Identifying a Ghost Plant

Identifying a Ghost Plant

Branch of a plant with clusters of dusty pink oblong flowers hanging below small spreading leaves.

A week ago I posted a blog about a rare plant (click here to read it) that I had been searching for in the West Hawk Lake area: climbing fumitory. Since then I’ve had several people ask me how to tell this plant (shown in in the picture on the left) apart from other similar species. In Manitoba there are only five species in the fumitory family and they are fairly easy to tell apart: two are rare and found in the southeast (climbing fumitory and Dutchman’s breeches), one is a weed from Europe (common fumitory), and the other two are fairly common in open woods and clearings in the boreal forest (corydalis).

All the plants in the fumitory family look somewhat similar to the common garden plant known as bleeding heart (Dicentra spectabilis), shown above. I think every child in the prairies has observed the heart-shaped pink and white flowers of this spring-blooming species before. I’ve got several in my yard that were probably planted when the house was built in the 1950’s. The leaves of species in this family are divided and almost fern-like in appearance. The flowers have four petals but they are irregularly shaped; that is, they are not all identical to each other, similar to snapdragons or orchids. The two inner petals are a different shape from the two outer petals. The outer petals may be mirror images of each other (e.g. Dutchman’s breeches, climbing fumitory) or dissimilar (corydalis). Although these plants are often lumped in with the poppy family (Papaveraceae), some sources (i.e. Flora of North America) consider them unique enough to be in their own family, the Fumariaceae.

Close-up on a branch of Bleeding hear. Long drooping branches with deep pink, heart-shaped flowers hanging off of them.

Bleeding heart (Dicentra spectabilis). From Wikimedia Commons victorgrigas / CC0 .

Close up on a plant with wispy stems and delicate pink and yellow flowers.

Pink corydalis (Corydalis sempervirens) has pink and yellow flowers and long seed capsules.

Ecologically the plants in this family are poisonous (so no nibbling). Insects, however, enjoy the nectar found in the petal spurs. To get the nectar, long-tongued pollinators have to pry the outer petals apart, in the process rubbing up against the male (stamens) and female (pistil) parts of the flower, resulting in fertilization. However, some shorter-tongued insects have figured out that they can get the nectar just by nibbling a hole in the petal spur. See if you can find any of these cheat holes in the plants that you observe in nature.

Close up on a cluster of tubular yellow flowers.

The seeds of the two corydalis species and Dutchman’s breeches have elaiosomes attached to them. These are fatty packets that ants like to eat. Ants pick up the corydalis seeds that pop out of the capsules when ripe, and carry them off to their nests where they chew the elaisomes off, leaving the seed onthe disturbed ground near the ant nest.

 

Golden corydalis (Corydalis aurea) is a common herb in open areas in the Boreal Forest.

Here’s an identification key to the plants of the fumitory family (Fumariaceae) found in Manitoba. To use this key, select the statement that best describes your plant until you arrive at a species name rather than a number.

1. Plants are vines that climb up trees or rocks using tendril like-leaflets; petals almost completely fused together with a spongy textureClimbing fumitory (Adlumia fungosa)
1. Plants are herbs not vines; petals fused only near the base, not spongy2
2. Both outer petals with a spurDutchman’s breeches (Dicentra cucullaria)
2. Only one outer petal with a spur3
3. Flowers pink; fruit rounded, not splitting open; seeds lacking appendagesCommon fumitory (Fumaria officinalis)
3. Flowers yellow or pink with a yellow tip; fruit a long capsule that splits open; seeds with small appendages (elaiosome)4
4. Petals pink tipped with yellow; seeds to 1 mm diameterPink corydalis (Corydalis sempervirens)
4. Petals yellow; seeds to 2 mm diameterGolden corydalis (Corydalis aurea)
Dr. Diana Bizecki Robson

Dr. Diana Bizecki Robson

Curator of Botany

Dr. Bizecki Robson obtained a Master’s Degree in Plant Ecology at the University of Saskatchewan studying rare plants of the mixed grass prairies. After working as an environmental consultant and sessional lecturer…
Meet Dr. Bizecki Robson

Comet in the Morning Sky

There’s a pretty bright comet in the morning sky right now, with the poetic name of NEOWISE C/2020 F3. The NEOWISE satellite is the Near Earth Object Wide-field Infrared Survey Explorer, a NASA satellite that looks for comets and asteroids that come close to Earth. NEOWISE finds so many new objects that they just get a serial number instead of a proper name. For the purposes of this article, we’ll just call the comet “Neo”.

“Neo” is a ball of ice and rock orbiting the Sun. It passed closest to the Sun on July 3, and all of the heat has melted some of the ice and blown the material back into a nice tail. It seems like this is the comet’s first trip through the inner solar system, and so we don’t know exactly how it will behave – often, first-time comets like this either don’t survive their close approach to the Sun, or they do but don’t brighten as much as we expect. Several recent comets have turned out to be duds after some initial rosy predictions, so it’s nice when things go the other way.

We should characterize what we mean when we say, “a pretty bright comet”. “Pretty bright” in this context means you should be able to spot it in binoculars or take a picture of it if you have a decent camera on a tripod. Most comets are only visible in a telescope, and the public don’t even hear about them.

As of July 7, 2020, “Neo” is visible in binoculars and the unaided eye, and sports a short tail that shows up in amateur photographs. It’s definitely the nicest comet we’ve had in several years.

A star chart showing what direction and angle to look to see the comet on July 7 at about 4:45 am.

July 7, 2020

A star chart showing what direction and angle to look to see the comet on July 8 at about 4:45 am.

July 8, 2020

A star chart showing what direction and angle to look to see the comet on July 9 at about 4:45 am.

July 9, 2020

A star chart showing what direction and angle to look to see the comet on July 10 at about 4:45 am.

July 10, 2020

A star chart showing what direction and angle to look to see the comet on July 11 at about 4:45 am.

July 11, 2020

Photo credit: Dr. Jennifer West, Dunlap Institute for Astronomy, University of Toronto

Sky charts created with Stellarium, a free astronomy software package available at http://stellarium.sourceforge.net.

The view from Manitoba – How can I see it?

First thing to do is to set your alarm early. For the next week, this is a morning object, visible in the northeast just before sunrise. Find a spot with a good, clear view of the northeastern sky, without any trees, buildings, or city lights to obstruct the view. You should aim to be at your observing site by about 4:30 am. BY about 5:00 am, the sky will have brightened too much to be able to spot the comet. So, you have a narrow window of opportunity. (It goes without saying, you also need a sky free of clouds or haze.)

Looking northeast, the first thing you’ll spot is the brilliant planet Venus. Venus outshines everything else in the sky except the Sun and Moon, so it’s pretty unmistakable. Just below Venus is a star called Aldebaran. If you can see Aldebaran in your binoculars, you should be able to glimpse the comet, too.

