Fireballs over Winnipeg

Fireballs over Winnipeg

Over the past week we have had dozens of reports of green fireballs over Manitoba. Here’s the typical description: A flaming object, greenish in colour, flashing into existence and flying in a straight line towards the horizon. Perhaps it explodes; perhaps it heads behind some trees or buildings and disappears. It’s usually visible for only a few seconds, leaving many viewers wondering if they even saw it or imagined it. It usually looks like it is very close overhead, or came to earth just behind the trees nearby.

These are well-known objects, although we seem to be getting a lot of them lately. Called bolides, they are basically large versions of meteors (which are commonly called “shooting stars” or “falling stars”). They are dying gasp of a small piece of rock that has been in space since before the Earth itself was formed.

Back in the day, about 4.6 billion years ago, the solar system itself was just forming from a slowly-spinning disk of gas and dust. Most of the materials went to form the Sun; most of the rest formed the planets. All that was left were tiny pieces of dust and rock, scattered throughout the solar system, orbiting the sun in oval-shaped orbits that carried them across the solar system. Eventually, they crash into a planet, like the Earth as an example.

When a piece of this cosmic dust crashes into earth, there is no danger to us – Earth is significantly larger than a piece of dust, and so we win this particular collision. The dust hits our atmosphere at orbital speeds, without the benefit of the heat shields we put on our returning spacecraft. The friction with the air heats the dust and surrounding air so quickly that the air itself glows in a long trail which marks the dust’s demise. Many kilometers below, we can see the streak of light as a meteor. This happens all the time – if you go outside on a dark, moonless night away from city lights, on average you will see a half-dozen meteors per hour. If the piece of material is bigger – say the size of a grapefruit – it makes a much bigger flash. It may survive long enough to get to the deeper layers of our atmosphere, where it explodes in a bright flash. These are much rarer – you are lucky to see one or two of these in your lifetime, since larger pieces of rock in space are (thankfully) much rarer than dust-sized specks.

Every so often, a comet can go by and leave a big trail of dust in the Earth’s path – a cosmic dustbunny in space. When the Earth goes through this cloud of cometary dust, we can get a lot of meteors in a short period of time – a meteor shower. Meteor showers usually produce a few meteors per hour, with the more active ones producing a few dozen per hour – much more than the average, but still the sort of thing you have to be looking for to see.

It so happens that right now, we are just coming off of the annual Leonid meteor shower – a relatively weak shower that can produce a dozen or so meteors an hour in most years. This is the source of many of the meteors seen over the last week – the bright green fireballs are larger pieces of the cometary dust that Earth encounters at this time of year.

Alas, none of these fireballs are likely to survive all the way down to the ground to become meteorites – cometary materials are made mostly of ice, and so the heat of their passage through the atmosphere completely vaporizes them.

Scott Young

Scott Young

Planetarium Astronomer

Scott is the Planetarium Astronomer at the Manitoba Museum, developing astronomy and science programs. He has been an informal science educator for thirty years, working in the planetarium and science centre field both at The Manitoba Museum and also at the Alice G. Wallace Planetarium in Fitchburg, Massachusetts. Scott is an active amateur astronomer and a past-President of the Royal Astronomical Society of Canada.

Raise the Sails!

The Nonsuch at the Manitoba Museum is the largest artifact (in size) in the collection. It is unique in that it is an artifact that visitors get to walk aboard, touch and literally step into a piece of history. Another interesting part is that the Nonsuch is a real life ship that was once sailed by a crew and it is because of this that the Conservators at TMM care for it a little differently than other objects in the collection.

One aspect of caring for such a large artifact is following a routine maintenance plan in order to keep the ship in first-class shape. This includes regular cleaning of the decks, captain’s quarters, sails and hold, as well as taking twice-yearly measurements to see if there are any changes or movements to the wooden components. Another part of the maintenance plan is moving and adjusting the rigging. When we talk about the rigging of the Nonsuch we are talking about a lot of different components including the masts, ropes, yards, and sails. One of the reasons why we undo and move the lines as part of the conservation maintenance plan is to allow the ropes to not stiffen overtime. Movement of the rigging also allows the sails to be unrolled so that they do not become stretched from sitting in the same position.

