

In the same way that Conservators control the environment in a storage vault of the Museum, the location of where to store these collections in your home is the first place to start. It is best to avoid an attic or basement where temperature and humidity can fluctuate, leading to possible mould or insect damage. A combination of a stable environment, away from outdoor walls, off the floor, and away from any heat sources will help the preservation of personal memorabilia.

 

Image: Senior Conservator Carolyn Sirett repairing a map from WWII that was once folded and taped together.

In addition to an optimal environment, adding a second layer of protection to your archival assets is beneficial. Paper is a porous material, and will inherently absorb anything that surrounds it, this can include odours, colours, and acids. A method Conservators use to keep these deterioration factors at bay includes the use of storage enclosures. When choosing a box or paper folder as a storage enclosure make sure to choose a product that is lignin-free, acid-free, and buffered. Additional tips include removing staples or paper clips that can rust over time, and if choosing to use plastic enclosures make sure they are made of polypropylene or polyethylene.

An oval photograph of a soldier in uniform. from one side through to the centre the material the photograph is printed on has been torn. The edges are worn.

Poor storage environments can cause staining, tears, and mould on sensitive archival documents.

Four objects including several books and a binder that are themselves artifacts or contain and store artifacts. Each is place in a close fitting, folding box to support preservation.

Examples of archival storage enclosures used to keep collections preserved.

Our personal collections are important in different ways and can spark memories of events or people once cherished. Preserving these physical memories can be done without breaking the bank, and with a few small steps anyone can ensure they last into the future.

Carolyn Sirett

Carolyn Sirett

Senior Conservator

Carolyn Sirett received her B.A. in Anthropology from the University of Manitoba, Diploma in Cultural Resource Management from the University of Victoria, and Diploma in Collections Conservation and Management…
Meet Carolyn Sirett

It’s Science! Elephant Toothpaste #IDWGIS

Happy International Day of Women and Girls in Science! Join Rhianna in the Science Gallery as she conducts an experiment to separate hydrogen peroxide to create elephant toothpaste!

Want to try this experiment at home? Follow along.

You’ll need:

  • A tall container, like a vase
  • Hair developer with hydrogen peroxide
  • Dish soap
  • Yeast
  • Warm water
  • Optional: Food colouring!

Note: This is NOT real toothpaste and should not be consumed by humans or animals.

A Sticky Situation

Tape might seem like a good option when it comes to quick repairs of torn papers or fast mounting of photographs in an album, however, they age badly and cause irreversible damage.  Tape is fast, cheap, and easy as the adhesive is already applied to the plastic surface. We simply have the peel it and remove it from the roll, then apply pressure.  However, tape causes a lot of issues for conservators for multiple reasons: 

  1. The adhesive on tape can move into the paper fibers and it can cause yellow or orange stains, that are almost never fully removable. A conservator can lessen them, but it is hard, even impossible sometimes.  
  2. The adhesive can fail which means it is not bonded to the object anymore and can cause the loss of materials and information.  
  3. The adhesive can be stronger than the object it was applied to causing the plastic of the tape to be extremely hard to remove. In those circumstances, many steps, tools, solvents, and sometimes equipment, like microscopes, vacuum tables and light tables , are needed to remove the tape.  It is a time-consuming process that requires patience and knowledge from conservators. 

 

Yellow stains on paper remain after tape is removed from an old repair.

In some cases, we see a mix of all three types of tape deterioration in the same object! Some parts of the tape fail, others do not and are stronger than ever, or all the paper that touched the tape and the surrounding areas are stained. If the object is a photograph and was repaired on the back, the staining can reach all the way to the front and cause yellow stains to appear on the image. It can ruin photographs and important documents.  

Black book with a white rectangular label on the front cover and a silk ribbon tie closing it together.

