The Old Plesiosaur and the Sea: The Collectors

The Old Plesiosaur and the Sea: The Collectors

By Dr. Graham Young, past Curator of Palaeontology & Geology

 

In my last blog post, introducing our plesiosaur exhibit,  I promised to follow up with some of the story of how the collectors found, extracted, and prepared the fossils. When I was assembling the exhibit I interviewed Kevin Conlin and Wayne Buckley, since they tell these stories so much better than I ever could. Here are the interviews, which are also on the panels within the exhibit.

An individual sitting in front of a large fossil slab.

Kevin Conlin

Kevin Conlin is a ceramic artist in western Manitoba who has worked with various museums, collecting and participating in scientific research. He collects fossils under permits from the Manitoba Historic Resources Branch, and has collected significant specimens now in the collections of The Manitoba Museum.

 

How did you get into fossil collecting?

It goes back to Grade 3, on a school trip to the Manitoba Museum of Man and Nature. I took my lunch money and purchased three trilobites from the gift shop. From there, I began to look into what fossils were, and started a long life of keeping my head down whenever I was out where there were rocks or gravels that could contain fossil material.

How do you find the fossils?

When I first got into collecting I didn’t know much about rock types. After taking some geology in school and university I began to recognize and distinguish rocks that would house fossils – the types of sediments or fossils in the area really dictate how you find fossils. I look for the odd shapes, textures, any variations in the surface of matrix or sediment which could indicate something other than just mud, sand or sedimentary rock. It could be anything from a pin prick to the size of a 200-pound boulder!

 

What do you do to prepare the fossils?

Depending on the fossil and its fragility, I use a special glue. For cleaning and preparing fossils, miniature jackhammers and a miniature sandblasting unit are used to remove sediment. It all depends on the fragility. Some fossils come naturally cleaned by the elements. Others still encased in rock can take hundreds of hours of preparation.

An individual standing in front of a large fossil embedded in a slab.

Kevin poses in Brandon with a large fossil fish that he is preparing.

An individual engraving a ceramic in progress in a workshop with other partially completed ceramic vases.

Kevin creating ceramics in his studio (photo courtesy of Kevin Conlin)

An elaborately engraved vase covered in black trilobite designs.

Among the fossils you have found so far, which one is your favourite?

I like all fossils. They all bring great enjoyment – trilobites, birds, a Carboniferous collection that I really enjoy. I have no real favourites.

 

What do you think is the most pleasurable part of fossil collecting?

The most pleasurable part of fossil collecting to me is relaxation. Even though the work can be difficult, finding the fossil and knowing that you are the first human to see it brings a great deal of pleasure.

 

Why do you collect fossils? Why is it important to do this?

I collect fossils for the mystical quality from ancient worlds and the beauty they project. I also collect fossils for the purpose of preservation. It is important to preserve this material because nature will destroy it over time through erosion. Being a ceramic artist, a large part of my fossil collecting becomes an inspiration for my work. The interesting thing about being a clay artist is that many fossils are found in clay!

A smiling individual standing in front of a display cabinet filled with fossil specimens.

Wayne Buckley

Wayne Buckley is a retired agricultural research scientist in western Manitoba. He collects fossils under permits from the Manitoba Historic Resources Branch and has donated significant specimens to The Manitoba Museum.

 

How did you get into fossil collecting?

As kids, my cousin and I had an interest in collecting rocks. We had heard that you might be able to find fossils at a place we were camping, so we went looking and we found this beautiful ammonite. I remember being struck that it was possible for someone like me to find beautiful and interesting things like that. I was hooked for life!

What do you have to do to pull out a fossil you have found? What sorts of tools do you use?

I suppose the most important tool is a shovel; we do a lot of digging! Then we get the picks and crowbars to lever out big chunks of shale. As we get further into the rock it becomes quite hard, and I use a small jackhammer. Once the fossil is exposed, we need to prepare a trench around it, then cover it with a burlap and plaster cast. We’ve used various techniques to get fossils out of the bush. Early on it was mainly inner tubes with a piece of plywood – we would drag and float it out. Later I made a skid that would float and we could haul that behind an Argo (an amphibious vehicle).