The comet is about the same “height” as Venus is above the horizon, and off to the left. Use the charts below and the bright star Capella as a signpost to try and triangulate on where the comet is. It moves from night to night, so make sure you’re using the correct map!

With your binoculars, sweep the sky in the general area of the comet. You’re looking for a fuzzy patch of light – the tail might not be visible to the eye. Once you spot it in binoculars, see if you can see it unaided. It may be challenging, or it may be amazing, depending on whether the comet flares up in brightness or fades away.

If you have a camera and tripod, you can use it to try and capture an image, even if you can’t see the comet visually. Turn off autofocus and manually set your focus to infinity, and try exposures ranging from 1 second to 6 seconds. You will need a tripod to hold the camera steady enough to get a decent image. It’s doubtful that the camera on your mobile device will be able to image the comet, although you never know. There are apps that allow you to take star pictures with your camera that might be useful to try. If you’re artistically inclined, you can draw or sketch the comet using pencil, charcoal, or even watercolours. We’d love to see your images!

Scott Young

Scott Young

Planetarium Astronomer

Scott is the Planetarium Astronomer at the Manitoba Museum, developing astronomy and science programs. He has been an informal science educator for thirty years, working in the planetarium and science centre field both at The Manitoba Museum and also at the Alice G. Wallace Planetarium in Fitchburg, Massachusetts. Scott is an active amateur astronomer and a past-President of the Royal Astronomical Society of Canada.

In Search of a Botanical Ghost

View from a rocky ledge looking out over a lake. The far bank is visible in the distance.

Eighty years ago, Manitoba botanist Charles W. Lowe collected a plant from the West Hawk Lake area, not realizing that it would be the last time anyone would collect it in this province again. This June, I embarked upon a journey to see if that elusive plant was still hiding somewhere in Whiteshell Provincial Park.

 

West Hawk Lake was where the rare climbing fumitory (Adlumia fungosa) plant was found in 1940.

My scholarly journey commenced when I began working on a revised Flora of Manitoba; a book that will describe all the plants in the province. I searched through old papers, herbarium specimens and websites to compile a preliminary list of species for the province. Many new species had been confirmed or found since the publication of the last Flora of Manitoba in 1957, but there were also a few species that seemed to have disappeared. These plants are considered “historic” species: plants that had definitely been collected here in the past but not again for many decades. Are these species now locally extinct (i.e. extirpated) or are they still hiding in some remote area of the province? I’ve spent the last few years looking for some of them.

In some cases, mainly in Manitoba’s prairies, the habitats of the historic plants appear to have been destroyed by cultivation or construction activities. In other cases, the historic species’ seem to have been displaced by exotic plant species like smooth brome (Bromus inermis), which were introduced as a forage crop. However, the disappearance of climbing fumitory (Adlumia fungosa) was a bit of a mystery. My research indicated that it had been collected in the West Hawk Lake area, which is still largely intact. Why then was it seemingly gone?

 

This is the only specimen of climbing fumitory (Adlumia fungosa) in the Museum’s collection; it was grown from seed in a Winnipeg garden. MM 34940

While searching for more information, I discovered that this species is not common anywhere it occurs in the wild, in part because it is a biennial. That means its seeds germinate and grow a few leaves the first year, producing flowers and fruits only in the second year. Then it dies, remaining in the soil as a seed until its germination is triggered. But what triggers the germination? The references I found note that fires, windstorms and insect outbreaks that open up the forest canopy are likely triggers. But the soil cannot be severely damaged the way it often is with logging so apparently you don’t tend to see it in clearcuts. Plus, it likes rocky, acidic soils that stay consistently moist in places that are not too windy, and that have some trees or cliffs that it can climb up since it is a vine. In short, it appears to be adapted to thrive in very particular types of environments that don’t occur all that often anymore.

Looking down a path at the base of an uneven rock wall. The rocky and sandy path is lined with trees.

I searched for hours along the rocky, rooty Hunt Lake trail where this species may have been collected 80 years ago.

A handful of bare and charred trees in front of a low rocky ledge.

A rocky, recently burned area in the park where I searched in vain for climbing fumitory (Adlumia fungosa).

A small wispy green plant growing from browned and faintly charred ground.

A close relative of climbing fumitory (Adlumia fungosa), pink corydalis (Corydalis sempervirens) grew in the recently burned area.

I began to wonder why Lowe found this species in the 1940’s. Since I couldn’t find any records of a large forest fire in the late 1930’s near West Hawk Lake, I thought that perhaps it was construction of the campgrounds and roads during that time that created a suitable opening in the canopy for this species. Decades of fire suppression, which improved greatly after World War II due to the use of aerial water bombers, have likely prevented the creation of the post-fire habitats in this area that the species needs. So even though humans have not changed this habitat by directly destroying it, we have changed it by altering the natural fire cycles that occurred before Europeans arrived. The presence of so many cottagers in the West Hawk and Falcon Lake areas means that any natural fires that do ignite will likely not be allowed to get anywhere near the recreational areas to protect human lives.

After so many years without disturbance, any seeds of climbing fumitory that were in the soil seed bank have likely died, and if that has happened, then this species may indeed be extinct in Manitoba. However, if an insect outbreak or windstorm damage occurs in the right spot, all may not be lost.  One thing I was reminded of during my trip is that the boreal forest is vast and, in many places, completely inaccessible to humans.  Climbing fumitory may still be hiding somewhere in this vast forest, waiting for some intrepid individual to stumble across it again.

Dr. Diana Bizecki Robson

Dr. Diana Bizecki Robson

Curator of Botany

Dr. Bizecki Robson obtained a Master’s Degree in Plant Ecology at the University of Saskatchewan studying rare plants of the mixed grass prairies. After working as an environmental consultant and sessional lecturer…
Meet Dr. Bizecki Robson

Getting to Know Manitoba’s Wild Lilies

We share our world with billions of other organisms and they play a crucial role in our survival, providing the ecosystem services that keep us alive: making oxygen for us to breathe, filtering toxins from our water, and providing shade for us and our homes to name a few benefits. With so many cultural events being cancelled this year due to Covid-19, you may be planning on spending some time in nature this summer. Thus, now is an excellent time to learn to identify some of the beautiful wild plants that grow in our province.

As part of my Museum work, I have been writing an identification guide to all the vascular plants (i.e. ferns, conifers and flowers) in the province. Unfortunately, it is nowhere close to being done. However, in the interim, I can provide some information on how to identify some of the prettiest plants you will encounter in the prairies and forests of Manitoba: the lilies.

Looking down at low-growing white flowers with green leaves.

Wild lily-of-the-valley (Maianthemum canadense) is a common species found on the forest floor.

Close-up on the head of an Autumn onion plant. a cluster of small pink flowers.

Autumn onion (Allium stellatum) can be distinguished from other wild onions by its pretty pink flowers.

