Are we Still in Manitoba?

Are we Still in Manitoba?

By Dr. Graham Young, past Curator of Palaeontology & Geology

 

Travels in the Hudson Bay Lowlands, August, 2014

Manitoba is an immense place, very slightly larger than France. If you look at the map, you will see that roads here are concentrated in the southernmost part of the province. The farther north you go, the fewer areas you will find that are easy to visit. Those of us who work in field-based sciences occasionally get to some of the more out-of-the way places, but most of us have still seen only a small fraction of what this province has to offer. The Manitoba landscapes that are familiar to us are either the parts that we have seen (such as the prairies and the big lakes), or those that are regularly depicted in photographs and tourist brochures (such as a few places in the boreal forest and the rocky shoreline around Churchill).

This fact was really brought home to me during the last week of August, as I was invited to participate in some northern fieldwork organized by my colleagues at the Manitoba Geological Survey. I have seen a good few parts of southern and central Manitoba, but in the northern third of the province I really only know the Churchill area. Nevertheless, I thought I had a good feel for what the areas away from Churchill might be like. Our plan for this trip was to visit some of the geological sites in the Churchill area, but also to take advantage of funding support for helicopter time, which would allow us to visit a few places far up the Churchill River, 100 kilometres from any road and far from the Hudson Bay Railway.

Five people posing together in front of a waterfall on the rocky shore of a creek.

Visiting the waterfall at Surprise Creek, near the Churchill River. L-R: Me, Daniel Shaw (Manitoba Geological Survey), Michelle Boulet Nicolas (MGS), Michelle Trommelen (MGS), and Daniel Gibson (Churchill Northern Studies Centre). Photo by our helicopter pilot, Frank Roberts

A polar bear sitting in vegetation varying from green to yellow to red before it reaches the water.

The “standard” image of Churchill: a polar bear in coastal vegetation.

The helicopter travel turned out to be an eye-opening experience. The up-river sites had received some study from scientists working with the Geological Survey of Canada, who visited this area 50 to 60 years ago, so I knew something of what I would see in terms of the rocks and fossils: the bedrock exposures are very good, and many of the fossils are superb (though they are not generally as abundant as I had anticipated).

More than a decade ago we had overflown a few of these up-river sites when we had a bit of helicopter time in Churchill, so I should have really known what it would be like there, but seeing them from the ground was quite different. The Churchill River landscape has a tremendous sweep and grandeur. The river is very wide and flows swiftly, sometimes in an almost straight line, more often with gentle bends. Some downstream areas have bars of gravel and cobbles, but farther upstream there are several sets of treacherous-looking rapids. The valley walls steepen as you travel upstream, from the flat lowlands south of Churchill to a substantial height of land 100 kilometres upstream where the valley walls are cliffs of Ordovician bedrock, resting on the Precambrian granitic rock that makes up the river bed.

Aerial view of a river.

The lower Churchill River is huge!

View looking down at the ground where several long, thin cephalopods embedded in the rocky ground with a Sharpie marker lying on the ground for scale.

A few of the fossils we found: these Ordovician age cephalopods were in the Chasm Creek Formation below Red Head Rapids on the Churchill River (one of these is now in the collections of the Museum). That’s the helicopter skid on the left; we had landed directly on the outcrop.

An aerial view of mossy ground punctuated by ponds.

Up over the tundra the landscape is dramatically different: this is an aerial view of moss and ponds, from a height of a few hundred feet.

Portage Chute, Bad Cache Rapids, Surprise Creek, Caution Creek, Chasm Creek . . . the place names alone should be enough to tell you that you aren’t on the prairies any more. Honestly, if I had been somehow sedated and delivered into the ravine of Chasm Creek without any awareness of how I arrived there, I would have thought that it had to be somewhere in the Yukon or perhaps the Northwest Territories.

A rocky, cliff side river bed.

A river-level view just below Portage Chute.

A person wearing an orange jacket standing on a narrow ridge of the cliffside of a steep-sided river.

Daniel Gibson at Chasm Creek.

Aerial view along the rugged coast of the Hudson Bay.

A more familiar place as we flew “homeward” near the end of the day: a  view back along the coast of Hudson Bay toward the Churchill Northern Studies Centre.

The valley of the Churchill River is a literally awesome place, breathtaking in its grandeur, its scale, and in the variety of landforms and organisms. It is absolutely a northern place, a place that Manitobans should be aware of, a place to celebrate!