 

Among all the fossils you have found so far, which one is your favourite?

That’s easy. That plesiosaur that I just donated [to the Museum] is certainly my favourite.

 

What do you think is the most pleasurable part of fossil collecting?

Well, I guess there are really two things that come to mind. First of all, there’s the thrill of making a discovery. That, however, is fairly rare. Probably just as important is that I enjoy being out in the bush. I really enjoy the relaxation that comes with eating my lunch on a vantage point, listening to the silence and watching the birds and other animals.

A large fossil slab strapped to a raft attached to the back of an Argo water vehicle.

Dragging a field jacket with the Argo. (photo courtesy of Wayne Buckley).

An individual with a hand-held tool attached to a hose working on a fossil skull.

Wayne preparing the plesiosaur skull (photo courtesy of Wayne Buckley).

A smiling individual standing with their arms spread in front of a fossil fish mounted on a wall.

Wayne with a large fossil fish (Ichthyodectes sp.) that he collected and prepared. This fish is featured in our current exhibit.

An individual standing on a stone shelf against a stone wall next to a shovel and pick tool.

What sorts of sources do you use to identify the fossils?

There’s a great website called Oceans of Kansas. It describes many of the fossils that we find in Manitoba, because they are also found in Kansas. Also, as I have a background in science, I am quite comfortable with searching the scientific literature and ultimately going to the original research papers where new species were named.

 

Why do you collect fossils? Why is it important to do this?

I have a passion for fossils. I think collecting them is important because we don’t have a complete record of the early life that was in Manitoba during the Cretaceous Period. I feel that we are able to make significant scientific contributions. It’s also important to save the fossils; erosion is very rapid where we are collecting and fossils simply erode away.

 

Image: Wayne in the fossil quarry he created during collection of the plesiosaur (photo courtesy of Wayne Buckley).

New Species of Canadian Water-lily Finally Named

Seven years ago I went to northern Manitoba in search of a rare water-lily with American botanist John H. Wiersema. This water-lily appeared to be a fertile hybrid between two species: Fragrant Water-lily (Nymphaea odorata) and Pygmy Water-lily (N. leibergii). The only problem was that the specimen had been observed only once way back in 1948 by renowned botanist Homer J. (no not Simpson!) Scoggan. In order to determine if the water-lily was a unique species, we needed some fresh DNA!

After a fruitless (literally and figuratively) trip in 2007, Manitoba Hydro graciously flew both John and I up north to search a small river for the elusive water-lily in July of 2008. After a long boat ride, our persistence was rewarded with the first sighting of the water-lily in 60 years. John took DNA samples to give to his research associate Dr. Thomas Borsch to do the required genetic research. The genetic work confirmed that this plant is a fertile species of hybrid origin that does not reproduce with either of the parent species. Six years later, a peer-reviewed paper describing and naming the new species as Lori’s Water-lily (Nymphaea loriana) has been published the the NRC Press journal Botany (Read more here). The water-lily was sadly named after Dr. Wiersema’s late wife.

A small white water lily with a yellow centre held up in someone's hand.

The flower of Lori’s Water-lily (Nymphaea loriana).

Two individuals wearing life jackets leaning far off either side of a boat, looking for water lilies on the lake surface.

Searching for water-lilies requires some precarious perching!

Most people do not realize how long and laborious the procedure to scientifically describe new species is. Herbarium specimens must be studied, field work undertaken, and often genetic and biochemical laboratory work performed. This process can take years, even decades to complete as scientists usually cannot spend all of their time doing research (other stuff like tedious paperwork usually gets in the way). Even after the research is all done, a species is not officially recognized until it has been peer-reviewed and published in a scientific journal. Further, the specimens collected must now be protected and cared for in perpetuity as they are the official documentation of the species’ existence, a task that The Manitoba Museum gladly undertakes. The dried, pressed specimens were glued onto special acid-free paper, labelled, databased, and stored in a climate-controlled vault for future reference and scientific research.

