Wolves and cougars and bears, oh my!

Wolves and cougars and bears, oh my!

For most of my career I have studied prairie plants, mainly because prairies are among the rarest ecosystems in Canada owing to the fact that they’ve been almost completely converted into cropland. As a result, I have never had to worry about encountering grizzlies or wolves or cougars while doing my field work. This year in contrast, I will have to be much more vigilant than I am used to. During a reconnaissance trip in May to set up my field plots I was informed that I should be on the lookout for wolves AND cougars AND bears! Not to mention ornery moose and elk! Oh yeah, and ticks and mosquitoes too! Oh my!

Why am I anticipating these wildlife encounters? This year I decided to study pollination in the fescue prairie and my research plots are located just south of Riding Mountain National Park, on land owned by the Nature Conservancy of Canada and the Province of Manitoba. As you may know national parks are wildlife hot spots and Riding Mountain is no exception. After tall-grass prairie, the fescue prairies are among the rarest ecosystems in North America and we don’t know much about the pollinators that live in them.

A wooded, hilly landscape.

The beautiful view from one of my research plots.

View over a landscape of matted green-brown grass.

Fescue grass forms a distinctive “sheep wool” pattern.

Shortly after arriving, one of the park staff told me that he thinks wolves are denning nearby. To be honest though, I think the wolves are the least of my worries as I’ve never heard of wolves attacking a human in Canada. Bears on the other hand are common, and have been known to attack people. I decided to make myself as conspicuous as possible by using a bear bell, blowing a whistle once in a while and loudly singing walking songs from “The Lord of the Rings” in a manner resembling a cat being strangled (I have a terrible singing voice so never ask me to do karaoke).

However, while I am actually surveying my plots, I don’t like to make too much noise as that disturbs the pollinators. I figured that if I was ever going to see a wild animal it would happen while I was doing my surveying. And that is exactly what happened. While quietly surveying one of my plots I saw a bear about 30 m away from me. Later on that week, I saw a deer in the valley above one of my plots. My funniest encounter happened in the evening at the research station. I was sitting on the couch playing solitaire when I saw that the neighbours had let their big black dog run loose. Then I shook my head-I had forgotten that I wasn’t in Winnipeg anymore. It was a bear wandering through the yard and I managed to get quite a few photos before it ran off.

A clump of bear scat on the ground.

Plenty of bear poo can be found on the trails I hike on.

A black bear walking across a mown lawn, looking towards the camera, mid-stride.

This young, scruffy bear walked right past the deck of the research station I was staying at.

Anyway aside from the ticks and mosquitoes that were trying to bite me and the local Turkey Vulture that kept circling my head in hopes that I would soon expire, my wildlife encounters were not unwelcome. But I still have three more weeks of field work over the summe; hopefully my luck will hold. Hmm. Perhaps I should be singing songs from “The Wizard of Oz” as I hike around instead. “I could while away the hours conversing with the flowers, consulting with the rain…”

 

Image: Ticks on my pants!

Dr. Diana Bizecki Robson

Dr. Diana Bizecki Robson

Curator of Botany

Dr. Bizecki Robson obtained a Master’s Degree in Plant Ecology at the University of Saskatchewan studying rare plants of the mixed grass prairies. After working as an environmental consultant and sessional lecturer…
Meet Dr. Bizecki Robson

Making Connections

Even though I’ve been in the job for 9 months there are still parts of the collection that I’m not as comfortable with, largely because I’ve never worked in that geographic region. That’s why I was very excited to receive a request from Jennifer Kramer, Pacific Northwest Curator at the Museum of Anthropology (MOA) in Vancouver to come and look at any Northwest Coast artefacts during her visit to Winnipeg. What a perfect opportunity to learn about a part of the collection that I know very little about!

Jennifer has been working closely with the Nuxalk (pronounced new-haulk) community, and quite closely with Clyde Tallio, a Nuxalk culture historian and visiting scholar at UBC. It turns out there is a pretty substantial Nuxalk collection within the HBC collection, and Jennifer was able to tell me more about it while documenting the items, and Clyde provided us with the Nuxalk names and additional information.

One of these items is currently on display in the HBC Gallery, it is listed as a ‘rain hat’ from Bella Coola. Unfortunately the cases in this gallery are difficult to open, so we relied on the database information and anything we could find in the donor file.

