Fossils Found in Amber

Fossils Found in Amber

Amber found at Cedar Lake, Manitoba, is famous as a source of fossil insects of Late Cretaceous age (about 78-79 million years old). Strangely, this amber originated far from Manitoba!

Amber, a fossil tree resin, has long been prized as a gem, and it provides immense evidence about the ancient world. Most amber comes from softwood trees, which produce abundant resin as protection from wood beetles; the sticky resin captures insects and other small creatures.

View through a microscope looking at a circle of pieces of gold-orange amber, lit from below.

Cedar Lake amber came from trees that grew near what is now Medicine Hat, Alberta, on a warm floodplain inhabited by dinosaurs! Amber is very light and is easily transported. The amber now at Cedar Lake was eroded from sedimentary rock, and transported by the Saskatchewan River. It was deposited where the flow of the river slowed: at Cedar Lake, where it is incorporated into beaches. This material, found in Manitoba, tells us about insects that lived 1000 km away!

Learn more in the Earth History Gallery.

Plan your visit today!

New exhibition, ‘If These Walls Could Talk,’ now open!

Don’t miss ‘If These Walls Could Talk: 50 Years of 2SLGBTQ+ Activism in Winnipeg’ during your next visit to the Museum!

Learn more about this important exhibition with Curator of History, Dr. Roland Sawatzky, and Rainbow Resource Centre Director of Advocacy, Ashley Smith.

Did you know why our oceans are SO important?

Did you know that the ocean covers 71% of the Earth’s surface? This Ocean Week, join Mika, our Learning & Engagement Producer of Youth Climate Action, to learn some of the reasons that it’s so important for us to take care of our oceans.

If These Walls Could Talk

By Roland Sawatzky, Curator of History, the Manitoba Museum & Ashley Smith, Director of Advocacy, Rainbow Resource Centre

Two-spirited, lesbian, gay, bisexual, transgender, and queer (2SLGBTQ+) people have always lived in Winnipeg, and were and are an essential part of the fabric of our urban society. 2SLGBTQ+ communities have a rich history. The Manitoba Museum is proud to partner with Rainbow Resource Centre to help tell this important community story through this temporary exhibition of posters, which opened on May 26.

Museums are a place of artifacts and stories. Some artifacts, such as posters, seem ephemeral when they are first printed and put up on a wall. They are meant for immediate effect – they “talk” to casual passersby, but only for a few weeks before they disappear. Posters that are actually preserved make excellent artifacts for capturing a single moment in time. 

The 20 posters showcased in the new exhibit If These Walls Could Talk: 50 Years of 2SLGBTQ+ Activism in Winnipeg capture the issues and concerns of the community from the early 1970s to the present. They are calls to action to advance and protect the rights of individuals in the community.

Poster reading “National Gay Conference / Gay Pride March / March at 2:00 p.m. on Sat., Aug. 31 from the Richardson bldg., down Portage, down Memorial. Conference hosted by Gays for Equality. 284-9697". In the centre are two identical symbols showing an extended “t” shape with an arrow at the bottom, and a circle around the of the centre line.

Winnipeg hosted the 2nd National Gay Conference in 1974. It was a small start – dozens of people marched down Portage Avenue with flags and banners. 

Image of an illustrated scroll with “Mayor’s Proclamation” along the top alongside a City of Winnipeg Coat of Arms. The proclamation reads, “WHEREAS it is estimated that one thousand Manitobans have already been infected with the AIDS virus; / AND WHEREAS most persons infected with this virus will progress to develop AIDS, which is an invariably fatal illness; / AND WHEREAS no man, woman or child is immune from this disease; / AND WHEREAS there is no known cure for AIDS virus infections; / AND WHEREAS almost all AIDS virus infection can be prevented by the use of appropriate precautions; / AND WHEREAS education of the general public will assist in the prevention of the spread of this disease; / AND WHEREAS increased understanding of this illness by the general public will contribute to the acceptance and support of infected persons; / NOW, THEREFORE, I , WILLIAM NORRIE, Mayor of the City of Winnipeg, in the Province of Manitoba, do hereby proclaim the week of May 6th to May 12th , 1987 as: / “AIDS AWARENESS WEEK” / DATED at Winnipeg this 6th day of May, 1987.”

