The Virtuous Dandelion

The Virtuous Dandelion

On occasion I’ve met people who would ask, in reference to a plant that I was studying, “what good is it?”. I was initially somewhat baffled because I assumed that most people knew that plants are needed for an ecosystem to function properly, and that since ecosystems provide humans with clean water and air, they are important. But sadly many people view species from a complete utilitarian viewpoint, assuming that if you can’t eat it or cut it down to make furniture, it is useless and therefore expendable. One argument for the conservation of all plants is that we simply don’t know which ones may yield chemicals potentially useful to humans. What is considered a useless plant one day could be a life saver on another.

The Pacific Yew tree (Taxus brevifolia) was long considered a “weed” by foresters. In the 1960’s an extract from this species called paclitaxel was found to kill cancer cells. The drug Taxol was approved by the FDA in 1992 and is now a commonly used in the treatment of ovarian and breast cancer.

It was nice to hear that another much maligned plant, namely the common dandelion (Taraxacum officinale), is also being investigated for its anti-cancer properties (read the CBC article here). An extract from dandelion roots dug out of the lawn by graduate students at the University of Windsor was found to kill leukemia cells but not healthy cells (see details here). I find it very ironic that a plant that people have spent thousands of dollars trying to get rid of (in the process of doing so exposing themselves to potentially cancer-causing toxic chemicals) may actually hold the key to curing a form of cancer: leukemia.

Close up of a small yellow dandelion in green grass.

Chemical compounds in dandelion may help prevent disease.

A small bristly bush growing in patchy soil.

Lamb’s-quarters is an exotic weed that is edible and nutritious.

What people may not know is that dandelions have actually been used medicinally in ancient China and in Europe since at least the 11th century for its diurectic and detoxifying properties. Modern herbalists prescribe dandelion root for a variety of ailments. The dried roots are typically harvested, dried, and brewed to make a tea that tastes somewhat like coffee. Dandelion leaves are also edible and very nutritious, being especially high in vitamins A and C. You can collect the young tender leaves and throw them in a salad (just make sure they come from a lawn that hasn’t been doused with herbicides!). The roots and flowers can also be made into alcoholic beverages such as dandelion wine and root beer. Other “weedy” plants that are edible include burdock (Arctium spp.) (its roots are edible) and Lamb’s-Quarters (Chenopodium album) (it’s leaves are very nutritious). Burdock seed heads were actually the inspiration for velcro!

Ralph Waldo Emerson said that “a weed is a plant whose virtues have not yet been discovered”. It’s time for us to appreciate the virtues of weeds like the dandelion!

Dr. Diana Bizecki Robson

Dr. Diana Bizecki Robson

Curator of Botany

Dr. Bizecki Robson obtained a Master’s Degree in Plant Ecology at the University of Saskatchewan studying rare plants of the mixed grass prairies. After working as an environmental consultant and sessional lecturer…
Meet Dr. Bizecki Robson

Step 5 Birch Bark Canoe

By Kevin Brownlee, past Curator of Archaeology

 

On day 7 Myra and I awoke to another beautiful day. We decided that we would complete all the sewing, attaching the gunwale caps and final trimming but would not pitch the canoe. Grant had offered to complete this last stage after we returned to Winnipeg.

We all marvelled at the beauty of the canoe now that it has the final shape. It is amazing that in one week we could turn bark and wood into such an amazing watercraft. Clearly there is nothing “Printive” about a birch bark canoe. Grant spoke about how when Europeans arrived to North America they came from a long tradition of boat building. However Europeans found them unsuitable to the navigate the waterways of the boreal forest and quickly adopted the birch bark canoe.

A birch bark canoe on sawhorses under an open sided tent. Three individuals stand at the ends of the canoe.

Unpitched canoe 15 feet long.

Three smiling individuals posing around a birch bark canoe supported on sawhorses under an open-sided tent.

Kevin, Grant, and Myra by the our canoe.

Later that Fall on a vacation from the office I took the canoe into northern Manitoba for the inaugural launch into the clear waters of the Canadian Shield. Paddling on the lake I realized this is probably the first time in over a hundred years that anyone has paddled a birch bark canoe in the area. What an amazing gift from relatives from the south.

A birch bark canoe partially banked at the side of a body of water.

Canoe pulled up on shore.