Jennifer informed me that this ceremonial hat, likely made from woven spruce root or cedar, would have been worn by someone of great importance. Each of the ball-like additions on the top represent individual potlatch ceremonies, thus this hat was part of four potlatch ceremonies.

The collector of the hat, Clifford Kopas, had sent photos to the Hudson’s Bay Company from Bella Coola and some of these were printed in the June 1948 edition of The Beaver.

A conical shaped woven hat with four ball like forms stacked on the top.

Nuxalk Ceremonial Hat.

A clipping from The Beaver showing a photograph of three Indigenous women, one of whom is wearing a hat very like the one on display in the previous image.

Scan from The Beaver Magazine.

Clifford Wilson, Curator of the HBC Historical Exhibition, wrote to Cliff Kopas to ask about some of the items one of the women was wearing in the photo, in particular “an excellent spruce root hat, which I suspect should be worn by a man rather than a woman” (excerpt from his letter, found in our donor files from the HBC Archives). He went on “I wonder if she still has these items, and whether she would be willing to part with them…our Pacific Coast Indian material is not as good as it should be and we ought to get hold of items like this when they are available”.

One month later the hat arrives and is catalogued as part of the HBC collection.

Jennifer and I found the June 1948 edition of The Beaver and I scanned the photo for her to take back and show Clyde. He was able to tell us the names of both women in the photo: Annie Johnson on the left, and Helen (née Houstie) Schooner. Helen was a very high ranking Heiltsuk woman who married Samson Schooner and Clyde believes the hat did in fact belong to her (rather than Clifford Wilson’s suggestion that it was a male chief’s hat) since her marriage had been validated and potlatched four times (and remember that this hat has four rings!).

So not only did I make some great connections with Northwest Coast scholars, but through this we were able to connect an artifact within the HBC collection to an actual person!

Dr. Amelia Fay

Dr. Amelia Fay

Curator of Anthropology & the HBC Museum Collection

Amelia Fay is Curator of Anthropology and the HBC Museum Collection at the Manitoba Museum. She received her BA in Anthropology from the University of Manitoba (2004), an MA in Archaeology…
Meet Dr. Amelia Fay

Dutch Immigrant Klaas de Jong, Market Gardener

“I was in Winnipeg! The Immigration Department took group photographs, and I posed with about two dozen bachelors like myself. Then I was free. Free, at the end of my journey. Free in the very middle of the great, wide West. I couldn’t speak a word of English, and I was on my own. Now I had to be a man!”

These are Klaas de Jong’s memories of arriving in Winnipeg in 1893. Only 21 years old, he left the life of his little town Leeuwarden in the Netherlands to strike out in search of a new future in western Canada. After working for a few years on farms, lumber camps, tunnel projects and on railways as far west as Fort McLeod, he was able to bring his parents and siblings to Canada. His experience as a recent immigrant to Canada was similar to that of many thousands of others who flooded into the west from Europe and eastern Canada.

Black and white photograph of a farm field. A woman stands beside two large horses attached to a plow that a man is standing behind.

Klaas was married to Betje de Jong in 1904. Klaas and Betje started their famous market garden in the early 1900s on a river lot in East Kildonan. Here Klaas and Betje worked with a host of other recent immigrants (from photographs, it looks like many were Ukrainian women) to grow produce that fed a growing Winnipeg market.

 

Image: Klaas and Betje de Jong working on their potato field. Courtesy of Archives of Manitoba, Martha Knapp collection, 214.

A shallow wagon with a green wagon box and red spoked wheels.

Klaas used a wagon to transport and display his produce in Winnipeg. A wagon similar to this had been on display in the Grasslands Gallery from the early 1970s to 2010. Conservation staff realized that the wagon had been so loved by our visitors over the previous four decades that it needed some serious care. It was moved to a secure location and a custom mount was built for it by former museum employee Wayne Switek, now retired. Now stabilized, the wagon is once again on exhibit in the Immigration Hall of the Grasslands Gallery.

 

Image: The Klaas de Jong wagon stands again in the Grasslands Gallery.

Klaas de Jong (1872-1959) wrote an autobiography that was arranged by Martha Knapp and published in 1973 with the title “Cauliflower King”.  De Jong won numerous prizes for his giant vegetables, including the title “Cauliflower King of North America” in 1926, from a competition held in Cleveland, Ohio.

A black and white photograph of a man standing in a farm field in front of two barrels of cauliflower, while holding a cauliflower in each hand.

