Christmas in the Collections

Christmas in the Collections

A few weeks ago, as my family was setting up our Christmas tree, I hesitated putting up a small number of glass balls, passed down to me from my grandma many years ago, remnants of my dad’s childhood in Winnipeg’s North End. These ornaments have been a staple on my tree for a decade since striking out on my own –the delicate painted glass balancing out my beloved childhood favourite, an A&W Bear on a green felt sled. This year, however, I am The Mother Of A Toddler. Little, excited hands grasping and pulling at the ornaments I have lovingly toted move after move! Finally, after some encouragement from my spouse, the glass balls were cautiously placed at the top of the tree, where Toddler Hands McStickyfingers can’t reach them, despite her efforts to stand on her toes, arms outstretched, saying “Reach! Reach!” (Nice try, kid.)

Thankfully, safely in the storage room at The Manitoba Museum, our History collection’s complement of Christmas ornaments remains out of the grasp of toddlers. Whenever handled, these ornaments receive the “White Glove Treatment”, meaning we don cotton gloves to protect the artifacts from oil present on our skin. In instances where an object is particularly delicate or small, I prefer to wear blue nitrile gloves, so I can best hold artifacts as I examine them for cataloguing or photographing.

Delving into the collection to photograph Christmas artifacts, a few pieces stood out to me, reminiscent of ornaments –both old and new– decorating my tree at home. Carefully preserved by generations of family members, many of these artifacts were collected to decorate the Urban Gallery each year, featured on the Christmas tree in the dentist’s parlour as part of an exhibit called In Winnipeg at Christmas.

This delicate toadstool and its pair date to the mid-1920s, donated to The Museum along with a few dozen other ornaments of the period, including a hot air balloon, birds and fruit, like these bunches of grapes. Originally, these ornaments decorated the tree of a young Winnipeg couple, married in 1925.

A delicate glass ornament shaped like a mushroom with a hollow red cap and white stem.

Two small red and gold raspberry Christmas tree ornaments.

The skiing snowman, made of cotton and pipe cleaners, was donated to the collection after his original owners loaned him to the Manitoba Museum for In Winnipeg at Christmas.

Our Christmas holdings, however, are not limited to the 1920s. For those who prefer the A&W sledding bear over the filigreed glass ball, the collection has plenty to offer. One former curator had an eye for objects that reflected the contemporary popular culture of the 1980s, picking up pieces like a Snoopy squeeze doll –yes, that’s its official name in our collections database– and a staple for most people born in the late 1970s or early 1980s, a Cabbage Patch Kid tree ornament.

A vintage Frosty the Snowman decoration showing a snowman with legs and arms riding a set of skis while wearing a black top hat and green pipe cleaner scarf.

Toy in profile of Snoopy the dog wearing a red and white Santa coat and hat and green mittens, and holding a gift behind his back.

A small Cabbage Patch Doll wearing a red onsie pyjama set, red shoes with white bobbles, and a red bonnet. The ornament is still in the original packaging.

As I put these ornaments back in their boxes and return them to their shelves in the storage space, I can’t help but wonder whether one day my ornaments will meet a similar fate, becoming part of an exhibit like In Winnipeg at Christmas in the 1980s, but with a snappier title. Provided I can keep them safe from the toddler ‘til then.

Cortney Pachet

Cortney Pachet

Collections Technician – Human History

Cortney Pachet started working at the Manitoba Museum in 2001 as a tour guide while earning her a BA (Honours) from the University of Winnipeg. She quickly realized that she wanted a career in museums…
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Guest Blog – HBC Intern

If you have been reading the HBC Blog, you are probably aware of some of the work involved with being a curator. Have you ever wondered what it would be like to experience the job firsthand, to see if it is really as great as Amelia makes it sound? My name is Kristina, and for the past couple of months, I have been able to do just that. I am a Masters student studying Curatorial Practices at the University of Winnipeg, and I am working at The Manitoba Museum as an Intern. So far it has been an amazing experience.

