Hands On: Practising Emergency Response

Hands On: Practising Emergency Response

The 37th annual Canadian Association for Conservation conference was held in Winnipeg in May 2010. Conservator Lisa May attended a two-day pre-conference workshop entitled “Advanced Issues in Emergency Preparedness and Response”. As part of this workshop, Jane Dalley from Heritage Conservation Service (Winnipeg, MB), instructed a hands-on component. Workshop participants experienced how to handle, stabilize and clean water damaged items.

A row of people suiting up in white protective clothing and face masks.

Participants wear protective clothing. In an emergency scenario, there could be dust, mould, and water

A variety of objects including a rug, painting, notebooks, cassette tapes, floppy dusks, and more piled on the floor.

A variety of objects made of different materials had to be rescued.

Four people wearing white protective clothing sorting various artifacts into trays and boxes.

The different materials are triaged and separated according to how they will be treated.

A series of painting an photographs laid out on paper towels on the floor. In the background the legs of four people wearing protective clothing can be seen.

In one room, wet objects are laid to dry on paper towels and clear polyethylene.

A small tapestry and two prints laid out on a cotton sheet.

In another space, things are drying on a cotton sheet. Notice dye has run on the print.

Objects like CDs, CD cases, floppy disks, and film slides laid on a small table made from pipe and netting.

Still more objects are laid out on a homemade table made from plumbing pipe.

A wet notebook with paper towels inserted between each page to aid in drying.

Paper towels are placed between pages to speed drying.

An individual wearing white protective clothing, blue rubber gloves, and a white face mask kneels on the ground next to a shop vac and an old and worn straw hat.

A shop vac is useful in a flood or leak.

This was just one part of the workshop. Lectures and discussion to share experiences and questions were an invaluable aspect, but hands-on practice opportunities are rarer. Thanks go to the Canadian Conservation Institute, helped by local organizer Ala Rekrut from the Archives of Manitoba for presenting this professional development opportunity.

Speaking of Vacuuming…

A significant part of the conservator’s job is cleaning. At the Manitoba Museum, our numerous open dioramas require regular vacuuming. The larger dioramas require a team of staff including the Conservators, Diorama Artist, Exhibit Assistant, and whichever Collections Assistants we can round up. We try to get to every diorama once a year.

A dark-haired woman wearing white coveralls and a red backpack vacuum as she holds the hose to vacuum off the face of a taxidermized bison.

Lisa vacuums a bison.

A woman crouches under a taxidermized moose as she holds the nozzle of a vacuum onto a screen covering a rock in the diorama.

Vacuuming through a screen in the Boreal Forest diorama.

The vacuuming must be done carefully, so parts are not pulled off. That’s why we use screens, and vacuums that are portable and have adjustable suction.

Sometimes, for vacuuming small and/or fragile artifacts or specimens, we put screening over the vacuum nozzle, or use micro-attachments made for cleaning computers and other electronic equipment.

A teal bodied vacuum with a hose loosely wound around the body.

We use household vacuums for most things.

An individual holds up the nozzle and hose of a vacuum cleaner from out of frame, and with their other hand uses a small brush to brush dirt towards the mouth of the vacuum.

Brushing dust into the vacuum.

Close-up on the nozzle of a vacuum cleaner with screening held over it with an elastic band.

A piece of window screen can prevent the loss of any parts.

Dirt and dust can be damaging. They may attract insect pests, can be aesthetically disfiguring, or obscure important information, and can even cause physical harm by, for example, microscopically tearing fragile threads on an old textile.

The most important thing we remember is to remove as much dirt and dust as possible, without harming the object.

Research Request Leads to Vacuuming

Three individuals at the ends of a green cariole sledge mounted on a wall.

Recently, researcher Tim Worth requested access to the cariole, a toboggan-like sled, on exhibit in the Hudson’s Bay Company Gallery. Curator Katherine Pettipas agreed it would be a good opportunity to clean the cariole and assess its current condition. The work was scheduled for a Monday, a closed day, to minimize disruption for any visitors. Conservators Ellen Robinson and Lisa May, with assistance from Tim Worth and myself, took the cariole off its shelf, put it on a dolly and took it up to the HBC Lab, where Tim was able to make a thorough examination. He was joined by conservator Rick Lair from Parks Canada, a furniture and wood expert. While the cariole was in the lab, Ellen took the time to give it a thorough vacuuming, inside and out.

 

Image: The cariole is lifted off its shelf.

Collections Assistant Nancy Anderson took numerous photos to enhance the conservation documentation. The interior fabric, a luxurious velvet, had undergone previous conservation treatment by Parks Canada conservator Lorrie Storr. Tim completed his examination and the cariole was returned to its exhibit location at the end of the day. All in all, many people were pleased!

Several individuals working together to lift down a green cariole sledge from display.

We slid the cariole down on a piece of wood.

Four individuals standing around a cariole sledge on a table in a museum lab.

We all wanted to take a good look.

Three individuals around a cariole sledge on a table in a museum lab. Two are in discussion, and the third is vacuuming the inside of the cariole.

Rick and Tim look at construction details while Ellen vacuums the interior.

Close up on a side of the inside of a cariole on a display in a museum lab. Some repair work has been done along one of the edges.

The damage has been repaired with a backing fabric.

Pest Monitoring is Another Important Task

As well as temperature and RH, the Conservator also conducts pest monitoring. At the Manitoba Museum, we mostly check for insects. Sticky traps in storage and laboratory areas are checked; if a large number of insects are seen, we investigate, looking in the surrounding area more thoroughly. We often find one or two insects on the trap; one or two doesn’t indicate a problem, but is considered a normal condition. And not every insect is one that will feed on our collections.

Museum pests can include mice and squirrels, as well as insects. Although we have had a few problems with mice in the past, our current pest monitoring program focuses on insects.

A small folded triangle shaped pest trap.

Individual traps are place in corners and along walls, and checked monthly.

A sheet of three pest traps before they've been folded.

Sheets of sticky traps are available from pest extermination companies.

As part of their training, Conservators learn about different aspects of the museum environment – temperature, RH, light, atmospheric pollutants – and how these can interact with objects to cause damage and deterioration. Conservators also learn about museum pests, and must become familiar with the common pests they will encounter. We keep examples of insects found in the Museum, for reference and comparison.

A museum storage drawer containing a series of pinned insects and labels.

Examples of insects found at The Manitoba Museum.

Close-up on several pinned insects and labels in a storage case.

Insects are identified as harmless or harmful to the collections.