Prairie Pollination

Get to know your wild neighbours!

Two-thirds of our crop species worldwide depend on wild pollinators to some degree! Those pollinators need more than just crop plants to survive – they need wild plants too.

Staff at the Manitoba Museum have been quietly studying pollinators for over fifteen years. The Museum’s Curator of Botany, Dr. Diana Bizecki Robson notes that “we really don’t know much about how wild plants and pollinators interact with each other or whether their populations are declining. One of the interesting things I’ve discovered during my field work is that pollinators of crop plants like canola and sunflower also need to feed on prairie wildflowers to survive.”

Unfortunately, many of the Manitoba Museum’s plant and insect specimens are difficult to display in regular gallery exhibits and can only been seen during special behind-the-scenes tours or in temporary exhibits. But now thanks to a virtual exhibit you can learn more about these amazing creatures. The exhibit is called Prairie Pollination and can be found at www.PrairiePollination.ca.

Dark butterfly with yellow, orange, and blue spots on it's wings perching on a small fluffy purple flower.

Beautiful photographs of endangered and common prairie plants, and their insect and bird pollinators, are shown in this exhibit. Watercolour illustrations of wild plants from the Museum’s famous Norman Criddle collection, and virtual tours of wild prairies with pollination scientists add depth and context to the specimens. “The great thing about the Prairie Pollination exhibit is that people can find out exactly which plants are attractive to the different kinds of pollinators. This information will be of great use to nature lovers, gardeners, farmers, students and beekeepers” says Dr. Bizecki Robson.

The Manitoba Museum gratefully acknowledges our project sponsors:

The Virtual Museum of Canada (VMC), an initiative of the Department of Canadian Heritage, was established in partnership with over 1,300 Canadian Heritage Institutions.

Isn’t it iconic? Don’t you think?

An aerial view looking down towards an exhibit showing a mounted plesiosaur and skull below two "flying" pterosaurs hung from the ceiling.

By Dr. Graham Young, past Curator of Palaeontology & Geology

 

What are the Factors that Make an Exhibit “Iconic”?

In the last little while we have been working on the plan for a new exhibit in the Museum’s Earth History Gallery, which will be focused on a large specimen that we recently added to the collections. Around here we like to refer to the specimen and the planned exhibit as “iconic.” But what does iconic really mean? And what makes an object or exhibit iconic?

It seems to be the case that words that were once relatively obscure can become popular, and have their time in the media spotlight before once again slipping into comfortable obscurity. Like curator, icon is currently a popular word; its formerly limited religious application is now being expanded to computing, linguistics, and popular culture. It is the latter meaning that is applicable to museum exhibits, and the Oxford Dictionary says that an icon is “a person or thing regarded as a representative symbol or as worthy of veneration.”

Image: Cretaceous exhibits in the Earth History Gallery: pterosaurs “fly” above the plesiosaur and the mosasaur skull.

Veneration, of course, means respect or reverence. An iconic exhibit must be one that will be admired, honoured, or thought highly of by many of the people who visit the Museum. The creation of an iconic exhibit is, therefore, a rather demanding prospect for the Museum’s exhibit team, since it must be more exciting than many of the other exhibits at the Museum, and more memorable than most of the exhibits they will have seen in other museums!

For an exhibit to be iconic, I think it really needs to have “legs.” It has to have the potential to last not just for years, but for decades, and to be effective throughout that time. It has to be the sort of exhibit that can excite the children when it opens, but that will also be memorable to those same people when they revisit the museum years later as adults, and to excite their children. That sounds like a high order indeed, but how can we consider something to be “revered” unless it is long-lived?

I was contemplating this question a few weeks ago, as I visited the collections building of the New Brunswick Museum in Saint John. The New Brunswick Museum is very different from The Manitoba Museum; one of the biggest differences is that their collections are not stored at the same place where the public view the exhibits. In Winnipeg we have our collections in various spaces within the same large museum building, but in Saint John the exhibits are in a rented space at Market Square near the middle of town, while the collections occupy much of the building that used to be the public museum, located more than two kilometres away on Douglas Avenue (near the Reversing Falls).

Aerial view looking down at a tall mounted giant sloth, or megatherium, across a walkway from a mounted glyptodont.

The Museum’s Megatherium has been exhibited for more than 130 years!

Looking into the Earth History Gallery, seeing a mounted skeleton of a plesiosaur, and further back a mounted giant ground sloth.