In 1987 Mayor William Norrie’s Proclamation of AIDS Awareness Week set a tone of tolerance and inclusion amid a global crisis. 

From the first simple sign – Gays for Equality, from 1973 – a call went out for gathering and representation at the University of Manitoba. In 1978 a poster called for gays and lesbians to “COME OUT” and speak up for human rights and to end discrimination, and protest the anti-gay rights activist Anita Bryant who was speaking in Winnipeg. In 1980 a poster protested the banning of gay books – an issue that still resonates today. During the HIV/AIDS pandemic of the mid-1980s-1990s, 2SLGBTQ+ communities suffered devastation, and rights became a matter of life and death. Posters were used to spread useful information and support for those at risk.  Into the 2000s, posters promoted equality of marriage, anti-bullying measures, and transgender rights.

In 1987, Manitoba became Canada’s third province to include sexual orientation in its Charter of Rights and Freedoms – later celebrated as the first Pride on August 2 of that year. 2SLGBTQ+ activism was central to this and many other freedoms for Manitobans, and these posters tell the story of the fight for those rights, of how far the community has come, and also how much is at risk of being lost today.

Poster featuring pink triangles for the “1st Annual Lesbian & Gay Pride Day at Vimy Ridge Park / Sunday, August 2nd 1:00 pm”. An illustration in the centre shows six silhouetted figures walking, some with their hands reaching up enthusiastically. Accompanying text on the illustration reads, “Out on the STREETS”.

The community celebrated its first official Pride Day on August 2, 1987, two weeks after Manitoba included sexual orientation in its Charter of Rights and Freedoms.

A poster reading, “A dance party for QPOC and allies / COLOUR ME QUEER / Hip-Hop, Heavy Beats, Dance Hall / DJ Two Topping+ DJ Sammy SOS + DJ C8E / QPOC Apparel, LE1F & A Tribe Called Redprize Giveaways! / $5 in Advance // The Windsor // 10pm”.

This ad for a dance party for Queer People of Colour and allies was part of a larger movement of Queer Trans Black and Indigenous People of Colour to tell their stories and fight for a shift in narrative in the larger 2SLGBTQ+ community.

Fun Fact!

The Rainbow Flag was first created in 1978 by Gilbert Baker, a gay man and drag queen from California. Harvey Milk, an openly gay city supervisor in San Francisco, had urged Gilbert to make a symbol of pride for the larger gay community. Over the years it has evolved to include more colours, representing diversity within the 2SLGBTQ+ community! 

If These Walls Could Talk is produced in partnership with the Rainbow Resource Centre, and funded in part by the Manitoba Government, Department of Sport, Culture, and Heritage. 

Dr. Roland Sawatzky

Dr. Roland Sawatzky

Curator of History

Roland Sawatzky joined The Manitoba Museum in 2011. He received his B.A. in Anthropology from the University of Winnipeg, M.A. in Anthropology from the University of South Carolina, and Ph.D. in Archaeology…
Meet Dr. Roland Sawatzky

A-toad hunting we will go 

As we enter June, Manitobans spend time outside gardening at home or swimming at the cottage, except for herpetologists (reptile and amphibian scientists) when June is time to look for toads! This is a good month to be listening for Great Plains toads (Anaxyrus cognatus) and plains spadefoot toads (Spea bombifrons) as males gather in wet spots to call and attract mates. These two species are almost unknown to most people, despite being found in good numbers if you look and listen in the right places, and their “love songs” can carry for over two kilometres! But they are overlooked because they generally don’t call until it is dark, and in June that means well after 10 pm; most of us (if you are not a herpetologist) are inside avoiding mosquitoes and likely getting ready for bed. 

