Archaeology collections

A Criddle Riddle

A Criddle Riddle

Sometimes objects come in to the Archaeology lab that aren’t really artifacts, but are still interesting in their own right. This happened this past spring when volunteers in the Archaeology department came across some curious objects while processing artifacts. I had asked them to go through a donation made by the Criddle family, and among the arrowheads and scrapers were two weird little blobs that none of us could figure out. Until recently, that is.

The Criddle family came to Manitoba in 1882, and they had a property near Wawanesa that was like a little piece of England on the Prairies. They donated a large collection to the Museum that included everything from photographs to furnishings. (The Museum has covered their collection several times in our social media.) It turns out that the donation included some archaeological artifacts that were collected almost incidentally. Like a lot of farming families, the Criddles picked up artifacts and other objects that they came across in their fields, and these eventually made their way to the Archaeology lab.

Volunteering at the Archaeology Lab

The students volunteering in my lab are just learning about Manitoba archaeology. They’re fast learners, and they are getting a sense of how to sort cigar boxes full of bric-a-brac into organized piles of ancient tools, bone and shell, and so forth. In this collection they found two irregular cylinders of what looked like stony or metallic material. These were non-magnetic, so at first we thought they might be lead scrap or maybe furnace slag. That didn’t explain their irregular-but-oddly-identical appearances. They looked like they might fit together, but fit together into what?

Two segments of fossils, side by side, in front of a scale bar where each square is 1 cm

Two mysterious objects found in the Criddle collection.

Two segments of fossils, side by side, in front of a scale bar where each square is 1 cm.

The objects almost look like they had little legs…

Let’s jump ahead in time a bit. A few weeks ago, Museum staff were working with our new pXRF instrument. That bit of alphabet soup stands for portable X-ray fluorescence, which is a non-destructive technique to determine which elements are in an object. The instrument emits X-rays which contact the target object and then create secondary x-rays, the frequencies of which can be matched to the elements present. The Museum is using our pXRF instrument for research in all of our departments and also to analyze objects under conservation. (We can also do analysis for other researchers for a fee.)

The results came back: a lot of iron, a bit of sulfur… and no lead. We scratched our heads and then it dawned on us that looked a lot like pyrite. Joe Moysiuk, our Curator of Geology and Palaeontology, suggested that our blobs could be ancient shells that had been fossilized and replaced with pyrite. We took a closer look and the two pieces articulated, just like part of a shell. Joe took another look and suggested they might be from Baculites, a type of straight-shelled ammonite that went extinct around the same time as did the dinosaurs. Imagine a squid-like critter with a long, straight, segmented shell behind it.

A fossil segment of an ancient cephalopod, in front of a scale bar where every square is 1 cm wide.

Stories Written in Stone

Baculites segments (particularly the larger ones) are sometimes called “buffalo stones.” These figure in the stories of Indigenous peoples of the Plains, such as the Blackfoot who call them iniskim. The fossil segments have articulation points that look like heads and legs, and resemble little buffalo. As a result, they have a spiritual connection to the larger animals and were used to call them. I am unsure if something similar existed on the Manitoba plains but I suspect that it did. If anyone is willing to share old stories, please drop me a line.

I can’t say if these little fossils were collected or used by Indigenous people in southwestern Manitoba. They definitely stood out as something unusual and were picked up by the Criddles. For me, these are also ecofacts – objects found at archaeological sites that are not made by humans but still tell you things about the landscape. They opened my eyes to questions of palaeontology and ethnography that I otherwise might not have looked into.

Every field, and every object in that field, can tell a story.

A segment of a Baculites fossil from the Cretaceous era, collected near Brandon and now in the Museum’s Palaeolontology collection.

