Foraging for Wild Fruits

Foraging for Wild Fruits

By Diana Bizecki Robson, Curator of Botany at the Manitoba Museum

 

There are many plant species with edible fruit in Manitoba. Wild fruits make a nutritious snack when you are out hiking but you may also want to consider growing of these shrubs in your yard to ensure easy access to their delicious fruit.

Berries

Berries are fleshy fruits with several seeds inside them. The most popular ones to eat are Saskatoons (Amelanchier alnifolia) and blueberries (Vaccinium spp.). Saskatoons are tall shrubs typically found in the prairies and parklands, while blueberries are low shrubs common in the boreal forest.

A cluster of small blue-purple berries growing among green leaves on a bush.

Saskatoons (Amelanchier alnifolia) are often found along river valleys in southern Manitoba. © Manitoba Museum

A low growing plant with small white flowers growing on it.

When in flower, Velvet-leaved Blueberry (Vaccinium myrtilloides) attracts many insect pollinators, including bees. © Manitoba Museum

Cherries

Fruits that we commonly call “cherries” or “plums” are actually drupes, a fleshy fruit with a hard, inedible pit inside. Manitoba has five species of wild cherries including Wild (Prunus americana) and Canada Plum (P. nigra), Chokecherry (P. virginiana), Pin Cherry (P. pensylvanica) and Sand Cherry (P. pumila). Wild plums and cherries can be pitted and dried or turned into jam, juice, or jelly.

Clusters of dark blue chokecherries growing on a branch.

Chokecherries (Prunus virginiana) are common, tall shrubs with edible, dark purple fruits. © Manitoba Museum

Small red Pin cherries growing along a leaved branch.

Pin cherries (Prunus pensylvanica) are tall shrubs with bright red berries occurring in clusters. © Manitoba Museum

A red raspberry growing among green leaves.

Faux Berries

Some fruits are called “berries” but are structurally different from real berries. The fleshy part of wild strawberries (Fragaria spp.) is actually a fleshy petal; what we call “seeds” are the fruits. In raspberries (Rubus idaeus) and dewberries (R. pubescens) the fruit is a whole bunch of tiny fruits clustered together.

 

Image: Dewberry (Rubus pubescens) produces a raspberry-like fruit that is highly nutritious. © Manitoba Museum

A berry consisting of red drupes growing low to the ground among green leaves.

Fatal Fruits

Edible fruits typically grow on shrubs, and are red, bluish, or purple in color. If the fruits are white, or if the plant is a vine or herb, it should not be eaten. The plant Baneberry (Actaea rubra) produces poisonous berries that can be fatal if eaten.

 

Image: Baneberry (Actaea rubra) is a forest herb that has deathly poisonous red or white berries. Do not consume this species’ fruit! CC-BY-SA-2.0

Before consuming any wild fruit, remember to consult with a field guide, to ensure you can correctly identify both edible and dangerous fruits.

Dr. Diana Bizecki Robson

Dr. Diana Bizecki Robson

Curator of Botany

Dr. Bizecki Robson obtained a Master’s Degree in Plant Ecology at the University of Saskatchewan studying rare plants of the mixed grass prairies. After working as an environmental consultant and sessional lecturer…
Meet Dr. Bizecki Robson

Winnipeg 150: Experiences of Immigration

Adapting to life in a new city or country can come with many challenges and successes. This video with Dr. Roland Sawatzky in the Winnipeg Gallery looks at how the experiences of immigrants to Winnipeg in the last 20 years or so compare to the experiences of immigrants 100-150 years ago.

This series celebrating Winnipeg’s 150th anniversary is ongoing throughout 2024, so keep an eye out for more #Wpg150 videos!

Manitoba Museum welcomes Museum Advisor on Indigenous Relations and Reconciliation

Treaty No. 1 Territory – Winnipeg, Manitoba: July 8, 2024 – The Manitoba Museum is pleased to welcome Tabitha Harper in the role of Museum Advisor on Indigenous Relations and Reconciliation (M.A.I.R.R.).  In this new role, Harper will be instrumental in supporting and strengthening new and existing community relationships, developing a framework to guide the Museum’s implementation of the United Nations Declaration on the Rights of Indigenous Peoples (UNDRIP), and will meaningfully contribute to advancing Indigenous reconciliation efforts with First Nations, Inuit, and Métis communities.

Harper was raised on Kinonjeoshtegon First Nation, located on the west shore of Lake Winnipeg, and attended high school in Winnipeg. She graduated with a diploma from Red River College Polytech’s Social Innovation and Community Development Program, with a major in Indigenous Social Entrepreneurship. Harper also draws on an informal education through lived experiences, such as ceremony and being an active helper in her community. Harper notes these experiences have helped her to remain humble and prepared to be ready and willing to support those in need.

Harper has held roles as Child Development Worker and Assistant Case Manager for Kinonjeoshtegon First Nation Jordan’s Principle and was the first Indigenous Cultural Program Instructor for the Assiniboine Park Conservancy (APC). Although her role at APC allowed Harper to reconnect and embrace her culture confidently, it also served as an often-painful reminder of her ancestors who were not able to legally practice their cultures and traditions.