Another reason these two toad species “call under the radar” is that their ranges are restricted to the southwestern corner of the province. As many Manitobans head east to lake country, they are missing one of nature’s incredible sound and light shows – hearing dozens of each these two species calling together under a clear, moon- and starlit prairie sky is a special experience. Here’s a taste of that sound (you might want to turn the volume down!): 

The metallic trill in the foreground is a Great Plains toad and in the background are the nasal snores of plains spadefoot toads. These were calling from a temporary wet spot in a farmer’s field near Melita. 

Two photograph side-by-side. Left: A Great Plains toad mostly emerged from shallow water with an expanded clear-pink vocal sac. Right: A Plains spadefoot toad swimming through shallow water with an expanded milky-white vocal sac.

Great Plains toad (left) and plains spadefoot toad (right) with inflated throat sacs calling to attract females. These species are southwestern specialties and not found elsewhere in Manitoba. The bodies of these males are under 60 mm long.

© Randall Mooi 

The ecology of Manitoba’s southwest is unique and worth exploring. In addition to these two toads, there are many species of plants, birds, mammals, and invertebrates that are found nowhere else in Manitoba. Birds and mammals are always the most obvious to people, but smaller creatures like amphibians make up a considerable portion of the wild animal biomass of the southwestern corner (perhaps equalling that of small mammals and exceeding that of birds). In wet years, the numerous temporary ponds, prairie potholes, and other wetlands provide habitat for amphibians to breed and lay eggs, and for their larvae to grow and transform into frogs, toads, and salamanders. Once adult, most Manitoban amphibians are essentially terrestrial, returning to wetlands only to breed and lay eggs. 

Great Plains toads and plains spadefoot toads are no exception, and avoid detection by people and predators by spending much of their lives buried underground. During our cold winters, these two species need to hibernate below the frost line. They are good diggers and can burrow into softer ground or sand – spadefoot toads are so-named for the hard, keratinous, sharp-edged bumps on their back feet that they use as “spades” to dig backwards into the soil. Great Plains toads are also known to use old rodent burrows to get underground. In spring and summer, when it can be hot and dry on the prairies, these two species escape the searing heat by remaining below ground during the day and hunting for food at night when it is cooler. Even then, they often remain buried for long periods to retain moisture and come to the surface only after heavy rainfalls to breed. 

Two photographs side-by-side. Top: A Great Plain toad being held up beside a GPS unit showing day, time, and location coordinates. Bottom: Landscape photograph of a boggy field beside a road.

Northernmost record of Great Plains toad in Manitoba (top; © Peter Taylor, used with permission), found crossing the road at 4 am (yes, surveys can run from 10 pm to dawn the next day!).

Typical habitat for our southwestern toads (bottom; © Manitoba Museum). 

 

The Manitoba Museum is studying the Great Plains toad because it is considered threatened in Manitoba. For many animals in the southwest of the province, loss of habitat and pollutants are concerns because much of our original prairie landscape has been considerably modified by commercial agriculture, resource extraction, and transportation corridors – all through the demands of our modern lifestyles. Some good news, though, has come through research at the Museum, where Great Plains toads have been found to have a larger distribution than originally thought. Last spring’s heavy rains meant that there were many temporary ponds providing suitable habitat, even in places that are usually quite dry. The result was that toads in these areas, likely inactive as breeders for several years, had opportunities to attract mates and reproduce. Museum researchers discovered the species at several new sites, some up to 25 km outside of the previously known range! 

Map graphic showing the province of Manitoba and a zoomed in portion in the south-western corner near Melita.

 

The previously known range of Great Plains toad (in solid blue on the inset map of Manitoba; bounded by a blue line on the close-up of the southwest corner), with red dots showing the new sites discovered last spring by Museum researchers.