Looking into the Earth History Gallery, seeing a mounted skeleton of a plesiosaur, and further back a mounted giant ground sloth.

Since the current New Brunswick Museum’s exhibits were largely created new since 1990 (though of course some specimens and artefacts were relocated there from the old museum), the exhibit halls lack the sorts of long-lived exhibits that are so important at The Manitoba Museum. Some of our major exhibits such as the Nonsuch, the polar bear, and the Urban Gallery have all seen little change in forty years or more. The New Brunswick Museum may lack that sort of long-lived exhibit in its current galleries, but as I studied collections located in the former galleries, I was struck by how vividly I could recall the “ghosts” of some exhibits I had visited there as a child. Old New Brunswick Museum exhibits such the Hillsborough mastodon, the giant sturgeon, and the shipbuilding gallery all had a great impact on me, and were probably influential in my choice of a museum career.

Black and white image of museum display cases showcasing various Indigenous artifacts, including a kayak.

I know when I talk to life-long Winnipeggers that our Museum has had the same sort of impact on them, as they recall with fondness some of their visits to our galleries in the 1970s and 1980s. Some older Winnipeggers, though, have similar feelings about the former Manitoba Museum, which was located in the Civic Auditorium (now the Manitoba Archives Building) from about 1932 to 1970. And the exhibits of that old museum were largely lost or removed from public view when the collections were transferred to the current Manitoba Museum.

 

Image: The old Manitoba Museum, housed in what is now the Manitoba Archives Building.

Since The Manitoba Museum is already a place that houses many iconic exhibits, it is incumbent on us to try to keep these as we go forward in the development of new “icons.” Fortunately, from my observation of gallery planning, we are very respectful of the institution’s past, and though we have lost a few exhibits over the years, we have also taken extraordinary steps to ensure that others have been saved and refurbished. As we go forward, and as this institution is itself gradually becoming a historic site (this is hard for us to perceive, but it IS happening!), we will need to ensure that the best and most important of our old exhibits are preserved, with perhaps an occasional updating or “burnishing” to maintain their iconic status. People will always want to come to see the Nonsuch!

For our new exhibits to become icons, we need to always be considering the elements that give them the “wow” factor, that will take away the visitor’s breath, either on first sight or after slight contemplation. The most obvious iconic attributes will be in the exhibited objects themselves, which may be large, or splendidly beautiful, or unique. Again, the Nonsuch is an obvious example, but we have many others: the ground sloth (Megatherium), the giant trilobite, the elk diorama, and many of the artifacts in the Hudson’s Bay Company Gallery. In addition to the specimens and artifacts, though, there are many other factors. Cases are designed to optimize viewing by all visitors, and nowadays the Museum pays immense attention to factors such as lighting, colour schemes, graphics, and text readability.

Of course, there are also the technological elements, which are constantly grappled with by all modern museums. These can frustrate museum staff and they can sometimes torpedo an otherwise solid exhibit, but when they work they can elevate an exhibit to iconic status. I hope that will be the case for our Ancient Seas exhibit, opened a few years ago and a solid favourite of some of our younger visitors. I was very pleased a few weeks back when my friend Cortney posted a photograph of her daughter Teagan, with the statement, “enraptured by the Ancient Seas exhibit, every time.”

An exhibit case with multi-levelled shelves displaying various minerals, brightly lit.

One of the Museum’s mineral cases: lighting and design are critical to modern exhibits.

Entrance of the Ancient Seas exhibit at the Manitoba Museum, with a long curving projection showing an under the sea scene.

The Ancient Seas exhibit (above) and Teagan’s view of it (right).

Photograph looking up into the face of a young child looking up at a museum display behind the camera.

Those of us working at the Museum need to endeavour to find a way to share all of our treasures, but at the same time we should have no room for exhibits that are “worthy but dull.” We have to strive to “enrapture” all of our visitors! This is a big and exciting challenge as the Museum continues to develop and evolve.

We Have Guests

Two individuals in discussion in an office over a notebook.

By Dr. Graham Young, past Curator of Palaeontology & Geology

 

Those of you who are familiar only with the exhibits and the other “front end” parts of the Museum might be surprised at the constant changes that take place in the hidden parts of the institution. You might think that the dusty backrooms would remain the same from decade to decade, but really it is a whirl: exhibits are built in the workshop and moved out onto the floor, new plant and animal replicas and models are made by the artists, and specimens and artefacts are constantly cycled through the labs and storerooms of the Museum tower.