Winnipeg Grenadier’s Scrapbook

A great example of damage caused by using tape is a scrapbook from the Winnipeg Grenadiers archives I am currently treating in the lab. In some parts of the scrapbook, the tape has failed, and the pages and newspaper clippings are loose. In other parts the adhesive is strong and sticky and has moved outside the area of the plastic tape, so the pages are stuck together. Where the tape was applied in spots, whether it is still adhered or not, the paper is stained yellow and transparent. 

As the treatment is still in progress, I am carefully using tweezers and heated tacking iron to remove the loose or fragmented pieces of tape. The documents are then aligned back in the scrapbook, and using Japanese paper and wheat starch paste, the pages are carefully put back into position.  Page by page, the process is slow, but the outcome will be a much more stable object that can be used for research.  

 

 

Large scrapbook with pieces of old tape attached to the pages and a newspaper clipping on the right page.
Pages in the scrapbook have been stuck together by the old tape residue.
One page with multiple pieces of tape and removed pieces of newspaper.
Stains from the tape have transferred onto the original page and the newspapers that were attached.
Loose pages of a scrapbook with newspaper clippings attached to paper with yellowed tape.
Loose pages have become stuck together with tape that has failed.
Beaker filled with translucent cellulose tape with an opened scrapbook sitting behind the beaker.
A beaker holding pieces of tape that have failed with age.

Modern pressure sensitive tape might be clear when we put them on objects, but they turn yellow over time and the adhesive can transfer to the paper irreversibly. Since a multitude of tapes exist it is impossible to say when deterioration will start that is visible to the naked eye. Additionally environmental conditions also play a big role in how quickly tape applied to objects will deteriorate, notably the temperature, relative humidity, and t light exposure. 

Large leather book with a red and black label on the spine. Book is sitting flat on a black table.
Tape that has been removed from the spine of the book has left a residue on the leather.

In short, there are many evils to tape and it should not be used on anything that you want to keep for a long time. This applies to all objects, not just those made of paper, and includes wood, leather, textiles, rocks or metals.  Therefore, for the longevity and physical integrity of objects, resist the temptation and avoid using tape! 

Estelle Girard

Estelle Girard

Assistant Conservator

Estelle Girard holds a B.A. in History as well as a certificate in Art History from Université Laval, and a Masters degree in Conservation Practice from Cardiff University. Estelle’s main duties as Assistant Conservator include…
Meet Estelle Girard

The E.W. Darbey Taxidermy Shop and the Making of the Manitoba Museum

Taxidermy storefronts, like that of E.W. Darbey on Main Street in 1911, were stuffed with unusual animals and birds (note the seals and walrus, far right), beckoning casual visitors as well as buying customers. Detail, L.B. Foote Collection N1660, Archives of Manitoba.

 

The Manitoba Museum recently opened a “new” store in the Winnipeg 1920 Gallery, the Darbey taxidermy shop. Today, a taxidermy shop would be considered a minor player in our digital world of cell phones, apps, and AI. But from 1880 into the 1920s, taxidermy was an important element of Manitoba society. Many homes, particularly wealthy ones, displayed hunting trophies and stuffed birds. These functioned as conversation pieces and expressions of social status. Public spaces were adorned with game heads as symbols of the province’s natural riches. Government-sponsored travelling exhibitions used taxidermy to promote Manitoba as overflowing with resources awaiting exploitation and profit. The aim was to attract businesses and immigrants from other parts of Canada and from around the world.

The Golden Age of Winnipeg Taxidermy

Black and white photo of tall glass display cases containing a variety of taxidermized birds.

Through this promotion, Manitoba became a destination for big game and bird hunters, even royalty. Trophy hunters from further west, on their return to the east, would stop at Winnipeg to have their prizes prepared. This meant taxidermy was in high demand in the city. By as early as 1891 there were at least four separate taxidermy businesses operating within just a few blocks of each other, right along Main Street – and the population of Winnipeg was only about 26,000 at the time!