Klaas de Jong with cauliflowers, circa 1927. Courtesy of Archives of Manitoba, Martha Knapp collection, 102.

A tall narrow trophy cup on a dark base.

The Cauliflower Champion trophy Klaas de Jong won in 1926 in Cleveland, Ohio. Copyright The Manitoba Museum.

A large collection of photographs of the de Jong family is stored at the Archives of Manitoba (Martha Knapp collection). Thank you to Bill Zwiep for the translation of our gallery copy into Dutch!

Dr. Roland Sawatzky

Dr. Roland Sawatzky

Curator of History

Roland Sawatzky joined The Manitoba Museum in 2011. He received his B.A. in Anthropology from the University of Winnipeg, M.A. in Anthropology from the University of South Carolina, and Ph.D. in Archaeology…
Meet Dr. Roland Sawatzky

We Have Guests

Two individuals in discussion in an office over a notebook.

By Dr. Graham Young, past Curator of Palaeontology & Geology

 

Those of you who are familiar only with the exhibits and the other “front end” parts of the Museum might be surprised at the constant changes that take place in the hidden parts of the institution. You might think that the dusty backrooms would remain the same from decade to decade, but really it is a whirl: exhibits are built in the workshop and moved out onto the floor, new plant and animal replicas and models are made by the artists, and specimens and artefacts are constantly cycled through the labs and storerooms of the Museum tower.

This state of change is true on the research side of things, too. The curators spend quite a bit of time studying our collections, but the collections are very large and many of the objects are far outside our own expertise. Since the Museum serves as a resource for researchers from outside, we often receive research visitors who wish to study particular parts of the collection. These visits are extremely beneficial to both parties: the researchers have an opportunity to study some of our remarkable material, and the Museum benefits from their expert identifications of our collections, and from the sharing of new knowledge with the scholarly community and the general public. Our collections and exhibits are improved by these studies!

Michael Cuggy (L) and Dave Rudkin discussing specimen notes.

Research visits tend to occur in cycles or waves; researchers from out of town, in particular, seem to plan extended study visits for the summer months. This may be partly because many of them work at universities and other teaching institutions, and the summer is the interval in which they get a break from day-to-day teaching responsibilities. In the case of The Manitoba Museum, it might also have something to do with the climate, as some people from outside the prairies have the (mistaken?) impression that Winnipeg’s weather is something less than tropical from November through April.

Two individuals each working at desks. One looks through paperwork while the other examines a specimen in a collections box.

An individual examining a specimen un a collections box under a bright ring light.

Michael Cuggy contemplates a eurypterid specimen.

Right now we are into that summer stage, and this week I have the pleasure of receiving research visitors in the lab. My friends and colleagues Dave Rudkin (Royal Ontario Museum) and Michael Cuggy (University of Saskatchewan) are here to spend some serious time with the fossil eurypterids (“sea scorpions”) that we have collected from Ordovician age rocks in Manitoba over the past dozen years or more (these rocks are about 445 million years old).

In this particular case, Dave and Michael are collaborating with me on the project, which is particularly nice as I receive visitors and also get to contribute to the research myself. Eurypterids are a very tricky group to study, since they were arthropods (joint-legged animals) that had external skeletons made up of many different components. In the specimens we are considering, the components have come apart in different ways and/or been squashed at different angles as they were buried in mud and fossilized. As a result, the patterns they make are extremely complex and difficult to decipher. One specimen may look like a jumble of legs and segments, while another may have the body twisted so that, at first, it may be difficult to tell where the head is.

A fossilized eurypterids in a rock slab.

One of the eurypterids in our collection, from the William Lake site.

A fossilized specimen in a rock slab. Hard to identify which parts of the fossil are what.

A specimen may, indeed, look like a jumble of legs and segments!

An individual points at one of three fossil photos on a computer screen.

Dave Rudkin discussing some of the eurypterid photos, compiled on his computer.

We have many eurypterid specimens in our storage cabinets, so Dave and Michael are pulling out each one, examining it closely, consulting the notes that they made previously, and in many cases taking photographs to supplement the ones we already have on hand. Ed Dobrzanski and I are making sure that Dave and Michael have all the tools and space they need, and I periodically supply them with opinions, observations, data, and coffee and cookies.

