Looking up at a blue sky through a canopy of green-leaved trees.

Tree Tales: Canada’s Threatened Trees

Tree Tales: Canada’s Threatened Trees

Canada’s trees have developed some resistance to native diseases and insect pests. However, climate change has been facilitating more forest damage. For example, the native Mountain Pine Beetle (Dendroctonus ponderosae) used to be held in check because it was killed by extremely cold winter temperatures, which occur less frequently now than they used to. Additionally, in the last 125 years, the importation of live trees and untreated wood from other continents has brought in many pests that now threaten not just urban trees, but the integrity and survival of our wild forests as we know them. Likewise, the accidental importation of North American diseases and pests, such as the Pinewood Nematode (Bursaphelenchus xylophilus), threatens forests on other continents. The stories of just three threatened Canadian tree species are recounted below.

American Chestnut

(Castanea dentata)

Two brown dried chestnut leaves and small brown spiky fruits in a specimen box.

In the hardwood forests of eastern Canada and the United States, massive 35-m tall American Chestnut trees once grew. They were an excellent source of timber and produced edible nuts enjoyed by both people and wildlife. In some areas it was estimated that one of every four trees was a chestnut. Then, in 1904, the New York Zoo brought in livestock of Japanese Chestnut (Castanea crenata) trees that were infected with the fungus known as Chestnut Blight (Cryphonectria parasitica). This fungus damages the cells that transport water and sugar through the trees, eventually causing them to starve to death. The spectacular American Chestnuts had no natural resistance, unlike Asian chestnuts, and the disease quickly spread. By the 1940’s, four billion chestnut trees were dead, and their niches became occupied by other trees such as maples (Acer spp.) and oaks (Quercus spp.). American Chestnut still survives as a shrub sprouting from old roots but eventually all individuals succumb to the disease. In Canada, it is endangered and protected by the Species-at-Risk Act, 2002. However, there may be a way to bring this species back using modern technology: trees that appear to be blight-resistant have been bred by inserting a novel gene from wheat.

American Chestnut leaves and fruits from the Manitoba Museum’s collection. MM F-38.

American Elm

(Ulmus americana)

View looking out over a valley filled with green-leaved trees.

The beautiful fan-shaped American Elm tree became one of the most popular urban trees in North America; in the city of Winnipeg alone, there are more than a quarter of a million. These trees are also common in the wild, growing in hardwood and mixedwood forests along with poplars (Populus spp.), ashes (Fraxinus spp.), Manitoba maples (Acer negundo) and spruces (Picea spp.). In 1928 elm wood containing spores of Dutch Elm Disease (DED) (Ophiostoma novo-ulmi), a type of fungus, arrived in untreated wood destined for the furniture industry in Ohio. The fungus was spread by both native and introduced bark beetles, which tunnel under the bark of elm trees. By 1989, the fungus had destroyed 75% of all North American urban trees. DED reached Manitoba in 1975 but summer pruning bans, prompt removal of infected trees, prohibition of elm firewood transportation and treatment with pesticides and a vaccine helped Winnipeg protect its trees. Winnipeg is now the home of the largest surviving urban elm forest. However, unless these efforts are sustained, losses will mount and more trees will die.

 

 

The beautiful Pembina Valley is full of wild American Elm and ash trees.

Ash

(Fraxinus spp.)

Close-up on a young, green branch with small green leaves.

As DED began decimating North America’s elms, many communities began planting Green (Fraxinus pennsylvanica) and Black Ash (F. nigra) instead. However, these species are now threatened (Black ash was place on Canada’s endangered species list in 2018) due to the accidental importation of pests from other continents in untreated wood products (sound familiar?). The Emerald Ash Borer (Agrilus planipennis) arrived in Michigan from Asia in the early 1990’s, and was first sighted in Manitoba in 2017. This beetle feeds on the inner bark of a tree, eventually strangling it. Another pest, the Cottony Ash Psyllid (Psyllopsis discrepans), a type of jumping tree louse, was introduced from Europe, arriving in Winnipeg in 2017. The Psyllid damages the leaves of ash trees rather than the bark. This double whammy of pests will likely kill most of Winnipeg’s ash trees in the next decade and forever alter our wild ash forests. The negative impact on wildlife that rely on ash trees for food and shelter will be huge. Fortunately, some individual trees appear to be more resistant to the Emerald Ash Borer, and can help us breed insect-resistant stock.

Manitoba’s Green Ash is being decimated by the introduced Emerald Ash Borer.

How to Save a (Trees’) Life

There are many things we can do to help protect our trees.

1. Slow the Spread
Follow all biosafety protocols regarding importation of any plant or plant product. Buying locally grown trees and nursery plants, and locally produced wood mulch rather than imported products is the safest option. Consider buying and refinishing antique furniture, and using reclaimed or recycled wood for woodworking and construction projects instead of new wood. To be safe, don’t transport ANY firewood; burn local wood only.

Two different looking trees growing next to each other in sandy soil. On the left is a yellow-leaves tree with light bark on the trunk. On the right is a bushy green conifer tree.

2. Reduce the density
Planting monocultures of the same species may look nice (I love those green elm tree “tunnels” as much as the next person), but it is a recipe for disaster. Planting a greater diversity of tree species lets them “socially distance” from one another, reducing the likelihood of disease transmission and catastrophic tree losses within a short period of time. If you lose a tree in your yard, replace it with a different species than the ones surrounding it.

Image: Planting more poplar (Populus spp.) (left) and pine (Pinus spp.) (right) trees will increase the diversity of our urban forests.