The view over the bow of a canoe on a body of water. To the right is a rocky and treed bank.

First Paddle.

Nature Preservation = Self Preservation

Nature preservation is often seen as something that is “nice” for people to do if they can afford to as it really isn’t all that important for the survival of humanity. Increasingly though scientific research is revealing that this attitude is based on an incomplete understanding of how the world works.

For the last several years I have been studying the interactions between insect pollinators and wild plants. I’ve discovered that plants do not depend on just one pollinator; they are pollinated by multiple species of insects. In turn, these pollinating insects depend on a multitude of plant species to help them survive. The end result is an intricate web of interactions, much like a social network, where the health of the entire system depends on the health of each individual species. If any species are lost, the web becomes weakened and less resilient in the face of unusual events, like severe droughts, and climatic changes. Computer models suggest that the loss of species engaging in the most interactions (such as bees) will result in a more rapid cascade of secondary extinctions than species with fewer interactions (1).

A flower with yellow petals, slightly curling at the edges, with an orange-brown centre on which there is a black and yellow striped bee.

Bees love wild sunflowers!

Close up on a black and yellow striped bee on the orange centre of a sunflower.

Honeybees pollinate crop plants like sunflowers.

View on the bank of a wetland, with buses and small trees on the side of a body of water.

Humans are also connected to this massive pollinator web. Wild bumblebees and honeybees feed on the nectar from wild plants as well as our crop plants, like canola, blueberries, strawberries, and sunflowers to name a few. In fact, one in every three bites of our food depends on a pollinator! The economic value of these wild pollinators in the U.S. alone is estimated to be at least $3.07 billion every year (2)! Evidence suggests that the current decline in bee populations is related to pesticide exposure and the loss of native habitat (3,4). Bee colonies, weakened and stressed by lack of food from wild plants and pesticide exposure appear to be more susceptible to attack by Varroa mites (4). If pollinators die off, crop production will decrease and humanity will suffer. However, reducing pesticide use or growing food organically  can help protect pollinators (5,6). Conserving natural habitats like wild grasslands, and agricultural landscape features such as hedgerows and windbreaks, can help maintain pollinators by providing them with food and nesting areas (2,4). In this context we see that nature preservation is not really a luxury but an act of self preservation.

 

Image: Natural wetlands store water and help prevent catastrophic floods.

Measures that protect nature can also help to save human lives. Pesticides can negatively affect human health; measures that restrict or control their use are therefore of direct benefit to humans (7). Conservation of wetlands can help reduce flooding and improve air and water quality, outcomes that also help protect human health. Our species needs to protect and find ways to work with, not against, natural systems as doing so is ultimately in our own self-interest.

 

References

  1. http://www.ncbi.nlm.nih.gov/pmc/articles/PMC1691904/pdf/15615687.pdf
  2. http://nature.berkeley.edu/kremenlab/Articles/Value%20of%20Wildland%20Habitat%20for%20Supplying%20Pollination%20Services%20to%20Californian%20Agriculture.pdf
  3. http://www.ufz.de/export/data/1/22686_Potts_et_al_2010.pdf
  4. http://www.uoguelph.ca/canpolin/Publications/Poll_decline_ENG_MC3-1.pdf
  5. http://onlinelibrary.wiley.com/doi/10.1111/j.2007.0030-1299.16303.x/abstract
  6. http://www.jstor.org/discover/10.2307/4543402?uid=3739408&uid=2129&uid=2&uid=70&uid=3737720&uid=4&sid=47698832505157
  7. http://www.hartfordhospital.org/Portals/1/Images/22/PerinatalSymposium2011/Pesticides%20and%20Health%20Risks.pdf
Dr. Diana Bizecki Robson

Dr. Diana Bizecki Robson

Curator of Botany

Dr. Bizecki Robson obtained a Master’s Degree in Plant Ecology at the University of Saskatchewan studying rare plants of the mixed grass prairies. After working as an environmental consultant and sessional lecturer…
Meet Dr. Bizecki Robson

Museum Receives Funding Support for Database Upgrade

The Manitoba Museum uses a collections management database program called Cuadra STAR, licensed from Cuadra Associates, a California software company. The program is used for documenting the Museum’s permanent object collection.