It seems to be working well so far. Still miles to go before we see where we are with the project at the end of the day Friday, but I’m sure the research will be exciting and interesting, at the times when it isn’t exasperating and frustrating!

Astro-Alert: Possible Meteor Storm Friday-Saturday, May 23-24!

UPDATE – 21 May 2014: Sky and Telescope magazine has an article on the event on their website. LINK

UPDATE 2 – 21 May 2014: Even if it’s cloudy, you can listen in on the meteors via radio! (Thanks to Don Trueman for the LINK)

UPDATE 3 – 22 May 2014: Spaceweather.com also has a great article about the shower, and also the possibility of observing meteor impacts on the Moon through a telescope!

 

On the early morning of Saturday, May 24, we may see a brand-new meteor shower. A comet called P/209 LINEAR orbits the sun in a path that leaves a trail of dust and debris in the Earth’s orbit. When the earth moves through that trail of dust, the dust will slam into the Earth’s atmosphere and burn up in a flash of light called a meteor. This happens all the time, but this weekend the Earth will go through a big “dust bunny” in space, and so we could see many more meteors than usual. The forecast for this new shower is very uncertain, but it is possible that there will be dozens or even hundreds of meteors per hour visible from a dark site.

First, a warning: THIS MAY NOT HAPPEN! It is impossible to predict the movement of every piece of dust in the solar system. However, the current science suggests that the streams of dust from this comet will pass very close to earth. If we go right through the middle of this interplanetary dust bunny, we could get an amazing meteor storm. If we just skim the edge, we could get a bump in activity but nothing special. And of course, we could miss it entirely. So, if you do decide to go out and watch for this, understand that you’re taking a chance. Don’t blame me for the lost sleep!

If you decide to try your luck, you should head to a dark location, as far from city light as is practical,  on Friday evening. The peak of the shower is forecast for 2 a.m. Winnipeg time, but we really don’t know whether it will start early or not. Bring a reclining lawn chair, a blanket, and whatever other creature comforts you will need – astronomy is not an aerobic activity, and you will get cold quickly in the night air. You do NOT need a telescope, since the meteors will be visible to the unaided eye. Besides, you don’t know exactly where each meteor will appear, and so you want as wide a field of view as you can get – your eyes are already perfect meteor observing gear. Set up facing away from the closest glow of lights near you, and just lean back and look up. The meteors should appear to be coming roughly from the north, in the region below the North Star and to the right of the Big Dipper, but they will arc all around the sky.

If you do observe, a simple count of meteors can help scientists understand this meteor shower and its parent comet better. Just record the time you start watching and the time you stop, and the number of meteors seen. Don’t pool your counts with other observers – each person should record their own count. Reports can be sent to the International Meteor Organization, who are collecting worldwide data on this new meteor shower.

If you have a digital camera, you can try taking pictures of the meteors as well. You’ll need to set your camera on “Manual” and adjust the exposure time to as long as you can – usually 15 or 30 seconds (consult your camera’s manual for details on how to do this). Ideally, you would put your camera on a tripod, but I’ve also just placed it on the grass facing upwards (be careful not to scratch the screen!). Make sure you turn the flash off, since it won’t help the picture and will spoil your night vision. Press the button, and wait. You will take a lot of pictures without meteors in them, but eventually there will be a meteor visible while your camera is exposing. It’s that simple!

We’d love to hear your reports and see your pictures here – email them to me at skyinfo@manitobamuseum.ca or post them on our Facebook page!

Scott Young

Scott Young

Planetarium Astronomer

Scott is the Planetarium Astronomer at the Manitoba Museum, developing astronomy and science programs. He has been an informal science educator for thirty years, working in the planetarium and science centre field both at The Manitoba Museum and also at the Alice G. Wallace Planetarium in Fitchburg, Massachusetts. Scott is an active amateur astronomer and a past-President of the Royal Astronomical Society of Canada.

The Sutherland Violin

A violin with loose strings laid on its side against a cream coloured background.

This last winter I was pleased to receive a phone call informing me that the Sutherland family was interested in donating an artifact that had been in the family for 6 generations and had been in Manitoba most of that time. The Sutherland Violin, as we call it here at The Manitoba Museum, came with Alexander (Sodger) Sutherland in 1815 on his voyage from Scotland to the Red River Colony. Soon after his arrival he met and then married the famed Catherine McPherson, by all accounts a strong personality in the fledgling colony. While the instrument has been ensconced in Manitoba for almost two centuries, its earlier history is murky. Some preliminary views of the violin by expert luthiers suggest it may have either a Scottish or Saxon (German) origin. Certainly much can be read just by taking a very close look…

The Sutherland Violin. The strings have been loosened to relieve tension on the fragile front of the instrument. Copyright The Manitoba Museum.