Base map modified from data provided by the MB Conservation Data Centre, used with permission. © Manitoba Museum 

Within this revised distribution of Great Plains toads, plains spadefoot toads were found throughout and in higher numbers. Both toad species, despite the extensive use of pesticides and loss of habitat, seem to be surviving today’s highly modified conditions, but how successfully remains guesswork. Without consistent monitoring programs, it is impossible to measure the size of toad populations or to determine if their numbers are stable, increasing, or decreasing. And because spadefoots and Great Plains toads adjust breeding activity to cycles of drought and wet periods, it is a huge challenge to determine population sizes. In wet years, like 2022, the toads seem to be everywhere, but in a dry year they seem to disappear. This means that monitoring programs need to be maintained over long periods through several wet/dry cycles. And climate change is making these even less predictable. 

Two photographs side-by-side. Left: Dr. Randy Mooi on a step stool, drilling a data logger onto a hydro pole. Right. A white bee-hive shaped data logger attached to a hydro pole above a green box recording unit beside a boggy field.

Installing recording units and data loggers on hydro poles (with a permit, of course) near suitable habitat (left). A white data logger mounted above a green recording unit beside a temporary pond (right).

© Manitoba Museum 

The Manitoba Museum has just begun a pilot project to monitor these two amphibian prairie specialists. Automated recording units have been set up at a handful of locations where Great Plains and spadefoot toads have been found in previous years and where temporary ponds existed at the time the units were deployed, all with the hope that this will increase detection rates. The units are set to record at particular times over each 24-hour period throughout the spring and summer months. Temperature and humidity loggers are paired with the recording units. The goal is to determine what triggers breeding activity in the two species, what times of the year it occurs, and in what numbers. These data will help determine measures that can conserve these two toads and, perhaps, other species that rely on similar habitat. 

We hope that this will mean that Manitobans can go a-toad hunting and experience their incredible chorus on the prairies in perpetuity. 

And, of course, everyone has the opportunity to visit the Museum’s new Prairies Gallery to learn the calls of prairie toads and frogs and explore their fascinating life histories – above and below ground! 

Dr. Randy Mooi

Dr. Randy Mooi

Curator of Zoology

Dr. Mooi received his Ph.D. in zoology from the University of Toronto working on the evolutionary history of coral reef fishes. Following a postdoctoral fellowship in the Division of Fishes of the Smithsonian Institution…
Meet Dr. Randy Mooi

Strange History

Our human history collection is full of special objects, highlighting significant points in Manitoba’s past –like Cuthbert Grant’s medicine chest or the replica of the Nonsuch. Yet we also make a point of collecting objects that represent everyday life in Manitoba – cans of soup, well-loved toys and farming implements. These mundane objects surprise people, since most of us consider objects we use routinely to have little historical value. Then there are objects that baffle even the seasoned museologist, begging questions like what and, most importantly, why?

Early in my days working with the human history collection, I was searching for a medical-related artifact in an area of our storage room rife with old medicine and surgical tools. I pulled an unlabeled box off a high shelf to have a look inside and was shocked to find it full of dentures –it gave me quite a start. I wish I could say it was the only time that box of dentures had scared me.

Only one pair of our dentures can be linked to a specific person; the others were donated by the Manitoba Dental Association or have no known source. So if they don’t belong to a historical figure, why collect them? Dentures have been made of various materials for centuries. Wood, human and animal teeth, ivory, bone, and porcelain have all been used to fashion false teeth throughout history. Modern dentures are made from synthetic materials like acrylic. The dentures in our collection capture techniques and materials at a specific moment in time, allowing researchers to make comparisons to older and newer generations of false teeth.

Close-up on the face of an inflatable doll with yellow hair, blue eye shadow, and an open mouth.