A woman wearing a white lab coat stands on the deck of a wooden sailing vessel, holding a rope taught as she looks up.

Carolyn working on deck.

A pile of loose rope on the wooden deck of a ship.

We’ve thrown the lines off the belaying pins and they’re lying loose on deck.

Three individuals standing on the deck of a wooden sailing vessel. All are looking up, as one pulled on a rope threaded through a pulley.

Museum staff moving lines on the ship.

Some other unique things that are done by the Conservation team to keep the Nonsuch as close to working order include tarring the deck seams, repainting the stern carvings, and splicing rope works when needed.

The next step in our maintenance plan, which will hopefully be completed in the upcoming months, includes climbing the ratlines (rope ladders leading up the mast) with our special vacuums and giving the ship a good dusting. This probably wouldn’t have been done in the high seas due to the abundance of wind available but since the ship is permanently stored indoors it does get quite dusty. Part of our training for this task includes taking fall protection training so that we are as safe as possible when geared up in harnesses and climbing the rigging. Stay tuned for a future blog on what it’s like to vacuum a ship 60 ft. in the air!

As mentioned earlier, the Nonsuch is treated differently from other artifacts and needs to be preserved in a way that maintains it in working order to prevent further damage. This is in comparison to our regular collections which mostly stay static in their positions tucked away in storage vaults. Having the opportunity to be a part of the preservation of the Nonsuch is a rare opportunity and also a chance for Conservators to trade in our lab coats for a sailor’s cap every once in a while.

Carolyn Sirett

Carolyn Sirett

Senior Conservator

Carolyn Sirett received her B.A. in Anthropology from the University of Manitoba, Diploma in Cultural Resource Management from the University of Victoria, and Diploma in Collections Conservation and Management…
Meet Carolyn Sirett

Top 10 plants for the Apocalypse: Part 1

Post-apocalyptic and dystopian fiction is all the rage these days. From zombie plagues (World War Z, The Walking Dead), to genetic engineering gone wrong (Oryx and Crake, MaddAddam), to who knows what (The Road), people are clearly fascinated with this somewhat morbid genre. Reading these stories made me realize that most people are ill-equipped to deal with a world overrun by the living dead, ill-tempered intelligent swine or bloodthirsty cannibals. Sadly, most people can identify more corporate logos than they can edible and medicinal plants. Sorry to say but knowing what the Nike logo looks like won’t help you treat an infection or keep you from starving to death while on the run from skin-eating mutants! So with all this in mind here are my top 10 plants that everyone should know how to identify in case the worst should ever come to fruition.

A dense patch of green vegetation and reddish-brown moss.

1. Sphagnum moss

(Sphagnum spp.)

There’s a reason why bog mummies don’t decompose! Sphagnum moss has antibacterial and antifungal properties and can help prevent wounds from becoming infected. It is also highly absorbent and can be used as an emergency bandage for zombie bites.

Identification: Sphagnum mosses are found in boggy areas, are often reddish in colour, and have short branches clustered together and a little pom-pom of leaves at the top.

 

Image: Sphagnum moss-the perfect plant for zombie bite emergencies!

Close up on the flowering tip of a plant. A cluster of small purple flowers.

2. Heal all

(Prunella vulgaris)

Heal all has been used traditionally to umm, well, heal all sorts of things. Since it contains tannins, essential oils, and saponins it has astringent, anti-inflammatory, and antiseptic properties. The plant can be used as a poultice on wounds and as a bonus it’s also edible containing vitamins A, C, and K!

Identification: This member of the mint family occurs in moist prairies and wetland edges. It has opposite leaves, a square stem and a dense spike of white and purple two-lipped flowers.

 

Image: Heal all: you can eat it or use it staunch a wound.

Close up on the dense, fuzzy clustering flowers of willow.

3. Willow

(Salix spp.)

Tea made from willow bark contains salicin, which is related to acetylsalicylic acid, the active ingredient in aspirin. In spring, the young leaf buds are edible, being especially rich in vitamin C. Young shoots and shredded inner willow bark can also be cooked and eaten. Additionally, most willows are very pliable and can be used to make rope, fishing nets, baskets, or shelters.