 

3. Improve tree health
Remember to prune trees properly when they need it, adhering to any relevant pruning bans. If you don’t know what you’re doing, contact a professional arborist (tree doctor) for help. Regular watering of young or vulnerable trees, and banding trees to reduce cankerworm infestations will also help your trees stay healthy.

4. Support scientific research
Scientific research that was started 43-years ago at an arboretum at Penn State may hold the key to saving ash trees as some appear to have natural resistance and can be used for breeding resistant stock. In Canada, the University of Guelph has been leading a breeding program for DED-resistant American Elm trees. The National Tree Seed Centre in Fredericton, New Brunswick stores seeds of Canada’s native trees, which can be used to breed resistant plants. In fact, the public is being encouraged to collect and send them wild ash seeds for their seed bank. But public support for research that doesn’t appear to offer any immediate benefit, is not always forthcoming. Real life is not like a Hollywood movie; scientists can’t conjure up cures to diseases overnight. It takes years of research to come up with solutions to new problems. Let your political representatives know you support publicly-funded science.

Trees provide us with so much-oxygen, shade, beauty, wildlife to admire and even food-that we need to give something back. You can report sick trees in Winnipeg by calling 311, the Canadian Food Inspection Agency or the Emerald Ash Borer hotline at 1-866-463-6017. If you lost a tree to disease or the tree-pocalypse storm in October 2019, consider planting a new one as soon as you can. Many Winnipeg greenhouses will even deliver plants right to your door this year. If you would like to see a tree planted on a city-owned boulevard or park, you can ask the city of Winnipeg to plant one. Remember the best time to plant a tree was 20 years ago. The second-best time is now. Enjoy your neighborhood trees this spring!

Dr. Diana Bizecki Robson

Dr. Diana Bizecki Robson

Curator of Botany

Dr. Bizecki Robson obtained a Master’s Degree in Plant Ecology at the University of Saskatchewan studying rare plants of the mixed grass prairies. After working as an environmental consultant and sessional lecturer…
Meet Dr. Bizecki Robson

Revamping Madam Taro’s Room

With changes happening throughout the museum, we sometimes find opportunities to update existing exhibits and breathe new life into old favourites. Last spring, when our temporary exhibition about the Winnipeg General Strike, Strike 1919: Divided City, was installed in our Urban Gallery and the entire gallery received beautiful, new mannequins, I jumped at the chance to revamp one of my favourite exhibits – Madam Taro’s room.

Looking down onto the surface of a table where four tarot cards are laid out surrounding a face-down deck: the Emperor, the High Priestess, the Lovers, and Temperance. At the bottom a hand holds a yet-to-be-placed card: the Tower. To the right of the cards is a small ashtray and cigarette holder.

Depending on who you talk to, Madam Taro is a mysterious fortune teller from the old country or a woman earning her living working in the oldest profession. I’m inclined to believe the latter, but I appreciate her ingenuity in maintaining a ruse for decency’s sake. In a nod to her name, we swapped out her “crystal ball” (a glass orb) for a set of tarot cards we have in our collection, a reprint of a tarot deck from 1910, so they fit our time period perfectly. We laid the cards out as if she’s giving a reading, with her ashtray and cigarette holder at hand. We also added a decanter and glasses, in case any of her gentleman callers fancy a drink.

 

Madam Taro is ready to read your tarot card. Image: © Manitoba Museum, H9-30-731

From there, I decided which pieces should be removed from the room; some based on aesthetics (or the vibe, for my younger readers), others because they weren’t in keeping with the time period. We kept the majority of the furniture and bedding in the exhibit, but put most of the “dressings” like pictures, doilies, garments, and knickknacks back into storage. In their place, I wanted to feature objects that one might find in a woman’s bedroom – make up, nail polish, brushes, hairpins, perfumes, and powders. Thankfully, our collection is chockful of beautiful examples of personal care items from the early 20th century, so I had a lot of selection. The existing wardrobe is staged with the door ajar to give visitors a peek at some clothing, shoes, and accessories from our collection.

A wood dressing table with three levels. Each has a doily on it and various personal items including make up, a brush, perfume, and a jewelry box.

Madam Taro’s dressing table adorned with her personal items. Image: © Manitoba Museum

Close up view at a portion of a dressing table. Laid out on a daily are a hairbrush, comb, and hair-pick, as well as several creams and powders.

Close-up of Madam Taro’s personal items. Image: © Manitoba Museum

The main decorative addition to the space is the group of hand fans our talented conservator mounted and hung on the wall as art. This feature complements an existing parasol, feather boa, and astrological chart already decorating the room. We also added a gramophone to the space, along with a few records – and even though you can’t read the labels from the door, I made sure to pick records of the period: for instance, foxtrots by Coleman’s Orchestra, “I’m Coming Back to Dixie and You” by the Peerless Quartet, and “In the Hills of Old Kentucky” by Campbell and Burr.

The less romantic but essential elements of the space include a pitcher and basin for Madam Taro to use for washing up or bathing, and finally, the all-important chamber pot tucked under her nightstand. Her room may have included shared washroom and toilet facilities if any at all, so the chamber pot would come in handy for middle of the night relief.

The most striking change in this exhibit is the new Madam Taro; instead of faceless forms, our new mannequins are lifelike, lending to the story of each exhibit. In this case, we wanted a mannequin who was culturally ambiguous and slightly older, someone who has worked long enough to establish herself and afford the “luxuries” I wanted to showcase in her room. Selecting a head made me feel like I was Princess Mombi in the movie Return to Oz, to be honest! The face we chose has a sympathetic expression with eyes that I feel have a bit of sadness behind them – or like she’s tired after a long day at…the office.