A dried plant specimen laid flat and partially folded down to conserve space on a white surface. Long thin leaves grew from the base of the plant where there is a good sized bulb, and clusters of small orange flowers grew along the top portion.

Lilies are actually related to grasses. Both types of plants have leaves that are usually long and thin, typically with parallel veins (as opposed to net-like veins such as you see in a maple leaf). However, lily flowers are animal-pollinated so they have petals and are larger than those of wind-pollinated grasses, which lack petals. The main characteristic of lilies is that they usually have 3-6 floral parts unlike most plants, which have 4-5 floral parts (the dicots). Unlike their other close relatives, the orchids, which also have 3-6 floral parts, the petals of lilies are all the same size and shape; the petals of orchids are all slightly different, giving them an irregular shape like a lady’s-slipper. Irises are similar to lilies in that their petals are all the same shape but their flowers, at least in Manitoba, are all purple or blue (rarely white); most lilies in Manitoba have white flowers, less commonly yellow, pink or orange.

 

In this dried Museum specimen, you can clearly see the large bulb of this poisonous species, aptly named mountain death camas (Zigadenus elegans). Specimen #35061

There are only five wild lilies that are typically found in sunny, prairie habitats: Wood lily, prairie onion, autumn onion, eastern yellow stargrass and mountain death camas. One of these plants is poisonous. Can you guess which one? The word “death” in the name kind of gives it away, no?

Lily species that grow in sunny habitats have narrow leaves, to reduce their sun exposure. In contrast, the lilies that grow in forested habitats tend to have wider leaves to better capture the dappled light that occurs on the forest floor. Most of the forest lilies have white flowers (sometimes with invisible ultraviolet (UV) patterns that bees can see), because white is more visible in a dark environment like a forest floor. Fairy-bells, Solomon’s-seal and false Solomon’s seal (Maianthemum spp.) are among the most common species in Manitoba. In the southeastern forests you will also find the highly attractive nodding trillium with its leaves in three parts and dangly white flower, and the lovely yellow clintonia.

Close up on a white bell-shaped flower hanging from three-parted leaves.

The white flower of nodding trillium (Trillium cernuum) dangles below the three-parted leaves.

A cluster of small yellow flowers grows at the top of a long, bare stem, emerging from a base with three large leaves.

The pretty flower cluster of yellow clintonia (Clintonia borealis) develops into bluish berries by mid summer.

Below is an identification key to the 21 wild lilies of Manitoba. To use this key, decide which of the paired statements best describes your mystery plant, then go to the number that is after that statement. Continue selecting statements until you arrive at a species name. You may have to use a second key (indicated in brackets after the group common name) to identify the plant to its species. To determine the scientific (Latin) name of your species, go to the list at the very end of this blog. You can double check that you identified the plant correctly by searching for an image and description of the species on the internet. Enjoy hunting for Manitoba’s lovely lilies this summer!

 

Having floral parts in 3’s is a key character of plants in the lily family like this eastern yellow star grass (Hypoxis hirsuta).

Key to the Lilies of Manitoba

1. Leaves arising from close to the ground or nearly so (basal)2
1. Leaves alternating or in whorls on the upper part of the stem7
2. Fruit a blue berry; leaves wide and thickYellow clintonia
2. Fruit not fleshy; leaves narrow and thin3
3. Flowers bright yellow; ovaries (unripe fruits) densely hairyEastern yellow stargrass
3. Flowers not bright yellow; ovaries not hairy4
4. Flower stalks all arising from a single point on the stem (umbel); leaves strongly onion-scentedWild onions (see species key below)
4. Flowers arising from various points along the stem (raceme); not onion-scented5
5. Plant arising from a bulb; petals 7-10 mm longMountain death camas
5. Plant not arising from a bulb; petals less than 5 mm long6
6. Stems smooth; seeds lacking appendages; far northern ManitobaSmall tofieldia
6. Stems covered in sticky hairs; seeds with appendagesSticky tofieldia
7. Leaves in whorls of 3 or more8
7. Leaves alternating on the stem9
8. Upper leaves in a whorl of 3; flower white, noddingNodding trillium
8. Upper leaves in whorls of 3 to 11; flowers yellow or orange, erectWood lily
9. Flowers at the tip of the stem (terminal), singly, in clusters of 2-4, or on a stalk (raceme)10
9. Flowers in leaf axils, singly or in clusters of 2-412
10. Flowers in racemesFalse Solomon’s seals (see species key below)
10. Flowers single or in clusters of 2-4 at stem tips11
11. Flowers 1-2 (3), white; fruit an orange berryFairybells
11. Flowers 1-4, yellowish; fruit a capsuleBellworts (see species key below)
12. Flowers in clusters of 2-4; fruits dark blue berriesGiant Solomon’s seal
12. Flowers single; fruits orange to reddish berriesTwisted-stalks (see species key below)

Key to the Bellwort (Uvularia) species

1. Leaves wrapping around the stem, finely hairy, not covered with bluish powder; fruit a dry capsule less than 15 mm longLarge-flowered bellwort
1. Leaves not wrapping the stem, not hairy, covered with bluish powder; fruit a dry capsule over 15 mm longSessile-leaved bellwort

Key to the False Solomon’s-seal (Maianthemum) species

Close up on a plant with pairs of upwards growing thin, slightly curling leave. At the top is a cluster of very small white flowers

Star-flowered false Solomon’s seal (Maianthemum stellatum) is flowering in many riverbank forests right now.

1. Leaves 2-4; flowers arising from a simple stalk (raceme)2
1. Leaves more than 4; flowers arising from a simple or branched stalk (panicle)3
2. Flowers with 4 petals and 4 stamens; usually 2 flowers arising from a single spotWild lily-of-the-valley
2. Flowers with 6 petals and 6 stamens; 1 flower per spot3-leaved False Solomon’s Seal
3. Flowers arising from a dense, branched stalk; flower stalks <1 mm long; ripe berries redLarge false Solomon’s Seal
3. Flowers arising from a simple stalk; flower stalks 6-12 mm long; ripe berries blackStar-flowered false Solomon’s Seal

Key to the Twisted-stalk (Streptopus) species

1. Leaves strongly clasping, edges smooth or toothed, not hairy; floral stalk strongly jointed and bending at an abrupt angle; petals strongly upturnedClasping-leaved twisted-stalk
1. Leaves stalkless or slightly clasping, edges hairy; floral stalk not strongly jointed; petals only slightly upturnedMidwestern rose twisted-stalk

Key to the Wild Onion (Allium) species

1. Leaves egg- to lance-shaped, shrivelling before flowering; fruit a 3-lobed dry capsuleWild leek
1. Leaves linear, not shrivelling before flowering; fruits a capsule only slightly lobed2
2. Flower stalks shorter than flowers, leaves round in cross section, hollowWild chives
2. Flower stalks equalling or exceeding the flowers; leaves flat or channelled, not hollow3
3. Bulb covered with net-like fibers; flowers white; stamens not longer than petalsPrairie onion
3. Bulb not covered with fibers; flowers pink; stamens longer than petalsAutumn onion