Identification: Typically found around wetlands, willows have a distinctive cap-like scale over the leaf and flower buds, and simple, linear leaves. Their flowers occur in dense, fuzzy clusters.

 

Image: Willow bark tea can cure those apocalypse blues headaches!

A canoe made of birch bark against a black background.

4. Paper birch

(Betula papyrifera)

Once we run out of gas, transportation will be a problem so you’ll have to go back to using the oldest form of North American transportation – a canoe. Since zombies and mutant pigs can’t swim, water transportation is a definite advantage.

In addition to making great canoes, the outer bark of paper birch can be peeled off and used to make tents, torches, kindling, slings, sleds, snowshoes, arrows and a variety of containers. Birch sap can also be collected in the spring like maple sap and eaten.

Identification: Recognizable by its distinctive whitish bark and catkins (caterpillar-like hanging flower clusters).

 

Image: A traditional birch bark canoe can help you evade those landlubber zombies.

A cluster of cattails growing in shallow water with field on either side.

5. Cattails

(Typha spp.)

This is probably the most useful edible plant in Canada as most of the parts can be eaten. The rhizome can be eaten raw if necessary or used to make a type of flour. Fresh shoots can be eaten like celery. The green flower heads can be eaten raw or cooked like corn on the cob. The high protein pollen can be used as flour. The fluff can act as emergency insulation and the leaves used to make sleeping mats.

Identification: Long, strap like leaves and an unusual flower stalk that looks like a hot dog on a stick.

 

Image: Cattail: Abundant and nutritious food for when you’re on the run.

Coming soon in part 2: the final five plants of the apocalypse!

 

(Caution: Some edible plants, mushrooms and berries can be easily confused with poisonous ones. Make sure you have correctly identified a plant before eating it. If you are truly serious about learning to identify and use wild plants, I highly recommend taking a survival training or edible plant course).

Dr. Diana Bizecki Robson

Dr. Diana Bizecki Robson

Curator of Botany

Dr. Bizecki Robson obtained a Master’s Degree in Plant Ecology at the University of Saskatchewan studying rare plants of the mixed grass prairies. After working as an environmental consultant and sessional lecturer…
Meet Dr. Bizecki Robson

Curator

By Dr. Graham Young, past Curator of Palaeontology & Geology

‘I don’t know what you mean by “glory”,’ Alice said.

Humpty Dumpty smiled contemptuously. ‘Of course you don’t — till I tell you. I meant “there’s a nice knock-down argument for you!”‘

‘But “glory” doesn’t mean “a nice knock-down argument”,’ Alice objected.

‘When I use a word,’ Humpty Dumpty said, in rather a scornful tone, ‘it means just what I choose it to mean — neither more nor less.’

‘The question is,’ said Alice, ‘whether you can make words mean so many different things.’

‘The question is,’ said Humpty Dumpty, ‘which is to be master — that’s all.’

– Through the Looking Glass, by Lewis Carroll

When I started to work at the Museum just over 20 years ago, my job title said that I was the “Assistant Curator of Geology and Paleontology.” Quite a mouthful, to be sure, and one for which the meaning was not entirely clear. Certainly people could understand the “assistant” part, except that I wasn’t actually the assistant to anyone, since I was also the only staff member in geology and paleontology. Rather, the “assistant” in my title was like that for an assistant professor at the university. It meant that I was on the first rung of progress through a professional career, and if I worked hard then I could look forward to being associate curator, and then full curator.

But what about the “curator” part of the title? What did that mean?

In the early 1990s, curator was not a commonly-used word, to the extent that it seemed like a lot of people had never heard it. I would tell them that I was responsible for the rock, mineral, and fossil collections, and that I created exhibits and answered inquiries. Those were really the things that were emphasized in my job description, and to be honest I didn’t look further than that into what a curator might be.

A smiling man, Graham Young, standing outside in front of a store under a green sign reading, "CURATOR".

Nowadays, of course, it is a popular thing to be a curator. A quick online search of this word reveals more than twenty-five million website results! Out in the world we hear about fashion collections that have been “curated” by particular experts, or about an interior designer acting as “curator” for the objects included in the public rooms of some famous person. When a word goes from obscurity to flavour-of-the-month, it is bound to be diluted and broadened, as I found earlier this autumn when I came upon an art and décor shop called Curator in the west of England. And beyond the realm of objects there are curators of paper documents, content curators who collect and organize information, and curators of the digital world (as demonstrated in this Dilbert cartoon).