 

Image: Taxidermy exhibited in the Manitoba Pavilion at Chicago World’s Fair in 1893, much of it likely the work of the Hine family of Winnipeg. Such displays emphasized the natural bounty of the province to attract visitors, sportsmen, and immigrants. From Winnipeg Daily Tribune Supplement, August 26, 1893.

It was page-one news in the (then) Manitoba Free Press, albeit accompanied by sarcastic humour, when Winnipeg’s first taxidermist, George Nagy, arrived on the scene in August of 1879:

A scanned newspaper clipping reading, "A taxidermist has started business in this city. The latest definition of a taxidermist is "one who upholsters dead animals."

 

 

 

Nagy did not advertise as a taxidermist, but as a furrier who also “stuffed” moose and deer heads, and birds. Nagy was soon replaced by those specializing in taxidermy, with the first listing of “Taxidermists” in the classifieds of the 1882 Henderson Directory naming the Hine family – father Abel and son William – under that category. They were later joined by Abel’s younger sons Calvin and Ashley.  This family received acclaim in England and across North America for their work, with Ashley becoming a noted bird taxidermist for Chicago’s Field Museum of Natural History in the 1920s and 30s.

Competition from additional taxidermists began in earnest between 1890 and 1900 with the arrival of George Grieve, Alexander Calder, Edmund Wilson and his sons, William White, and smaller operators. There was substantial cross-pollination of talent; the hired help, or the main players themselves, often moved between establishments. For example, Calvin Hine worked variously with his father and brother, with Grieve, with White, and also independently. One of White’s employees, Edward Darbey, was able to learn taxidermy and marketing from some of the best, and he used that experience to full advantage.

A taxidermized white bird on a mount.

An example of Darbey’s work, an albino crow (Corvus brachyrhynchos) now in the Manitoba Museum collection. MM 3-6-452 © Ian McCausland, Manitoba Museum.

A newspaper clipping photograph of a man in a brimless hat, jacket, and knee high boots.

Darbey himself in his field attire. Winnipeg Free Press, August 26, 1922.

The Rise of Edward Darbey, “Official Taxidermist to the Manitoba Government”

Edward Wade Darbey was born in 1872 in southern Ontario and arrived in Winnipeg with his parents in 1887. By 1892, he had become an apprentice and clerk to William Fenwick White, a well-known taxidermist and “curio” dealer on Main Street. The early 1900s saw significant upheaval on the Winnipeg taxidermy scene. The untimely deaths of long-time taxidermists George Grieve (in 1901, age 49) and William White (in 1905, age 45), along with members of the Hine family leaving Winnipeg for England, Alberta, or British Columbia, created a void – and opportunity. Edward Darbey took the taxidermied bison by the horns, as it were, and purchased Grieve’s established business. Darbey’s skill, business acumen, and ambition had him named as Manitoba’s official taxidermist, a unique position he held until his death in 1922. Darbey’s wife was equally ambitious and managed the business, using Darbey’s name and title as advertising, for several years after his passing.

A letterhead for E. W. Darbey

Darbey’s letterhead proclaiming his title as taxidermist to Manitoba’s government. Taxidermy held a different place in society at the turn of the 20th century. From the C. Hart Merriam papers, p. 426, The Bancroft Library.

Taxidermy shops as “Museums”

Until 1932, there was no provincial museum in Manitoba. Before then, taxidermy and “curio” shops assumed that role. These were filled with an intriguing assortment of mounted birds and mammals. Some also carried an array of beautiful Indigenous beadwork, leatherwork, and archaeological items. They attracted not only buying customers, but interested visitors as well. And, as noted, there were several competing taxidermy shops to browse. One proprietor, William Fenwick White (where Darbey got his start), even advertised his shop as “White’s Free Museum.” Taxidermists were also sought for their knowledge on animal behaviour, distribution, and, paradoxically, conservation.

Newspaper clipping reads, "Notice / White's Curiosity Store / Removed to 563 Main St. / Call and see the wonders in the free museum."