This state of change is true on the research side of things, too. The curators spend quite a bit of time studying our collections, but the collections are very large and many of the objects are far outside our own expertise. Since the Museum serves as a resource for researchers from outside, we often receive research visitors who wish to study particular parts of the collection. These visits are extremely beneficial to both parties: the researchers have an opportunity to study some of our remarkable material, and the Museum benefits from their expert identifications of our collections, and from the sharing of new knowledge with the scholarly community and the general public. Our collections and exhibits are improved by these studies!

Michael Cuggy (L) and Dave Rudkin discussing specimen notes.

Research visits tend to occur in cycles or waves; researchers from out of town, in particular, seem to plan extended study visits for the summer months. This may be partly because many of them work at universities and other teaching institutions, and the summer is the interval in which they get a break from day-to-day teaching responsibilities. In the case of The Manitoba Museum, it might also have something to do with the climate, as some people from outside the prairies have the (mistaken?) impression that Winnipeg’s weather is something less than tropical from November through April.

Two individuals each working at desks. One looks through paperwork while the other examines a specimen in a collections box.

An individual examining a specimen un a collections box under a bright ring light.

Michael Cuggy contemplates a eurypterid specimen.

Right now we are into that summer stage, and this week I have the pleasure of receiving research visitors in the lab. My friends and colleagues Dave Rudkin (Royal Ontario Museum) and Michael Cuggy (University of Saskatchewan) are here to spend some serious time with the fossil eurypterids (“sea scorpions”) that we have collected from Ordovician age rocks in Manitoba over the past dozen years or more (these rocks are about 445 million years old).

In this particular case, Dave and Michael are collaborating with me on the project, which is particularly nice as I receive visitors and also get to contribute to the research myself. Eurypterids are a very tricky group to study, since they were arthropods (joint-legged animals) that had external skeletons made up of many different components. In the specimens we are considering, the components have come apart in different ways and/or been squashed at different angles as they were buried in mud and fossilized. As a result, the patterns they make are extremely complex and difficult to decipher. One specimen may look like a jumble of legs and segments, while another may have the body twisted so that, at first, it may be difficult to tell where the head is.

A fossilized eurypterids in a rock slab.

One of the eurypterids in our collection, from the William Lake site.

A fossilized specimen in a rock slab. Hard to identify which parts of the fossil are what.

A specimen may, indeed, look like a jumble of legs and segments!

An individual points at one of three fossil photos on a computer screen.

Dave Rudkin discussing some of the eurypterid photos, compiled on his computer.

We have many eurypterid specimens in our storage cabinets, so Dave and Michael are pulling out each one, examining it closely, consulting the notes that they made previously, and in many cases taking photographs to supplement the ones we already have on hand. Ed Dobrzanski and I are making sure that Dave and Michael have all the tools and space they need, and I periodically supply them with opinions, observations, data, and coffee and cookies.

It seems to be working well so far. Still miles to go before we see where we are with the project at the end of the day Friday, but I’m sure the research will be exciting and interesting, at the times when it isn’t exasperating and frustrating!

U of W student Kristina Misurska

I’m sure I don’t have to tell anybody this, but this winter has been brutally cold—the coldest winter in 35 years! Every time it seems like we are finally going to get some warmer temperatures, we are plunged back into a deep freeze. Luckily, for most of us, we are able to put on layers of warm clothing to protect ourselves from the elements. Down-filled jackets and Gore-Tex might be considered, quite literally, lifesaving materials. However, even without these innovations, people have survived in North America for thousands of years. Have you ever stopped to think about the clothing people wore in the past to help them to survive such harsh winters?

A child figure in a miniature diorama winter scene, wearing traditional winter gear of woven rabbit fur.

As we see in the Aschkibokahn mini-diorama, mobility was essential to survival for many First Peoples. The mini-diorama shows the seasonal movements of an Anishnaabe family. Their clothing had to offer protection against the elements, but also had to be easy to move around in. For much of the year, the clothing didn’t have to be exceptionally warm. A great deal of Anishnaabe clothing used tanned deer and moose hides. Hides were useful for clothing because the material is strong but pliable and resilient. As winter approached, people needed warmer clothing to help survive the elements.

 

Image: A child wearing woven rabbit skin parka in the Aschkibokahn mini-diorama.