An individual seated at a table placing botany specimens in newspaper for pressing.

John Wiersema pressing scientific specimens. These specimens will be cared for in perpetuity at The Manitoba Museum.

Close-up on a patch of lily pads and water lilies on a water surface.

Lori’s Water-lily (Nymphaea loriana) floating in the river.

Now the next phase begins: conservation. This species is endemic to Canada, meaning that it is found nowhere else in the world. My colleagues and I estimate that there are only about 750 Lori’s Water-lilies in the world, making them extremely rare. Pollution of our northern waters from agriculture and natural resource development, and changes in water levels due to climate change are potential threats to this species here and in central Saskatchewan where two other populations are found. In a soon to be submitted paper, my colleagues and I will be recommending that this new species be protected under Canada’s Species at Risk Act, due to its extreme rarity.

Dr. Diana Bizecki Robson

Dr. Diana Bizecki Robson

Curator of Botany

Dr. Bizecki Robson obtained a Master’s Degree in Plant Ecology at the University of Saskatchewan studying rare plants of the mixed grass prairies. After working as an environmental consultant and sessional lecturer…
Meet Dr. Bizecki Robson

Sea of Monsters

By Dr. Graham Young, past Curator of Palaeontology & Geology

 

The Old Plesiosaur and the Sea Exhibit, Open November 14, 2014 – April 6, 2015

Looking into the entrance of an exhibit room. A large plesiosaur skull is in a display case beneath a sign reading, "The Old Plesiosaur and the Sea".

Tomorrow morning we will be opening our new Discovery Room exhibit, The Old Plesiosaur and the Sea. Some Discovery Room exhibits show exciting or previously unseen objects from the Museum’s collections, while others feature collaborations with the community. This exhibit will do both: some of the beautiful specimens have been donated over the past few years by two remarkable fossil collectors, but many of the other specimens are being loaned by those collectors, just for this exhibit.

The collectors, Wayne Buckley and Kevin Conlin, spend much of their spare time collecting and preparing fossils from Cretaceous rocks in the Manitoba escarpment. These fossils include large marine reptiles, beautiful fishes, and many other forms of sea life. The exhibit is intended to share with the public some of the fossils Wayne and Kevin have collected, along with the story of how and why they have carried out this difficult and complicated work.

The exhibit itself is partly tied to a donation to the Museum. This spring, Wayne Buckley very generously donated a plesiosaur, the skeleton of a huge swimming reptile that he had collected, prepared, and studied over a period of several years (hence the name of this exhibit). We are planning a major new gallery exhibit that will feature this fossil, but we wanted to share it with the Museum’s visitors as soon as possible, and this temporary exhibit seemed like a wonderful opportunity to also display some of Wayne and Kevin’s other fossils.

The photos below simply show parts of the exhibit, and some of the behind-the-scenes work that was required to put the specimens there. I will try to follow up in a week or so with some of the very interesting story of Wayne and Kevin’s fossil collecting.

A small group of people in a museum back room standing around a large plesiosaur skull in a mount on a cart.

After we brought the plesiosaur to the Museum, we worked on it in one of the back rooms. Here, we are placing the skull onto a cart so that it can be moved to the exhibit. L-R: Ed Dobrzanski, Bert Valentin, Ellen Robinson, Carolyn Sirett, Stephanie Whitehouse, me, and Sean Workman. (Photo by Randy Mooi)

Two smiling individuals standing beside a cart containing a mounted plesiosaur skull in the metal cage of a freight elevator.

Carolyn Sirett and Ellen Robinson accompany the skull in the freight elevator. (Photo by Randy Mooi)

Two individuals standing at either end of a large mounted plesiosaur skull on a cart in front of an open, empty display case.

Will it fit into the case? Fortunately the skull is not quite as big as it looks from here (note the metal mount, devised by Bert and Carolyn). (Photo by Randy Mooi)

Four individuals from behind as they work together to left a large, mounted plesiosaur skull into its display case.