 

Image: A curator stands outside a shop named Curator at Stow-on-the-Wold, England (photo by Katie Murphy)

But where does the word come from, and how does it lend itself to so many different purposes?

Curator is derived from the Latin curare, to care for, so a curator is a person who takes care of something. In fact, in Scottish legal terms a curator is someone who is the guardian of a minor or mentally ill person. Several other nouns that come from the same root have religious connotations, such as the English curate (an assistant priest), the French curé (a parish priest), and the Curia (the central administration of the Catholic Church). It is, perhaps, no coincidence that the name for our profession gives some evidence of the reverence with which we hold the objects given to our care.

Even if you hear that someone is a curator at a museum, as opposed to all those other types of curators, that still doesn’t necessarily give you a clear idea of what that person might do. I know of English museums where the people called curators are what we would call Collections Specialists at The Manitoba Museum, people who are responsible for the care of collections but not their interpretation. Elsewhere, the curator may be the administrative lead for an entire institution, a position more equivalent to that of our Executive Director. In museums of art, curators may have no responsibility for long-term care of collections; rather, they may be specialists hired as consultants to select and interpret the works for a particular exhibition.

The address on an envelope addressed to "Graham Young / Geology, Palaeontology & other things dusty or crusty / The Manitoba Museum / 190 Rupert Ave / Winnipeg, Manitoba / R3B 0N2".

And how do all of those other jobs relate to my job, you might ask? If someone asked me nowadays what the tasks are for the Curator of Geology and Paleontology, I would have to say that it includes some of the sorts of work included in every one of those other “curator” jobs! Certainly I have a role in caring for the collections, I do field collecting and select other pieces to add to the collections, and I am involved in the identification and cataloguing of specimens. But I also carry out primary research about certain parts of the collection, which adds to the body of world scientific knowledge, and I publish that research in scientific journals and present it at conferences. I identify rocks and fossils for members of the public and I give lectures to interested groups. And of course I develop exhibits, including the preparation of grant proposals to raise money for particular parts of our galleries.


Image: One way of looking at my job, according to an envelope received from a curator at another provincial museum.

Writing about my job in this way, it seems like an awful lot. I guess it is. Manitoba is a very big place, and the Museum has a modest number of dedicated curators whose job it is to cover and represent that territory. Like all the other curators at the Museum I absolutely love this job; the diversity of work is just one of the things that makes it possibly the best job in the world.

Hallowe’en is scary…FOR BATS!

Hallowe’en is upon us and all the traditional ghosts, goblins, witches, and bats are making their annual appearance. The Museum just hosted a very successful members’ night that included trick-or-treating for kids. But a recent (unfortunate) offer of a real bat to our Zoology collections has me thinking that we need to re-evaluate the inclusion of bats as a Hallowe’en symbol – they just don’t belong at this time of year!

Manitoba has six species of bats. Half of these are “cave bats” as shown in the image below to the left. Over the winter, most of the individuals of these species likely stay inside the province or in nearby provinces or states by hibernating in caves. Big brown bats occasionally find shelter in buildings. The caves are cool, but do not freeze and offer stable temperatures and humidity that are good for hibernation.

The other three species are the “tree bats” that are illustrated in the image below to the right; the red bat is a particularly attractive species (although for many, “attractive bat” is likely considered an oxymoron!). The “tree bats” escape our winters by migrating out of the province in late summer and fall, likely to the southern United States, and return each spring.

Three bat specimens on a black background. Two along the top have their wings folded close, the one at the bottom has its wings spread wide.

The three “cave bats” of Manitoba: big brown bat (Eptesicus fuscus, MM 17638, 12.2 g, Melita), upper left; northern long-eared bat (Myotis septentrionalis, MM 4408, 7g, The Pas), upper right; little brown bat (Myotis lucifugus, MM 17537, 6.8 g, Pinawa), bottom. These hibernate in caves over winter.

Three bat specimens on a black background, growing in size from top to bottom. All three have their wings spread wide.

