Dress Up For Hallowe’en All Year Long

Dress Up For Hallowe’en All Year Long

Post by Karen Sereda, past Collections Registration Associate (Natural History)

 

We humans are not the only ones who like to dress up; sometimes animals disguise themselves to look like something else, like we do at Hallowe’en. They may be trying to look like something else or it could be a warning. The ecological term for this is mimicry. There are many different types of mimicry, and differing reasons why an animal would try “look” like something else. I was reminded of this recently when I catalogued a clear wing moth that looked like a wasp. Hover flies also resemble bees or wasps to discourage other animals from eating them, as do some butterflies.

Three photographs in a collage showing a Clear wing butterfly specimen, a hover fly on a yellow flower, and a Hummingbird butterfly visiting a pink flower.

L-R: Clear wing butterfly; Catalogue Number: 58510 © Manitoba Museum. Hover fly; from www.pexels.com, Photographed by Anonymous, July 26, 2009; Web; 30 October 2017. Hummingbird butterfly; from www.pexels.com, Photographed by Anonymous, No date; Web; 30 October 2017.

I first learned about mimicry years ago during a summer job when I was collecting information about differing types of moths. Near some flowers was a hover fly fluttering about. The research scientist I was working for told me not to worry, that it wouldn’t sting me because it actually was a moth, and it was there to drink nectar from the flower. I thought that was so cool!

Sometimes bright colours are used by animals to warn possible predators that they contain toxic or bad-tasting chemicals. It’s a bit like wearing a costume to scare you.

A collage of three photographs showing a coral snake, a monarch butterfly, and a monarch larva.

L-R: Poisonous coral snake; from Pixabay.com; Photographed by mgrpowerlifting, 13 April 2013; Web, 31 October 2017. Toxic monarch butterfly; from Pixabay.com; Photographed by Yolanda, 27707; 5 July 2009; Web, 30 October, 2017. Toxic monarch larva; from Pixabay.com; Photographed by leoleobobeo; 24 September 2017; Web, 30 October, 2017.

And other animals may adopt these bright colours pretending to be toxic, when they actually are not! The king snake lives in areas where the coral snake occurs, and looks very similar to the coral snake. It takes advantage of the coral snake’s warning colouration.

A snake slithering along a branch. The snake has orange-red and white stripes, with black lines between the two colours.

Non-poisonous king snake; from www.pexels.com, Photographed by Anonymous, No date; Web; 30 October 2017.

Stick insects are not dangerous to humans, but many are predators of other insects. They have evolved an appearance that looks just like a twig. They remain very still, and if an unsuspecting insect wanders too close, they grab it and eat it! There are even some other insects that look just like leaves!

Two images: left, a photo of a branch with twigs in a dry grass field, with a stick insect on one of the branches. On the right, is a Green cockroach, an insect that looks like green leaves.

L-R: Stick insect photo; from Pixabay.com; Photographed by Mark Jordahl; 19 July, 2017; Web, 30 October, 2017. Green cockroach; from Pixabay.com; Photographed by Josch13; 30 July 2013; Web, 30 October, 2017.

Another reason animals try to blend in with their surroundings is to keep themselves safe. This is a type of mimicry usually called camouflage, and many of our Manitoba animals such as rabbits, mice, squirrels, and deer use camouflage. Our Museum galleries have lots of examples of camouflage. This picture is from one of the galleries in the Manitoba Museum. Can you can spot the bird?

 

Image: Elk Diorama. © Manitoba Museum.

A Museum diorama showing a nature scene with tall grass and branches, and a taxidermized bird specimen blending in to the environment.

Strange History

Our human history collection is full of special objects, highlighting significant points in Manitoba’s past –like Cuthbert Grant’s medicine chest or the replica of the Nonsuch. Yet we also make a point of collecting objects that represent everyday life in Manitoba – cans of soup, well-loved toys, and farming implements. These mundane objects surprise people, since most of us consider objects we use routinely to have little historical value. Then there are objects that baffle even the seasoned museologist, begging questions like what and, most importantly, why?