All of these elements – the artifacts, the new mannequin, the staging – work together to create a narrative of a woman working and living in Winnipeg in the 1920s.  Next time you’re visiting the Manitoba Museum, make sure you stop by Madam Taro’s for a reading…and maybe more!

The new mannequin helps to give Madam Taro her personality and enliven the exhibit. Image: © Manitoba Museum
A bedroom. A mannequin of a woman from behind wearing a robe and ruff is seated at a small table with tarot cards laid out on it near a bay window. On the right side of the room is a small neatly-made bed with a quilt folded along the foot. A wardrobe is in the corner across from the centre of frame.
Cortney Pachet

Cortney Pachet

Collections Technician – Human History

Cortney Pachet started working at the Manitoba Museum in 2001 as a tour guide while earning her a BA (Honours) from the University of Winnipeg. She quickly realized that she wanted a career in museums…
Meet Cortney Pachet

What Season is This Again?

By Science Communicator Claire Woodbury

Welcome to spring! Or at least it’s supposed to be… astronomers tell us that spring in the northern hemisphere began on March 19, but with all this snow, it looks more like Winter 2.0. Why do seasons on the calendar not quite match up with seasons in the weather and why are we colder in winter anyway?

You probably know that the earth’s revolution around the sun causes the seasons. So here’s a question for everyone, when it’s winter in Manitoba, where is the earth in relation to the sun? Is it closer to the sun or farther away?

During a Manitoba winter, the earth is actually closer to the sun then in summer! Whaaaaat!? It is a common misconception that the earth is farther away from the sun in winter and closer to the sun in summer.

How does it work then? Well, it’s not about whether a planet is closer or farther from the sun, but whether it is tilted away or towards the sun.

A graphic demonstrating how the tilted axis of the Earth affect the seasons as it orbits the Sun.

The Earth is spinning on its axis, kind of like a top or a Beyblade. But it’s not spinning directly “up and down” relative to its orbit around the sun: it’s on a slight angle, about 23.5°. This means that as Earth travels around the sun, one hemisphere is tilted towards the sun while the other is tilted away.

In the summer the Northern Hemisphere is tilted towards the sun and receives more sunlight directly.

The sun’s rays are a form of energy that provides us with light and heat. The direct line of the sun during summer gives us optimal growing conditions with lots of light and heat. Plants need sunlight in order to create their food as well as warm temperatures so they don’t freeze. And in turn animals have food to eat and habitat to live in. (And humans get to hit the beach) Along with that light and heat there is also energy we can’t see in the form of ultraviolet radiation. This kind of energy is what causes people to get a suntan or burn.

In the winter, the Northern Hemisphere is tilted away from the sun, so it receives sunlight less directly. We get colder temperatures and less U.V. radiation. While the Northern hemisphere is experiencing winter, the southern hemisphere is experiencing summer and vice versa. If you live near the equator, you’re pretty much experiencing direct sunlight all year round and so have more stable warm temperatures.

Image: NASA

This brings us back to our question, when does winter stop and start anyway?

The calendar says winter starts around December 21, the winter solstice. The winter solstice is when we have the least amount of daylight and therefore the shortest “day”. We get a short day because we are angled the farthest from the sun and the sun appears very low in the sky for only a few hours.

Here in Manitoba it feels like winter starts in October and goes through to March (or even to May!) Depending on where you live, the coldest part of the year doesn’t always fall directly when astronomical “winter” falls on the calendar. That’s because the calendars we use today are based on ones made in ancient Rome, which is surrounded by water. Water absorbs a lot of heat and releases it slowly, keeping temperatures very mild. In ancient Rome, the coldest part of the year really didn’t start until the Winter Solstice. Here in Manitoba we don’t have the moderating effect of the Mediterranean Sea, so we usually have more extreme differences between summer and winter.

For more fun with seasons see “Why Seasons Make No Sense” from PBS on YouTube:

To see what stars and planets are up in the sky during each season see the Astronomy blog for monthly Manitoba Skies updates.

Satellites in a Train

Winnipeg residents have been reporting some unusual sightings in the night sky over the past few days. Bright star-like objects have been seen moving across the sky, following each other in a train. Sometimes half a dozen or more of them are visible at the same time. What are these?

Unfortunately, they won’t be “unusual” for very long. These are the StarLink satellites, launched by Elon Musk’s Space-X to deliver internet to remote corners of the globe. 60 satellites at a time are put up by the company’s Falcon-9 rocket, and they slowly spread out in a circle around the earth. For the first couple of weeks after launch, they are relatively close together, and all appear to travel in the same path across the sky. As of today, there are 362 of these satellites, but the plan is for 12,000 of them. As in, twice as many satellites as the number of stars you could see from a perfectly dark location.

And did we mention that each one is one of the brightest objects in the sky? They shine at about magnitude 1 or brighter, which means they’re brighter than the stars of the Big Dipper and as bright as the brighter stars. Only the planets and the moon, and maybe a few stars, will outshine a StarLink satellite.

It’s pretty easy to spot these satellites when they happen to be going over your town. Visit www.heavens-above.com and set it to your location, and you’ll get a list of all of the satellites visible that night. StarLink will make up a big chunk of that list. For example, from Winnipeg between 9:25 pm and 9:45 pm on Monday night, March 30, there will be 44 StarLink satellites visible (plus a few other satellites). The sky is getting to be a busy place!

StarLink has brought criticism from astronomers, who are already finding interference with the satellites getting into their field-of-view while trying to do science. Those concerned with the amount of space junk in orbit are also concerned, as none of these satellites has a re-entry plan and will just stay up there, cluttering orbit and posing a risk to any other satellites launched, including any attempts to send robots or humans to the other planets. We’re basically building a cage around the Earth, with StarLink satellites as the bars.