The three species of “tree bats” in Manitoba (from top to bottom): silver-haired bat (Lasionycteris noctivagans, MM 9972, 11.7 g, Portage La Prairie); eastern red bat (Lasiurus borealis, MM 17529, 9.5 g, Pinawa); hoary bat (Lasiurus cinereus, MM 15008, 27.8 g, Tiger Hills). These species migrate south to avoid our winters.

The other three species are the “tree bats” that are illustrated in the image above; the red bat is a particularly attractive species (although for many, “attractive bat” is likely considered an oxymoron!). The “tree bats” escape our winters by migrating out of the province in late summer and fall, likely to the southern United States, and return each spring.

But just as with us when we wait too long to put on the snow tires, bats sometimes get caught by cold weather. That is what happened to an unfortunate silver-haired bat just last week (October 23) that was found lying dead on a Winnipeg sidewalk. Despite attempts at warming the little guy, it did not revive and was offered to be a part of the research collection here at the Museum. Such donations provide the raw materials to help understand these (and other) little-known animals. The Museum is grateful for these donations, and in some ways, gives the organism a second “life” where it can be studied and be used for exhibits and other educational purposes.

The silver-haired bat is likely the commonest tree bat in Manitoba (and North America), but despite this we know surprisingly little about it. They are long-distance migrants, probably spending the winter in the southern U.S. and returning to Manitoba certainly by May – we have found them clinging to the Museum on occasion as they are on their way to northern forests. These are spectacular trips for animals that weight the equivalent of $2 in loonies! [That’s about 12 g.] In summer, the species is found in north temperate zone conifer and mixed conifer/hardwood forest feeding mostly on soft-bodied insects, particularly moths, but also midges and mosquitoes. Females form small, communal maternity roosts in tree hollows or under bark. In August and September they migrate back south to avoid our cold weather and lack of insects.

Close-up on the face of a small bat specimen.

The face of a silver-haired bat (Lasionycteris noctivagans). This little fellow (it was a male) waited too long to leave the province and was found dead on a Winnipeg sidewalk. He will be donated to become part of the research collection, available to provide a little more knowledge about these poorly-known mammals.  Photo provided by D. Dodgson, and published with permission. 

Close-up on a small fuzzy bat clinging to the side of a wall.

A silver-haired bat (Lasionycteris noctivagans) clinging on to the Manitoba Museum during migration in May, 2008. This bat had disappeared by the following morning, migrating further north.

A bat specimen with spikey burdock fruits stuck to its back.

Cold weather is not the only hazard to bats as they migrate to find caves or move south. This big brown bat (MM 10970, Winnipeg) was caught by the hooked fruit of a burdock plant and could not escape.

Knowing that Hallowe’en frequently seems like the coldest day of fall – it always seemed so to me as a parent taking kids around the neighbourhood! – all of our bats should either have found safe hibernation sites or have moved south by now. Most silver-haired bats should have left at least a month ago (end of  September), long before our local ghosts, goblins, and witches start wondering our streets. And given that October weather is so hard on these little mammals, with the recent offering to the Museum collection as clear evidence, Hallowe’en and bats just don’t mix.

In Manitoba, Hallowe’en is a far scarier time for bats than it is for any of our trick-or-treaters.

Dr. Randy Mooi

Dr. Randy Mooi

Curator of Zoology

Dr. Mooi received his Ph.D. in zoology from the University of Toronto working on the evolutionary history of coral reef fishes. Following a postdoctoral fellowship in the Division of Fishes of the Smithsonian Institution…
Meet Dr. Randy Mooi

Love Thy Nonsuch

We’ve got a lot going on at The Manitoba Museum these days, Trees of Life recently opened, WRAPPED: The Mummy of Pesed will open on October 25, but with all this excitement part of me really feels for our permanent exhibits. I know, exhibits don’t have feelings so there is probably no jealousy brewing between the old exhibits and new, but I’ve always been torn between my beloved treasures and the new shiny things put before me. Think back to when you got a new toy/book/car/fancy electronic device, did you ever feel bad for your older ones? No? Just me then…

Fortunately Museum staff have come up with just the right thing to help me cope with these feelings of betrayal, a month-long celebration of one of everyone’s favourite museum treasures: the Nonsuch!