Early in my days working with the human history collection, I was searching for a medical-related artifact in an area of our storage room rife with old medicine and surgical tools. I pulled an unlabeled box off a high shelf to have a look inside and was shocked to find it full of dentures –it gave me quite a start. I wish I could say it was the only time that box of dentures had scared me.

A set of upper dentures.

Only one pair of our dentures can be linked to a specific person; the others were donated by the Manitoba Dental Association or have no known source. So if they don’t belong to a historical figure, why collect them? Dentures have been made of various materials for centuries. Wood, human and animal teeth, ivory, bone, and porcelain have all been used to fashion false teeth throughout history. Modern dentures are made from synthetic materials like acrylic. The dentures in our collection capture techniques and materials at a specific moment in time, allowing researchers to make comparisons to older and newer generations of false teeth.

 

Image: Maxillary denture; porcelain, plastic; M 20th C. Catalogue Number: H9-15-188 © Manitoba Museum

Close-up on the face of an inflatable doll with yellow hair, blue eye shadow, and an open mouth.

Recently, some of our staff took part in an AMA on Reddit during Ask a Curator day (#AskACurator). One of the questions asked was “what is the weirdest object in your collection?” I immediately thought of an inflatable doll, which made her way into our collection in 1984 as part of a much larger donation from the old Winnipeg Musical Supply store. The doll is in excellent condition, meaning that she has never been used. And no, she doesn’t inflate – we’ve tried. Her face is coming away from her body, creating a hole where air can escape. This object is close to my heart because when I was in university, doing my Masters in Museum Studies, I wrote a paper about collecting sexual artifacts and discussed the inclusion of the doll in the collection and staff’s reactions to her presence. It’s highly unlikely that “Dolly” will ever be exhibited and her provenance isn’t clear, but she definitely captures a period of time when novelty and gag gifts were popular.

 

Image: Inflatable doll; vinyl; L 20th C. Catalogue Number: H9-16-182 © Manitoba Museum

The previous artifacts are odd, true, but everyone knows that teeth are needed for chewing and enunciating and everyone loves a good laugh, but this artifact can turn stomachs and bewilder minds better than no other.

During the Victorian era, the popularity of jewellery made of human hair saw a definite rise. Hair would be collected from a loved one and woven into intricate patterns to make bracelets, brooches, earrings and necklaces. Wearing mourning jewellery fabricated from the hair of deceased relatives was common amongst Victorian women. People also made wreaths from human hair to display on their walls, often taking hair from multiple family members to complete a single wreath.

A haighly decorative wreath woven of varying shades of brown and blonde human hair, with occasional accent beads.

Hair wreath, human hair, L 19th C. Catalogue Number: H9-18-67 © Manitoba Museum

Close up on a portion of a highly decorative wreath woven of varying shades of brown and blonde human hair, with occasional accent beads.

Hair wreath, detail. Catalogue Number: H9-18-67 © Manitoba Museum

This example was made in Ontario by Mary Jane McKague and brought to Manitoba in 1881, first to Emerson by train and then transported by ox cart to the community of Coulter south of Melita where Mary Jane and her husband John homesteaded. Mary Jane died in childbirth delivering her sixth and final child in 1895. Her wreath was carefully kept by her eldest daughter and later three of her granddaughters before they donated it to the Manitoba Museum in 1985. It is one of several examples of Victorian hair art and jewellery in our collection. Even if the thought of handling human hair is unsettling, these objects are an important part of our understanding of 19th century society, fashion and the Victorian mourning process.

What commonplace objects that we think nothing of today will give pause to museum collectors of the future? Only time will tell!

Cortney Pachet

Cortney Pachet

Collections Technician – Human History

Cortney Pachet started working at the Manitoba Museum in 2001 as a tour guide while earning her a BA (Honours) from the University of Winnipeg. She quickly realized that she wanted a career in museums…
Meet Cortney Pachet