Common and Scientific Names of Manitoba’s Wild Lilies

  • Autumn onion – Allium stellatum Fraser ex Ker Gawl.
  • Clasping-leaved twisted-stalk – Streptopus amplexifolius (L.) DC.
  • Eastern yellow stargrass – Hypoxis hirsuta (L.) Coville
  • Giant Solomon’s seal – Polygonatum biflorum (Walt.) Ell.
  • Large false Solomon’s seal – Maianthemum racemosum (L.) Link
  • Large-flowered bellwort – Uvularia grandiflora Sm.
  • Midwestern rose twisted-stalk – Streptopus lanceolatus (Ait.) Reveal
  • Mountain death camas – Zigadenus elegans Pursh
  • Nodding trillium – Trillium cernuum L.
  • Prairie onion – Allium textile A. Nels. & J.F. Macbr.
  • Rough-fruited fairybells – Prosartes trachycarpa S. Wats.
  • Sessile-leaved bellwort – Uvularia sessilifolia L.
  • Small tofieldia – Tofieldia pusilla (Michx.) Pers.
  • Star-flowered false Solomon’s seal – Maianthemum stellatum (L.) Link
  • Sticky tofieldia – Triantha glutinosa (Michx.) Baker
  • Three-leaved false Solomon’s seal – Maianthemum trifolium (L.) Sloboda.
  • Wild chives – Allium schoenoprasum L.
  • Wild leek – Allium tricoccum Ait.
  • Wild lily-of-the-valley – Maianthemum canadense Desf.
  • Wood lily – Lilium philadelphicum L.
  • Yellow clintonia – Clintonia borealis (Ait.) Raf.
Dr. Diana Bizecki Robson

Dr. Diana Bizecki Robson

Curator of Botany

Dr. Bizecki Robson obtained a Master’s Degree in Plant Ecology at the University of Saskatchewan studying rare plants of the mixed grass prairies. After working as an environmental consultant and sessional lecturer…
Meet Dr. Bizecki Robson

Baychimo: The Adventures of the Ghost Ship of the Arctic

By Cortney Pachet, Collections Registration Associate, Human History and former Assistant Curator for the HBC Museum Collection when Amelia was on parental leave. 

The Hudson’s Bay Company has a long nautical history, from the Nonsuch to countless canoes and York Boats to steamers, paddlewheels and schooners. While the majority of HBC’s travel and transport took place on water, we also see a pattern of the Company’s vessels meeting untimely ends in tragic wrecks. 

Princess Louise (aka Olympia) – sank
Anson Northup (aka Pioneer) – sank
S.S. Beaver – Wrecked
Cadborough – Wrecked
Labouchere – Sank
Baymaud – Sank
Mount Royal – Wrecked
Aklavik – Caught fire, sank
Nascopie – Wrecked 

The Baychimo, a steamer based in the Western Arctic, finds herself amongst these ill-fated vessels, but exactly how she met her end remains one of the biggest mysteries in HBC history. 

Designed and built at Lindholmens Verkstad AB (Aktiebolag) in Gothenburg, Sweden, she was originally christened Ångermanelfven after one of Sweden’s longest rivers, Ångerman. The vessel had a steel hull, was 230 ft (70.1 m) long, and powered by a triple expansion steam engine. She was also outfitted with schooner rigging. 

Ångermanelfven launched in 1914 and was used as a trading vessel for her German owners around the Baltic Sea. The ship continued to serve Germany’s Baltic posts through WWI, protected by the Imperial German Navy. 

Following the Great War, Ångermanelfven was ceded to the British government by Germany in 1920 as part of war reparations negotiated at the Treaty of Versailles, article 244, Annex III: “Germany recognizes the right of the Allied and Associated Powers to the replacement, ton for ton and class for class, of all merchant ships and fishing boats lost and damaged owing to the war.” 

Consequently, all German ships over 800 tons were confiscated and divided between France, Great Britain and the US. Ångermanelfven was sailed out of the Baltic Sea for the last time by a British crew, destined for London where she was put up for sale to commercial interests. The Hudson’s Bay Company purchased the Ångermanelfven for 15,000 pounds and she was renamed Baychimo, joining the company’s fleet of cargo ships. 

Her first voyage for HBC took place in 1921, were she served in the Eastern Arctic, coinciding with the establishment of Pond Inlet. The following year, the Baychimo was sent to Siberia with Captain Sidney Cornwell at the helm. Cornwell enlisted with HBC to serve as Master of the Baychimo at the onset of the Kamchatka Venture in 1922. The Kamchatka Venture aimed to trade furs in Siberia, but a changing political climate caused the HBC to withdraw after only two years. 

Like other HBC vessels, the Baychimo’s homeport was Androssan, Scotland and each year, she would travel to Scotland for the winter, returning to Canada by way of the Panama Canal. In 1924, the Baychimo sailed to the Western Arctic by way of the Suez Canal, meaning that in the course of her career, she accomplished global circumnavigation (Achievement Unlocked!). 

Following the dissolution of Kamchatka Venture at the end of 1923, Baychimo was reassigned to the Western Arctic, traveling between Vancouver and HBC posts along the Yukon and Northwest Territories northern coast from 1924 to 1931. Later in her career, she would winter at Vancouver, including 1930 to repair damage to her rudder, propeller and steering. 

The Baychimo carried cargo to these Western Arctic HBC, RCMP, and missionary posts but also occasionally took a small number of passengers, who were listed as part of the crew since the vessel wasn’t classified as a passenger ship. The passengers would do jobs to pay for their room and board. On average, the Baychimo had a crew of 32. 

In late September, 1931 on her way back to Vancouver, the Baychimo was surprised by a blizzard at the Sea Horse Islands, near Point Barrow on Alaska’s northern coast and the crew was forced to anchor the Baychimo to weather the storm. It soon became apparent that the steamer was caught in ice and would have to overwinter in the Arctic. Using parts of the ship, the crew began construction on winter accommodations for the crew that would remain behind with the ship until the spring. The large Baychimo couldn’t be heated all winter long, so the wooden and snow structure was a warmer and safer alternative. The crew removed food and other supplies from the vessel as they set up camp. Her passengers and some of her crew were flown to Kotzebue, Alaska and on to Vancouver. Maintenance of the ship’s rudder was a daily chore for the remaining crew, keeping ice from building up around this critical piece of equipment. 

At the end of November, another storm swept through and when it cleared, the Baychimo was gone. The captain and crew assumed the vessel had sunk, but they soon received word that an Inuk hunter had spotted the Baychimo, once again packed in ice, roughly 72 km south of their encampment. Captain Cornwell and the crew made their way to the Baychimo and boarded the vessel, removing a large quantity of furs and abandoning the ship for the last time, determining that she was no longer seaworthy after ricocheting solo through the icy waters of the Beaufort Sea. Furthermore, the Baychimo was caught in ice once again, so she wouldn’t be going anywhere anytime soon, right? 