View of the side exterior of a wooden sailing vessel in a museum gallery.

November is Love Thy Nonsuch month, presented by Gendis Inc.

Why November?  Well, November 2013 marks the 40th anniversary of her arrival here at The Manitoba Museum!

Anyone who loves the ship should be sure to keep your weekends open for these exciting events:

  • Public talks every Saturday & Sunday at 2 pm in the Nonsuch Gallery
  • Nonsuch tours, including access to the often off-limits hold area
  • Costumed interpreters throughout the Nonsuch Gallery interpreting the fur trade era

All programming is included with regular admission to the Museum Galleries!

I will be opening up the celebrations with a public talk on the history of the Nonsuch on November 2, at 2 pm. All are welcome to attend and I promise to keep you enthralled by the fascinating history of the original ship that helped set the fur trade in motion. It’s not just a pretty pirate-ship look-alike, its got a story of its own to tell!

A small wooden sailing vessel, a shallop, on display in a museum gallery, in front of a wall mural depicting a sunset that shallop's white sails are raised.

So after you’ve come down to see Trees of Life and WRAPPED make a plan to come back, bring the whole family, and get (re)acquainted with your Nonsuch.

Can’t make it down but still want to show your love? Why not Adopt an Artifact!

We’ve recently added a number of items from the Nonsuch that you could symbolically “adopt” and help support our conservation efforts to keep this beauty for generations to come! Click here to see what’s up for adoption.

 

Image: Don’t forget to say hello to the shallop too!

Dr. Amelia Fay

Dr. Amelia Fay

Curator of Anthropology & the HBC Museum Collection

Amelia Fay is Curator of Anthropology and the HBC Museum Collection at the Manitoba Museum. She received her BA in Anthropology from the University of Manitoba (2004), an MA in Archaeology…
Meet Dr. Amelia Fay

A few of my favourite trees (& lichens & fungi…)

One of the great things about working at the Museum is being able to see all sorts of specimens and artifacts up close. When I first started working here, I used to enjoy looking through the Natural History cabinets on my lunch break. Creating temporary exhibits in the Museum’s Discovery Room is a wonderful way to share some of my favorite things in the collection with our visitors.

As I was brainstorming for a theme for my new exhibit, the phrase “tree of life” popped into my head. This term usually refers to evolutionary charts showing how species are related to each other. But the Trees of Life exhibit focuses on the ways that trees unintentionally help other organisms, such as lichens, fungi, insects, birds, and mammals, to survive. Since humans also depend on trees for many things, I decided that a case with some wooden artifacts would make an appropriate addition, and provide me with an excellent opportunity to poke around in the Human History collections for a change.

So I combed through the cabinets looking for things related to trees. I found a great collection of colourful lichens growing on bark and twigs. I am especially fond of the vibrant yellow wolf lichen (Letharia vulpina) partly because I collected it myself and partly because it’s really poisonous.

An individual adjusting specimens on a hexagonal mat.

Exhibit Designer, Stephanie Whitehouse, testing the case layout.

A selection of colourful lichens on branches and pieces of bark laid out on a hexagonal mat.

Testing the layout for the lichen case.

A fossil leaf embedded in a slab of reddish shale.

A fossil leaf impression preserved in a layer of baked shale.

Three large cicada specimens in a collections box.

The palaeontological collection has some fabulous specimens of fossilized wood and leaves. My favourite specimen contains a fossil leaf in baked shale. This happened when a coal seam underneath a shale layer caught fire, turning the normally gray rock a lovely salmon colour.

The Museum has several huge tropical cicadas that I think are really cool. You may have heard that the American 17-year cicadas (Magicicada) hatched this year. Cicadas are fascinating insects that depend heavily on trees, although you wouldn’t know it because rather than chomping on the leaves, they feed underground on the roots. Specifically, they tap into tree roots and suck out the sap. Since tree sap is low in protein, it takes the cicadas a long time to grow into adults.

 

Image: Tray of giant cicadas.

Selecting items for the case of wooden artifacts was extremely difficult as we have so many beautiful pieces. I tried to select artifacts from many cultures, and for many purposes so there are clothes, furniture, toys, and tools from around the globe. One of my favorite pieces is a coat made from the inner fibre of a paper mulberry (Broussonetia papyrifera) tree from the South Pacific.

