What inspired Clarence Tillenius?

What inspired Clarence Tillenius?

The recent passing of Clarence Tillenius brings into focus his many influences here at The Manitoba Museum. He was the creator of The Manitoba Museum’s largest dioramas, as well as a comprehensive collection of paintings and sketches. His vision of art and nature, which spanned over 75 years, indicates a persistent dedication to the life of animals and their habitats. What inspired him? Perhaps it was simply the beauty of landscapes: when I look at his paintings, well-liked by many audiences, I see a great respect for wildlife and the use of art as drama. And certainly, there is no lack of drama in nature. But as I looked more deeply into our files I found a quote from Mr. Tillenius that sheds light on his purpose.

Diorama of two pronghorns standing amongst drought-tolerant grasses, low shrubs and herbs in a coulee with a painted mixed-grass prairie backdrop.

Mr. Tillenius was born in 1913 and raised in the Interlake region of Manitoba, which had only recently been settled by European newcomer farmers. Their presence took a toll on the region’s wildlife.

As Clarence wrote, “But while I was growing up, moose, elk, wolves and bears were being destroyed, wiped out by the settler’s ready rifle, leaving only nostalgic memories of the days when their numbers were such that no one thought they could ever disappear. So while I was young, I learned that much of the fascinating world of wildlife will always be doomed to disappear with the coming of settlement by man. I grieved that it must be so, and was determined to paint pictures that would convey what I felt about this wonderful world which I believed was slipping away.”

 

Image: Pronghorn Diorama by Clarence Tillenius. Grasslands Gallery, The Manitoba Museum.

I sense a note of resignation in this quote, but also the need to observe, record and dramatize. While Clarence “grieved that it must be so”, he acted through art to create works that would inspire younger generations. Environmental groups, schools, scientists, and museums have coalesced over the decades to create not only an appreciation of nature, but a way forward to protect Canada’s wilderness.

Dr. Roland Sawatzky

Dr. Roland Sawatzky

Curator of History

Roland Sawatzky joined The Manitoba Museum in 2011. He received his B.A. in Anthropology from the University of Winnipeg, M.A. in Anthropology from the University of South Carolina, and Ph.D. in Archaeology…
Meet Dr. Roland Sawatzky

Pallas Bugseed Possibly Extirpated in Manitoba

For the last two years I have been searching for four species of rare Bugseed (Corispermum spp.) plants. Historically these plants were found in sand dunes and along the beaches of Lakes Winnipeg and Manitoba. Unfortunately there were very few recently collected specimens; most had been collected over 40 years ago. Attempts to determine the rarity status of these plants were hampered due to this lack of information.

During my field work I relocated fewer than half of the historical populations of Bugseeds indicating a substantial loss of habitat. In some cases, dune stabilization appears to have resulted in the loss of habitat for these species, which grow in bare sand. Flooding along the Red River and on Lakes Manitoba and Winnipeg in 2010 and 2011 may have also caused the loss of habitat as several historical populations had been previously found on the beaches, dunes and sandbars along the south shore of these lakes. Balancing out the losses a bit was the discovery of seven new localities in the province including a very large population of Hairy Bugseed (C. villosum) in the sand dunes in Grand Beach Provincial Park.

A series of sand dunes with grass growing at the tops. A body of water is partially visible in the distance beyond the dunes.

A new population of Hairy Bugseed was discovered at Grand Beach!

A dried herbarium specimen of Pallas Bugseed with specimen details in the bottom right of the base paper.

Pallas Bugseed has not been seen in Manitoba in over 60 years!

Unfortunately, I could not locate any Pallas Bugseed (C. pallasii) at the three sites where it was historically found although I did find some American Bugseed (C. americanum) at two of the sites. Pallas Bugseed is still present in other Canadian provinces so it is not extirpated in the country. It is possible that this species spread into Manitoba from other provinces where it is native along railways and then subsequently disappeared as more hardy weeds took over the habitat. As the seeds of these species are quite long lived and tolerant of burial, Pallas Bugseed may still be here in the province, hiding in the soil and waiting for the right conditions to germinate.

Dr. Diana Bizecki Robson

Dr. Diana Bizecki Robson

Curator of Botany

Dr. Bizecki Robson obtained a Master’s Degree in Plant Ecology at the University of Saskatchewan studying rare plants of the mixed grass prairies. After working as an environmental consultant and sessional lecturer…
Meet Dr. Bizecki Robson

Holding it Together

The Canadian Conservation Institute (CCI) is part of the federal Department of Canadian Heritage, created to promote the preservation of Canada’s cultural heritage. Every two to three years, CCI develops and hosts in Ottawa a symposium on a conservation topic.