WRONG! 

Captain Cornwell and the remaining crew were flown back to Vancouver in March of 1932, where paperwork was filed for the loss of the vessel and the negligible cargo left behind. Shortly thereafter, the Baychimo was spotted again but about 480 km to the east of where the crew had last seen her. The following March, she was seen floating peacefully near the shore of Alaska by Leslie Melvin, a man travelling to Nome with his dog sled team. 

In the decades that followed, many people would spot the Baychimo, now dubbed the “Ghost Ship of the Arctic” as she traveled long unencumbered by crew and cargo. 

  • March 1933, she was found by a group of Indigenous Alaskans who travelled to her, boarded her and were trapped aboard for 10 days by an unexpected storm. 
  • In the summer of 1933, she was boarded by the crew and passenger of Trader, a small schooner from Nome, Alaska. The single passenger was a Scottish botanist named Isobel Wylie Hutchison on an expedition to collect Alaskan and Arctic wildflowers. The crew of Trader reported that at the same time, a group of Inupiat boarded the ship, having travelled out to her by umiak and removed mattresses, chairs and other items like Sunlight dish soap, tarpaulins, a bucket of sweet pickles and a silver toast rack from the vessel. The following day, the Baychimo had once again disappeared, although Trader crewmembers repeatedly spotted her “hurrying north in her private ice pan” later in their journey toward Herschel Island in Yukon. 
  • September 1935, she was seen off Alaska’s northwest coast.[1] 
  • November 1939, she was boarded by Captain Hugh Polson, wishing to salvage her, but the creeping ice floes intervened and the captain had to abandon her. This is the last recorded boarding of Baychimo. 
  • After 1939, she was seen floating alone and without crew numerous times, but had always eluded capture. Recorded sightings slowed during WWII and in the subsequent years. 
  • March 1962, she was seen drifting along the Beaufort Sea coast by a group of Inuit. 
  • She was found frozen in an ice pack in 1969, 38 years after she was abandoned. This is the last recorded sighting of Baychimo. 

In 2006, the Alaskan government began work on a project to solve the mystery of “the Ghost Ship of the Arctic” and find an estimated 4,000 ships lost along the coast of Alaska. She has not yet been found, but given that 50 years have elapsed since her last sighting, it’s likely that the Baychimo is resting at the bottom of the Beaufort Sea. 

Although the Baychimo’s impact on HBC operations was fairly uneventful, her legacy as the Ghost Ship of the Arctic is one that persists in the narrative of the company’s history. 

Images: Hudson’s Bay Company Archives, Archives of Manitoba, HBHL photo collection subject files, 1987-1363-B-1111-751922-1931, H4-198-4-6 

Black and white photograph of a large dark ship sailing through thick ice.

Baychimo in 1933.

Black and white photograph looking onto the deck of a smaller ship with two masts, with several people on board.

The crew and passengers of the Schooner Trader with their haul from Baychimo.

Sephia-toned photograph of a group of pepole in winter-wear standing on snowy ground beside a small airplane.

Crew and passengers leaving for Kotzebub, Alaska.

Black and white photograph of three individuals in winter-wear standing on ice below the stern of the Baychimo.

Crew maintaining the rudder. 

Black and white photograph of three individuals wearing coats and hats standing outside a small wooden building. On the overhanging eaves above their heads is painted “Hudson’s Bay House / 1 Lime St”.

Crew during the Kamchatka Venture. 

Black and white photograph of two individuals on thick ice below the stern of the ship “BAYCHIMO”.

Maintaining the rudder.

Black and white photograph of a single story building on flat snowy ground. In the distance a steam ship can be seen.

Overwinter accommodations.

Black and white photograph buildings with snow and ice packed up against the sides nearly to the rooves where four chimneys released smoke.

Overwinter accommodations trapped in ice. 

Black and white photograph of a group of individuals in winter-wears beside a piles with some supplies and barrels. A few of the group are looking and smiling at the camera.

Inupiat with their haul from Baychimo.

Black and white photograph from the deck of a tall ship looking down onto the ice below where a small group stands watching as supplies are lowered on a hook.

Removing supplies from Baychimo.

Black and white photograph of a small group pulling a sled with what appears to be a small boat on it as they move away from a larger ship in the ice.

Removing supplies from Baychimo.

Sephia-toned photograph of a steam ship with ice reaching high up on its sides and at its stern.

Trapped in ice.

Sephia-toned photograph taken from very high up, looking down at a sheet of ice, where a steam ship is frozen in place.

Written on the back of this photograph is “Bye Baychimo”.

Black and white photograph of a tall steam ship in a narrow dock.

Wintering at Vancouver Docks.

Cortney Pachet

Cortney Pachet

Collections Technician – Human History

Cortney Pachet started working at the Manitoba Museum in 2001 as a tour guide while earning her a BA (Honours) from the University of Winnipeg. She quickly realized that she wanted a career in museums…
Meet Cortney Pachet

Winnipeg’s Window: The City Hall Stained Glass

In October 2019 the Manitoba Museum opened the Winnipeg Gallery, a permanent new exhibition space about the history and people of Winnipeg. The gallery features a large stained glass window that displays the old city crest.

This window was one of two that was salvaged from the old city hall building when it was demolished in 1962, and recent research has revealed more history of this piece and the artist who made it.

 

Header image above: The city hall stained glass window after restoration and installation in the Winnipeg Gallery. Photograph copyright Ian McCausland/Manitoba Museum.

A black and white photograph of a square Victorian building with towers and turrets. A few people are grouped in the foreground, near a statue on a tall pillar.

An arched transom window (a window placed above a door) was included at both the front and back entrances to the city hall.  Early photographs, however, show that these windows were made with clear glass, not the elaborate and colourful stained glass that we show off in our gallery. Looking at photographs from different archives narrowed the date of the installation of the stained glass window to sometime between 1898 and 1905, but it wasn’t until I found a short article in the Manitoba Free Press that I knew the exact date.

 

Image: The second city hall opened to great fanfare in 1886 on Main Street, replacing the poorly built first city hall, which only survived 7 years. The new building, designed by Charles and Earle Barber, was a marvel of architectural exuberance. At the time it was considered “one of the handsomest and cheapest City Halls in the Dominion.” It did not, however, include our window! Photograph by Norman Caple, circa 1890, City of Vancouver Archives, LGN 630

May 26, 1903

“The city hall is receiving finishing touches of its renovating, the main entrances having their old plain glass windows replaced by two stained glass windows, over each of the doors. These windows are bold and masterly in design, the seal of Winnipeg is placed in the centre, set in a frame of jewels, surrounding which is a wreath of light and dark maple leaves…”

That’s our window. Early photos also show that the windows faced inwards, meaning they were meant to be seen from inside, receiving the full illumination of daylight from the exterior. It also means that the Winnipeg crest was backwards when you were entering City Hall from the outside!