A few years ago, some of our staff took part in an AMA on Reddit during Ask a Curator day (#AskACurator). One of the questions asked was “what is the weirdest object in your collection?” I immediately thought of an inflatable doll, which made her way into our collection in 1984 as part of a much larger donation from the old Winnipeg Musical Supply store. The doll is in excellent condition, meaning that she has never been used. And no, she doesn’t inflate – we’ve tried. Her face is coming away from her body, creating a hole where air can escape. This object is close to my heart because when I was in university, doing my Masters in Museum Studies, I wrote a paper about collecting sexual artifacts and discussed the inclusion of the doll in the collection and staff’s reactions to her presence. It’s highly unlikely that “Dolly” will ever be exhibited and her provenance isn’t clear, but she definitely captures a period of time when novelty and gag gifts were popular.

Inflatable doll; vinyl; L 20th C. Catalogue Number: H9-16-182 © Manitoba Museum

The previous artifacts are odd, true, but everyone knows that teeth are needed for chewing and enunciating and everyone loves a good laugh, but this artifact can turn stomachs and bewilder minds better than no other.

During the Victorian era, the popularity of jewellery made of human hair saw a definite rise. Hair would be collected from a loved one and woven into intricate patterns to make bracelets, brooches, earrings and necklaces. Wearing mourning jewellery fabricated from the hair of deceased relatives was common amongst Victorian women. People also made wreaths from human hair to display on their walls, often taking hair from multiple family members to complete a single wreath.

A haighly decorative wreath woven of varying shades of brown and blonde human hair, with occasional accent beads.

Hair wreath, human hair, L 19th C. Catalogue Number: H9-18-67 © Manitoba Museum

Close up on a portion of a highly decorative wreath woven of varying shades of brown and blonde human hair, with occasional accent beads.

Hair wreath, detail. Catalogue Number: H9-18-67 © Manitoba Museum

This example was made in Ontario by Mary Jane McKague and brought to Manitoba in 1881, first to Emerson by train and then transported by ox cart to the community of Coulter south of Melita where Mary Jane and her husband John homesteaded. Mary Jane died in childbirth delivering her sixth and final child in 1895. Her wreath was carefully kept by her eldest daughter and later three of her granddaughters before they donated it to the Manitoba Museum in 1985. It is one of several examples of Victorian hair art and jewellery in our collection. Even if the thought of handling human hair is unsettling, these objects are an important part of our understanding of 19th century society, fashion and the Victorian mourning process.

What commonplace objects that we think nothing of today will give pause to museum collectors of the future? Only time will tell!

Cortney Pachet

Cortney Pachet

Collections Technician – Human History

Cortney Pachet started working at the Manitoba Museum in 2001 as a tour guide while earning her a BA (Honours) from the University of Winnipeg. She quickly realized that she wanted a career in museums…
Meet Cortney Pachet

Did you know about Victorian hair wreaths?

Did you know that Victorians made mourning jewelry and wreaths from the hair of deceased loved ones? Take a close look at two of the hair wreaths in our collection with Cortney, our Collections Technician of Human History!

Did you know where Cedar Lake amber REALLY comes from?

Did you know that the beautiful amber found along the beaches of Cedar Lake isn’t actually from Manitoba? Join Dr. Graham Young in the Earth History Gallery to find out where it came from and what it can tell us about the Cretaceous period.

Planting for Pollinators

The loss of biodiversity, including wild pollinators, is an ongoing environmental problem. In Manitoba, our main pollinators are bees, flies, butterflies, wasps, moths, beetles, and hummingbirds (see www.prairiepollination.ca for help identifying them). Fortunately, there are things you can do to make life easier for these important creatures, including providing them with water, food, and nesting and sheltering habitat. 

A bumblebee on a Golden Alexander plant, tiny yellow flowers clustered close together.

One of the first native plants to attract bumblebees (Bombus) in early spring is Golden Alexanders (Zizia aurea). ©Manitoba Museum 

A Monarch caterpillar, a yellow, black and white striped caterpillar, on a green leaf near small pink-purple flower buds.