For a week in October conservator Lisa May attended Symposium 2011 – Adhesives and Consolidants for Conservation: Research and Applications.

Internationally attended, the symposium covered the newest research, techniques and products for a wide range of adhesives and consolidants used in conservation. Papers and posters addressed use of these products on virtually every type of material that conservators encounter.

A dedicated poster session and generous breaks allowed for opportunity to speak to the presenters as well as mingle with the over 200 participants. In addition, one afternoon was dedicated to tours of Ottawa institutions.

The last day of the symposium was at CCI where the paper authors, as well as other conservators and scientists working at CCI, demonstrated their new research, techniques, and applications. There were over 30 participants presenting 25 minute demonstrations, with each offered four to five times during the day to accommodate all those in attendance. -Lisa May

The opportunity to attend this symposium has allowed for Lisa to return with new contacts and up-to-date information we will use in conservation treatments. In particular, there are some Natural History specimens awaiting our attention, about which she gleaned pertinent suggestions on materials and techniques. Below are three photos Lisa took during the demonstration day.

Six sheets of paper, the top three darkens to cream, and the bottom three white. All have various tape samples on them.

Original and oven aged self-adhesive tapes and labels samples.

Close up on somebody's hand as they repair a torn parchment.

Repairing a parchment tear with gelatine and goldbeater’s skin.

A small container with pieces of newspaper next to three red leaves. Both types of objects have charred edges.

Parylene coated newspapers and leaves.

Musing About Macoun

Today I got to study a plant specimen that had been collected 100 years before I was born in 1872 by one of the most famous Canadian botanists, Dr. John Macoun. Dr. Macoun accompanied the engineer Sanford Fleming to look for a railroad route through the Canadian west and determine the area’s agricultural potential. Macoun collected thousands of plant and animal specimens on his journeys, which involved travelling either by horse or canoe. He collected over 100,000 plants in his lifetime including over 1,000 that were new to science. In total 48 new species were named after him, including Macoun’s buttercup (Ranunuculus macounii).

Touching Macoun’s handwritten label made me wonder what western Canada looked like back then. Just acres and acres of grasses and fragrant wildflowers, and thousands of birds, antelope and deer I imagine. Or maybe it just felt big and empty and utterly overwhelming.

Looking down a railway track with grassy banks on either side.

Macoun and Fleming were trying to determine the route for the western railroad.

Rolling grassy banks with occasional trees at the edges.

Macoun travelled along the Carlton trail through the Brandon Sand Hills.

A stringy plant with small green leaves growing in a sand dune.

I can’t imagine the difficulties he encountered trying to do his field work.  Lugging everything you would need for months on pack animals or wagons must have been difficult to manage.  Being a scientist, he also had to protect his plant press full of specimens from insects and moisture, water being a botanists’ greatest enemy.  Many a brave explorer had his precious specimens go completely moldy.  The botanist David Douglas ended up eating part of his plant collection so he wouldn’t starve to death!  The field work that I do is posh in comparison; I drive on paved or gravel roads and usually stay in hotels or cabins!  Furthermore I don’t have a whole chapter at the end of my reports recounting the loss of life that occurred during the field work.  Sanford Fleming’s “Report of progress on the explorations and surveys up to January 1874” contains such a chapter recounting the loss of 19 men during his survey: seven died in a forest fire, four drowned while canoeing the Ottawa River and eight died in a steamer wreck on a shoal!

 

Image: Dr. Macoun collected a specimen of Hairy Bugseed in 1872 that I have been studying.

I also mused about the end result of his journeys. Macoun’s report on the fertility of the prairies convinced Canada to send immigrant farmers to this land. How would he have felt knowing that his report paved the way for the almost complete destruction of the grassland that he had wandered on? That plants and animals that had once numbered in the billions would be reduced to mere handfuls less than a century after his arrival? Perhaps it would have made him happy, knowing that the land was settled with European farmers and ranchers. But I suspect that that happiness would be mingled with at least some regret that no one would ever again experience the wild west as he had.