The collections management work the Collections and Conservation Department does relies heavily on this database program. It is where we record all of our collection transactions, from the time an object is considered for acquisition to when it legally becomes Museum property; through its life here, any use for loan, exhibit, conservation, or research. Any information that we have about an object is contained in its STAR database record. There are more than 530,000 records to date.

Over the past year, the Manitoba Museum received grant funding from both The Winnipeg Foundation and the City of Winnipeg Museums Board to perform a technical upgrade to the program. The project focused on our inventory location system. First, our location descriptions were standardized, following discussion with and input from Curatorial staff. We were fortunate in having a summer student, partially funded by Young Canada Works, to complete the vast majority of work designing, printing and applying new labels in all our collection storage areas. She made almost 5000 labels!

A number of full height rolling storage units.

Storage units in our 6th floor collection room.

Close up on the labels of three shallow storage drawers, labelled S1, S2, and S3.

The door of a closed storage cabinet with a number of white labels reading, "Unit 22", "C6", and "51-59 / Baby Clothing".

Cabinet with location labelling.

In the meantime, consultation was underway with Cuadra Associates to determine required changes to the database. It took many months for the work to be completed. Collection Database Administrator Betty-Ann Penner liaised with Cuadra Associates staff to ensure a smooth process and minimize errors. The final product was delivered in March, and now our collection inventory location system is much improved.

The Museum’s collection database is vitally important to our mission and the work we do. It was a bit nerve-wracking during the upgrade; we had to work through glitches, but it is such a relief to have the improved system. We continue to examine our processes and look for more ways to improve our use of the database program.

The Manitoba Museum is extremely grateful for, and wishes to acknowledge the support it received from The Winnipeg Foundation Community Grants Program, and the City of Winnipeg Museums Board Special Project Grant Program. Without this funding assistance the work would not have been possible.

Anniversaries and Anthropologists

By Dr. Jamie Morton, past Curator of the Hudson’s Bay Company Museum Collection

 

The impetus for the formation of the Hudson’s Bay Company Museum Collection came from the celebrations surrounding the firm’s 250th anniversary in 1920. The HBC was keenly aware of its role in the development of Canada since 1670, and commemorated the event with a variety of special events, re-enactments, and pageants across the western and northern regions of the country. Although the HBC “Historical Exhibit” was not created in time for the 1920 celebrations, the initiative continued, and the Exhibit was opened in the Winnipeg retail store of the HBC in June 1922.

A group of Indigenous people in formal attire seated on a grassy lawn. In the distance groups of people stand in front of a multi-storey building.

A view of some of the HBC’s 250th anniversary celebrations at Lower Fort Garry, May 1920. Photo by M. Lindenberg, TMM HBC 2562.

A black and white photograph of a room set up as a museum exhibit with display cases, display tables, and artifacts mounted on the walls.

The HBC Historical Exhibit in 1922. Catalogue of the Hudson’s Bay Company’s Historical Exhibit at Winnipeg, Third Edition, 1923, 1. TMM HBC 007-208.

The object of the Hudson’s Bay Company’s Historical Exhibit at Winnipeg is to depict by means of relics, pictures, documents, models, etcetera, the history of the Hudson’s Bay Company, life in the fur trade, the story of the pioneer settlers, and the customs, dress and industries of the aboriginal tribes. (1921 approved statement, quoted in Hudson’s Bay Company, “Catalogue of Historical Relics,” 1935, 6)

 

With the cooperation of his employer, the federal Minister of Mines, Harlan I. Smith, an ethnologist at the Victoria Memorial Museum in Ottawa, travelled to Winnipeg in 1921-22 to assist in organizing the Historical Exhibit, selecting objects for display and writing text “to interest visitors.”  The Exhibit’s mandate to depict aboriginal life and culture corresponded well to Smith’s own anthropological work for the federal government.

A collection of copper coloured artifacts - a harness, yew wedge, and bark pounder.

These and the following objects were collected by Harlan I. Smith in Bella Coola. At the top is part of a climbing harness, for harvesting the inner bark of hemlock trees, in the middle is a yew wedge, used for splitting planks, and at the bottom is a bark pounder or hackler used to prepare cedar bark. TMM, HBC 1530, HBC 1531, HBC1508.

A woven sheet or bag.

Eulachon strainer, used to extract the grease from eulachon, a smelt-like fish. The eulachon grease was a valuable commodity, used as a condiment for various dried foods, such as the inner bark of the hemlock tree. TMM HBC1512.