“Through my schooling, I studied the lack of Indigenous representation and perspective within institutions and organizations in Manitoba, specifically about the interconnections between microaggressions, high turnover rate, and hesitancy on both sides for reconciliation. My passion is for overall wellness of Indigenous peoples so that they may thrive, heal, and strive towards self-determination and self-governance. Managing difficult conversations that support vulnerability and respect is an environment needed when discussing reconciliation; I feel my new role at the Manitoba Museum supports Indigenous inclusion, perspective, and reconciliation in a good way.” – Tabitha Harper, Museum Advisor on Indigenous Relations and Reconciliation.

In 2022, the Manitoba Museum introduced a 5-year Strategic Plan intended to guide the Museum’s way forward to becoming a more impactful and transformative institution. Highlighted in this plan was the necessity to acknowledge the role the Museum played in colonization, and to demonstrate its commitment to advance decolonization, reconciliation, and repatriation in all facets of the Museum’s work.  This new role was in part created to ensure the Museum’s decisions and actions were properly informed, and to maintain respectful and collaborative relationships with Indigenous communities.

“I want to be a bridge not only for Indigenous people, but also non-Indigenous people, to provide support and engagement opportunities for transparent communications. I believe that my work in this position will help Indigenous peoples feel more welcome to attend, connect, and interact in Museum spaces, and I’m looking forward to developing relationships and connecting with Indigenous and non-Indigenous peoples – because I feel the most rich and fruitful connections happen through meaningful and respectful relationships” – Tabitha Harper.

The Canadian Museums Association’s ‘Moved to Action: Activating UNDRIP in Canadian Museums’ Report is a direct response to the Truth and Reconciliation Commission’s Call to Action #67. The Manitoba Museum uses this vital resource as a guide to determine their compliance with UNDRIP and identify what work is still needed. With Harper’s guidance, the knowledge and support of the Indigenous Advisory Circle to the Manitoba Museum, and the expertise of museum colleagues from coast to coast to coast, the Manitoba Museum will develop an implementation framework to ensure museum policies and practices uphold the Articles of UNDRIP related to museums and heritage institutions.

“While Tabitha brings invaluable knowledge and wisdom to this role, the Museum as a whole carries the responsibility to repair relationships with First Nations, Inuit, and Métis communities. As the Museum Advisor on Indigenous Relations and Reconciliation, Tabitha will work together with colleagues across our institution to dismantle existing systems which fail to uphold the rights of Indigenous peoples to self-determination, and control and authority over their own heritage, tangible and intangible.” – Dorota Blumczynska, CEO of the Manitoba Museum.

The Manitoba Museum, as a steward of First Nations, Inuit, and Métis artifacts, has a profound responsibility to partner with First Nations, Inuit, and Métis communities in sharing their stories, stories that are at the heart of Manitoba’s history. In the spirit of truth and reconciliation, cultural revitalization, and knowledge and language reclamation, the Manitoba Museum recognizes its larger commitment and responsibility to honour the unique relationship between Indigenous peoples and the Museum. This conscious recognition endeavors to support the practice and revitalization of First Nations, Inuit, and Métis cultural traditions—past, present, and future.

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Media Contact: 

Brandi Hayberg
Manager of Marketing & Communications
Manitoba Museum
BHayberg@ManitobaMusuem.ca

Connecting the Continent

Sometimes archaeologists find things in Manitoba that seem like they shouldn’t be here. We don’t have volcanos – how did obsidian get here? Through trade routes!

Learn more about the trade routes that have connected the continent for thousands of years in this video with Curator of Archaeology Dave Finch.

Pick up your own copy of this map at the Museum Shop!

Shop M today

Is this a fossilized dinosaur egg?

You could be excused for thinking these often nearly perfectly round rocks were fossilized eggs, perhaps even dinosaur eggs? Find out what they really are in this video with Curator of Palaeontology & Geology, Dr. Joe Moysiuk.

Check out a concretion on display in the Earth History Gallery!

Plan your visit today

Anishinaabemowin with Amik

We show gratitude to the Telus Friendly Future Foundation for their generous support in funding our project, Anishinaabemowin with Amik. Together, we can work towards language preservation and ensure children and youth across the country have easy access to learning Anishinaabemowin. Gichi-miigwech!

This project title is inspired by the beaver (amik) who represents wisdom in the seven sacred teachings. The beaver is the pillar of their community’s and nature’s well-being and strives to make a positive impact.

Manitoba Museum announces comprehensive renovations to enhance visitor experience, improve accessibility and safety

The Rupert Avenue entrance will be completely revamped with improved accessibility, lighting, and safety in mind.
Header image: ©Stantec/Manitoba Museum  

 

Winnipeg MB (June 20, 2024): The Manitoba Museum announced an exciting journey of transformation with a groundbreaking ceremony held today at their Rupert Avenue entrance. With a focus on improved accessibility, enhanced visitor experience, and updated safety measures, the ambitious renovations will result in significant upgrades to the Museum’s Rupert Avenue entrance, followed by a comprehensive reimagining of the Museum’s visitor foyer.