For this purpose they made garments and sleeping bags out of thickly woven rabbit fur. It takes many rabbit hides, cut into thin strips to make these garments but they are very warm. If you take a look at the winter scene in the diorama, you can see that Betsy (the diorama artist) has outfitted some of the family in rabbit fur coats. Betsy’s attention to detail serves to help the visitor accurately imagine what life was like for this family. Further, it goes to show that the people who lived in the area made good use of the materials available to them in order to survive winters in a way. It is remarkable to think that people could not only survive, but thrive in this climate without any of our modern luxuries.

A historical black and white photograph showing a group of people, many wrapped in layers and furs, standing and sitting together for a photo in front of a tipi.

Deer Lake Group, [circa 1925]. Archives of Manitoba, Still Images Section. R. T. Chapin Collection. Negative 15148.

 

Speaking of harsh winters, ours is still not over yet. While you’re waiting for it to warm outside, why not come inside to the museum to check out the mini-diorama for yourself?

I Miss the Mammoths

By Dr. Graham Young, past Curator of Palaeontology & Geology

 

Recently, there seem to have been a lot of stories in the media about the remarkable intelligence of elephants. Scarcely a week goes by without a new science story about how elephants are among the few non-human creatures that are self-aware, about their superb communication skills, about the ways in which they care for one another, or about their wonderful memories (it is true: an elephant never forgets). Whenever I see these stories I feel wistful, contemplating the elephants that used to live around here. I imagine how they wandered across the landscape, using their big brains as they communicated about food and predators.

If you are here in still-snowy Winnipeg, you might wonder if I am feeling OK, or you would at least think “what does this have to do with our local situation?” After all, wild elephants live a very long way away, in warm parts of Africa and Asia. Our lack of living elephants is, however, a disparity of time rather than one of geography. Geologically speaking, it is just the blink of an eye since the time when this area was regularly visited by herds of elephants.

A hand drawn illustration of a mammoth molar from above.

Crown view of a woolly mammoth molar from Bird, northern Manitoba (specimen V-1739; illustration by Debbie Thompson)

Part of an aged fossilized pelvis in a storage container.

Partial mammoth pelvis from southeastern Manitoba (specimen V-2640; scale is in centimetres and inches).

Side view of a large mammoth molar with a flat upper and jagged "roots" along the bottom.

Side view of a mammoth molar from southeastern Manitoba (specimen V-2554; scale is in centimetres).

I am speaking, of course, about mammoths. Although woolly mammoths (Mammuthus primigenius) are better-known from Ice Age (Pleistocene) deposits in Siberia, Alaska, and the Yukon, many examples have been found across the Canadian Prairies. Quite a few mammoth bones and teeth have been collected in Manitoba, along with the occasional tooth belonging to their distant cousin the American mastodon (Mammut americanum).

A portion of a long, aged mammoth tusk.

Here at the Museum we have mammoth teeth, vertebrae, limb bones, jaws, and other pieces, collected from many different sites in Manitoba and Saskatchewan. Nearly all of these have been found separately in glacial deposits, and there is good evidence that they had been transported and abraded before they were finally deposited. Most of them are not mineralized; they are composed of the original bone and tooth material that was preserved in sand and gravel far below the water table. Some of the bones were still so “fresh” that they stank of rotting mammoth when we started to dry them out for preservation.

Sadly we have not yet found any more complete skeletons, but the fossils we have give excellent evidence that these animals were widespread in this region. They were probably common during the interglacial warm spells, those intervals of milder conditions when the ice sheets receded from this region.

 

Image: An incomplete mammoth tusk found northeast of Transcona (Winnipeg), Manitoba (specimen V-209).

Some of our mammoth bones are from sites where associated wood material has been dated to about 40,000 years old, so they date from well before the end of the Ice Age. The last mammoths in North America, however, became extinct about 10,000 years ago, and the very last ones in the world lived on Wrangel Island, Siberia, until just 4,000 years ago (by which time the Egyptians had already constructed some of their pyramids!). We don’t really know why mammoths became extinct, but there seem to have been several factors involved: climate change at the end of the Ice Age and increased hunting by human populations may have been the major causes.

