Have you ever stopped to watch a short film at the Allen Theatre in the Winnipeg 1920 Cityscape? Affectionately referred to as “The Charlie Chaplin Theatre” in “The Old Town”, like many businesses in the Cityscape, the theatre actually represents a real place in 1920 Winnipeg!
Join Erin in this video to learn more about the Allen Theatre.
Wow, it’s been four years. I can hardly believe how quickly the time has passed. Stepping into the CEO role at the Manitoba Museum was and continues to be one of the most incredible privileges of my life. As I reflect on my journey, I am filled with gratitude—not only for the opportunity to lead but also for the lessons, challenges, and joys that come with it. Leading in the museum field is especially meaningful, as it demands a deep engagement with history, community, and the future.
Anyone who has changed roles or employers mid-career appreciates the importance of being a lifelong learner. While experience provides a foundation, leadership is never static, and new spaces demand we get comfortable with not having all the answers. Every decision, every challenge, and every collaboration offers a chance to grow. I have come to appreciate and enjoy that learning is not a phase or chapter but a lifelong commitment; it’s part of the entire story. Here, I’ve been given the chance to expand my understanding of museum best practices, how museums can be allies in Truth and Reconciliation, how places of history can and must be places of justice. The Manitoba Museum has refined my ability to navigate change, has called on my courage time and again, and has forced me out of ideas and knowledge I felt comfortable in. I can’t fully express how grateful I am for the ways this role has changed me. Since day one, and often still today, I don’t have many of the answers but I’ve learned to ask thoughtful, curious, open-ended questions, inviting new perspectives, and being willing to evolve.
Leadership is never a solo endeavour. I am profoundly fortunate to be surrounded by passionate, talented colleagues who share a commitment to the Manitoba Museum’s mission. Their dedication to preserving and sharing history, engaging with visitors from near and far, and ensuring our institution’s future is inspiring. In a world that feels ever more chaotic and fragmented, working alongside individuals who care deeply about their work is both grounding and invigorating. The collaborative spirit, the exchange of ideas, and the shared excitement for new projects make every day meaningful.
One of the more complex aspects of leadership is balancing a deep love for an institution with a recognition that change is necessary. Museums are places of tradition, yet they must also be places of transformation. As much as I respect the history and legacy of our museum, I also see areas where we must evolve—to be more inclusive, more accessible, more reflective of the diverse stories that make up our shared past. Loving a place means wanting the best for it, even when that means advocating for difficult but necessary shifts. Growth and progress are acts of care, and it is through change that institutions remain relevant and vital.
The longer I work in this field, the more I appreciate how essential museums are to our collective well-being. Museums are not just repositories of objects; they are spaces where communities gather, where histories are honoured, and where learning happens in profound and unexpected ways. They challenge us to think critically, to feel deeply, and to connect with perspectives beyond our own. At their best, museums are catalysts for conversation, empathy, and action. In an era where misinformation and polarization can cloud understanding, museums offer a space for nuanced exploration of the past and its implications for the present and future.
Working in a museum has reinforced for me the importance of engaging with history not just as a record of what was, but as a guide for what could be. History teaches us what must never be allowed to happen again. In our relationship with the past, the Manitoba Museum is not neutral, meaning, we are not mere observers. We work to acknowledge our shared failings, sit in the discomfort of contemporary injustice, and seek to have a nuanced dialogue with the all too-familiar present we find ourselves in. The past is full of complexities, triumphs, and wrongs. To truly honour history, we must be willing to look at it unflinchingly, to confront uncomfortable truths, and to amplify voices that have too often been silenced. This is not always an easy task, but it is a necessary one. When we engage with history bravely and deliberately, we uncover lessons that help us navigate today’s challenges with greater wisdom, resilience, and compassion.
As I continue on this leadership journey, I carry with me a deep appreciation for the experiences that have shaped me, the people who inspire me, and the mission that guides me. Leadership is not just about directing change—it is about nurturing a culture where curiosity, courage, and collaboration thrive. It is about ensuring that museums continue to be places where history illuminates the present and inspires a better future.
I am grateful for the chance to do this work, for the colleagues who walk this path with me, and for the ever-evolving lessons that come with leading in a space so vital to our collective story. The challenges are many, but the rewards—the opportunity to shape a meaningful, inclusive, and forward-thinking institution—are immeasurable. For that, I am truly thankful.
Dorota Blumczyńska
Manitoba Museum CEO
What do our conservators do when there isn’t a box the right size to fit a particular artifact? They make one of course! These custom boxes are designed to fit each item perfectly, supporting its conservation for years to come. In this video, join Assistant Conservator Estelle in the lab to learn how she makes these precise pieces.
Zara Nelsova was known as the Queen of the Cello, but did you know she was from Winnipeg? Learn more about the life of this famous cellist and get a close look at three of her performance gowns in Cortney’s latest video.
Happy Earth Day! Renewable energy is critical to having a healthy planet. Here in Manitoba we have a lot of rivers and stream, which we harness to create hydroelectricity! But how does it work?