The updated exterior will see a newly designed and fully accessible entrance, sheltered by a canopy that will provide prominent signage and improved lighting; dark corners and poorly lit areas will be eliminated, enhancing safety and aesthetics. The Museum’s visitor foyer will become a larger, brighter space, creating a welcoming atmosphere for visitors and contributing to an enhanced Museum experience.

To complete this work, the Museum’s Rupert Avenue entrance will be closed to the public starting July 22, with a reopening date tentatively set for November; visitors will be directed to enter the Museum via its Main Street entrance. During this time, a temporary accessible ramp will be in place.

“While we recognize that these renovations may create a short-term inconvenience for some of our staff and visitors, we are beyond excited about how much more accessible and inviting our museum will be. Our commitment to the community is that the Manitoba Museum can be a space that everyone can enjoy and feel like they belong.” – Dorota Blumczyńska, CEO, Manitoba Museum.

The construction, executed by architecture and engineering firm Stantec, will be completed in multiple phases with a goal completion date in summer 2025. The Museum will keep the public updated on entrance closures and other disruptions on their website at manitobamuseum.ca/construction.

The project is funded jointly by the Manitoba Museum and a grant provided by the Manitoba government.

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Media Inquiries:

Brandi Hayberg
Manager of Marketing & Communications
BHayberg@ManitobaMusuem.ca

Click here for High Resolution Images

Winnipeg 150: City of Celebration

Here in Winnipeg we love a good celebration! Coming together for festivals, sports, and cultural events help us share what it means to be Winnipeggers. Learn more in this video from the Winnipeg Gallery with Dr. Roland Sawatzky.

This series celebrating Winnipeg’s 150th anniversary is ongoing throughout 2024, so keep an eye out for more #Wpg150 videos!

How are you Celebrating Indigenous History Month?

By Tashina Houle-Schlup, Head of Indigenous Programming & Engagement

 

Throughout this important month, the Manitoba Museum celebrates the tangible and intangible heritage of the First Nations, Metis, and Inuit communities of Manitoba. One of our special initiatives to create space for these celebrations occurs on Sunday, June 16, when we will host our first-ever Indigenous Artist Market to honour and celebrate Indigenous History Month.

This much-anticipated market will not only showcase and support numerous local Indigenous artists, makers, and crafters but also provide a unique opportunity for visitors to engage in a cultural exchange, connecting the historical works in the Museum Galleries with the beautiful, contemporary creations from these vendors.

As caretakers of a significant collection of Indigenous ancestral works, the Museum takes pride in  preserving and showcasing pieces like the exquisite, intricate quillwork dating back to the early 19th century and beadwork that transcends beauty in every meticulously created design.

Intricately beaded octopus bag with a black base material and colourful floral and vines design.

Mid-19th-century octopus bag with floral beadwork, Cree or Anishinaabe. H4-0-734 ©Manitoba Museum

Intricately quilled cradleboard fender.

Early 19th-century cradleboard fender with loom quillwork, Cree or Anishinaabe, a possible origin of Red River Settlement. HBC 47-8 ©Manitoba Museum

We are fortunate to show our visitors that these hundreds of years-old artistic practices are still being carried forward by artists, makers, and crafters today. Some amazing, talented vendors attending our market include Bead N’ Butter, Red Thunder Cloud Designs, Onyx Art, Alicia Kejick Creations, Indigify, By Niizhode, Pretty Windy Designs, Anishinaa-Bakes, and many more.

The market will give attendees the chance to honour the rich artistic traditions on display in the Museum  Galleries, support thriving local Indigenous entrepreneurs, and contribute to the growth and sustainability of their incredible work.

A pair of beaded dangling earrings in a sunbeam design featuring yellow, blue, orange, and black beads.

Earrings by Bead n Butter © Jessie Pruden

Digital artwork by Onyx Art. © Piper Lockhart

A toddler-sized patterned dress with ruffled sleeves and red and blue ribbons along the bottom.

Toddler Ribbon Dress by Indigify © Stefanie Chabot

We invite you to visit the Museum this June to explore, reflect, and learn this Indigenous History Month; and don’t forget to stop by on Sunday, June 16, from 10 am to 3 pm to help us support and celebrate the talented  artists taking part in our first ever Indigenous Artist Market.

 

Word graphic on a black and fuchsia background with colourful Indigenous floral art on the right-hand side. Text reads, "Indigenous Artist Market @ the Manitoba Museum / Sunday, June 16, 2024 / 10 am to 3 pm".

DIY Specimen Case Repair with Aro

Sometimes the storage drawers and cupboards that contain the Museum Collection need a little TLC to ensure they’re keeping specimens and artifacts as safe as possible. Join Aro as she dons her toolbelt to repair a specimen drawer lid that’s come loose.

 

Check out the insect specimens on display in the Boreal Forest Gallery.

Plan your visit today