Sepia-toned photograph of the entry way to a brick building. Over elaborately carved doors sits a semi circle stained glass window below a doorway-framing arch.

This detail of a photograph from 1910 clearly shows our stained glass window (at least the back of it). City of Winnipeg Archives, i03103.

The Artist

The window was designed and made by John Raphael Allward, who moved to Winnipeg with his wife and son in about 1902. Allward was born in Toronto in 1856, and was the cousin of the famous Walter Seymour Allward who designed the Canadian National Vimy Memorial in France. John Allward studied art in New York under the master stained glass artist John La Farge. Allward was a specialist in large allegorical stained glass windows, which involved painting scenes directly onto glass, and he made windows for churches throughout North America. He set up shop with a partner at 253 Main St., under the name “Allward and McCormick Glass Co. Ltd.” Allward was also one of the founders of the Manitoba Society of Artists, which held their first public exhibition of 300 paintings in late 1903. Allward served two years in the Great War (at the age of 60!), and when he returned to Winnipeg he sold the business and retired to Seattle. After the 1920s, the popularity of stained glass windows in public places and private houses waned – most examples that survive in buildings today are over one hundred years old.

A black and white photograph looking our over a crowd gathered in front of a Victorian-style brick building. Groups standing on the entrance staircase and balcony hold up signs reading things like, "Canadian Corps Fall in", "We stand by our elected government", "Down with Bolshevism", and "Deport the undesirable alien". Above the door behind them is a semi-circle stained glass window.

The window witnessed the turmoil of the 1919 General Strike. Archives of Manitoba 3 SIS N12296

A black and white photograph of a square Victorian building with towers and turrets. Hanging on the front of the building is a large "V" with a banner reading "For Victory" beneath. Over the door below this is a semi-circle stained glass window.

The stained glass window also kept an eye on efforts to raise Victory Bonds in support of Canadian mobilization during the Second World War, circa 1944. City of Winnipeg Archives, i01438

A black and white photograph of a partially demolished brick building. On the left side, the lower portions of the walls still stand, but the right side is further removed.

In this photo, we can see that the stained glass window had been removed during demolition in 1962. It was stored at the former Carpiquet Barracks Site (north of Polo Park) until it was donated to the Manitoba Museum in 1974. It was in storage until 2018, when restoration began. City of Winnipeg Archives i01473.

Half circle stained glass window featuring a leaves and flowers pattern in oranges and greens. In the centre, surrounded by a laurel, is the city of Winnipeg crest with text reading, "City of Winnipeg Manitoba / Incorporated 1873 / Commerce, Prudence, Industry".

For more information about the incredible restoration process of this window, check out the Collections and Conservation blogs Monumental Moves: Sweating over Big Artifacts, Part 1 and Part 2.

 

Image: The old City of Winnipeg crest and its inspiring motto, “Commerce, Prudence, Industry” shines forth again for all visitors to see in the Winnipeg Gallery. Nice job, John Raphael Allward! Photograph copyright Ian McCausland/Manitoba Museum.

Dr. Roland Sawatzky

Dr. Roland Sawatzky

Curator of History

Roland Sawatzky joined The Manitoba Museum in 2011. He received his B.A. in Anthropology from the University of Winnipeg, M.A. in Anthropology from the University of South Carolina, and Ph.D. in Archaeology…
Meet Dr. Roland Sawatzky

Beautiful Parasites (and a couple ugly ones too!)

It is pretty well known that plants differ from animals due to their ability to make their own food using just carbon dioxide, water and sunlight through a process called photosynthesis. But some plants are a bit lazy and figured “why should I make my own food like a sucker when I can just steal some from my neighbor?” Thus, the strategy of plant parasitism was born.

The secret to being a plant parasite is to produce modified roots, called haustoria. Rather than collecting water and minerals from the earth like normal roots, haustoria pierce the roots or stems of other plants and tap into their vascular systems. The haustoria suck up the sap from the parasitized plants, obtaining water, minerals and the product of photosynthesis: sugar. The parasitized plants are weakened but not usually killed, unless stressed for other reasons.

Low growing plant with clusters of yellow flowers growing at the top of stalks in grassy ground.

The lovely Labrador lousewort (Pedicularis labradorica) typically parasitizes dwarf birch (Betula pumila) shrubs in the boreal forest.

A plant with long, ridged stems and small yellow flowers growing from the top.

Yellow owl-clover (Orthocarpus luteus) is a fairly common plant hemi-parasite in prairies and parklands.

The evolutionary journey to parasitism was not always completed; while some species became full parasites (=holo-parasites), such as dodders (Cuscuta spp.) and dwarf-mistletoes (Arceuthobium spp.), others are only partial parasites (=hemi-parasites). Hemi-parasites still produce green leaves and are capable of photosynthesis, unlike the holo-parasites, which no longer perform any photosynthesis at all. Through their haustoria, hemi-parasites obtain mainly water and minerals from the parasitized plants, which means they can grow in habitats where they might normally be at a competitive disadvantage in terms of their ability to obtain enough soil resources.

Close up at tiny vines growing around the stems of another plant.

There are many species of hemi-parasites that grow in the wilds of Manitoba but they are not all related. World-wide, parasitism appears to have evolved independently at least 12 times. In this province there are three families that contain parasitic plants: the Morning-Glory, Sandalwood, and Broom-rape families. The Morning-glory family contains the aforementioned dodders; plants that twine up the stems of other plants and steal sugar from them. In Manitoba the entire dodder genus is on the noxious weeds list although none of the species are terribly common. In fact, two species of dodder that typically infect native plants, buttonbush dodder (Cuscuta cephalanthi) and hazel dodder (C. coryli), are considered critically imperilled in Manitoba. Common or swamp dodder (C. gronovii) is slightly more abundant, but not a major weed.

 

The tiny common dodder (Cuscuta gronovii) wraps its stems around those of native plants like stinging nettle (Urtica dioica).

The Sandalwood family contains the most common parasites in the province: the holo-parasite dwarf-mistletoe, and the hemi-parasites pale comandra (Comandra umbellata) and false toadflax (Geocaulon lividum). Pale comandra typically grows in dry prairies, parasitizing a wide variety of common plants like asters and roses, while false toadflax is found in our northern forests living off of woody plants like bearberry (Arctostaphylos spp.) or asters.