Join Mike in the Science Gallery to watch a demo with our hydroelectric generator.
The immersive dioramas at the Manitoba Museum are many people’s favourite part of the Museum. Did you know that five of the classic dioramas were designed and painted by iconic Canadian artist Clarence Tillenius?
Learn more about his process in this video with Erin.
Have you ever seen the beautiful moccasins in the Manitoba Museum galleries and wondered about their creation process? Who made them, who wore them, and where did they travel? Museums are filled with millions of objects and specimens, but it’s the stories behind these items that really matter. Discovering how these stories connect to present-day individuals and communities is truly the best part of my job.
While moccasins may seem ordinary, they preserve cultural heritage and have resisted colonial forces since first contact. As a young girl, I admired how my relatives paired their outfits with braids, beaded earrings, bolo ties, and stunning moccasins. There is an ongoing desire to preserve our cultural identity, even through everyday items like shoes and accessories.
One of our long-time friends and partners is Gloria Beckman, a Nēhîthâwâk artist skilled in many art forms, including moccasin making. Through her workshops, Gloria shares her expertise and passion, helping preserve these vital cultural traditions.
Images: Beautiful pairs of fur-trimmed, beaded moccasins created by workshop leader Gloria Beckman. © Gloria Beckman.
Gloria recently shared that moccasin making is a meditative, community building activity. She expressed that, “The excitement of seeing pahkîkinaskisina (leather footwear) is an intrinsically rewarding experience” that provides us with a sense of belonging.
We are honoured to partner with Gloria for various workshops throughout the year, offering guests the opportunity to create their own hand-made treasures, perhaps to pass down to future generations with love. Workshops also provide a unique experience to explore the techniques and artistry from our ancestors with a behind-the scenes look at artifacts in our collection.
If you are interested in hearing about future workshop opportunities be sure to sign up for our Manitoba Museum e-newsletter!
What goes into preparing a fossil between when it’s found in the field and when it ends up on display or being used for research? In this video, join Fossil Preparator Urgon in the lab to see some of the tools he uses to reveal fossils like the ones on display in our galleries.
When we’re travelling, we may use a compass and map, a GPS, or the position of the sun to guide us home. But how do animals do it?
Join Corinne in this video to learn about the sixth sense of a bee and how it works as internal compass for them while they travel around their world.
Image: ©Southern Chiefs’ Organization.
Treaty No. 1 Territory – Winnipeg, Manitoba, (March 31, 2025): This Spring Break will be the last chance to see the Manidoo Miiniigooizowin, A Gift from the Creator exhibit at the Manitoba Museum. Manidoo Miiniigooizowin celebrates the beauty and resilience of the Anishinaabe and Dakota peoples and commemorates the 25th anniversary of the Southern Chiefs’ Organization (SCO).
Featuring objects from the 32 member Nations represented by SCO, the exhibit is a celebration of the past, present, and future. Many of the objects in this exhibit have been generously shared by individuals and families who proudly represent their respective Nations, and all were designed or made by talented artists and makers from the SCO member Nations.
“To commemorate SCO’s 25th anniversary, we wanted to celebrate the artistic talents and skills of our Anishinaabe and Dakota citizens and ancestors. This exhibition successfully demonstrated the breadth of artists at various stages of their professional and creative trajectories, incorporating both traditional and contemporary ideas and concepts. As our exhibition comes to a close, SCO extends our gratitude to all who visited and learned from Manidoo Miiniigooizowin. We give thanks to the artists and donors who provided such beautiful items to share in the exhibit. We also thank the Elders who gifted the exhibition with its name; to our co-curators Amanda McLeod and Dr. Amelia Fay; and to all those at the Manitoba Museum who assisted. I encourage everyone who has not yet viewed Manidoo Miiniigooizowin to visit the Manitoba Museum before it closes.” – Grand Chief Jerry Daniels, Southern Chiefs’ Organization
The exhibit also includes historical objects from the Manitoba Museum collections —community treasures from decades past. With both the ‘old’ and the ‘new’ on display, Manidoo Miiniigooizowin showcases a walk through many Dakota and Anishinaabe generations.
“This was a wonderful opportunity for co-curation, relationship building, and a chance to bring belongings from the collection to public display alongside the contemporary works. It has been a joy to see visitors’ eyes light up upon entering this exhibit, and to bring something new and exciting to the Museum experience.” – Dr. Amelia Fay, Curator of Anthropology and HBC Museum Collection.
After a year on display in the Manitoba Museum’s Welcome Gallery and Discovery Room, the exhibit will close on Sunday, April 6, 2025. Entrance to the exhibit is included in a Manitoba Museum All Attractions Pass, available online at ManitobaMuseum.ca. The Manitoba Museum offers complimentary admission for First Nation, Inuit, and Métis peoples.
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Media Contact:
Brandi Hayberg
Manager of Marketing & Communications
204-988-0614
BHayberg@ManitobaMusuem.ca