It is fascinating to get a behind-the-scenes look at everything it takes to keep an institution like The Manitoba Museum running. While most of my time is spent job shadowing with Amelia,  I have also had a chance to visit several departments to see the roles they play in creating exhibits, designing educational programming, and keeping our artifacts safe from damage.

Aside from job shadowing, I am also working on a couple of projects for the Museum. One of these projects involves exhibit renewal within the HBC Gallery. Presently, there are several props being utilized, along with the many artifacts on display.  Ideally, we would like to be able to identify which objects are props and which are artifacts, so that we can eventually replace the props with actual artifacts from the collection. As mentioned in some of our earlier blogs, the HBC Museum Collection is much larger than what is currently on display in the gallery. We simply don’t have the space to display all of the artifacts.

An individual standing in front of a large York Boat on display in the Hudson's Bay Museum Collection Gallery. They are holding a notepad and writing something on it.

At this point, I have completed the first stage of the project. Armed with the inventory binders, I spent a morning just looking at what was on display, recording any discrepancies and identifying which objects were props. The next step will be to make sure that the props are entered into our database so that we have a better record of exactly what is on the floor at any given time. Once this is all done, I will be able to complete my report, listing recommendations as to how to better use the existing collection by replacing props with actual artifacts. The main goals of this project are to make sure we can optimize the visitor experience, as well as showcasing more of our incredible HBC Museum Collection.

 

Image: Identifying artefacts in the York Boat.

Occupy Main Street

The Manitoba Museum was built in the late 1960s, occupying the site of the former Strathcona Hotel, built in 1905 on the south-east corner of Main St. and Rupert Ave. This intersection featured a hotel on three corners, all built in the first decade of the 1900s to house a massive influx of settlers, new urban workers and would-be entrepreneurs. The Strathcona was also the scene of labour resistance during the 1919 Winnipeg Strike.

Jacob and Rachael Rosenthal and their infant son moved to Canada from Russia in 1891. They settled in Manitoba and took part in the life of the local Jewish community. By 1898 Jacob was running a small general store in the North End. Eventually he also sold cattle, and started a clothing store. Jacob must have done fairly well, because he was able to build and own the 6-storey, 100 room Strathcona Hotel, which opened on November 9, 1905. In the next eight years the population of Winnipeg doubled to 150,000, and business was booming. This changed abruptly in 1916 with the passing of prohibition: the bar was the most profitable part of the hotel, and Jacob also ran a wholesale liquor sales business.

One of the most notable events to take place in the hotel was the occupation by the Labour Café during the Winnipeg General Strike of 1919. Women were a driving force in the strike movement. Lacking wages and with the city paralyzed, it was difficult to find food for all the female strikers, who at the best of times were eating cheap meals at small cafés and restaurants. The Women’s Labour League organized the Labour Café in the Strathcona Hotel, which the Rosenthals allowed and supported. For twenty-two days, over 1200 free meals a day were given to women and a discount was provided for rooms. Men were also welcome to eat at the Labour Café, either by payment or with a ticket provided by the Relief Committee. After this period the Rosenthals politely asked the Labour Café to leave the premises, probably due to the new presence of “Special Constables” (riot police) in the Police Station next door, which would have increased tensions and the potential for violence.

A sepia-toned photograph of a six-storey building with many windows.

The Strathcona Hotel (later the Cornwall), 1905-1965.

The Manitoba Museum from across the intersection of Rupert Avenue and Main Street. A multi-storey building built of Tyndall Stone.

The Manitoba Museum, 2013, viewed from the same angle as the Strathcona Hotel photograph.

While The Manitoba Museum currently occupies the site of the former Strathcona Hotel, it also stands on the site where strikers occupied the hotel in an act of organized resistance.

Thanks to David Watson for his research into the Rosenthal family and the hotel. Special thanks also to the descendants of the Rosenthal family, now living in New York, who visited The Manitoba Museum last spring.