Scott Young

Scott Young

Planetarium Astronomer

Scott is the Planetarium Astronomer at the Manitoba Museum, developing astronomy and science programs. He has been an informal science educator for thirty years, working in the planetarium and science centre field both at The Manitoba Museum and also at the Alice G. Wallace Planetarium in Fitchburg, Massachusetts. Scott is an active amateur astronomer and a past-President of the Royal Astronomical Society of Canada.

Fowlie Collection Homecoming

Throughout its history, the Hudson’s Bay Company had a tradition of recruiting young men from Scotland to serve as clerks, traders, and labourers in its North American posts, offering both adventure and security of employment. Housing and basic needs were covered, but luxuries like sugar, tea, tobacco, and brandy were bought from the post by the men themselves and deducted from their wages. Commerce didn’t stop at the four walls of the post; these men frequently acquired handmade objects from Indigenous women in the communities they lived in, both for their personal use and to send home as gifts for loved ones. Since arriving at the Manitoba Museum, the Hudson’s Bay Company Museum Collection has received donations of these objects from former HBC employees and their descendants, highlighting the skilled work of Indigenous women across Canada. By and large, unfortunately, we lack information on these artisans and turn to our collection for answers – using other objects with similar breading or embroidery styles and techniques that have more robust records, we can often identify which cultures or communities may have produced specific objects.

In the summer of 2018, we received a package from Scotland, full of objects, photographs, and documents that told the story of an HBC employee in northern Manitoba in the 1920s. By the 1920s, HBC was more rigorous in their recruiting process. As opposed to “just showing up” like days of yore, men needed to present personal and professional references and pass a physical examination before being offered a contract. Our new acquisition had all these documents and more…but who was this intrepid young Scot that sailed across the Atlantic to the unknown?

Sephia-toned photograph of a man seated outside, leaning against a building with his legs drawn up, with a pipe in his mouth.

Born May 25, 1902 in Aberdeen, Scotland, George Fowlie lost his father at a young age. After finishing school at Robert Gordon’s College in 1917, he worked at North of Scotland and Town & Country Bank. In 1923, when he entered into service on a five-year contract with the Hudson’s Bay Company as an apprentice clerk at York Factory in HBC’s Nelson River District. We have no concrete evidence as to why Fowlie decided to join HBC or leave the bank; his references were glowing- but his daughter suggested that he was single and looking for adventure. Fowlie made the most of his time at York Factory. He traded his desk job for a cariole and dog whip as Fowlie worked with dog sled teams, creating strong bonds with his canine colleagues. He also formed a tight knit community with his fellow Scotsmen, enjoying music played on the gramophone and partaking in the culture of York Factory, which include socializing and working with the Indigenous community in the area.

 

George Fowlie in York Factory. Image: © Manitoba Museum, HBC 018-84

Fowlie documented his experiences and the people at York Factory through photography, including his work mates, his dogs, himself playing with local children and sharing a laugh with young women in front of the Anglican Church.

These candid images of HBC employees, local Indigenous peoples and the buildings and landscape also give us a rare glimpse at HBC’s working class and a real idea of what life was like for the community at York Factory.

Three men and a child sit outdoors against the outer wall of a building, wearing hats and coats, along with three seated dogs.

George Fowlie and friends with his canine companions, York Factory. Image: © Manitoba Museum, HBC 018-76

Sepia-toned photograph of a group of men and women standing outside of a wooden church building. The women are wearing light coloured dresses and hats, and the men are wearing suits and hats. A few in the group are smiling or laughing.

A gathering outside the Anglican church in York Factory. Image: © Manitoba Museum, HBC 018-107

A sepia toned photograph of three men and a child smiling at the camera. They are standing indoors, with shelves stocked with supplies behind them, and a laundry line of mitts, boot liners, and other clothing items hanging from the ceiling above them.

George Folwie and colleagues, York Factory. Image: © Manitoba Museum, HBC 018-76

Fowlie also carefully preserved the beloved handmade objects he likely acquired from Cree or Métis women during his tenure at the post –some that he used in his everyday life such as moccasins and gauntlet gloves and some that he sent back to Scotland as gifts for his mother, a number of wall pockets and a beaded belt.

An intricately beaded belt with a light coloured base and colourful beaded flowers.

Beaded belt. Image: © Manitoba Museum, HBC 018-28

An embroidered wall pocket with dark green edging and colourful floral embroidery on the tan hide of the middle portions.

Embroidered wall pocket. Image: © Manitoba Museum, HBC 018-33

A pair of worn light tan gauntlet gloves with flower and berry beadwork on the backs of the hand and wrist portion, and a fringe along the outside of the wrist.

Gauntlet gloves. Image: © Manitoba Museum, HBC 018-25

Upon leaving the HBC, Fowlie returned to Scotland and worked as a chauffeur until WWII. Following his service in WWII as clerk in the Royal Air Force, he married Madge Briggs and had daughter Marjorie in 1947. When Fowlie passed away in 1985, his HBC collection was passed down to Marjorie, who appreciated the historical significance of her father’s objects. She decided to donate the collection to the Manitoba Museum, but not before making a quick stop on Antiques Roadshow to showcase these beautiful pieces, and allowing them to be researched and exhibited by the University of Aberdeen. Thanks to George Fowlie and his family’s care, these objects have officially made their Manitoba homecoming.