All together now! The skull is heavy and fragile, a tricky thing to move into a tight space. L-R: me, Stephanie Whitehouse, Bert Valentin, Sean Workman. (Photo by Randy Mooi)

Five individuals from the side as they adjust the placement of a large mounted plesiosaur skull in its display case.

Adjusting the skull on its mount.

A large mounted plesiosaur skull in a display case.

The plesiosaur skull and neck vertebrae (V-3151).

View of temporary exhibit from the back of the room, with four display cases visible.

Close-up on a fossil slab containing the disarticulated bones of an ancient fish.

A splendid example of the fishIchthyodectes, disarticulated (broken up) by currents or scavengers on the ancient seafloor. This fossil was donated to the Museum by Wayne Buckley. (V-3122)

A display case containing four different fossil slabs under a label copy sign about sharks.

Sharks are widespread in Manitoba’s Cretaceous rocks. Shark teeth are very hard and commonly fossilized. Shark skeletons are made of softer cartilage, so most parts of the skeletons are rarely preserved. As shown by the specimens here, however, vertebrae (backbones) and jaws are sometimes fossilized because those parts are hardened with calcium salts. The fossils in this case are on loan from Wayne Buckley.

Three fossils on display in exhibit.

Some of the fossils in the “Cretaceous Community” case: an example of plesiosaur ribs and gizzard stones (1), the snout of the bony-headed fish Thryptodus? (2), and a vertebra from an elasmosaur (long-necked plesiosaur) (3). These fossils are on loan from Kevin Conlin (1, 3) and Wayne Buckley (2).

A fossil slab with parts of skeleton visible on display above an X-ray of the slab showing further aspects of the skeleton inside the rock.

One of my favourite fossil specimens is this Cretaceous seabird, loaned for the exhibit by Kevin Conlin. The bird is still partly enclosed in dense shale matrix; the X-ray below shows that most of the skeleton is actually present.

An elaborately engraved vase covered in black ammonoid designs with a small ammonoid at the top of the urn lid.

Kevin Conlin is a professional ceramic artist. This ammonoid urn was inspired by Cretaceous fossils and rocks.

How Wildflowers Feed You

For many years native prairies and forests were considered “waste lands” because they don’t produce food for people to eat. But increasingly scientists are finding that natural areas are actually essential for our food production system.

In a recently published paper in the Journal of Pollination Ecology (click here to read), I documented which prairie wildflowers provide food for the pollinators of crop plants like canola. Canola, being a mass flowering crop, produces primarily pollen and some nectar to entice insects, such as domestic honeybees, and native bumblebees and sweat bees, into pollinating them. Pollination by insects greatly increases the seed set of canola. However, before and after canola flowers, its pollinators need something to eat. Enter the wildflowers!

View looking out over a canola field, bright with yellow flowers under a blue sky.

Canola production is higher when wild pollinators are present.

A black and yellow bumblebee on a cluster of yellow Rigid Goldenrod flowers.

In late fall bumblebees love feeding on the nectar of rigid goldenrod (Solidago rigida).

Wildflowers typically start blooming in late April and are in bloom until mid October, providing hungry pollinators with healthy, nutritious nectar and pollen to eat. Essentially, without wildflowers, the bees that we rely on to pollinate our canola crops would starve. And yet sadly these wild plants are being dug up, sprayed with herbicides, and choked out by exotic European weeds. Intensification of agriculture is the main factor causing the collapse in domestic honeybee populations as well as the endangerment of native bees and other pollinators like the monarch butterfly. Wild insects that need prairie plants, such as flower and bee flies, also play an import role in the biological control of pests like aphids.

And so I would like to suggest that we begin re-wilding our province lest our pollinator populations collapse to the point that we can no longer grow canola, sunflowers, or strawberries any more. Protecting the remaining prairies, oak savannahs, and tree bluffs is one important thing we can do. Another is to begin restoring the prairies alongside our farmlands. The Iowa Department of Highways has been replacing exotic weedy species in roadside ditches with native prairie plants creating beautiful stretches of highways that team with insect life and provide crop pollinators with habitat (click here to learn more). Integrated Pest Management (IPM) is a useful tool for controlling pest populations on croplands while minimizing the impact on wild pollinators.