Firstly, the violin has been played quite a bit. Looking at the pegs, we see the holes were worn out with tuning. They were filled and then re-drilled to produce a tighter fit. The pegs themselves are mismatched: two are ebony, one is pear wood, and the other is rosewood.

Secondly, the violin was at some point crushed. The top, a single piece of pine, was badly damaged and a repair was attempted but not well executed. The back of the violin was made with maple and is in excellent condition, nicely figured with “flames” or “curls” (the streaks of contrasting wood hues on the surface). Violins are all made with a combination of soft wood fronts and hard wood backs for the best combination of resonance and structural strength.

Finally, there are design elements of the violin that may help identify the original maker. The eye of the scroll, the length of the corners, and some asymmetry in the body and sound holes are all distinctive.

Close-up on the scroll and pegs of a violin.

Note filling in lower peg hole. Copyright The Manitoba Museum.

The back side of an orange-brown violin.

The back of the violin is a much brighter colour than the front. Copyright The Manitoba Museum

Close-up on one of the sound holes of a violin.

Sound hole and elongated corners. Copyright The Manitoba Museum.

The violin was “remodelled” in 1935 by John Smith of 617 Furby St., Winnipeg, who was a well respected luthier in his own right. His 100+ violins can today still be found in Europe and North America.

Our plan at this time is to introduce the violin in the Log Cabin Exhibit in our Grasslands Gallery. The Log Cabin provides a window into the conditions of daily life at Red River in the mid-19th century, and includes a number of original pieces. For instance, Catherine McPherson’s spinning wheel, evidently also brought from Scotland, is in the cabin. Wouldn’t it be entirely appropriate if her spinning wheel was reunited with her husband Alexander’s violin in the same home once again?

Dr. Roland Sawatzky

Dr. Roland Sawatzky

Curator of History

Roland Sawatzky joined The Manitoba Museum in 2011. He received his B.A. in Anthropology from the University of Winnipeg, M.A. in Anthropology from the University of South Carolina, and Ph.D. in Archaeology…
Meet Dr. Roland Sawatzky

We’re Back in the Rigging Again!

By Kathy Nanowin, past Manager of Conservation

 

Well, after thirteen years or so, the Museum’s conservators are back climbing in the Nonsuch rigging, in order to check and clean the lines, sails and masts. This is a very exciting development for Collections and Conservation.

A bit of background information – amendments to Manitoba’s Workplace Safety and Health regulations in 2002 resulted in stricter requirements for workers climbing at heights. The Nonsuch therefore had to be provided with fall arrest lines, in order that workers could safely climb up in the rigging. The Manitoba Museum worked for the next several years to design, cost and install appropriate safety lines from the gallery ceiling. Additionally, the staff who would be doing the climbing had to take Fall Arrest training; and the Museum had to have a written Safe Work Procedure detailing how the climbing will be done.

Finally, everything has been put in place, including the purchase of safety harnesses designed specifically for women, as the two conservators who will be climbing are both female.

Conservator Carolyn Sirett was the first to go up and look at how dusty the main yard and mainsail were (very dusty!). She then came back down and we decided that she could carry up the backpack vacuum that is normally used to clean on board the ship.

An individual in safety harness climbing the ratlines of a wooden sailing vessel (the Nonsuch) in full sail.

Carolyn on her first climb.

An individual in safety harness on one of the side rails of a wooden sailing vessel (the Nonsuch), preparing to climb up the ratlines with a backpack style vacuum cleaner.

Carolyn starts to climb with the vacuum.

An individual in safety harness part way up the ratlines of a wooden sailing vessel (the Nonsuch) with a backpack style vacuum cleaner held in front of them through the ratlines.

Here she is partway up the ratlines.

An individual in safety harness part way up the ratlines of a wooden sailing vessel (the Nonsuch) with a backpack style vacuum cleaner. They are reaching through the ratlines towards the mast with the vacuum hose.

Carolyn was able to vacuum most of the dust off the starboard side of the mainsail, main yard and the footropes on the main yard.