Dave Finch

Dave Finch

Curator of Archaeology

Dave is an archaeologist and ethnohistorian who works with communities in the Canadian Subarctic. He was born in Winnipeg and was raised in northern Manitoba and northwest Ontario. He has also worked in environmental assessment and forensics, and in areas from the Northwest Territories to Labrador. He received a Masters in Environmental Studies from Lakehead University, and a Bachelor of Arts in Anthropology from the University of Winnipeg.
Meet Dave Finch







Public Archaeology Press

By Kevin Brownlee
Past Curator of Archaeology

Over the course of the past year I have been involved with a few publications highlighting Archaeology. Each is quite different, from public outreach to academic article to education online resources.

The first is a book published by the Manitoba Museum called Stories of the Old Ones from the Lee River, Southeastern Manitoba: The Owl Inini, Carver Inini and Dancer Ikwe (2014). The publication is the result of many years of work by the Museum and our community partner Sagkeeng First Nation. The lead author E. Leigh Syms retired Curator of Archaeology along with a diverse group of contributors including the late Elder Mark Thompson. The book is publically written and includes over 150 images, maps, drawings and paintings. I was the project manager for the publication.

Buy a copy from the Manitoba Museum Gift Shop.

 

The second publication is an academic journal article on quartz characterization which examines artifacts from the Manitoba Museum collection in relation to quartz quarries documented in northern Manitoba. The article was published in the prestigious journal Archaeometry vol 56, issue 6 pages 913-926 (December 2014). The results indicate quartz from quarries on Granville Lake were transported up to 200km away. The lead author is a brilliant young PhD, Rachel ten Bruggencate who worked on the Granville Lake Social Science and Humanities Research Council Project that was run through the Museum. Read the abstract online.

The last publication was an online resource put together by the Centre for Research in Young People’s Texts and Cultures the authors on the guide were Margaret Dumas and Deborah Schnitzer. The teachers guide was for the book Pīsim Finds Her Miskanow and written for the Grade 5 Manitoba Curriculum. Find the guide here.

Public Archaeology – What Should have been in The News

By Kevin Brownlee
Past Curator of Archaeology 

Open pages of the book Pīsim Finds her Miskanow showing text with diagrams, and artistic illustrations.

Today’s post is a bit of a stretch for the theme public archaeology in the news, since media did not pick up on our recent work. The project most deserving of media attention would be the teaching resources recently released for the book Pīsim Finds her Miskanow. 

Educational resources now available for Pīsim Finds her Miskanow, a nationally awarded publication. The centre for research in young people’s texts and cultures (CRYTC) at the University of Winnipeg has released an 80 page teachers guide available for download on their website. The guide is written for Grade 5 in the Manitoba curriculum. You can also listen to two of the songs from the book, the Paddling Song and the Lullaby. 

Image: Highly illustrated book brings Rocky Cree history to life, now easier to use in the classroom.

Noteworthy Public Archaeology

By Kevin Brownlee
Past Curator of Archaeology 

Open pages of the book Pīsim Finds her Miskanow showing text with diagrams, and artistic illustrations.A number of events have occurred this past year that are noteworthy. The book Pīsim finds her Misknaow won a public communications award from the Canadian Archaeological Association in May 2014. This national award recognizes archaeology publications that engage the general public. 

Two display cases were produced for the Sagkeeng First Nation Heritage Centre. The exhibits were unveiled at the Heritage Centre on May 12, 2014.

Looking into a blue display case shadow box with photographs and illustrations of artifacts as well as descriptive text.

Two Eagles Cache Education Exhibit showcases replica artifacts found with a 4,000 year old ancestor.

Looking into a green display case shadow box with photographs and illustrations of artifacts as well as descriptive text.

Rivermouth Cache Education Exhibit showcases replica artifacts found with two ancestors dating to 450 years ago.

Mini-Diorama Opens

By Kevin Brownlee
Past Curator of Archaeology 

Yesterday the Museum launched a spectacular new mini-diorama in the Grasslands/Mixed Woods Gallery. The exhibit highlights the incredible talent of diorama artist Betsy Thorsteinson. Betsy along with Debbie Thompson, Ruth Dowse and countless volunteers worked on the project. The diorama highlights four separate scenes: a mid winter camp in Duck Mountain, moving camp in late winter, early spring maple sugar camp and fishing camp in late spring. These scenes represent an Anishnaabe family as they move across the landscape about 800 years ago. 