Newspaper clipping reads, "See the FREE MUSEUM / It is... well worth looking at, and... costs you nothing / If you are going home for Christmas or want to send your friends a souvenir of the Wild and Wooly West / White's Free Museum is the place to get it / 563 Main Street / N.B.--Japanese Goods at half prices. Buffalo Horns, Indian Relios, and Native Souvenirs, a large variety to choose from".

Newspaper clipping reading, "When in Winnipeg call at White's Free Museum / and see birds and animals peculiar to the Northwest. Double-headed calves, double-bellied pigs and other monstrosities. Silver foxes, moose, elk, antelope and mountain sheep heads, etc., etc. Buffalo Horn Spoons and Drinking cups, Bead Work, Fancy Slippers. The place to get something interesting of the country to give your friends in the east. Wanted to purchase, curios, large moose and elk heads, elk teeth, etc. All kinds of taxidermist's work done. Charges moderate. / 563 Main St., near Brunswick Hotel."

Winnipeg newspaper advertisements posted at the turn of the 20th century by William Fenwick White for his “Free Museum” of taxidermy, including two-headed calves along with more traditional mounts.  First Nations beadwork and clothing was also featured. From left to right: Winnipeg Tribune, Sept 1, 1893; Winnipeg Free Press, Dec 12, 1894 and Dec 21, 1901.

Darbey’s Taxidermy Shop and the first Manitoba Museum

Looking into a room filled with taxidermy specimens. Past a mounted elk head on the left, shelves along the backwall contain specimens like a small white seal, and a snowy owl.

It was in this social atmosphere that Darbey’s taxidermy shop became a centre for local naturalists. His rise to prominence and resultant receipt of interesting specimens added to the attraction. Ernest Thompson Seton (1860-1946), the famous Canadian/American writer and Chief Naturalist for Manitoba, visited Darbey’s shop and relied on Darbey for bird and mammal records for his books and reports. Working under Darbey were excellent preparators and collectors, like Cyril Guy Harrold, who had local, national, and international connections. By 1920, informal get-togethers had led to the formation of the Natural History Society of Manitoba. It was members of this organization that championed, and won, a dedicated space for a provincially recognized museum in 1932. Although it had humble beginnings, just a small room in the Civic Auditorium (now the Archives of Manitoba), it was the predecessor to the present Manitoba Museum. Many of the collections in our vaults and on exhibit were inherited from this earlier incarnation.

 

Image: A peek through the window of Darbey’s shop as reproduced in the Winnipeg 1920 Gallery and into an important era of Manitoba history. © Manitoba Museum.

A glass display case in the Prairies Gallery filled with a variety of taxidermized bird specimens next to an information panel titled, "Whitewater Lake - A Prairie Oasis". One of the birds on the bottom of the case is circled in yellow.

A close up on a taxidermized bird specimen on display with dark feather on its head and back, and white cheeks, throat, and belly.

A beautiful Darbey mount of a western grebe (Aechmophorus occidentalis) – circled in yellow on the left and as a closeup on the right – currently seen in the Whitewater Lake exhibit in the Prairies Gallery. Even after more than 100 years, Darbey’s work continues to have purpose and educate. © Ian McCausland, Manitoba Museum

We invite you to visit Darbey’s taxidermy shop reproduced in the Winnipeg 1920 Gallery and explore its amazing contents through the window it provides into the Winnipeg of over 100 years ago. And you can see some of Darbey’s original work in the Prairies Gallery, still drawing the eyes of intrigued visitors.

Dr. Randy Mooi

Dr. Randy Mooi

Curator of Zoology

Dr. Mooi received his Ph.D. in zoology from the University of Toronto working on the evolutionary history of coral reef fishes. Following a postdoctoral fellowship in the Division of Fishes of the Smithsonian Institution…
Meet Dr. Randy Mooi

DYK Mastodons and Mammoths

Do you know how to tell the difference between a mammoth and a mastodon? Check out their smile!

In this video Erin shows us the differences between mammoth and mastodon teeth.