We will continue to climb up in the rigging as time allows. Mondays during winter hours are best, as it takes time to prepare – check harnesses, get supplies – and we can’t let any visitors on board while someone is working aloft. The Museum will soon be moving to summer hours, so after next week, the work will most likely stop until the fall.

In future, instead of hauling a vacuum up into the rigging, we will be using a converted central vacuum that belongs to the Planetarium/Science Centre. It has a 50-foot long hose, so only that will have to be carried up; it will be much easier.

 

Image: Vacuuming the main mast.

We will continue to clean off the Nonsuch rigging over the next fall/winter season. Dust can be damaging as well as unsightly, so it should be removed whenever possible. I hope to post some before and after images that will really demonstrate how much dust we’ll be dealing with!

A Blog About a Bog (Diorama that is)

Bogs are fascinating habitats that contain many bizarre species of plants. In the Manitoba Museum’s Boreal Forest Gallery, we have a lovely diorama that depicts what a typical bog looks like. Recently an intern at the Museum, Jon Makar, prepared a report on some of the unusual plants depicted in this diorama. Here’s what he found out!

First off, what exactly is a bog? Bogs are formed when sedges, rushes, and Sphagnum mosses completely cover wetlands, eventually forming a floating mat of vegetation. Bogs are fed only by rainwater and are thus poor in nutrients. Bogs are also very acidic because Sphagnum produces acids as waste products; this makes the bog less suitable for other plants. The acidity of the water in bogs decreases the rate of decomposition, which results in a build up of “peat moss” over time.

A common woody species found in bogs is black spruce (Picea mariana). One reason black spruce can survive in bogs is due its symbioses with special mycorrhizal fungi. These fungi wrap around the tree roots and provide it with nutrients in exchange for carbohydrates. Minerals like magnesium, potassium, and calcium as well as phosphates and nitrates are some of the important nutrients that fungi obtain and share with the tree.

A diorama featuring plants and creatures commonly found in Manitoba bogs.

The Museum has a great bog diorama in the Boreal Forest Gallery.

A black spruce tree in a Manitoba Museum diorama with several bird specimens perched in it.

Black spruce (Picea mariana) trees are common in bogs.

An orange-red plant on a leaved ground, with leaves that are covered with long tentacles, each topped with a drop of clear, sticky mucilage.

Round-leaved sundew (Drosera rotundifolia) is one of the carnivorous plants that live in bogs. Sundews have unique leaves that are covered with long tentacles, each topped with a drop of clear, sticky mucilage. This mucilage is why sundews get their name, as it appears as if there is always dew on the leaves. When an insect lands on a leaf, it sticks to the tentacles. These tentacles are sensitive to motion and move towards the centre of the leaf upon being irritated. The tentacles wrap the insect up and immobilize it, where after, the glands on the tentacles, secrete enzymes which digest the insect. Studies show that carnivory in plants is an adaptation to low nitrogen environments, such as bogs.

 

Image: Round-leaved sundew (Drosera rotundifolia) plants eat bugs!

Orchids are another group of plants that can be found in the bog diorama; round-leaved orchid (Amerorchis rotundifolia), showy lady’s-slipper (Cypripedium reginae), yellow lady’s-slipper (Cypripedium parviflorum), and grass pink (Calopogon tuberosus) models were created by the Museum’s diorama artist. All orchids depend on insects for pollination. Lady’s-slipper orchids trap pollinators inside the “slipper” as the walls are-you guessed it-slippery, meaning the pollinator can’t climb out the way it came. A hairy strip at the back of the slipper gives the pollinator footing and allows it to escape through a back entrance, but only once it has brushed past the stigma, pollinating the flower if it had any pollen sacs attached to it. As the insect moves past the stigma it brushes past the anthers, causing new pollen sacs to stick to it and be taken to the next lady’s slipper.

This small round-leaved orchid (Amerorchis rotundifolia) model was made by the Museum’s diorama artist.

A small white and pink orchid in a diorama.

This small round-leaved orchid (Amerorchis rotundifolia) model was made by the Museum’s diorama artist.

Close-up of a yellow lady's slipped flower in a Museum diorama. A yellow and red iris-like plant with overlapping long, thin leaves wrapping around the stem.

Yellow lady’s-slipper orchids (Cypripedium parviflorum) trap insects in their slipper so they will pollinate them.