A low-growing plant with clusters of small yellow flowers: Hoary Puccoon.

Wildflowers like hoary puccoon (Lithospermum canadense) provide bees with food before canola flowers.

Close-up on white blossoms on a Saskatoon berry branch.

Saskatoon berries (Amelanchier alnifolia) need pollinators to produce optimal fruit set.

Lastly, please look to your own yard. Are you growing plants that are visited by pollinators? If not, consider growing at least some native wildflowers as our pollinators are adapted to feeding on them, not introduced exotics. I know that butterfly gardens are popular but really it’s the bees and flies that are doing most of the heavy lifting when it comes to crop pollination. The more pollinators you nourish, the better your own garden yields of tomatoes, peppers, squashes, apples, and berries will be!

Still scared of getting stung by a bee? You probably shouldn’t be as we don’t have any “killer bees” in Manitoba. Our native bees are not aggressive (although some wasps and hornets can be) and will more than likely leave you alone unless you step on them or hit them. Also many wild bees are actually stingless! Check out www.PrairiePollination.ca for more information on the wild bees of Manitoba.

Dr. Diana Bizecki Robson

Dr. Diana Bizecki Robson

Curator of Botany

Dr. Bizecki Robson obtained a Master’s Degree in Plant Ecology at the University of Saskatchewan studying rare plants of the mixed grass prairies. After working as an environmental consultant and sessional lecturer…
Meet Dr. Bizecki Robson

The End of World War One

Part III in a three-part series.

 

As we enter the last weeks of our exhibit “Victoria Crosses of Valour Road”, which ends on Sunday, November 16, I want to give some attention to how the First World War ended and some of its implications. My blog entry is illustrated with WWI postcards from the Museum’s collections.

In the summer of 1918 the Germans and their allies had made their final push against the west, and they had failed. Their troops, finances, and population were exhausted and there was serious unrest at home. The counter attack by the Allied forces, strengthened by a major influx of Americans, stormed over western Germany in the fall of 1918. On the eastern front, Bulgaria had decided to leave the German alliance, opening a route for attack as well. Austria-Hungary, which had started the war, was being torn apart by military desertion based on multiple ethnic-nationalist movements. By the end of September, the highest levels of German command were recommending an armistice of some sort, but not “surrender”. They felt a treaty could be negotiated, but in fact they had no position of strength from which to negotiate. By the end of October, revolutions were breaking out around Germany, led initially by the German navy. Wilhelm’s authority was broken, and he was “informed” that he had abdicated on November 9.

A sepia-toned photograph of a solider sitting on a stool with one leg up across the other. At the base of the stool and hand written sign reads, "Somewhere in France".

This postcard was sent to Mrs. Manchester, of 32 Lipton St., Winnipeg MB. The soldier is probably her son Stewart John B. Manchester, born in Souris, MB in 1888. He survived the war and went on to become a trainman for the CNR in Winnipeg.  H9-21-755. Copyright The Manitoba Museum.

A postcard showing an embroidered image of two hands shaking under British and American flags. Printed text on the card frame reads, "Hands across the sea / R.M.S. Andania / Woven in silk". Handwritten text on the frame reads "Crossed, 1916 / Sunk 1918".

The RMS Andania was a passenger ship that was used to transport Canadian soldiers to Europe. In 1917 it returned to passenger service, but was torpedoed by a German submarine in 1918. The continued destruction of passenger ships by the Germans infuriated the Americans and the British and strengthened their resolve in the final days of the war. H9-15-697. Copyright The Manitoba Museum.

Postcard in dark hues showing two generals in the foreground, in front of piles of skulls lined by crosses. Text along the top reads, "Gott est mit uns".

The black humour in this Belgian postcard is unmistakable. Translated as “God is with us”, it makes fun of the German belief that God was on their side during the slaughter of WWI. H9-16-66. Copyright The Manitoba Museum.