Dr. Diana Bizecki Robson

Dr. Diana Bizecki Robson

Curator of Botany

Dr. Bizecki Robson obtained a Master’s Degree in Plant Ecology at the University of Saskatchewan studying rare plants of the mixed grass prairies. After working as an environmental consultant and sessional lecturer…
Meet Dr. Bizecki Robson

New Safety Lines Will Allow Staff to Inspect Nonsuch Rigging

Look up, way up… at the dust on the Nonsuch’s rigging and spars. Museum staff have not been able to climb the ship rigging since Manitoba Workplace Safety and Health regulations were amended several years ago. In order to address the stricter requirements, steel safety cables were installed in the Nonsuch Gallery two years ago. However, they turned out to be less usable than we hoped.

As part of a Conservation Assessment, the Nonsuch was examined by a team including conservation consultants and a ship rigger. One of the recommendations from the assessment was to switch to rope safety lines, for reasons relating to ease of use during climbing. Another recommendation was to add more safety lines, at different spots on the gallery ceiling.

A coil of cream rope on a wooden notch. In the front there's a steel safety line.

A view of one of the original steel safety lines.

View up into the ratlines and sails of a wooden sailing vessel in an indoor gallery. In the darkness above, the base of a temporary platform can be seen

Dropping a plumbline from temporary platform at ceiling.

The new locations were confirmed, the anchors installed and new synthetic rope safety lines attached. The last task remaining is to do a Risk Assessment and Job Hazard Analysis. After that, we’ll be able to once again climb in the rigging, to do some much-needed cleaning of the lines and sails. Because it’s been several years, we need to plan how best to attack the dust.

View up into the ratlines and sails of a wooden sailing vessel in an indoor gallery.

From a distance, the safety lines blend in fairly well.

Several coils of rope around notches on a ship's deck. One of the rope's is a more blue-white colour than the others

Close up, they do stand out. I think we’ll move this one somewhere less visible.

The Nonsuch is an unusual thing: a full-sized ship replica, with working rigging, in an indoor setting. There are few other museum ships like it. Although it is an artifact, it is important to keep the rigging at least in working order. Similar to some artifacts in science museums, keeping moving parts static will contribute to their deterioration – ropes will get stiff and develop kinks, making their movement harder and harder, and affecting other parts such as the blocks the lines run through. Keeping the Nonsuch “shipshape” requires regular cleaning and maintenance; soon, one part of that work will be resumed.

Colours of Lichens

On October 28 a new natural history exhibit on the Colours in Nature will open in the Museum’s Discovery Room. Organisms and minerals representing all the colours of the rainbow will be on display. Unfortunately no flowering plant specimens will be displayed (only photographs) because, unfortunately, most of the plants in our collection represent only one colour: brown. If the exhibit was on the colour brown in nature, boy would I have a lot stuff to show!

The plants weren’t always brown of course. Before they were collected the leaves were bright green and the flowers hot pink, yellow, orange, and purple. Sadly the drying process almost always results in the loss of at least some colour. Age doesn’t help matters either, the older a plant is, the browner it gets.

Close-up on a cluster of small mushrooms with bulbous, waxy red caps.

British Soldier lichens have distinct red caps.

Textured orange lichen growing alongside smooth silvery lichen on a branch.

Gold-eye lichens are becoming rare because they are sensitive to air pollution.

Patches of green, yellow, and silvery lichen growing on a tree trunk.

The specimens from the Botany collection that ARE on display are fungi, lichens in particular. Lichens are a fascinating group of organisms. They consist of tiny algae or cyanobacteria (the photobiont) living inside the tissue of a fungus (the mycobiont). The relationship is, for the most part, mutually beneficial with the algae photosynthesizing and providing carbohydrates to the fungus and the fungus protecting the algae. This symbiosis enables both organisms to live in harsh environments where they probably couldn’t live independently (like on rock). Some lichens living in really harsh environments (like the Antarctic) are cryptoendoliths, meaning that they live inside the rock, penetrating the tiny spaces in between granite and marble crystals. In fact, some scientists think that if we find life on Mars it may be inside the rocks!

 

Image: Green, yellow and silvery lichens are common on oak trees.

In some lichens the colour of the green algae inside the fungus shows through, especially when wet. If the lichen dries out, it may look grey or brown. Other lichens produce brightly coloured pigments like the brilliant yellow pulvinic acid or the reddish anthraquinones. Why lichens produce these chemicals is still a bit of a mystery but one of the best hypotheses is that they act as algal sunscreen, protecting the sensitive algae from harmful UV radiation in sunny habitats. For this reason, the brightest lichens in Manitoba can be found on the tundra in the far north as well as on rocks in the grasslands.