Cortney Pachet

Cortney Pachet

Collections Technician – Human History

Cortney Pachet started working at the Manitoba Museum in 2001 as a tour guide while earning her a BA (Honours) from the University of Winnipeg. She quickly realized that she wanted a career in museums…
Meet Cortney Pachet

If a Tree Falls in the Forest

An orange mushroom growing in dark damp earth near sticks, pinecones, and rotting leaves.

We humans tend to think that diseases affect only animals but plants suffer from them as well. Diseases are caused by microscopic animals (like parasitic worms), fungi, bacteria and viruses and they affect animals, plants, fungi and even some species of bacteria (viruses that infect bacteria are called bacteriophages). But it’s not just microorganisms that parasitize species; larger organisms do too. Some fungi are parasites of other fungi and some plants are parasites of other plants. One good example that you may have encountered while going for a walk in the woods is the Lobster Mushroom (Hypomyces lactifluorum). This species of fungus parasitizes other fungi, often the mushrooms of milk-caps (e.g. Lactarius), distorting the shape and resulting in the bright orange colour. Although some people enjoy eating these mushrooms, they could be poisonous if the mushroom that was parasitized was poisonous.

 

Fungi are sometimes infected by fungal diseases. This is a mushroom cap infected by the fungal parasite Hypomyces lactifluorum. You might recognize it by its common name: Lobster mushroom. Source: Wikimedia Commons

Small, green broom-shaped growth on a section of bark.

Another common parasite you may have encountered is Dwarf Mistletoe (Arceuthobium spp.). Mistletoes parasitize trees such as white spruce (Picea glauca), causing strange broom-shaped branches, often called “witches-brooms”. Mistletoes are actually flowering plants that cannot photosynthesize. Instead, they have modified roots that can tap into the vascular systems of other plants to steal their sap. To disperse their seeds, the fruits build up hydrostatic pressure, and then shoot the seeds into the air at speeds of up to a spectacular 80 km per hour! The seeds are covered in a gluey substance, which helps them stick to the bark of trees. The germinating seed sends its roots into the tree bark instead of the soil.

 

Dwarf mistletoe (Arceuthobium americanum) is a plant parasite on trees like white spruce (Picea glauca). Source: Wikimedia Commons, J. Schmidt 1977

Parasites and diseases are what population ecologists call density-dependent causes of mortality; factors that only affect an individuals’ survival when populations are at high densities. Other density-dependent factors affecting plant survival include: competition for resources, such as water, light and soil minerals, and intense herbivory (usually by insects). In general, density-dependent causes of mortality are biotic, that is, caused by other organisms. Density-independent factors of mortality are usually abiotic (not alive) or environmental: forest fires, drought and volcanic eruptions that bury vegetation in lava are a few examples.

There are plenty of plant parasites and diseases that evolved right here in North America. However, most native plants have evolved methods to resist these organisms to some degree so it is not always fatal to the plant, unless it is in a weakened state. During droughts for example, trees are much more likely to die of a disease. Since the colonization of North America occurred, species of diseases that were not native to this continent have been accidentally introduced, typically with dire consequences. In my next blog, I will be discussing how three species of native Canadian trees (American Chestnut, American Elm, and Green Ash) are being negatively impacted by introduced diseases, and how we can change our behaviour to protect our forests, both wild and urban.

Dr. Diana Bizecki Robson

Dr. Diana Bizecki Robson

Curator of Botany

Dr. Bizecki Robson obtained a Master’s Degree in Plant Ecology at the University of Saskatchewan studying rare plants of the mixed grass prairies. After working as an environmental consultant and sessional lecturer…
Meet Dr. Bizecki Robson

A Brief History of Indigenous Agriculture 

One of the most significant contributions that America’s Indigenous peoples have made is with respect to agriculture. Many of our most beloved foods (e.g. chocolate, potatoes, corn) are native to the Americas, being initially cultivated or domesticated by Indigenous farmers. 

A dark brown branch covered in small white buds on little green stalks.

These flowers will produce cacao “beans” which are used to make one of the world’s most loved foods: chocolate (Theobroma cacao)! 

Ancient Agriculture 

Indigenous agriculture has a long history with the most recent archaeological evidence suggesting it has been practiced in the Americas for at least 10,000 years, almost the same time length of time as in the Fertile Crescent of the Middle East. There were five agricultural centers of origin (i.e. places where multiple species were cultivated or domesticated) in the Americas: three in South America and one each in Central and North America. 

Crop plants cultivated or domesticated in the Americas by Indigenous peoples. 

Cereals & pseudo-cereals: Amaranth, chia, goosefoot, knotweed, little barley, maize (corn), maygrass, quinoa, sunflower and wild rice. 

Legumes & nuts: American chestnut, black walnut, Brazil nut, cashew, common beans (green, black, pinto, navy, etc.), hickory, lima beans, peanut, pecan, scarlet runner beans and tepary bean 

Roots & tubers: Arrachacha, arrowroot, camas root, cassava, hopniss, jicama, leren, mashua, oca, potatoes,  sunroot, sweet potato and yacón 

 Fruits: Acai, avocado, blueberry, chayote, cherimoya, cranberry, feijoa, guava, huckleberry, papaya, passionfruit, peppers, persimmon, pineapple, prickly pear, raspberry, squash,  strawberry, tomato and tomatillo 

Spices, beverages & flavours: Achiote, chicle, chocolate, coca, maple, tobacco,  vanilla and yerba mate 

 The Andes was where the earliest American crops (e.g. potatoes (Solanum spp.) were domesticated, about 10,000 years ago. Corn (Zea mays) and squash (Cucurbita spp.) domestication began in Central America 8,700 years ago and beans (Phaseolus spp.) shortly after. In the eastern U.S., agriculture was being practiced 3,800 years ago. 