Since the mammoth is often reconstructed as a hairy creature with a “primordial” sort of appearance, you might think that it was not really that similar to modern elephants, but modern scientific information tells us otherwise. We have long known that the teeth and bones of mammoths indicate an affinity to Asian elephants (genus Elephas). Asian elephant teeth, for instance, are much more like mammoth teeth than they are like the distinctive teeth of African elephants (genus Loxodonta). Recently, genetic studies have confirmed the similarity and shared ancestry of mammoths and Asian elephants. Mammoths and Asian elephants shared an ancestor about 5.8-7.8 million years ago, while that shared ancestor diverged from African elephants 6.6-8.8 million years ago.

 

Image: A mammoth scapula (shoulder blade) from southeastern Manitoba (V-2639).

Many of the new things we are learning about elephant behaviour seem to apply to both Asian and African elephants. Given what we now know about evolutionary relationships, it must be assumed that mammoths would have had the same sort of intelligence and behavioural traits, and it is possible that even mastodons were somewhat similar. The new information on elephant intelligence is allowing mammoths to be well understood as “living” creatures, even if the attempts to clone them are unsuccessful.

It is saddening that we came so very close, geologically, to seeing those herds of mammoths. Whenever I look at those fossils, whenever I contemplate the tusk of a huge adult or the jaw of a baby mammoth, I miss the animals.

Diorama Details

By University of Winnipeg student Kristina Misurska

 

Hello, everyone! Kristina’s blog post for this week is going to be a bit different than some of her other posts:

Over Reading Week I went to a conference in Albuquerque, New Mexico, so I didn’t start any new research. Most of my work since my last blog post has been focused on continuing to figure out what is going to be involved with the QR code project, so I thought I would instead take this opportunity to blog a bit about the diorama itself.

Two figures in a miniature diorama winter scene, wearing traditional winter gear and with bundles on their backs.

The diorama is an astounding piece of work. Betsy Thorsteinson, an extremely talented artist, along with her skilled group of volunteers, put an incredible amount of detail into the diorama. The result of all their hard work is a diorama that, from afar, looks as if it could be a photograph of a real-life fishing camp. Taken as a whole, the diorama is beautiful.

To fully appreciate the amount of effort that went into the creation of the display, however, it helps to take a closer look. To that end, two separate monocles, or monoculars, are provided with the diorama so that visitors can get a close-up view of some of the details. The monocle lets viewers zoom in on different areas and see food being prepared in pottery vessels, birds flying amongst trees, and fish being smoked over fires.  The monocles help to focus on the thought and precision that went into the display. From the figurines of the family, to the branches of the trees, to the smoke rising from the campfires, every detail tells a story.

 

Image: Closeup of winter travelling scene, Aschkibokahn Diorama

The monocles help visitors to zoom in on areas that make them curious. This parallels what I am hoping to accomplish with my project –  to give visitors the option of learning more about the present-day site, along with seeing the bigger picture of the site.

That’s all for this week! Please check back next week to see how my project progresses.

QR Code For Aschkibokahn Mini-Diorama

By University of Winnipeg student Kristina Misurska

 

Welcome back, everybody! This week Kristina’s post is a quick look at some of the behind-the-scenes planning that she’s been doing for her project:

As I mentioned in my last post, the goal of my project is to look at ways of linking the Aschkibokahn archaeological site and diorama with the present-day community of Duck Bay. The work I did this week involved looking at how to best integrate our research materials into the existing exhibit.

Two individuals each holding cell phones standing in front of the Aschkibokahn diorama in the Manitoba Museum's Lower Parklands Gallery.

One of the ideas we have come up with is to set up a QR code that links to a webpage with supplementary information about Duck Bay. Some of the materials we are hoping to share on this page include a poem written by Melba Sanoffsky, who grew up in Duck Bay, as well as photographs of the community through the years.

Before we can go any further we have to do something practical: ensure that smart phones are able to get reception in the exhibit area.  To check this, I visited the gallery with one of the curators. We have different service providers and we wanted to make sure we both had a signal and reception. We pulled out our phones, and success! Now we know it is possible to use QR codes in the exhibit area. The next steps will be to look at the materials we have at the museum, and to decide what else we would like to include in our web display.

 

Image: Kristina with Amelia Fay, Curator of the Hudson’s Bay Collection, checking web access at the Aschkibokahn mini-diorama.

At this point, the web page/QR code is just a concept. I will keep you informed as to what we actually come up with. Stop by the blog next week to see where I’m at with my project, and don’t forget to visit the new diorama!