Growing milkweeds (Asclepias) will encourage Monarch (Danaus plexippus) butterflies to lay eggs, which will hatch into colourful caterpillars. ©Manitoba Museum

Water

Pollinators need water (not just nectar) to stay hydrated, particularly in drought years. Since bird baths are too deep for most pollinators, instead provide a dish filled with pebbles or sand and water, or build a small pond. 

Food

The most nutritious nectar and pollen is produced by native plants. Native plants also have the correct flower shape to fit the local pollinators’ mouthparts. Although cultivars of native plants, like bee balm (Monarda fistulosa), may produce good forage, those that are highly modified (e.g., double-bloomed species), or lack nectar and pollen (e.g., sterile hybrids) are often useless for pollinators.

To provide a regular food supply, ensure you grow at least some native species that flower in spring, summer and fall. Good choices for southern Manitoba include: 

Spring (May-June)
Cherries and plums (Prunus), wild roses (Rosa acicularis), raspberries (Rubus), meadowsweet (Spirea alba), Western Canada violet (Viola canadensis), and Alexanders (Zizia).

Summer (July-August)
Giant hyssop (Agastache foeniculum), milkweeds (Asclepias), prairie-clover (Dalea), Western red lily (Lilium philadelphicum), wild mint (Mentha arvensis), obedient plant (Physostegia virginiana), and blackeyed Susan (Rudbeckia).

Fall (September-October)
Coneflower (Echinacea), blazingstar (Liatris), white aster (Oligoneuron album), goldenrods (Solidago), and asters (Symphyotrichum).

An orange butterfly on a purple fringed, tube-shaped flower.

Butterflies love tube-shaped flowers like Wild Bergamot (Monarda fistulosa).

A bumblebee on a small purple flower among a cluster of the same flowers.

Smooth Aster (Symphyotrichum laeve) provides excellent nectar for bumblebees (Bombus) in fall. © Manitoba Museum 

Nesting and Sheltering Habitat

Pollinators need places to build their nests, and shelter over winter. However, all pollinators have different needs. Some bees prefer bare, sandy soil to nest in, others under leaf piles or clumps of grass, and yet others in plant stem cavities. To attract butterflies to breed, you must provide them with their larval host plants, often native flowers or grasses.

You can create potential nesting and sheltering habitat by leaving small leaf and wood piles in your yard, perhaps in an area that you don’t use regularly. By not mulching all your bare soil, especially in sunny spots, you can also provide breeding habitat for ground-nesting bees. Another thing you can do is delay your yard clean up until late May. The layer of dead vegetation will help to insulate overwintering pollinators from the cold.

Happy gardening!

Three attractions, unlimited fun!

You can see a wide variety of pollinating insects up close at the Manitoba Museum’s insect wall in the Boreal Forest Gallery.

Purchase a Family Membership for only $99!
Dr. Diana Bizecki-Robson

Dr. Diana Bizecki-Robson

Curator of Botany

Dr. Bizecki-Robson obtained a Master’s Degree in Plant Ecology at the University of Saskatchewan studying rare plants of the mixed grass prairies. After working as an environmental consultant and sessional lecturer…
Meet Dr. Bizecki-Robson

Did you know that turkey vultures can find their food by smell?

This might seem unsurprising given that turkey vultures (Cathartes aura) feed almost exclusively on carrion, the decaying flesh of dead animals that can be pretty smelly – even to humans – but it has long been thought that birds have almost no sense of smell. 
 
However, scientists have recently shown that turkey vultures have a well-developed sense of smell and can use it to detect freshly dead animals that are hidden from sight in forests, in old buildings, or under debris even while the vultures soar high in the air. Although their bright red, naked heads might keep them from winning a beauty pageant, the turkey vulture plays a critical role in cleaning up dead animals and keeping diseases in check.

Two turkey vulture specimens from below. Posed mid-flight, hanging from a ceiling in the Museum Galleries.

You can see a pair of these impressive birds soaring overhead in the new Prairies Gallery, along with a wide diversity of other grassland wildlife.