All plants in the Broom-rape family including paintbrushes (Castilleja spp.), owl’s-clover (Orthocarpus luteus), louseworts (Pedicularis spp.), eyebrights (Euphrasia spp.), cow-wheat (Melampyrum lineare), and false foxgloves (Agalinus spp.) are hemi-parasites. Many of the broom-rapes have colourful, fragrant, two-lipped flowers that attract and support many pollinators, typically bees and butterflies. In Manitoba, 15 of the plants in this family are considered rare (ranked as critically imperilled, imperilled or vulnerable by the Manitoba Conservation Data Centre). Gattinger’s agalinis (Agalinis gattingeri) and rough agalinis (A. aspera) are both extremely rare and legally protected under the national Species-at-risk Act, 2002 and the provincial Endangered Species and Ecosystems Act2018. The rare and unusual-looking broomrapes (Orobanche spp.) are holo-parasites on wild asters, possessing no leaves, just coppery-coloured stems and large white, yellow or purplish flowers. Many of these rare parasitic plants grow in our endangered native prairies, dependent on the wild plants that grow there, which are themselves increasingly rare due to exotic species encroachment, habitat loss and climate change. Clearly, being a parasite is not as carefree as it sounds.

Close up looking down at a cluster of small, white flowers at the top of a plant.

Like all plant parasites, pale comandra (Comandra umbellata) will not grow in a garden setting unless an appropriate host plant is nearby.

A short, squat orange-brown plant with tubular flowers growing out at various angles.

The holo-parasite, clustered broom-rape (Orobanche fasciculata) can be found on sandy soils in places like Spruce Woods Provincial Park.

Now that you know they exist, be on the lookout for these, sometimes lovely, sometimes ugly, groups of free-loading plants.

Dr. Diana Bizecki Robson

Dr. Diana Bizecki Robson

Curator of Botany

Dr. Bizecki Robson obtained a Master’s Degree in Plant Ecology at the University of Saskatchewan studying rare plants of the mixed grass prairies. After working as an environmental consultant and sessional lecturer…
Meet Dr. Bizecki Robson

Astronomy Day 2020 is Saturday, May 2

International Astronomy Day is Saturday, May 2, 2020, and we’re celebrating with online programming and a virtual telescope party. See the schedule below.

Astronomy Day was founded in the 1973 as a day when professional and amateur astronomers around the world would bring the wonder of the universe to the public. Astronomy clubs, planetaria, science centres, and universities have traditionally run public events during the day, and telescope viewing parties at night. This year, things are moving online, and the Manitoba Museum is joining our colleagues across the country to getting people “looking up”.

We’ll be doing Facebook live events at the following times (you don’t need a Facebook account to view the events, but you would if you want to join in the chat). We’ll also  make the recorded video available through the Museum’s YouTube channel after the fact.

1:00 pm – 1:20 pm – Astronomy Day Kick-Off! Join Senior Planetarium Producer Scott Young for an introduction to skywatching. Discover what Astronomy Day is all about, and learn how you can find the stars and planets in the night sky.

3:30 pm – 3:50 pm – Make a Sky Clock (Hands-On Activity): Make your own Sky Clock to tell time at night using the Big Dipper. Click here to download the instructions and materials list.

4:30 pm – 5:00 pm – Q&A/Live Telescope Viewing of the Sun: See the sun live through the planetarium’s solar telescope, and ask all of your astronomy-related questions!

8:30 pm – 10:00 pm Live Telescope Party (Weather Permitting): Join us for close-up views of the sun, moon, and planet Venus. We’ll have live video views through a variety of telescopes, tour the visible constellations, and also watch for satellites and northern lights. (Note: this event requires clear skies; check the Facebook event page on Saturday morning for a forecast update!)

Stay up-to-date by joining the Manitoba Museum on Facebook, Twitter, or Instagram.

 

See you on Astronomy Day!

Scott Young

Scott Young

Planetarium Astronomer

Scott is the Planetarium Astronomer at the Manitoba Museum, developing astronomy and science programs. He has been an informal science educator for thirty years, working in the planetarium and science centre field both at The Manitoba Museum and also at the Alice G. Wallace Planetarium in Fitchburg, Massachusetts. Scott is an active amateur astronomer and a past-President of the Royal Astronomical Society of Canada.

Glass Menageries

A wood and glass parlour case containing several dozen preserved animal specimens posed around a tree branch and ground reconstruction.

Amongst the many and varied Natural History Collections at the Manitoba Museum, is a most unusual collection of ‘cases’. These unique display cases of glass panels held together by dark varnished wood frames, are commonly known as parlour cases. The contents combine the artistry of fabricating faux habitats, with the expertise of creating life-like mounts through taxidermy. Some are as small as to only contain a single mounted Least Weasel, others are several feet tall, and may contain dozens of birds and mammals.

Parlour cases became highly popularized during the Victorian era, from about the early to mid 1800s into the early 1900s. This was a heightened time in the discovery of the natural world, and also coincided with, and was stimulated by, the great scientific exploration voyages of Darwin, and his contemporaries. Parlour cases were born out of this time of fascination and the desire to collect and display specimens.

It was commonplace to display these cases in the reception parlours of well-to-do households, thus the name. Owning and displaying these in your private collection reflected on their owners as having attained a certain level of good taste, intellect, and an aire of affluence; “parlour cred” if you will.

 

A true menagerie – this beautiful example of a traditional parlour case was donated to the Museum in 1973. Image: © Manitoba Museum, MM 3-6-501 to 3-6-532

However, displaying taxidermy mounts was a practice not only reserved for the rich. They were also displayed in schools for educational purposes, and in the houses of commoners, possibly to demonstrate hunting prowess, or as an attempt to be perceived as affluent.

A wood and glass display case containing a pair of Woodcocks, tawny birds with long thin beaks.

This very simply prepared case of Woodcocks was possibly a grade school project – see label “Presented by Dudley Fraser”, date unknown. Image: © Manitoba Museum, MM 3-6-5578, 5579

Early taxidermists were indeed artists and masters of many trades. Expert taxidermists of the time would have been in demand and could command high prices for commissioned work. Not only would they need to know the techniques involved to properly preserve the skin, but they must also have knowledge of anatomy, and aspects of animal behavior. It is extremely difficult to obtain the exact correct posture, or facial expression to match the particular theme of the case, whether it be animals at ease, or reconstructing a predator-prey scenario.

A blue jay specimen posed on a tree branch with wings partially extended and head tilted up with open beak.

Excellent taxidermy of a Blue Jay that mimics John J. Audubon’s artistic vision. Image: © Manitoba Museum, MM 3-6-476

An artist's drawing of two blue jays on a tree branch. The lower of the two birds is posed with wings partially extended and head tilted up with open beak.

Plate 102, from John James Audubon’s Birds of America (1827-1838). Image: National Audubon Society

Knowledge of ecosystems must also be appreciated. For example, which animals and plants would actually be found together in the same habitat, or even in the same season. This knowledge and skill executed in taxidermy scenes, and even the large dioramas in our museum, makes for a highly believable portrayal.

However, some of parlour cases ignored that concept of realism out-right and had mounts of birds and/or mammals that would never have seen each other in a given day, or even in a lifetime.

A bull elk is situated in a parkland habitat full of grasses, herbs, shrubs and trembling aspen trees in the fall at the Birdtail Valley in Riding Mountain National Park.

