The Cold Road

The Cold Road

By Dr. Graham Young, past Curator of Palaeontology & Geology

 

It is 7 am, somewhere on the curves near Woodlands, Manitoba, and the sky is still completely dark. The rain is coming down harder now and approaching headlights are blurred by the slicked windshield. I usually love the open road, but this driving is far from fun.

We are well past Lundar before the late dawn. The traffic has diminished now and the rain has eased a bit, but the wind is rising. At the Ashern Petro-Can we stop for fuel: unleaded for the Jeep and junk food for the humans. Ed takes over the wheel for the next monotonous stretch.

Today we plan to go to William Lake, well north of Grand Rapids, then back to Winnipeg before the evening has progressed too far: a drive of 1000 kilometres or so. Why are we subjecting ourselves to this, in this unpleasant wet weather?

A photo from inside of a vehicle of a passing greyhound bus on the other side of a wet road, rain splashing under its tires.

Trees on the road side, some bare and some with remnants of autumn colours. The sky is grey and the road wet with rain.

Tamaracks and spruce south of Grand Rapids.

Two large slabs of rock on rocky ground. Both contain fossils.

Last summer, in the beautiful warmth of August, we found a greater quantity of interesting rock than we could safely haul back to Winnipeg at the time. In particular, two splendid specimens we discovered on the last day had to be left lying on the outcrop. These were very large slabs, both of which remarkably preserve portions of what appears to be a channel on an ancient tidal flat, filled with fossilized jellyfish! They are the sorts of unusual pieces that the Museum really needs, because they would be very useful for both exhibits and research, and I was determined that we would get them back to Winnipeg before winter.

Then the autumn got busy, very busy, and the trip to retrieve these pieces was placed on the back burner. I began anxiously scanning the calendar and weather forecasts, and determined that October 18th would be the ideal day to make this trip, assuming that it didn’t snow first! Field paleontology is very much a climate-dependent occupation, and we have done this trip north so many times that we know when winter is likely to close our window of opportunity.

Image: The slabs as they appeared when we found them last summer. Both show portions of a large channel that is filled with fossil jellyfish.

A forward stretching smooth road, slick with rain. Construction markers stand periodically on the road shoulder. Further ahead, on the right side of the road, is a large, yellow excavator.

So now Ed and I are in a rented Jeep, heading north past the black spruce,  yellow tamaracks and bare-branched aspen. At Fairford there is a tremendous flow of water past the bridge, and the summer’s pelicans are nowhere to be seen. Over the lip of the St. Martin impact crater the road is empty and desolate. Much of it has been repaved recently and is beautifully smooth, but toward the Pas Moraine we hit a rutted stretch and Ed has to slow down to avoid hydroplaning on the long pond under our right-hand tires.

At the old burn south of Grand Rapids, I recall the exact place where we saw a lynx last autumn.  All self-respecting lynxes are clearly hiding out in the dense brush on this nasty wet day!

We stop again at Grand Rapids for fuel. There is more than a half-tank remaining, but it will be a long drive before we are back here again and it is best not to take chances. Fortunately there is someone on duty at the Pelican Landing gas station, because it really wouldn’t be pleasant to “self serve” in the pouring rain.

I am driving now, up the curves and past the beautiful lakes of the Grand Rapids Uplands. We arrive at William Lake just a bit after noon. Now there is snow blasting in on a north wind, and the thermometer is reading a balmy +1 C.   Navigating slowly across the scree, I can see the two large slabs lying right where we left them. After six hours of driving, we now have 15 minutes of physical work: fold down the seat, spread the tarp, slip on gloves, and manhandle the rock into the back. We pause for a few photos, and are grateful that the outdoor work is so brief, because our hands are already frozen and numb.

Dr Graham Young, wearing a blue jacket and a baseball cap stands at the open trunk of a car holding a large stone slab with a fossil embedded in it.

I move the smaller slab (photo by Ed Dobrzanski)…

A man wearing a coat and hood, with one hand in his pocket and the other holding a camera, stands on a rocky wet surface next to the open trunk of an SUV.

… while Ed freezes his fingers taking photos.

Two large slabs of rock lying on tarps in the back of a vehicle.

Seeing these slabs in the Jeep, it is pretty clear why we couldn’t fit them in with the other fossils and gear during the summer!

Our hands thaw as the Jeep crawls back toward the highway. At the Grand Rapids bridge a solitary pelican flies past; perhaps this one was asleep and missed its flight south? Now we a bit of time for lunch at the Pelican Landing restaurant: smoked meat sandwiches, cream of celery soup, and coffee have never been more welcome. We say hello to a few familiar faces; I guess we are becoming “fixtures” here, but I am not sure when we will manage to get back again. It is an appropriate day for this sort of sombre thought.

Bright orange trees growing on the roadside on a rainy day.

Light snow on the ground and fallen branches of some trees.

Now it is time to confront the long road home. As it turns out, the weather for the drive back will be slightly more pleasant, and we cruise smoothly into Winnipeg just as darkness is setting in. It has been a lot of driving to pick up a couple of rocks, but very worthwhile: within a week it will be winter in the Uplands, and if the pieces had been left until spring they would have been heavily weathered and damaged by the winter’s extreme frost and ice.