Vibrant green, low-growing lichen with algae growing inside.

The green colour of the algae inside this Cladonia lichen shows through when wet.

Yellow lichen growing on branches near the ground.

Powdered sunshine lichens were traditionally used as a source of yellow dye.

So if I’ve piqued your curiosity, come on down to the Museum to see our collection of brightly coloured lichens (and minerals and brightly coloured birds and butterflies too).

Dr. Diana Bizecki Robson

Dr. Diana Bizecki Robson

Curator of Botany

Dr. Bizecki Robson obtained a Master’s Degree in Plant Ecology at the University of Saskatchewan studying rare plants of the mixed grass prairies. After working as an environmental consultant and sessional lecturer…
Meet Dr. Bizecki Robson

The Birch Bark Canoe Step 2

By Kevin Brownlee, past Curator of Archaeology

 

I woke up at 6:00 am to get a good start on the day. Grant was already up and we decided to get out to the spruce bog early to gather roots. We needed to gather 250 feet of roots to make 500 feet of finished split roots. The estimate was 5 feet of roots for each rib, 40 ribs require 200 feet and the seams to be sewn would require the other 50 feet.

The bog was relatively dry and the moss was like a thick mattress over the spruce roots. Digging spruce roots does not hurt the trees.  The bog where we gathered the roots has been used by Grant for many years and the trees are very healthy. After a few hours we gathered 250 feet of roots and we headed back to Grant and Christy’s place to prepare the roots.

All photographs from this entry are the property of Kevin Brownlee (personal collection)

An individual in the brush and bog at the base of a grove of spruce trees.

Grant digging roots.

 

Three individuals working together to wrap and roll a large bundle of red-brown roots.

Grant Jim and Kevin rolling up 250 feet of roots.

A smiling bearded man wearing a flat cap holding a bushel of wrapped red-brown roots.

Grant with full roll of roots 250 feet in length.

The roots were boiled to speed up the peeling process, once they boiled for an hour Myra and I began to peal and split the roots.

A smiling individual in a baseball cap holding a coil of red-brown roots in a metal tub of steaming water.

Kevin with pot of boiling spruce roots.

Two smiling individuals seated in folding chairs in a clearing surrounded by trees. Both hold coils of roots.

Kevin and Myra pealing spruce roots.

Jim and Grant made the building frame and started to prepare the bark. Only two sheets of birch bark were used to make the canoe. Once the sheets were cut to match each other and the building frame was placed over top weighted down with cinder blocks. The bark was cut from the outer edge to the building frame (called gores) to allow the bark to form fit the canoe shape. The bark was then folded up and held in place by wooden stakes.

Two individuals under an open-sided tent, laying out stretches of birchbark on makeshift tables of plywood across saw horses.

The wooden frame of a canoe laid on a sheet of birch bark beneath and open-sided tent in a wooden area.

Grant with canoe building frame on top of bark.

A group of coiled beige roots in a metal bucket.

Pealed and split spruce roots ready for sewing.

We finished pealing the roots and splitting them before the end of the day and Grant started making the inner gunwales, outer gunwales and gunwale caps. While we made great progress on the canoe in one day of work it was far from looking like a canoe.

When is a Human Like a Bison?

A lot of conservation initiatives around the world involve fencing off areas to “protect” the wild species contained within. Although that strategy can work well in ecosystems that are rarely disturbed, like tropical rainforests, it doesn’t work as well in ecosystems that evolved with natural disturbances. North American prairies used to contain migratory herbivores (e.g. bison, antelope) that consumed large quantities of the vegetation. Bison are unique in that they also engaged in extensive wallowing activities, creating permanent bowl-shaped depressions on the landscape. Old journal entries from some of the first European explorers describe bison herds as taking days to pass and leaving huge swaths of trampled and disturbed soil in their wake. Wild fires following drought and lightning strikes were also common. Native annual plants like ragweed, goosefoot, and bugseeds were likely adapted to colonize these disturbed areas.

A bison among a herd in prairie landscape.

Some human activities mimic those of bison.

Close up of a low-growing patch of buffalograss.

Buffalograss benefits from heavy grazing.

Nowadays certain human-related disturbances mimic those of the bison. Cattle grazing is somewhat similar to bison grazing and is likely responsible for the continued persistent of the rare Buffalograss (Buchloe dactyloides) in the Souris River valley. Without grazing, Buffalograss would likely be outcompeted by taller grasses and exotic weeds.