A low-growing cactus on sandy ground with lots of prickly “pear-shaped” leaves.

 Prickly pear cactus (Opuntia) produces an edible fruit. 

Spread of Indigenous Crops 

Crops that were part of the “Eastern Agricultural Complex” in the southeastern U.S. included a variety of nutritious seed plants such as sunflower (Helianthus annuus), goosefoot (Chenopodium berlandieri), bottle gourd (Lagenaria siceraria), marshelder (Iva annua), little barley (Hordeum pusillum) and squash (Cucurbita pepo). Other domesticates that followed include ragweed (Ambrosia trifida), pigweed (Amaranthus spp.), and knotweed (Polygonum spp.).  After ~200 BCE  (before common era) corn, beans and squash from Mexico were brought to this region, and cold-tolerant varieties (e.g. Northern Flint) bred. The productivity of corn was so high that the traditional seed crops fell out of favour and were gradually abandoned. Sunflowers and squash are the only crop plants left from the original Eastern Agricultural Complex that are still grown today. The other species have largely reverted to their wild state. Some of these species are considered “weeds” in croplands today even though they are still edible. 

Looking out over a sunflower field on a sunny day.

Sunflower (Helianthus annuus) is one of the only crop plants from the “Eastern Agricultural Complex” that became a modern crop plant. 

Agriculture Spreads to the Northern Plains 

Most people are surprised to find out that Indigenous people were practicing agriculture in the Dakotas and Manitoba in the early 1400’s. In 1986, Manitoba Museum Curator Dr. Leigh Syms unearthed evidence that corn, beans, squash and sunflowers were being grown as far north as Lockport during that time (Learn more).  These three plants were traditionally grown close together, with the beans climbing up the corn stalks and the squash helping suppress weeds (Wilson 1987). Raising plants in this manner improved the fertility of the soil as beans harbour special bacteria that turn gaseous nitrogen into a form available to all plants (ammonium or nitrate). Together, these three plants were the foundation of a healthy, vegetarian Indigenous diet. Sunflowers, often called the fourth sister, were typically grown along the edges of Indigenous fields, and provided an additional source of fat and protein (Wilson 1987).  Climatic changes which resulted in a shorter growing season, and population losses due to diseases introduced after European contact in 1492, may have resulted in the abandonment of the cropland in Manitoba. 

Cleared spot of land in front of higher growing plants. Small mounds of dirt have been built up with plants growing from the top.

The three sisters-corn, bean and squash-were typically grown together in Indigenous fields. 

Columbian Exchange 

After Europeans arrived in the Americas, crops from Eurasia (e.g. wheat, barley, oats) were brought here while American crop plants were transported to Africa, Asia and Europe; this process was known as the Columbian Exchange. Sometimes the new American foods were embraced readily (e.g. beans) but others were not, particularly those in the nightshade family (e.g. tomatoes, potatoes and peppers). In Europe, nightshade plants are mainly poisonous rather than edible, so people were suspicious of them. In France, people initially rejected the potato (they thought it caused leprosy) but King Louis the 16th was convinced by the agronomist Antoine Parmentier that it was a good food plant to grow. Apparently, Parmentier had potatoes planted in the Kings’ gardens and then set guards around them to prevent thefts (although the guards were told to accept bribes). This reverse psychology apparently worked and after some people got their hands on the potato, its cultivation spread. Many American crops are now an integral part of European, African and Asian food culture. However, introduction of these new foods did cause some problems. 

View over an agriculture field with rows of low-growing green plants.

Potatoes (Solanum tuberosum), like the ones growing in this Manitoba field, are now the world’s most popular vegetable. 

The Importance of Indigenous Food Culture 

The knowledge of how to prepare American foods did not always accompany the food, possibly because Europeans of that time period were generally disdainful of Indigenous knowledge, customs and food culture. Unfortunately, this attitude ended up causing a lot of unnecessary deaths. 

People in warmer parts of Europe and Africa readily adopted corn because it was so much more productive than other crops. But after doing so, a strange new disease began affecting poor people who were relying mainly on corn for food. This disease is pellagra, a condition that causes dermatitis, diarrhea, dementia and eventually, after four or five years, death. Physicians were confused about this new diet-related disease because they noticed that even though Mexicans ate a lot of corn, they rarely got pellagra. The answer to this puzzle was in Indigenous food culture. Corn was often softened by soaking it in an alkaline solution. This softened corn, known as hominy, is then eaten as is, or dried and ground to make masa, the flour used to make tortillas and tamales, among other things. This process, known as nixtimilization, increases the bioavailability of niacin (vitamin B3) and tryptophan in corn. Pellagra is caused by a deficiency in niacin and tryptophan in the diet. In Europe, Asia, Africa and, even among poor, non-Indigenous people in the southern U.S. , people were just drying the corn, grinding it up and cooking it in dishes like cornbread or polenta. Eaten in this manner, with no other foods containing niacin in the diet, pellagra is the result. Another aspect of Indigenous food culture that was not taken to heart was the custom of eating corn with niacin-containing beans, resulting in a balanced diet. 

 

View over a corn field on a sunny day.

Eating in the Indigenous manner, either nixtamilized or with beans, corn can be the basis of a nutritious vegetarian diet. 