Close up on an open-weave basket side.

Detail of an open weave spruce root basket used to transport fern roots, clams, and other foodstuffs. TMM HBC 1514.

In 1920-21, he was engaged in fieldwork among the Nuxalk and Tsilqot’in people in the Bella Coola Valley of British Columbia, focusing on the traditional uses of plant and animal materials. For his 1922 fieldwork season, Smith “kindly offered to secure for the Hudson’s Bay Historical Exhibit typical specimens of Indian work in that District.” These objects form an interesting assemblage within the HBC collection, reflecting Smith’s interest in traditional Nuxalk culture and society – objects chosen more for their functional than aesthetic value. This is enhanced by the field notes and visual records Smith obtained at the same time. A pioneer in using film in ethnology, the objects he collected for the HBC Museum Collection are complemented by the still and moving images held today in the collections of the Canadian Museum of Civilization in Ottawa. The clear provenance [information about the origin and ownership of an object] and complementary documentation transforms this small collection, assembled to represent everyday life for the Nuxalk people, into another treasure within the HBC Museum Collection.

A rack made of cedar branches.

Rack made of red cedar used to dry food such as berry cakes and fish, for preservation. TMM HBC 1504.

The Arizona-Manitoba Connection

For many Manitobans, the only connection we might have with Arizona involves a certain hockey team that left Winnipeg in 1996 for warmer climes. There are, though, other connections that involve organisms from the natural world other than coyotes as mascots!

I recently returned from a family vacation to southern Arizona where we were hoping to catch up with some of the local bird and lizard specialties, as well as enjoy the truly incredible environment that Sonoran desert has to offer.

View looking out to cacti growing on a desert vista.

What possible connection might there be between the Sonoran desert and Manitoba’s boreal forest?

Two photos side by side. On the left a small bird on a perch. On the right, a lizard on a small rock.

Rufous-crowned Sparrow (left) and Chuckwalla (right), special but expected desert denizens.

Although we were a little early because of the mid-March timing forced by the school break, we had several species of hummingbirds, and I finally managed to see roadrunner – a “jinx” bird that I had missed on previous trips.

Two photos side-by-side. On the lfet a brightly coloured bird with a red beak and on a red perch. On the right, a small fluffy headed brown bird on a branch.

Southern specialties, a Broad-billed Hummingbird (left) and an Ash-throated Flycatcher (right).

Two photos, side-by-side, of small brown birds on the ground amongst foliage.

Lincoln’s Sparrow (left) and White-crowned Sparrow (right), two species that occur in Manitoba but spend time in the Arizona desert, along with (occasionally) Manitoba Museum zoology curators.

Two photos, side-by-side. On the left, a photo of a landscape with low-growing green and brown foliage in front of evergreen trees. On the right, a hand draws aside foliage to reveal a small nest with four blue eggs.

A White-crowned Sparrow nest found in July 2008 at Nueltin Lake, Manitoba near the border with Nunavut, a long way and a very different place than the Arizona desert where they spend part of the non-breeding season. An arrow points to the well-concealed nest in subarctic scrub (left), and the nest with four eggs revealed (right).

So the Arizona/Manitoba connection runs deep on many fronts. Much as humans find a way to chase a puck in the frozen north and the Phoenix desert, our sparrows manage to raise a family in the north every summer and eke out a living in the desert in winter. But unlike the puck chasers, the sparrows haven’t decided to move down to Arizona permanently.

Dr. Randy Mooi

Dr. Randy Mooi

Curator of Zoology

Dr. Mooi received his Ph.D. in zoology from the University of Toronto working on the evolutionary history of coral reef fishes. Following a postdoctoral fellowship in the Division of Fishes of the Smithsonian Institution…
Meet Dr. Randy Mooi

Step 4 Birch Bark Canoe

By Kevin Brownlee, past Curator of Archaeology

 

On Sunday we started to insert the planking and ribs into the canoe. We started at the end and worked towards the middle. The pairs of ribs are for either end, keeping the shape identical front to back. A finished birch bark canoe can technically be paddled with either end as the stern or bow. We decided to use two different colours of spruce roots at each end to differentiate, the bow we used light spruce roots and the stern we used dark spruce roots. All photos in this blog are the property of Kevin Brownlee (personal collection).

A partially constructed birchbark canoe, with an individual placing planking along the base of the canoe.