Expertly prepared life mount of an Elk. This diorama in the Museum’s Parklands Gallery depicts rutting season in Riding Mountain National Park. Image: © Manitoba Museum

A wood and glass parlour case containing a Goshawk specimen standing over its prey, a Vesper sparrow, in a snowy landscape.

Goshawk with Vesper Sparrow prey is an example of two species that might not encounter each other in a North American winter. Image: © Manitoba Museum, MM 3-6-534, 536

Recently, we had to move our entire collection of large parlour cases from where they were stored in our main collections storage vault. Long tracks of ducting were being installed for the new environmental control unit, and we wanted these far from any danger. We took advantage of this move to inspect, photograph, clean, repair (if necessary), and ensure the database information was complete for each one of these large, fragile cases. The taxidermy specimens, faux substrate, glass panels, and the wood framing were expertly cleaned and repaired by the Museum’s conservator Carolyn Sirett.

Two photographs of the same parlour case side-by-side. In the photo on the left, the glass is opaque and white masking tape holds the front panel in place. On the right the glass and case are clean and the tape has been removed.

Before conservation treatment photograph on the left shows the old masking tape “holding” the glass panel in place, and the after conservation treatment photograph on the right shows a much improved parlour case that has been cleaned and repaired. Image: © Manitoba Museum, Parlour Case #3

A close-up on an ermine specimen with teeth bared.

During conservation treatment, the cases were also tested for the presence of arsenic. We were not surprised to find that many of the specimens tested positive.  Now that specimens have been identified, we take extra precautions when we have to handle them, such as wearing gloves and masks.

Arsenic was a common and favoured compound used by taxidermists from the late 1700s to at least the 1980s.  Eventually its use was banned due to its high toxicity to humans. It was prepared as an arsenical soap, and applied to the inside of prepared skins that not only preserved the skin, but also provided protection of the mount from insect damage.  This is the reason why so many of the old taxidermy mounts have survived in such splendid condition!

 

GUILTY! Ermine mount tested positive for arsenic! Image: © Manitoba Museum, MM 24116

Janis Klapecki

Janis Klapecki

Collections Management Specialist – Natural History

Janis Klapecki obtained a B.Sc. from the University of Manitoba, specializing in Zoology and Botany. She also holds a certificate in Managing Natural History Collections from the University of Victoria, BC. Janis retired from the Manitoba Museum in January 2024….
Meet Janis Klapecki

The Story of a Book: A Conservation Tale of Repair

As a repository for over 2.8 million artifacts and specimens, the Manitoba Museum possesses a collection that is made up of pretty much everything and anything you can imagine! One of the more humble artifacts that you might not think of in the museum’s collection, and one that is of practical use in everyday lives, are books. I personally only thought of books as the stories or information that was contained within, until two years ago, when a particular book came across my workbench. 

In the summer of 2018, a very excited Dr. Roland Sawatzky, Curator of History,  came into the conservation lab with a very large and heavy book in his hands. It was a Brown’s Bible, that belonged to Reverend John Black. I won’t delve into the specifics of John Black but will mention that his story is tied to the early beginnings of the Red River Settlement around 1851. 

When Dr. Sawatzky brought the Bible into the conservation lab, it was in very poor condition. Perhaps a sign of its dedicated use and a symbol of how far it has travelled both in time and distance. The coverboards were falling off, the spine was torn and abraded, numerous sections of pages were loose as well as heavily soiled and damaged. Chosen to be displayed in the new Prairies Gallery, opening in the fall of 2020, it would need a lot of love and care to ensure its safe display.

In January of 2019, I began to dissect the Bible, knowing the repair would take a few months. Books are interesting objects to work on because they are all created differently depending on their age. Binding structures, sewing methods, the type of glue used, printing methods, and machinery all play an important role in telling the history of these otherwise mute objects. The Brown’s Bible is an excellent example of this, in telling a larger narrative based on how it was made rather than the person who owned it or the written text. 

 The repair began with taking a large portion of the Bible apart. Loose pages were removed, the front and back cover boards were taken off, including cutting the spine. This was a frightening feeling for someone who is used to repairing damage, not creating more! From there, about one hundred of the loose pages were mechanically cleaned, washed, flattened, dried, and repaired. Did I say washed? Yes, that is correct. A small “secret” in conservation is that paper can be washed, but inks are first checked for solubility and we make sure the paper fibers can handle the process. 

Two photos side-by-side. On the left, large, loose pages of the Brown's Bible are in three stacks on a table next to a fine bush. On the right, padded weights are placed around the edges of a page lying on a table to flatten it.

Loose pages were mechanically cleaned (left) and repaired once washed and flattened (right). Image: © Manitoba Museum, H9-4-973 

Two photos side-by-side. On the left, looking down on the spine of the Brown’s Bible with a torn section along the left side. The torn off section is lying beside the rest of the spine. On the right, the repaired spine in one piece.

To repair the spine of the bible, a cast was made and the detached piece was adhered back into position. Image: © Manitoba Museum, H9-4-973 

Two photos side-by-side. On the left, slices of gellan gum laying along the covered spine of the Brown’s Bible as it’s held in a vice. On the right, Conservator Carolyn Sirett uses her finger to apply some adhesive to the re-sewn spine of the Brown’s Bible, as it’s held flat and still on a table under padded weights.

Removing old adhesive from the original spine with gellan gum (left), and Carolyn consolidating re-sewn spine with adhesive (right). Image: © Manitoba Museum 

While the pages were drying, the front and back coverboards were worked on. These were cleaned, humidified and the leather re-adhered into the original position.  The spine was the trickiest part of the whole piece, in that the original cloth used to hold the coverboards to the text block was too weak and a new cast had to be made for the spine to go on. Small details such as the paper raised bands on the spine are telling signs of the type of intricate details the original bookbinder put into his craft. 

After about 8 months of work, the finale to this treatment was nearing. The old adhesive on the spine was removed, the cleaned pages were re-sewn and coverboards were ready to be attached.  Looking at this book now, as it hopefully resembles what it once did over two-hundred years ago, I am excited to see it showcased in the new gallery for others to learn not only who owned it, but how it was made and the story behind its repair. 

Two photos side-by-side. On the top, looking at the spine of the Brown’s Bible as it lies flat. The book is worn and falling apart, with the cover torn and peeling. On the bottom, the Brown’s Bible after conservation treatment, still looking its age, but now intact and lying flat.

Spine of the Bible before and after conservation treatment.

Image: © Manitoba Museum, H9-4-973 

Carolyn Sirett

Meet the Conservation Team

Carolyn Sirett

Senior Conservator

Carolyn Sirett received her B.A. in Anthropology from the University of Manitoba, Diploma in Cultural Resource Management from the University of Victoria, and Diploma in Collections Conservation and Management…
Meet Carolyn Sirett