Close-up of a Museum diorama featuring members of an Anishnaabe family moving camp on snowshoes and sleds through a snowy forest.

Two of the scenes are based on archaeological excavations. The mid winter camp is representing a site on Child’s Lake in Duck Mountain. The spring fish weir is representing the Aschkibokahn Site at the mouth of the Duck and Drake Rivers on Lake Winnipegosis. The use of a mini-dioramas to depict the past is an exceptional way of communicating the results of archaeological research. There is no better way of bringing the past alive.

I have had the pleasure of assisting Betsy on this exhibit. I provided the colour of fish both before and after it was smoked, how bear paw snowshoes are worn and how the internal organs of fish were prepared. In other circumstances I related stories and experiences to Betsy and these would appear in the diorama. Grey Jays or Whiskey Jacks are called Grandmother by many First Nation people, who will feed these birds when they visit camps. Feeding these birds shows respect to the visiting grandmothers. When you visit the diorama find the Grandmother.

Pīsim finds her Miskanow 

By Kevin Brownlee
Past Curator of Archaeology 

I have to share with you about the results of a wonderful project that I have been working on for the past 6 years… actually more like 20…

Open pages of the book Pīsim Finds her Miskanow showing text with diagrams, and artistic illustrations.In 1993, the remains of a woman were found at Nagami Bay (Onākaāmihk) west shore of Southern Indian Lake. The following year, community members from South Indian Lake and archaeologists worked together to recover our ancestor in a respectful and honourable way. The story of her miskanow, life journey, was pieced together from her remains and her belongings and told in the book Kayasochi Kikawenow, Our Mother from Long Ago, which I co-authored with E. Leigh Syms.

After Kayasochi Kikawenow shared her teachings, she was respectfully brought home for reburial in the community of South Indian Lake in 1997. Now, 16 years after her reburial, her story is being retold in a new way for young people. Using historical fiction, William Dumas brings Kayasochi Kikawenow to life as the main character, Pīsim, in Pīsim Finds Her Miskanow. This book shares a week in the life of Pīsim as a 13-year-old living on Southern Indian Lake during the mid 1600s just before Europeans arrived into the region. The book was reviewed by renowned archaeologist Brian Fagan, Emeritus Professor of Anthropology, University of California) who states the book is the result of brilliant teamwork between archaeologists, the Cree, and an accomplished storyteller… the book promises to be a classic of Canadian history. 

Councilor Esther Dysart speaking into a microphne at a podium. Kevin Browlee stands to the side.

In September the Museum hosted a book launch that brought together the research team, members from O-Pipon-Na-Piwin Cree Nation (South Indian Lake) including youth, the author and illustrator and many dignitaries including a councilor from the community. It is rare to have over 200 people attend a book launch but this is no ordinary book. Buy your own copy from the Manitoba Museum gift shop.

Image: Kevin Brownlee and Councilor Esther Dysart at book launch.

Celebrating Indigenous Heritage

By Kevin Brownlee, past Curator of Archaeology

 

June 21 is the Summer Solstice and also is the New Year for the Rocky Cree and many other First Nation groups. This day is now recognized as the National Aboriginal Day, celebrating First Nations, Metis and Inuit culture and heritage. To mark this event a huge celebration was held at the Forks in downtown Winnipeg and The Manitoba Museum was one of the exhibitors.

I was pleased to participate that day, honouring my heritage and my ancestors by paddling a 15 foot birch bark canoe down the Assiniboine River to the Forks. For thousands of years my ancestors have paddled the lakes and rivers of this beautiful land; being in the canoe connects me to this past.

My wife Myra and I paddled together and we were welcomed at the Forks by many onlookers, our family and daughter Meghan.

A couple with their arms around each other wearing life jackets standing on a bank next to a canoe in a river.

Getting ready for the paddle.