But my favorite piece of all is a bur oak (Quercus macrocarpa) tree that grew around a pitchfork. It reminds me that human endeavors are fleeting and that nature will reclaim everything in the end.

Trees of Life will be on display from October 10, 2013 to April 13, 2014.

An individual standing behind a table in a lab that is spread with artifacts.

Curator of History, Roland Sawatzky, with wooden artifacts.

A smiling individual holds up a piece of tree trunk mounted on a display board, growing around the metal end of a pitchfork.

Me with the pitchfork-eating tree!

Dr. Diana Bizecki Robson

Dr. Diana Bizecki Robson

Curator of Botany

Dr. Bizecki Robson obtained a Master’s Degree in Plant Ecology at the University of Saskatchewan studying rare plants of the mixed grass prairies. After working as an environmental consultant and sessional lecturer…
Meet Dr. Bizecki Robson

Mud, Glorious Mud?

By Dr. Graham Young, past Curator of Palaeontology & Geology

 

I have often been told by members of the public that, “it must be so exciting to do paleontological fieldwork.” This is true, it can be very exciting to visit new places, to discover and collect fossils that were previously unknown to science. But often the conditions are such that the fieldwork is more of a necessary evil. It is a step that must be passed to acquire essential specimens, rather than a pleasure in itself.

Last week was a case in point. I had planned to travel to the Grand Rapids Uplands of central Manitoba with Dave Rudkin (Royal Ontario Museum) and Michael Cuggy (University of Saskatchewan) to carry out a bit of additional collecting at some unusual fossil sites. We had chosen late September because (1) the weather is often dry and clear, and (2) the mosquitoes and blackflies have generally been depleted by this time of year.

It turned out that we were only partly right on just one of these assumptions: I don’t think I saw a single mosquito. Their absence was, however, compensated by the swarms of blackflies that descended whenever the wind died down. And that merciful wind was a chill, damp one, associated with rains that were at times heavy.

Dr. Graham Young seated on a rocky surface using a trowel to scrape thick mud off of knee pads worn over his yellow overpants. Mud covered his boots.

Scraping away the inch of mud adhering to my knee pads (photo: Dave Rudkin, Royal Ontario Museum)

An individual standing across a large puddle on a rocky ground.

Michael contemplates water “ponded” on the bedrock surface.

We first arrived at the main site on Wednesday afternoon. Under a relatively pleasant overcast sky, we spent several hours splitting rock, but found little in the way of specimens worth taking back to the Museum. By Thursday morning the torrential downpours had begun. These died off by the time we arrived at the site, but we discovered that the gently sloping limestone had been replaced by a “water garden” that combined both pond and waterfall features.

Donning multiple layers for protection from the rain and chill (I recall that I was wearing a t-shirt, flannel shirt, fleece, jean jacket, and rain jacket!), we swept away as much of the water as possible, then settled back into our splitting routine. The standard procedure is to place the chisel along a horizontal zone of weakness in the rock, hammer until the rock begins to split, lever it up with a pry bar, wash mud off the surfaces and examine for fossils.  If no fossils are found, you throw the slab onto the discard pile and start again. After an hour or two this becomes wearying and repetitive. By the time the heavy rain returned at 2 pm, at least some of the chill from the rock surface had transferred itself into my knees and back, and I was grateful that we could stop.

 

Image: Michael and me, at work along a damp bedrock surface (photo: Dave Rudkin, Royal Ontario Museum)

By Friday the rain had ceased, but much of its moisture seemed to have attached itself to any clay that remained on and adjacent to the bedrock, resulting in large patches of wonderfully glutinous mud. Our crawling in this mud was at least worthwhile, as we came upon an area of rock that was very rich in fossils. We hauled out nine partial eurypterids (“sea scorpions”), along with other associated bits and pieces. By the end of the day Michael and I looked rather disgusting, encrusted with mud as we were. We were also disgusted with Dave, because he somehow managed to avoid getting mud on himself!

An oblong eurypterid fossil in a slab of rock.

An Ordovician eurypterid from the Grand Rapids Uplands (specimen I-4036B).