The dioramas at the Museum contain hundreds of fascinating plant species that are usually over shadowed by the large mammals. The bog diorama is an exception to this, focusing instead on the plants and tiny animals that are part of our boreal forests.

Dr. Diana Bizecki Robson

Dr. Diana Bizecki Robson

Curator of Botany

Dr. Bizecki Robson obtained a Master’s Degree in Plant Ecology at the University of Saskatchewan studying rare plants of the mixed grass prairies. After working as an environmental consultant and sessional lecturer…
Meet Dr. Bizecki Robson

We have a new treasure and an unsolved mystery in the Anthropology Department

By Maureen Matthews, past Curator of Cultural Anthropology 

We would love to know who made this beautiful beadwork. 

A few years ago, Mrs. Arlene Kolb purchased this beaded panel in the Value Village shop on Regent Street because she loves handmade things. “I feel that the people making these items were content and focused on what they were doing. They put the effort into making something special,” she told me. After a year of enjoying it, she brought it to the Museum and it happened that there were a couple of Manitoba’s finest beading experts in the museum, Dr. Sherry Farrel Racette of the University of Manitoba Native Studies Department and Jennine Krauchi, one of our foremost beadwork artists. They took one look at the colours, the size of the beads and the pattern and confidently dated it to the 1830s or earlier and were pretty sure it was a Metis woman who made it. The colours of beads and fabric changed after the 1850′s with the introduction of analine dyes. The telltale beads on this piece are are a muted pink, a colour they call greasy yellow and facetted metal beads all of which predate analine dyes. 

Close-up of colourful, floral beaded panel

Please share this blog post with anyone who might know about the history of this marvelous beadwork because we would like to re-establish its broken family ties. 

Norwegian Bear Fight: Folk Furniture of the 18th Century

The Manitoba Museum is in possession of a wonderfully decorated Norwegian pine cabinet dated to the late 18th century. This cabinet will be on exhibit in our foyer from May 5 to November 2, 2014.

The cabinet has two sections: an upper cupboard and lower hutch, with a total of 3 doors. On these doors and around them the artist created a series of 10 panels to present us with a narrative of heroic deeds and haughty boasting. This story may represent a local folk tale or clan legend. After spending some time looking at these images I believe there may be two ways to view the story.

A two-level orange cabinet with two rows of five teal panels portraying the story.
  1. Left-to-right, top-to-bottom (like a comic strip):

    A young man is confronted by a bear and enters into hand-to-hand combat. Not surprisingly, the man vanquishes the bear. He then boasts of his prowess to a young lady, who gives him berries. In the lower portion he carries home and then displays the bear skin, and then again boasts in front of a crowd. The church may represent a wedding to the girl or the righteousness of the man.

  2. Bottom-to-top:

    A young man has acquired a bearskin and then sits in his parlour composing a story about his acquisition. He smokes a pipe, symbolizing inspiration or storytelling. In the next panel to the right he boasts to a crowd while still smoking his pipe and pointing upward (notice how he is twice as large as everyone else – The Big Man).  Above we witness his story – each panel in the top portion has a small grey flame at the bottom. Is this the fire-smoke of his imagination? He tells the tale of the bear fight and for some reason he meets a girl at the end who hands him some berries.

A cabinet of this size and with such high-quality painted details was likely the property of a landowning Norwegian family. The written reference to a married couple and their farm (or village) at the top of the cabinet suggests that it was built for their home, and possibly for the occasion of their marriage.

“Halvord Gulliksen og Marit Arnes Datter Lundem”

Norwegians of the 18th century were identified by their first names and patronymic (father’s name). Sometimes they also added the name of their village or farm. Surnames as we know them were only introduced in 1923. The script written at the top of the cupboard would translate as: “Halvord Gulliksen (son of Gullik) and Marit Arnes Datter (daughter of Arnes), at Lundem.” Halvord and Marit were probably the original owners of the cupboard.

This rare and splendid example of European folk furniture was donated by George and Tannis Richardson, generous supporters of The Manitoba Museum. Mr. Richardson is a Founding Member of the Museum.

Dr. Roland Sawatzky

Dr. Roland Sawatzky

Curator of History

Roland Sawatzky joined The Manitoba Museum in 2011. He received his B.A. in Anthropology from the University of Winnipeg, M.A. in Anthropology from the University of South Carolina, and Ph.D. in Archaeology…
Meet Dr. Roland Sawatzky