Dr. Roland Sawatzky

Dr. Roland Sawatzky

Curator of History

Roland Sawatzky joined The Manitoba Museum in 2011. He received his B.A. in Anthropology from the University of Winnipeg, M.A. in Anthropology from the University of South Carolina, and Ph.D. in Archaeology…
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A blog about a (yule) log: Plants of Christmas

The use of plants during Christmas arose from pagan Yuletide celebrations of the winter solstice in ancient times. The pagan beliefs have become interwoven and associated with the Christian festival of Christmas, which occurs during the same season. Those plants which remained green, flowered, or bore fruit in the darkest season of the year were felt to have special powers. These powers could be invoked by appropriate ceremonies and could renew the vigour of family and herds, and ensure abundant crops during the coming year.

Yule Log

The tradition of the Yule Log in Europe goes back to prehistoric tree worship and the custom of re-kindling the hearth-fire each year. A log burnt on Christmas Eve was believed to give protection from ill-luck for the following year. The ashes of the log were strewn on the fields to promote good crops and charcoal from it was believed to heal many ills. In many parts of Europe and Britain, an elaborate ceremony of bringing in the Yule Log, “greeting” it with corn and wine and accompanying it with carols has been followed for centuries.

A close-up on a sprig of dried and pressed dwarf mistletoe.

Mistletoe

Revered by the Druids of ancient Britain, mistletoe was believed to have magical powers. Called “all-healer”, it protected against poison and made barren cattle fruitful. Kissing under the mistletoe is an old English custom, perhaps associated with the belief that the plant would transfer its protection to the person kissed. European Mistletoe (Viscum album) is only partially parasitic on evergreen trees; it still produces green leaves and manufactures some of its sugar. In Canada, we only have Dwarf Mistletoe (Arceuthobium) which is completely parasitic and much less pretty.

 

Image: Dwarf mistletoe is entirely parasitic unlike its European counterpart that is only partially parasitic and has leaves.

Holly and Ivy

These evergreen plants, which bear fruit in winter, were considered examples of the continuing vitality of the plant world. Originally used as Christmas decorations in England, they were believed to transfer their vitality to the people whose homes they graced. In ancient legends, holly (Ilex) represented the male and ivy (Hedera) the female.

A small sheaf of grain tied in a bunch with a red and green ribbon.

Yule Straw

In Sweden and Poland, it was the custom to place straw under the Christmas Eve tablecloth. Sometimes a sheaf of grain was also brought in to stand in a corner, bringing the wholesome influence of the corn spirit into the home. The straw was then used to bind fruit trees or as feed for cattle to make them fruitful.

 

Image: Yule straw was an important part of European winter celebrations.

A dried Lodgepole pine specimen in a museum storage box. A dense bush of branches grows out of a splitting cone with spreading roots.

The Christmas Tree

Evergreens have always been considered special or sacred trees because they remain green throughout the year. Long before the Christmas tree as such became a part of the Christmas tradition, garlands and boughs of evergreens were used to decorate houses and other buildings at that time of year.

Legend has it that Martin Luther set up the first real Christmas Tree, a fir decked with candles for his children. Whether this is true or not, the Christmas Tree is indeed of German origin and was first mentioned specifically in 1605. In Germany, it is called “Weinachtsbaum” (Sacred Night Tree) or Tannenbaum (Fir Tree). In Canada Christmas trees are typically spruce (Picea), pine (Pinus) or fir (Abies) trees.

 

Image: Pines are popular Christmas trees. This is a specimen of Lodgepole Pine in the Museum’s collection.

Dr. Diana Bizecki Robson

Dr. Diana Bizecki Robson

Curator of Botany

Dr. Bizecki Robson obtained a Master’s Degree in Plant Ecology at the University of Saskatchewan studying rare plants of the mixed grass prairies. After working as an environmental consultant and sessional lecturer…
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