In sand dune habitats, where I was doing field work last week, I found rare plants like Bugseeds (Corispermum sp.), Hairy Prairie Clover (Dalea villosa), Winged Pigweed (Cycloloma atriplicifolium) and Bearded Nut-sedge (Cyperus squarrosus) growing on the sandy edges of gravel roads, on fire guards, in sand pits, and on beach dunes where the feet of many a bikini-clad pedestrian had trodden. Clearly certain human activities can help provide habitat for these rare annuals, acting if you will as substitutes for wild bison.

 

Image: Trampling by humans may help create habitat for rare bugseed plants at Grand Beach.

Although a moderate amount of disturbance is necessary to create the habitat these rare plants need, too much disturbance is a bad thing. I was unable to relocate some of the historical populations of bugseeds because the areas where they had grown in the past were now heavily impacted by humans and our machinery, being dominated by weeds introduced to Canada from Europe and Asia. Clearly, finding the right balance of disturbance, not too much and not too little, is important for the conservation of certain rare plants.

Sand dunes, edged by trees, next to a gravel road on the lower right corner of the frame.

Dune cutaways along roadsides in sandy areas provide habitat for rare bugseed plants.

A small spikey plant growing in sandy ground.

Bearded nutsedge grows on bare sand.

The observation that disturbances are sometimes beneficial has led many scientists to conclude that both controlled burns and the re-introduction of bison (or the tolerance of cattle grazing) is essential for the conservation of prairie habitats. Sand dunes are in particular need of disturbance as nearly a quarter of the rare species on Canada’s endangered species list are restricted to open or lightly vegetated sand dunes. Less than 1% of the sand dune ecosystems in the prairies consist of open dunes. So ironically, protecting a species may mean tolerating and even facilitating a little bit of what appears to be destruction.

 

Image: Winged pigweed grows on natural sand dunes and on fireguards at CFB Shilo.

Dr. Diana Bizecki Robson

Dr. Diana Bizecki Robson

Curator of Botany

Dr. Bizecki Robson obtained a Master’s Degree in Plant Ecology at the University of Saskatchewan studying rare plants of the mixed grass prairies. After working as an environmental consultant and sessional lecturer…
Meet Dr. Bizecki Robson

Bright Fireball Seen Across Southern Manitoba

On August 23 at about 9:35 pm, a bright fireball was seen across southern Manitoba and several U.S. States. We are collecting reports of the object to determine where it came from and also where any pieces might have landed. If you say this object, please email us at skyinfo@manitobamuseum.ca with the details.

Please include the following information:

  • Where you were when you saw it;
  • The direction you were facing when you first saw it;
  • Whether the object was moving left-to-right, right-to-left, or up-and-down, and at what angle
  • How high above the horizon it was – use the degree scale, where 0 is the horizon, 90 is straight overhead. So, halfway up the sky is 45 degrees, a third of the way up from the horizon is 30 degrees, etc.
  • Any other details – colour, sound, how long you saw it for, etc.

Your reports can help us track down this object, which was probably a small asteroid burning up in the atmosphere.

Scott Young

Scott Young

Planetarium Astronomer

Scott is the Planetarium Astronomer at the Manitoba Museum, developing astronomy and science programs. He has been an informal science educator for thirty years, working in the planetarium and science centre field both at The Manitoba Museum and also at the Alice G. Wallace Planetarium in Fitchburg, Massachusetts. Scott is an active amateur astronomer and a past-President of the Royal Astronomical Society of Canada.

Museum Mystery: Who was Lizzie Crawford?

While examining the backlog of uncatalogued plants in my lab I came across a very old and intriguing collection: 28 vascular plants from Ungava, Labrador collected in 1876 by a Mrs. Lizzie Crawford. Immediately my curiosity was aroused. Who was this mysterious woman? Why was she collecting plants in Canada’s north so long ago? How on earth did her specimens end up at the Manitoba Museum? Clearly figuring all this out was going to require some serious detective work.

By examining the collection I was able to come to some conclusions about who Mrs. Crawford was and what she was like. First, she was clearly an educated woman as she was both literate (her penmanship is lovely) and able to correctly identify the scientific (Latin) names of the plants she collected. Second, she had access to natural history books and enough leisure time to engage in a hobby, suggesting that her family was somewhat well-off. Third, she was a nature lover and probably a bit of an adventurer. She described the habitat of one plant as being “amongst moss in swamps” so she was probably willing to hike in inhospitable places in search of interesting plants. I surmised that she was probably from an upper-middle class family and that her presence in Labrador was most likely as a visitor or temporary resident. Although her husband was of Scottish ancestry, she is not necessarily Scottish as her maiden name was not indicated.