Grant places the cedar planking in the canoe before the ribs are added.

A hand reaches into frame holding a tick stick of iron wood as a mallet to place the ribs in the base of the canoe.

Grant hammers in a rib with an iron wood mallet.

Looking down a birchbark canoe under an open-sided tent. Ribs are placed along half of the canoe so far. At the far end an individual rests in a lawn chair.

Starting to add the ribs on the other side. Notice half of the ribs are already in place.

It was truly amazing watching Grant hammer in the ribs. Each was measured, cut to length, the end was tapered and then it was hammered into place. The tension put on the bark as the ribs were inserted is amazing and the canoe truly takes form.

The last rib is in the very middle and the wood was drenched with hot water to help the wood bend. It looks like the rib should break and then it slips into place.

A hand reaches into frame holding a tick stick of iron wood as a mallet to place the final rib in the base of the canoe.

Bending and installing the last rib.

Hands reach into frame holding a small saucepot and pouring water onto the exterior end of a birchbark canoe.

Bending the out wales with hot water.

Hands reach into frame stitching with thick material closing the edge end of a canoe.

Stiching up the out wales.

The Winnipeg Tribune “Gargoyles”

“Gargoyle” is a popular term for whimsical statues of odd looking beings attached to the top of old buildings. The museum was offered a gargoyle in 2011 that originated in Winnipeg, and after some further research I found that we had another gargoyle from the same structure, the Tribune Building. The Winnipeg Tribune was an influential city newspaper that was founded in 1890 and closed in 1980. In 1913 a new building for the newspaper company was constructed at 257 Smith St. by architect John D. Atchison, and it was decorated with 14 gargoyles. They were removed from the building in 1969 during renovations and sold to newspaper employees. At that time The Manitoba Museum received one of the statues from the Tribune – “The Printer”. This figure holds an archaic miniature printing press and grasps the handles, turning the screw and applying pressure to the paper held between two plates.

A terra-cotta figure holds an archaic miniature printing press and grasps the handles.

“The Printer”.

Terra-cotta figure sitting perched on something, holding scissors in one hand and a sheet of paper in another.

“The City Editor”.

Each of the 14 gargoyles was unique, holding tools symbolic of the newspaper trade. They were dressed in medieval clothing, their bodies contorted, stunted, and muscular. Even their faces were quite expressive. The terra cotta figures themselves were not carved out of stone but moulded with clay. They were posed in such a way that they leaned over passersby on the sidewalks six storeys below. Each figure was only two feet high, and I wonder if anyone ever really noticed them, but there they sat for almost 70 years jeering at innocent pedestrians.

The second and most recent gargoyle to join our collection is “The City Editor”, donated by Helen Leeds. This figure almost carelessly holds a pair of scissors in one hand and a sheet of paper in the other. Overall, the expression and pose seem somewhat casual.

Although such figures are popularly known as “gargoyles”, that term technically only refers to statues that act as water spouts, helping to protect the architecture by taking the rainwater and spewing it far from the building. The word “gargoyle” comes from the French gargouille, meaning “throat” (think “gargle”). Our Tribune statues would more correctly be referred to as “grotesques” – decorative exterior figures that indulge in caricature or absurdity.

One mystery remains. It is not known (yet) who sculpted these strange and symbolic creatures. I’ll post this on the blog as soon as I find out…

Dr. Roland Sawatzky

Dr. Roland Sawatzky

Curator of History

Roland Sawatzky joined The Manitoba Museum in 2011. He received his B.A. in Anthropology from the University of Winnipeg, M.A. in Anthropology from the University of South Carolina, and Ph.D. in Archaeology…
Meet Dr. Roland Sawatzky

The Bluebird of Halfiness?

A recent web-based discussion about the identification of an odd-coloured bluebird reminded me of a similar odd bluebird in the Museum collections. There are three bluebird species in North America: Eastern, Western, and Mountain. Contrary to what one might expect from their names, Manitoba is home to the Eastern and Mountain Bluebird, the Western being found in Canada only on the other side of the Rockies from us.

Three illustrations side-by-side of different species of bluebirds.