Food Culture and Reconciliation 

Racism, and the intellectual and cultural arrogance that accompanies it, has caused tremendous human suffering. Colonization and the discouragement of traditional Indigenous agricultural practices and cooking, resulted in the near loss of ancient varieties of crop plants such as quinoa, as well as the memory of how these foods should be grown and prepared. It is heartening to see Indigenous peoples embracing their gastronomic legacy by planting Three Sisters gardens, writing cookbooks featuring pre-colonial foods (e.g. The Sioux Chef’s Indigenous Kitchen, Cooking with the Wolfman, and tawâw) and opening innovative restaurants (e.g. Ishkode Indigenous Pop-up ). Part of reconciliation is simply accepting that Indigenous culture is valuable. Another part is supporting the efforts of Indigenous peoples in keeping their culture alive. Food has a way of bringing people together so maybe the path forward is to sit down and share a meal together. 

Reference 

Wilson, G. 1987. Buffalo Bird Woman’s Garden: Agriculture of the Hidatsa Indians. Minnesota Historical Society Press, MN. 

Dr. Diana Bizecki Robson

Dr. Diana Bizecki Robson

Curator of Botany

Dr. Bizecki Robson obtained a Master’s Degree in Plant Ecology at the University of Saskatchewan studying rare plants of the mixed grass prairies. After working as an environmental consultant and sessional lecturer…
Meet Dr. Bizecki-Robson

A total eclipse… of Mars?

This month brings skywatchers a rare sight: a total eclipse of the red planet Mars by our Moon. The event is visible across much of North America, and is the only event of its kind all year.

As the Moon orbits our planet, it gets in the way of all sorts of other celestial objects that are farther away. When the moon blocks out the sun, we call it a solar eclipse, but a more general term is occultation. (“Occult” means “hidden”, so it makes sense. One object is hiding another.) The moon occults dozens of stars every month, but it’s fairly rare that things line up just right so that the Moon occults a planet. This month, we’ll see the thin crescent Moon occult Mars, early on the morning of Tuesday, February 18th. Here’s how to spot it yourself.

First thing: this is an early morning event! You want to be outside and ready to watch by about 5:50 am Manitoba time. Find an observing spot that has a clear horizon to the southeast. The thin crescent moon and Mars will be right beside each other, very low in the southeast. By this time, the sky is already starting to brighten with the first gleam of twilight, so you might have trouble seeing Mars clearly. Bring along a pair of binoculars or a telescope if you can.

As you watch, you will see two motions occur. First, everything will be slowly rising up higher into the southern sky. This is caused by the planet you’re standing on (earth, for most of us) rotating, and tilting the horizon “down” to uncover more of the sky. At the same time, Mars and the Moon will be getting closer together. This is almost all due to the Moon’s orbital motion around the earth; Mars is so far away in comparison that its motion really doesn’t matter much.

As the minutes tick by, the bright crescent of the moon will get closer and closer to Mars. Depending on the sky conditions and if you’re using any optical aid, you might lose track of Mars when it’s very close to the Moon. At some point, the moon’s edge will start to cover up Mars. Over the next 14 seconds, Mars will dim as it is slowly covered up, eventually disappearing completely behind the bright edge of the moon. Mars is in eclipse!

If you have a telescope, crank up the magnification as high as you can and you will be able to see Mars as a tiny disk, almost fully illuminated. At high power, you can watch the edge of the moon actually move across Mars over those 14 seconds. Eclipse should happen about 6:02 am Manitoba time, plus or minus a minute or so depending on where you are in the province.

Then it’s time to wait around for an hour or so, as the Moon continues its orbital motion and the earth continues its rotation. The moon will rise higher into the southern sky; the sky will brighten, and sunrise twilight will approach. But, about 7:19 am Manitoba time, Mars will begin to reappear from behind the dark edge of the moon, slowly fading in over the 14 seconds or so of the occultation.

If you have a telescope, you can probably take pictures of the event with your phone held up to the eyepiece. Post your images to the Manitoba Museum’s Facebook, Twitter, or Instagram accounts – we’d love to see them!

Scott Young

Scott Young

Planetarium Astronomer

Scott is the Planetarium Astronomer at the Manitoba Museum, developing astronomy and science programs. He has been an informal science educator for thirty years, working in the planetarium and science centre field both at The Manitoba Museum and also at the Alice G. Wallace Planetarium in Fitchburg, Massachusetts. Scott is an active amateur astronomer and a past-President of the Royal Astronomical Society of Canada.

Monumental Moves: Sweating over Big Artifacts (Part 2)

It’s time for the sweaty part of the blog – not the panicky sweating type of emotion I first experienced when large fragile artifacts were being transported all over the city – but literally sweaty in the sense that big artifacts get your muscles moving prepping them for exhibition. Our first workout began after the stained glass window was delivered to Prairie Studio Glass for its complete restoration. Prairie Studio undertook the joyful task of dismantling the entire window, which started with making a template and numbering over 300 pieces of glass. Next, the components were taken out of the original wood frame and piece by piece placed into containers. That’s when the conservation team decided to join in on the fun and help scrub 100-year-old putty and dirt off each individual piece. After three and a half hours, and only a small section of the puzzle back together, Conservation Technician Loren Rudisuela and I decided we would leave the rest up to Prairie Studio Glass staff. 

A large section of the stained glass window on a flat surface. To the left, gloved hands of someone out of frame are removing pieces of glass from the came.

Removing the glass pieces from the old lead came.

Image: Prairie Studio Glass 

The second time the Loren and I went back to the studio was to help squish new putty in-between the lead came after the pieces were put back together in their new frame. This was a lot of elbow and thumb grease to make sure everything would be secured. A few weeks later and the big day arrived for the window to be installed into its new wall niche, again making me sweat a little more watching it being hoisted about fifteen feet in the air after having it painstakingly restored. But everything went according to plan and you can now see this amazing artifact on display in our new Winnipeg Gallery! 