Slicing the Onion

By Dr. Graham Young, past Curator of Palaeontology & Geology

 

A couple of weeks ago, I gave a presentation at McNally Robinson in Winnipeg, as part of our Museum lecture course Into the Vault. I was planning to talk about the ancient island shoreline deposits we have been studying in the Churchill area, and as I thought about history and pre-history, I was reminded of an observation I had made during an earlier trip to southwestern Manitoba. In most parts of a relatively flat landscape, the ground surface is the result of processes in the present day and the recent past; it is only where some of that surface is peeled away that we can really see evidence of a deeper past.

View down a downtown road between tall office buildings during winter. Under a blue sky there is snow along the sides of the road and leafless trees.

Downtown Winnipeg, as it has looked so often this winter.

Looking down a gravel road under a clear blue sky. Yellow canola grows in fields either side of the road.

The endless horizon of a flat landscape in western Manitoba.

Photo taken from a moving vehicle on a single lane road. A vehicle drives in front, and in the distance, further in on the field, are three modern windmills.

Our modern landscape is different from all past landscapes.

View up a gentle hill towards a now abandoned homestead built out of fieldstone.Overgrown bushes and trees grow close to the building.

On the surface, we can see evidence of the historic past: an abandoned farmhouse at Brockinton, Manitoba.

Where the earth is split open, along riverbanks and shorelines, and at roadcuts and quarries, we can see its older layers. While the surface usually represents the present, recent past, and relatively recent prehistory, the layers below that surface may be extremely old. Southwestern Manitoba and the Hudson Bay Lowland are both in the part of North America known geologically as the Platform, which has been free for a very long time from disruptive forces such as earthquakes and volcanoes. As a result, the layers are relatively orderly; the sediment was laid down almost horizontally, layer upon layer. Slicing through them vertically looks quite similar to slicing an onion with a knife.*

A whole onion upside-down on a plate.

A whole onion upright on a plate.

A whole onion on a plate with a hand holding a knife blade to the side of the onion in preparation of slicing.

A wedge of an onion sliced to show its many layers.

As we dig down into the upper surface of the land, below the historic remnants we can see evidence of prehistoric occupation of this region. Almost everyone is familiar with widespread artifacts such as arrowheads, but in some places in southern Manitoba we can see ancient burial mounds or traces of long-past hunting sites.

Elsewhere, the cuts in the Earth extend into older layers. Some of these layers are still made of sediment that has not been turned to rock, but they date from the late part of the Ice Age, before people are known to have lived in this part of the world.

Two individuals trekking through tall grass towards a distinct mound in the land.

Calf Mountain, near Morden, is an ancient burial mound.

A person leans down into frame, reaching down towards bison bones embedded in the soil.

Kevin Brownlee examines bison bones at a hunting site dating from about 1200 years ago.

An individual stands beside a cut of ground beside a bank higher than themselves.

Near St. Lazare, Kevin looks at a cut bank is composed of till (sediment) deposited thousands of years ago by a glacier.

View towards a gorge with a river flowing through the centre. Green and yellow folliaged trees grow either side.

If the cut is deep enough, or if a high part of the bedrock reaches up to near the surface, we may see layers that date from long before the Ice Age. For example, along the Manitoba Escarpment there are many places where strata of Cretaceous age can be seen. These beds, dating from the later part of the age of the dinosaurs (roughly 100 million to 66 million years ago), are composed of shale and related rocks made of sediment deposited in the Western Interior Seaway.

If you were to drill a vertical hole into the Earth anywhere in southwestern Manitoba, your drillbit would eventually pass down through the Cretaceous layers into successively older beds of Jurassic, Mississippian, Devonian, Silurian, and Ordovician age (see diagram below). Units of these ages are always in the same order, from youngest at the top to oldest at the bottom, thanks to the simple and straightforward law of superposition and principle of original horizontality. Basically, sediment layers deposited by water or wind tend to be close to horizontal due to gravity, and each layer is laid down on top of the older layers that are already present in an area.

 

Image: In the Wawanesa gorge of southwest Manitoba, the upper yellowish sediments are glacial and postglacial, while the lower grey ones are from the Late Cretaceous Period.

The geological time gaps in the Manitoba record (such as between the Mississippian and Jurassic rocks, where we might have expected deposits from the Pennsylvanian, Permian, and Triassic periods) simply represent intervals in which sediment was not being deposited in this region, and was perhaps being eroded.  Most of our sedimentary rocks were deposited under seawater; the intervals of deposition occurred at times when the sea invaded the middle of the continent, and the gaps in deposition represent times when the sea left this region. We are in the latter sort of situation nowadays, though of course sediment IS still being deposited in one part of the middle of North America: in Hudson Bay.