Males and females have different plumages in each species, but at least the males of all three species are quite easy to tell apart when the birds follow the rules and look like the picture in the book (or on the App, as the case may be!) and live where the maps say they must. But, as with so many organisms, variation is the rule, and sometimes things just don’t look quite as they should or show up where they should. That’s why so many people are interested in looking at birds (or insects, or almost any natural organism); they are endlessly varied and can sometimes make unexpected appearances.

 

Image: As early as John James Audubon, the famous 19th century wildlife artist, three species of bluebirds were recognized. Left, Eastern Bluebird, middle top right, Mountain Bluebird (Arctic Bluebird to Audubon), and right, Western Bluebird.

What does this have to do with Museum collections? Because of that amazing variation, the specimens held in a museum are very useful for comparison and the museum collections themselves are a good place to deposit unusual specimens that might need a harder look later. Bluebirds are a good case in point. In the late 1960’s, an ardent bluebird worker in Manitoba, John Lane, found a very strange-looking male bird at one of his nest boxes. Its coloration suggested a hybrid between an Eastern and a Mountain Bluebird. Hybrids among bluebirds were not known at this time, and this was rare enough that he got in contact with the Museum and the unusual step was taken to collect the apparent hybrid, its Mountain Bluebird mate, and raise the young in captivity (for more details, see an article by John Lane in The Blue Jay, 1969, pages 18-21).

The hybrid male bird is certainly strangely-coloured. It has the quality of blue of an Eastern Bluebird, but rather than the typical rusty-orange throat and breast of this species, these areas are mostly blue, similar to the pattern of a male Mountain Bluebird. There are, however, some dashes of reddish mixed in. A look at the back shows the difference in blue colour of the Mountain Bluebird and the possible hybrid and Eastern birds.

Three bird specimens, preserved in a repose pose, with their wings at their sides and bellies up.

A ventral (belly) view of: top, Mountain Bluebird (Sialia currucoides) (MM 1.2-898); middle, possible hybrid (MM 1.2-2486); bottom, Eastern Bluebird (S. sialis) (MM 1.2-1385). Note the blue throat of the possible hybrid with some rusty spots on the breast, and that it is intermediate in size.

Three bird specimens, preserved in a repose pose, with their wings at their sides and backs facing up.

Dorsal (back) view of the same birds as the previous image with Mountain Bluebird above, hybrid middle, and Eastern Bluebird below. Note the quality of the blue is similar between the two lower specimens. Also note that the length of the wings and tail of the possible hybrid are intermediate.

The bluebird species also vary in size, although with overlap. Once the potential hybrid was at the Museum, measurements could be made to see where it might fit. As an example, wing length (measured officially as ‘wing chord’) for male Easterns ranges from 95-105 mm and for male Mountains ranges from 108-121 mm. The hybrid’s wing length, at 104.5 mm is at the high end of Eastern, but nowhere near the Mountain Bluebird size range. This same pattern holds for other measurements.

One possibility not considered by Lane is that the odd-coloured bluebird might be a hybrid of Western and Mountain. Western Bluebirds have a blue throat with an orange breast, and are slightly larger than Eastern Bluebirds, making the measurements fit that species. The blue breast of the hybrid would be the possible Mountain parent contribution. One issue with this is that Western Bluebirds usually have a rusty-orange patch on their shoulder or back, absent on the possible hybrid.

There is one more way that the hybridization question might be resolved with the Museum specimen. Dried skins, like these birds, can provide samples of DNA, the molecules that are the instructions for building and operating living things. Just as human DNA samples can identify a particular person or determine to whom they are related, animal DNA can be used to identify parentage. Perhaps a biologist interested in bluebirds will one day run a sample of DNA and help to solve which species might have hybridized to make our strange specimen.

But without the specimen in a museum collection, we would never have the chance to check.

Dr. Randy Mooi

Dr. Randy Mooi

Curator of Zoology

Dr. Mooi received his Ph.D. in zoology from the University of Toronto working on the evolutionary history of coral reef fishes. Following a postdoctoral fellowship in the Division of Fishes of the Smithsonian Institution…
Meet Dr. Randy Mooi

More Pictures of Canoe Building

By Kevin Brownlee, past Curator of Archaeology

Two individuals working together to bend a strip of wood into a rough, wide horseshoe shape.

Canoe ribs being bent into shape Grant and Myra.

Close up on the joint of a canoe frame.

Assembling the wood frame.

An individual splitting one of three pieces of wood coming together out of the right edge of frame.

Splitting cedar stem piece.