Botanical Curator Blues

One of the problems with being a botanist working at a museum is that most of the botanical specimens cannot be displayed in an exhibit. The bulk of the collection consists of herbarium specimens (dried, pressed plants mounted on paper) that are very fragile and light sensitive. As a result they usually can’t be displayed for long (or at all) without being damaged. Further, a pressed plant is only a two-dimensional representation of a three-dimensional organism and can’t really convey the true beauty of the species. As a result, I need to be innovative when creating exhibits in ways that my colleagues with their fancy artifacts, skeletons, and fossils don’t have to be.

One of the ways that we represent plants in our galleries is by creating models of what the plant looks like when it’s alive. Our artists will go into the field, photograph a plant and then collect a specimen of it. Back at the Museum they take colour notes, do drawings, and take more photographs, to get as much information as they can. They then dissect the plant, make molds of each part, and later those parts are re-created out of a variety of materials, like waxes and resins. After painting all the plant parts, each of the pieces is then put together like a giant three-dimensional puzzle. The Western Prairie Fringed Orchid (Platanthera praeclara) model, our most complicated one, consists of 300 parts!

A pressed herbarium specimen on a sheet of paper with specimen data on the bottom right corner.

A herbarium specimen of the Western Prairie Fringed Orchid.

A model of the top of a plant with small white flowers at the top.

A model of the Western Prairie Fringed Orchid.

Close up on the top of a plant with small, fringed white flowers.

An actual Western Prairie Fringed Orchid in the wild.

Another way that people will be able to appreciate the Museum’s botanical collection, as well as another hard-to-exhibit group of organisms-pollinating insects-is via our upcoming Prairie Pollination virtual exhibit. With funds from the Virtual Museum of Canada, the Heritage Grants Program of the Manitoba Government and The Manitoba Museum Foundation, this exhibit will feature over 200 specimens of prairie plants and pollinating insects. Visitors will be able to see photographs of the Museum’s specimens, photographs of the organisms in the field and interpretive information on how plants and pollinators interact with each other. Video tours of native prairie and The Manitoba Museum’s collection vault, learning resources for teachers and a variety of games and activities will help visitors learn more about these organisms and why they are important. Full and temporary staff (including me, of course) are busy preparing the content for this new exhibit, which will open in October of 2013. Prairie Pollination will be an innovative way for people to access information on recent Museum research and collections in an interesting and user-friendly way.

To help The Manitoba Museum obtain additional funds to create a mobile phone application that will link our collections with restored and remnant prairies where these organisms live (a virtual biocache) please consider voting for the “Click, Text and Pollinate” project at the Aviva Community Fund website, click here.

Dr. Diana Bizecki Robson

Dr. Diana Bizecki Robson

Curator of Botany

Dr. Bizecki Robson obtained a Master’s Degree in Plant Ecology at the University of Saskatchewan studying rare plants of the mixed grass prairies. After working as an environmental consultant and sessional lecturer…
Meet Dr. Bizecki Robson

Department Staff Ramp up Gallery Work

By Kathy Nanowin, past Manager of Conservation

 

The Collections and Conservation Department conducts ongoing maintenance and inventory activities in the Museum Galleries. Most of this work is done during our winter season, when the Museum is closed on Mondays. Recently, we changed our procedures, amalgamating tasks that formerly were done separately.

Now, when working on an exhibit area, all collections management and conservation tasks are completed at the same time: condition checks, cleaning, photography, cataloguing, and inventory checks. This involves preparatory work: searching the collections database to determine whether any new cataloguing or condition reports are needed; assigning catalogue numbers to objects which previously had none; ensuring that any loan objects have up to date paperwork.

Once in the galleries, the actual cleaning, photographing, and application of catalogue numbers takes place.

Three staff members standing around a work bench on wheels, checking on artifacts.

Department staff checking and cleaning objects in Urban Gallery.

A shadow box set up on a table with a strip of light purple-grey cloth draped along the base and backside. Beside it on the table sits an old fashioned sewing machine.

A box is set up on a work table to photograph artifacts.

An individual wearing a red backpack vacuum cleaning artifacts and the space in the Winnipeg 1920 Cityscape.

Vacuuming in the Garment Factory Sewing Room, Urban Gallery

As with other aspects of collections management, sometimes the bulk of the work happens after what you see us do. In the case of gallery work, more time is often spent in the entry of new catalogue records, entry or update of condition reports, review and saving of digital images, edits or updates of location records.

Our department is focusing on ensuring we have accurate up to date database records for artifacts and specimens in the galleries. It is becoming more urgent as The Manitoba Museum plans for significant gallery changes in the next few years. Any object moves should go smoothly if our records are all perfect. But it is daunting, as we have nine permanent galleries with over 4000 artifacts and specimens on exhibit. We have just begun implementing our new process, and will continue to work at adding to, updating, and perfecting our collection records, concentrating on objects in the galleries.