At 11 am on November 11, the guns on the Western front were at long last silent. Unfortunately the greatest killer, the Influenza Pandemic of 1918, which would claim at least 20 million lives worldwide, was just getting underway…

What was accomplished by the Great War? On the surface, nothing. Germany retreated to its former borders, with a few small areas controlled by the allies, and their army and navy were decimated. But the allies suffered even more human losses.

To make it all “worth it”, the allies concocted the Treaty of Versailles, a punitive arrangement in which Germany and its allies, though not believing they had “lost”, were forced to pay massive amounts in reparations to the French and Belgians in particular. Regular Germans were furious, since it was their government, not they themselves, who were responsible for the war. These reparations, which Germany could never afford, led in part to a collapse of the German monetary system and widespread poverty, and helped to fuel the rise of the Nazis less than 20 years later. Remember that Hitler enlisted in the First World War, and used Germany’s treatment at the hands of the Allies as justification for many of his later actions.

Troops amassed on a green field. Text over the blue sky reads, "Holy Father, in they Mercy (3) / May the joy of Thy salvation Be Their strength and stay; May they love and may they praise Thee Day by day."

Not surprisingly, many British and Canadian troops also believed God was on their side. H9-15-470. Copyright The Manitoba Museum.

A postcard showing a leaping lion followed by four cubs pouncing from Britain to two generals depicted in Belguim.

This postcard depicts Great Britain as the lion, and the colonies and dominions as his “cubs”. Canada is the cub on the right. They are attacking a German general to help defend Belgium. H9-16-140C. Copyright The Manitoba Museum.

Back in Canada, tales of heroism and sacrifice, along with the thousands of dead and missing family members lost in the war, seem to have provided Canadians with a new sense of national identity that, while not divorced from the British Empire, was perhaps more robustly independent. On a more practical side, tens of thousands of soldiers returned home looking for work, to find that women had entered the workplace. In a bid for “fairness”, many women were laid off to make room for men. The Communist Revolution in Russia had also inspired workers worldwide to feel that labour could make social change. In Winnipeg, many of the strikers in the Winnipeg General Strike of 1919 were returned soldiers.

The political and social ramifications of the First World War seem endless, but certainly “old” Europe, with its aristocracy and its entrenched class systems, was severely tested and in some cases swept away.

A pillar like war memorial in a green field.

War Memorial, Wawanesa, Manitoba. Photograph by Roland Sawatzky.

A postcard showing an angel standing over a grieving woman and two children at home. Above the scene, encircled in golden light a field with four dead soldiers. Text at the bottom reads, "What though in lovely grief I sigh / For friends beloved no longer nigh, / Submissive would I still reply, / 'Thy will be done.'"

This postcard depicts both dead soldiers and a heartbroken family. The postcard as a form of public mourning was a powerful acknowledgement of the real-life effects of the war. H9-15-469F. Copyright The Manitoba Museum.

Now the common man was seen as the suffering hero. Seventy-one Victoria Cross medals were awarded to Canadians for their service in WWI. Memorials were built by the thousands to commemorate the soldiers who lost their lives with an emphasis on names, dates of death, and ranks. To the best of its ability, society attempted to remember the individual. Governments around the world encouraged this trend, seeing it as conservative and socially integrative – and a far cry from the radical social movements they feared, like Communism (or the Winnipeg General Strike). These memorials can be seen all over Manitoba, from Memorial Boulevard in Winnipeg to many rural town parks (like Wawanesa). These memorials became the focal points of public mourning, such as Armistice Day, which was largely observed by families and friends of the deceased at Thanksgiving. It was not until 1931 that Remembrance Day as we know it was created by the federal government on the annual date of November 11.

Dr. Roland Sawatzky

Dr. Roland Sawatzky

Curator of History

Roland Sawatzky joined The Manitoba Museum in 2011. He received his B.A. in Anthropology from the University of Winnipeg, M.A. in Anthropology from the University of South Carolina, and Ph.D. in Archaeology…
Meet Dr. Roland Sawatzky