Two individual seated either end of a canoe, each using paddles to push off from a river bank.

The send off.

A couple standing together holding a toddler as they all stand in front of a canoe raised on saw horses until a canopy.

Kevin, Myra and Meghan at The Manitoba Museum tent with canoe.

Tracking Atlatls in Manitoba

By Kevin Brownlee, past Curator of Archaeology

 

You may ask yourself what is an atlatl? An atlatl is a hunting tool that is in two parts, a dart or very thin spear and a throwing board which is used to propel the dart. In most of North America it was the hunting tool of choice for many thousands of years. Archaeologists often use the size of projectile points as indication of which hunting tool was used. To the best of our knowledge somewhere around 3,000 years before present the bow and arrow was introduced. For about 1,000 years atlatls and bows and arrows were used together. Somewhere around 2,000 years ago the atlatl fell out of favour and the bow and arrow was the main hunting tool. Exceptions to this exist in the arctic and in the southern states and Mesoamerica, where the atlatl continued to be used until European Contact.

An illustration depicting a person through five stages of movement launching a long dart over their head with an atlatl.
A selection of 28 stone spear points of varying colours and sizes on a black background.

The parts of an atlatl are mostly made from perishable materials like wood, hide, and sinew. The most common evidence of the atlatl in Manitoba is midsized stone spear points. While this may be the archaeological interpretation it is almost impossible to know for certain what hunting tool a spear point was attached. Some of these points could have been attached to thrusting spears, or used for other purposes. To positively know what a spear point was attached to you would need excellent preservation of the wood shaft which has not occurred in Manitoba.

 

Image: Stone Spear Points likely used with an atlatl.

Another clue that atlatls were used in Manitoba is the recovery of stone or antler atlatl weights. It appears that these may not have been always used with atlatls since they are uncommon. In the entire 2.5 million artefacts held by The Manitoba Museum only 17 are atlatl weights. In comparison the collection includes over 8,500 projectile points many of which we believe were used with the atlatl.

A long, thin shaft with a handle of leather straps on one end, and a point for a dart to attach for launching at the other end. A flattish stone is attached to the third of the shaft closest to the handle to serve as a counterweight.

Preproduction Atlatl (note stone weight).

Testament to the Past

By Kevin Brownlee, past Curator of Archaeology

 

This past fall I had the fortune to visit the Brockinton Site, located just south of Melita, Manitoba. The site is slowly eroding into the Souris River; each year a little more of the site is lost. We know a good deal about this site thanks to E. Leigh Syms who excavated this site in the late 1960s and early 1970s. While no excavations have occurred for 40 years, Leigh Syms continues to study the collections, revealing new insights.

The largest part of the site is a large bison pound and kill site where about 1200 years ago First Nation people had successfully killed hundreds of bison. When we arrived at the site we encountered tens of thousands of bison bones exposed by the low water, a testament to the ancient peoples who were sustained by the herds of bison that once roamed Manitoba’s grasslands.

A stretch of ground covered in various bison bones.

Thousands of bison bones.

Three individuals on a river bank, one crouched looking at something on the ground, one mid-step, and one standing.

Graham Young standing, Randy Mooi kneeling and Lila Knox walking at the site.

A cut of river bank with embedded bison bones along a thick line near the centre.

Birch Bark Canoe Video

By Kevin Brownlee, past Curator of Archaeology

 

For those of you who have enjoyed my blogs on the creation of the Birch Bark Canoe you will be interested in seeing the video of how it was made. During the intensive 7 days we spent making the canoe Lakeland Public Television documented the construction of the birch bark canoe step by step. Scott Knudson filmed much of the activity and interviewed each of us about the canoe and what it meant to each of us. Scott was one of the producers and edited together a 57:03 minute documentary. The filming was funded under the Minnesota Arts and Culutral Heritage Fund.

You may also be interested in the full un cut interview with Grant Goltz which has also been uploaded to YouTube, above. The interview with Grant Goltz was filmed for audio and video clips used in the full hour documentary (Search Grant Goltz).