The layers in the diagram below look to be strongly tilted, but this is because the diagram has a 200x exaggeration of the vertical scale, relative to the horizontal. In reality, they are tilted just a few degrees. The tilt is related to their having been deposited on a seafloor that sloped gently toward the centre of the ancient sedimentary basin, which was located to the southwest.

A geological diagram slowing the layers of earth from west to east in Manitoba.

A west to east geological cross-section through southern Manitoba shows how the older strata are located below younger ones (vertical scale greatly exaggerated). (Image from the Manitoba Geological Survey).

A rugged cut of bank with bare trunks of trees in frame both below and above the cliffside.

Limestone beds in the Fisher Branch area, north of Winnipeg, were deposited during the early part of the Silurian Period, about 440 million years ago.

This slight tilt is, however, very important when we consider where we might find particular layers on the surface. Geologists often talk about the rocks of the Platform as having “layer cake stratigraphy.” Like the onion, the layer cake is a useful metaphor. If we imagine a cake plate being tilted, and then the cake being cut parallel to the tabletop, it is obvious that the lower layers of the cake would be visible from above as you move away from the direction of tilting.

A landscape looking out over the cliffside of a stretch of land leading down to a shoreline. The sky is dramatically lit with thick clouds in shades of light and dark blue.

Similarly, in southern Manitoba we see older layers meeting the ground surface as we move eastward, away from the centre of the sedimentary basin. Although there is Cretaceous bedrock at the surface along the Manitoba Escarpment, the sedimentary rocks in the Winnipeg area are far older. North of Winnipeg we can visit sites that straddle the boundary between the Ordovician and Silurian periods, with Silurian beds about 440 million years old near Fisher Branch, and Ordovician beds 445-450 million years old at Stony Mountain and Stonewall.

The oldest Ordovician sedimentary beds in Manitoba, belonging to the Winnipeg Formation, can be observed toward the eastern side of Lake Winnipeg at places like Manigotagan and Black Island. Just east of these places, however, we reach the bottom of the layer cake. The “cake plate”, if you will, is composed of the very hard, very old rocks of the Precambrian Shield (aka Canadian Shield).

 

Image: Sandstones of the Ordovician Winnipeg Formation at Black Island, Manitoba, are about 454-458 million years old.

The Shield rocks are geologically complex, having been formed as mountains were growing, volcanoes erupting, and continents crashing together in this region about 1.8-3.5 billion years ago. Since they were formed by such active processes, they are often folded, faulted, and overturned; as a result we can no longer apply our simple onion/cake metaphors once we reach those rocks. But those comparisons work wonderfully in any of Manitoba’s younger strata!

 

* The growth of onions is apparently quite different from this age-layering of sediment on the Platform, but it is still a handy visual metaphor.

Aschkibokahn mini-diorama

By University of Winnipeg student Kristina Misurska

 

I would like to introduce Kristina, a Master’s student at the University of Winnipeg, who is completing a program in Curatorial Practices. As part of her internship with the Manitoba Museum (TMM), she is working on a couple of projects to gain experience in different areas of museum studies. Last month, she wrote a blog post about a project with the HBC Collection, and this month she is working with Anthropology Department on exhibit design and programming. This is her first Anthropology blog:

View into a mini diorama showing an area of land progressing through the seasons, and the adaptions of the people living there during each season.

On January 16, TMM unveiled a new display in the Parklands/Mixed Woods Gallery, called the Aschkibokahn mini-diorama. This diorama, the result of nearly twenty years of research, planning, and hard work, explores the activities of an Anishnaabe family from about 800 years ago as they move across the land from winter to summer. The project is based on work undertaken at the Aschkibokahn archaeological site, located near the present-day communities of Duck Bay and Camperville.

One of TMM’s goals for this exhibit is to link the archaeological site to these present-day communities. My role in this project is two-fold. On the one hand, I will be gathering and sorting through existing research to figure out the best ways to integrate this information into a comprehensive exhibit. On the other hand, I will be exploring different means of re-establishing connections with community members in order to gain a fuller picture of the history of the region.

 

Image: New Parklands Gallery Diorama

I will be posting blogs over the next couple of months to keep everyone up to speed with my project. I hope you all stay tuned to see how the project progresses and I encourage everyone to come down and check out the beautiful new diorama!