Seven pressed plant specimens.

Some of Lizzie Crawford’s pressed plants from Labrador.

A pressed plant specimen with handwritten details written on the paper below it.

A specimen of swamp cranberry collected “amongst moss in swamps”.

Next I needed to know a little bit more about the history of Labrador. What kinds of people were living in northern Labrador in 1876? I began searching history publications for information about Scottish immigrants. I determined that there were three likely professions for Mrs. Crawford’s husband: missionary, merchant, or employee of the Hudson’s Bay Company (HBC). I decided to explore the HBC archives since a link to this company might explain how the specimens ended up in Manitoba.

A pressed plant specimen with handwritten details written on the paper below it.

I quickly hit the jackpot: a Robert Crawford had worked for the HBC from 1854-1877, mainly at various forts in Ontario. However, from 1875-1877 he worked at Fort Chimo in the Ungava district of what is now Labrador! This couldn’t be a coincidence; I was sure I had found Lizzie’s husband. I hit a snag however as the Record of Employment (ROE) indicated that his wife was named Mary. Fortunately, there was a question mark after the “Mary(?)” indicating some uncertainty. Maybe the record of employment was wrong. I decided to search Ontario’s marriage records as the ROE indicated that Mr. Crawford’s wife’s family was from Brockville, Ontario. I was able to determine that Robert Crawford married an Elizabeth Miles in 1863. Victory! I was right! I felt like dancing. In fact, I think I did.

 

Image: A faded but beautiful cloudberry specimen.

A pressed plant specimen with handwritten details written on the paper below it.

Armed with her maiden name I was able to determine that her father also worked for the HBC and was no other than Robert Seaborn Miles, an Englishman who rose to the position of Chief Factor. Her mother was Elizabeth “Betsey” Sinclair who had at one time been the “country wife” of Sir George Simpson, Governor-in-Chief of Rupert’s Land from 1821 to 1860. Country wives were the First Nations or Metis common-law wives of fur traders. In fact, Lizzie had a half sister, named Maria, who had been fathered by Sir George. In another interesting twist, one of Lizzie Crawford’s aunts was Mary (Sinclair) Inkster, wife of John Inkster. The Inkster’s home and general store was one of the first residences in Winnipeg and has been preserved as the Seven Oaks House Museum on Rupertsland Blvd. Therefore, anyone who is related to John and Mary are distant cousins of Lizzie Crawford.

 

Image: The butterwort (Pinguicula vulgaris) specimen collected by Lizzie Crawford.

So how did the specimens end up at the Manitoba Museum? I needed to track the Crawfords movements after Mr. Crawford retired from the HBC in 1878. Using the internet I was able to find enough documents to piece some of the puzzle together. The Crawfords moved to Indian Head (now part of Saskatchewan) in 1882 to open a general store and Mr. Crawford entered politics, becoming a member of the first council of the Northwest Territories from 1886-1888. During this time the Crawfords may have been involved in the Manitoba Historical and Scientific Society (MHSS), which established in 1879. I suspect that the 28 specimens that I have were given to the MHSS directly by the Crawfords or by their daughter Maggie, eventually ending up here at the Museum. Additional specimens of Mrs. Crawford ended up in herbaria at the University of Montreal and the Canadian Museum of Nature. In fact, Dr. John Macoun (the naturalist with the Geological Survey of Canada), mentioned one of her specimens (Pinguicula vulgaris) in his list of the flora of Labrador in the book “Labrador Coast: A journal of two summer cruises to that region” by A. S. Packard in 1891.

It would be wonderful to find some of Lizzie’s descendants to show them her specimens and also see if they have any old journals, books, letters, or diaries that would tell me more about Lizzie’s collecting activities and why she was interested in natural history. If you are somehow related to Lizzie or Robert Crawford please feel free to get in touch with me as this Museum mystery is still not fully solved.

Dr. Diana Bizecki Robson

Dr. Diana Bizecki Robson

Curator of Botany

Dr. Bizecki Robson obtained a Master’s Degree in Plant Ecology at the University of Saskatchewan studying rare plants of the mixed grass prairies. After working as an environmental consultant and sessional lecturer…
Meet Dr. Bizecki Robson