Two individuals wearing and orange and a blue jacket standing for a photo next to a small pile of rock slabs along with tools like a broom and hammer.

Dave and Michael stand by the cluster of eurypterid-bearing slabs.

Saturday we had planned to do quick stops at several sites, prior to returning to Winnipeg in the afternoon. Of course, by now the weather had improved and we were greeted by a sunny, mild day with patchy cloud. Nevertheless, we were not unhappy that we had finished heavy collecting on the main site, as the blackflies had returned in profusion.

So if paleontologists tell you they are off to do fieldwork, you should not immediately imagine a romantic, exciting “dig”, in a setting reminiscent of that at the start of Jurassic Park. The specimens are often worth the pain, but the pain is often genuine!

The Collection for Adventurers!

I am one month in to my new job as Curator of the Hudson’s Bay Company (HBC) Museum Collection at The Manitoba Museum and I’m still in that “pinch-me” phase, it feels too good to be true. Why? Let me fill you in.

I grew up in Winnipeg and I LOVED The Manitoba Museum. It was through visits to this museum, and other fabulous museums and historic sites in Manitoba, that I developed my interest and passion for human history. When I moved away for graduate school I never thought that a job would open up in my hometown, let alone at my beloved museum. Yet here I am, I’ve secured my dream job!

Maybe you’re wondering what makes this job so dreamy, or maybe you too have a long-time love affair with this place so you completely understand where I’m coming from. We are so lucky to have a museum right here in Winnipeg that has something for everyone. For me, the HBC collection is particularly exciting as it consists of 26,200 artifacts that I get to explore and to present to you.

Photo looking at the closed double doors of a museum storage room. A large sign on one of the doors reads, "Hudson's Bay Company Museum Collection / Euro-Canadian Storage / (Trade Goods)".

One of 3 large storage rooms for the HBC collection.

An open cabinet with spaced out drawers. One is opened revealing woolen blankets.

An entire cabinet full of point blankets!

The Hudson’s Bay Company’s original name was ‘the Governor and Company of Adventurers of England trading into Hudson Bay’. The Company of Adventurers referred to those who owned stock, they were called ‘adventurers’ because they risked their own money on the establishment of the fur trade. I feel a bit like an adventurer myself, as I get to explore the vast collections. In the coming months I’ll share my discoveries with you, no financial risk required!

Dr. Amelia Fay

Dr. Amelia Fay

Curator of Anthropology & the HBC Museum Collection

Amelia Fay is Curator of Anthropology and the HBC Museum Collection at the Manitoba Museum. She received her BA in Anthropology from the University of Manitoba (2004), an MA in Archaeology…
Meet Dr. Amelia Fay

New Guidebooks Published

By Dr. Graham Young, past Curator of Palaeontology & Geology

 

Following on from my recent post about the geology of the Canadian Museum for Human Rights, it seems entirely appropriate timing that another piece of architectural geology work has just been published. Last week, a guidebook to the geology of the Manitoba Legislative Building, by Jeff Young, Bill Brisbin, and me, finally appeared in downloadable form. The entire file (20 megabytes) can be found here.

An aerial view of the Manitoba Legislative Building - a large building with a central tower ending in a dome with a gold statue at the top.

The Manitoba Legislative Building (photo by Jeff Young).

Interior of an imposing round room with pillars and a large arched doorway. In the centre of the room is a circular banister with a skylight looking down to the lower floor.

The Rotunda inside the Manitoba Legislative Building features walls of Manitoba Tyndall Stone, and floors of Tennessee marble, Verde Antique marble, and Ordovician black marble.

This book was published as part of a series of field trip guides for the Geological Association of Canada – Mineralogical Association of Canada annual meeting, which took place in Winnipeg in May. Jeff Young (University of Manitoba) and I had the pleasure of leading an afternoon tour of the Legislative Building; it is such an interesting and beautiful structure, and it is always a pleasure to see people’s reactions to its geological features. The guidebook is based on research Jeff and I did with Bill Brisbin (also of U of M) almost a decade ago.

In addition to the Legislature guidebook, I also enjoyed assisting with a field trip on the Ordovician to Silurian geology of southern Manitoba. The guidebook for that trip (26 megabytes), by Bob Elias et al., can be downloaded here.