Conservator Carolyn Sirett (left) and Conservation Technician Loren Rudisuela (right) working either side of a work bench, putting putty onto the new lead came of a large stained glass window.

Carolyn and Loren putting putty into the new lead came. Image: Prairie Studio Glass 

Three individuals supporting and lifting a large stained glass window up to a hole the shape of the window near the top of the wall in front of them.

Installing restored window into the new gallery. Image: © Manitoba Museum 

Two photos side-by-side. On the left, an adult and child walk hand in hand towards a doorway leading into the Winnipeg 1920 Cityscape. Above the doorway is a large half-circle stained glass window. On the right, two adults with a child between them stand facing a doorway leading into the Winnipeg 1920 Cityscape, looking up at the half-circle stained glass window above the doorway.

Restored stained glass window now on exhibition in the new Winnipeg Gallery. Images: © Manitoba Museum / Ian McCausland 

Another big workout was prepping the Eaton’s lintel for its debut and installation. Architectural features are beautiful to look at, however harsh outdoor environments can really change the finish to some of the materials. For our Eaton’s lintel, the visible deterioration was mainly on the brass components where years of oxidation, rain, snow … lots of snow … and pollution left a layer of thick corrosion along the surface. Once again, we rolled up our sleeves and spent several days scrubbing off the corrosion. 

Conservator Carolyn Sirett and Conservation Technician Loren Rudisuela, both wearing face masks, sit or kneel on the ground working on the brass edging the limestone lintel laid out on the floor in front of them.

Carolyn and Loren cleaning the brass on the Eaton’s lintel.

Image: © Manitoba Museum 

Another added touch to the treatment included making a replica rosette for one that was missing. Installing this artifact was a monumental feat on its own as it required careful lifting, mounting and engineered bracketing in order to ensure its long-term preservation. Now in its new home, I think I can finally put down the workout towel for a little bit – until the next big artifact rolls into the lab. 

A limestone lintel framing a projector screen in the Manitoba Museum Winnipeg Gallery.

Eaton’s lintel installed in the new Winnipeg Gallery.

Image: © Manitoba Museum / Ian McCausland 

Carolyn Sirett

Carolyn Sirett

Senior Conservator

Carolyn Sirett received her B.A. in Anthropology from the University of Manitoba, Diploma in Cultural Resource Management from the University of Victoria, and Diploma in Collections Conservation and Management…
Meet Carolyn Sirett

The Perils of Plant Parenthood, Part 2 – Wildlife

Bristley brown seed pods on branches emerging from grassy ground.

Many plants use the wind to disperse their seeds. But what if a plant lives somewhere that isn’t very windy? How do they encourage their children to “launch”? Many plants decided to take advantage of animals’ mobility. One way plants do this is by growing little hooks or stiff hairs on the fruits that readily catch onto the fur or feathers of an animal when they are ripe. The fruits are carried for possibly hundreds of kilometers before getting rubbed off. The fruits of many North American prairie plants are adapted for transport on bison fur.

Image: The seeds of wild licorice (Glycyrrhiza lepidota) have hooked bristles that catch readily on the fur of passing animals, like bison.

 

But what if you live somewhere where there aren’t a lot of big, hairy animals. As it turns out there are ways to get smaller creatures to transport your seeds as well. You do it by producing a substance that the animals find irresistible: fleshy fruits.

Plants that live on the forest floor have it pretty tough because there is very little wind and there usually aren’t big herds of animals hanging around. So some early flowering plants, including violets, bloodroot and Dutchman’s breeches, adapted to use insects to disperse their seeds instead. The seeds of these plants have fatty structures attached to them called eliosomes. After the seeds fall off the parent plant, ants carry them to their nests, remove the eliosomes and then abandon the seeds.  The plant seeds sprout readily in the disturbed habitat.

Close-up on two five-petaled white flowers with yellow centres.

The seeds of violets (Viola) are dispersed by ants, which eat the fatty structures attached to them.

Close-up on a bunch of small purple-red berries handing from a  branch.

Close-up on a bunch of small orange berries hanging from a branch.

Some fruits, like bittersweet (Celastrus scandens), contain toxins to discourage mammals from eating them.

Plants with fruits that ripen late in the year often rely on flocks of migratory birds for dispersal. Birds are particularly good seed dispersers because they lack teeth, typically swallowing fruits whole. In bird stomachs, the fleshy part of the fruit is digested but the tough seeds usually excreted intact. In fact, the seeds of many plants need to pass through the guts of animals before they will even germinate. However, some fruits are toxic to mammals (like rodents) but not birds.  This is because mammals tend to chew the seeds as well as the fleshy parts, killing the baby plant. For that reason, berries that birds can eat are not always safe for people!  Therefore, make sure you have correctly identified and researched the toxicity of any fruit before you eat it.

View looking out over a wheat field.

There’s one more creature that plays a huge role in the dispersal of seeds: people. Humans are by far the best seed dispersers ever. We don’t just move seeds a few kilometers; we move them to entirely new continents, creating the exact kinds of conditions the plants like to grow in. Humans like to think that we domesticated plants and forced them to do our bidding, but it is entirely possible that it was the other way around; perhaps it was the plants that domesticated us.

 

Wheat (Triticum) plants hookwinked a certain group of mammals into dispersing their seeds all across the planet: humans.

Dr. Diana Bizecki Robson

Dr. Diana Bizecki Robson

Curator of Botany

Dr. Bizecki Robson obtained a Master’s Degree in Plant Ecology at the University of Saskatchewan studying rare plants of the mixed grass prairies. After working as an environmental consultant and sessional lecturer…
Meet Dr. Bizecki Robson