Something Old, Something New, Something Borrowed, Something Blue

Something Old, Something New, Something Borrowed, Something Blue

No, this post isn’t about a wedding, but that old saying works equally as well for our new permanent exhibit leading into the Nonsuch Gallery!

Despite the fact that the Nonsuch is one of our biggest attractions at the museum, some people were missing it entirely due to some poorly positioned carpet arrows and a drab entryway. Last fall I sat down with our amazing designer Stephanie Whitehouse to figure out how to tackle this problem. We decided that we could not only improve the wayfinding to the Nonsuch Gallery and well-hidden bathrooms, but also put more of the HBC Museum Collection on display, win-win!

 

A dark entryway with a sign labeling it as the Nonsuch Gallery.

Here’s what the space looked like before.

Looking down a weaving hallway with two rows of arrows directing visitors both down and up the hallway.

We call this space the “throat” as it funnels you down towards the Nonsuch. The brown colour is definitely a bit drab!

You can see that the black wall with dusty old model of our Parklands Gallery needed an update. And even when you stepped up and looked to the right (towards the Nonsuch) the area was a bit dark and uninviting. No wonder people were turning left and missing it all together!

The finished product is the result of an amazing collaboration between design, productions (carpentry/lighting), conservation, and curatorial.

Now when you emerge from the Boreal Forest Gallery you round the corner and see this:

An open entryway with a two steps going up the the left, and a hallway to the right. Directly in front is an exhibit case with a large wooden steering wheel, ship's bell, and small canon on display. Signs overhead direct visitors right for both the Nonsuch and the bathrooms.

A bright and welcoming display area with directions to the Nonsuch and washrooms very visible!

Looking down a weaving hallway with two rows of arrows directing visitors both down and up the hallway. Lighting casts a blue glow on the main walk way, and illuminated signs direct visitors in the directions of the washrooms.

Watery motion lights, the blue colour carried through, and a nicer approach through the “throat”!

Something Old: the selection of artifacts from the HBC Museum Collection from various ships used by the Company.

Something New: the signage, lights, and new exhibit space.

Something Borrowed: the pipe and pocket telescope in the little cubby are borrowed from the History collection.

Something Blue: the fabulous blue paint colour that takes you all the way to the Nonsuch.

Here are a few pics from our installation day:

Two individuals either side of a wheeled cart prepping two large ships lanterns for display.

Bert and I prepping the lanterns for display.

One individual on a ladder hanging a large ship's lantern for display, while another individual stands nearby working on some electrical wiring.

Carolyn and Sean hanging the lanterns and rigging up the lights.

Three individuals moving together to transfer a large wooden ship's wheel into an exhibit case.

Moving the ship’s wheel into the case.

Two individuals securing the upper right corner of a large sheet of glass on an exhibit case.

Marc and Bert putting the glass in place.

Our lovely designer Steph was behind the lens for these photos, how convenient 😉

Next time you’re at the museum be sure to slow down when you round that corner out of the Boreal Forest Gallery and check out our recent addition!

Shout out to everyone involved:

Stephanie Whitehouse (Designer); Marc Hebert (Carpentry); Carolyn Sirett (Conservation); Bert Valentin (Productions); Sean Workman (Productions); and Holly Durawa (summer intern from U of T’s Museum Studies Program, she assisted with artifact selection and label copy!).

Dr. Amelia Fay

Dr. Amelia Fay

Curator of Anthropology & the HBC Museum Collection

Amelia Fay is Curator of Anthropology and the HBC Museum Collection at the Manitoba Museum. She received her BA in Anthropology from the University of Manitoba (2004), an MA in Archaeology…
Meet Dr. Amelia Fay

1916: Votes for (Some) Women

The Manitoba Museum is planning an exhibit called “Nice Women Don’t Want the Vote”, opening in November, 2015, commemorating the Suffragist movement in Manitoba.  The exhibit will also discuss some of the ways Manitoba and Canada have struggled to provide full voting rights for all its citizens.

History is never neat and tidy, and the history of the franchise (the right to vote) in Canada is about as messy as it comes. While 1916 was a big year for voting rights, Manitoba being the first province in the country to extend the right to vote to women, we do need to remember that this was only for some women.

An old, worn ballot box with a latch for a lock on the front and a slit for votes in the lid. Still faintly visible is the number 105 in red.

In Manitoba, First Nations people living on reserves and receiving an annuity from the Crown were barred from voting until the mid-20th Century. Indeed, from Confederation on, both provincial and federal voting rights for First Nations were curtailed and cut off until, by 1919, no First Nations people living on reserves were allowed to vote in federal elections. In Manitoba, the Treaty population, both men and women, were only enfranchised in 1952, a full 36 years after the vote was extended to women from newcomer populations. In 1960 the House of Commons gave First Nations the right to vote for the first time federally, with no restrictions. For many years before this, First Nations people could only attain the right to vote if they gave up their rights ensured under Treaty.

The women who fought for the vote in 1916 seem to have completely ignored the issue of voting restrictions on First Nations men and women. Through our research we have come across no references to the issue, and the silence is telling. Canada was dominated by a British population who considered themselves an extension of the British Empire. The leaders of the women’s suffrage movement were largely of this background, as were most of the followers of the movement. Voting rights for First Nations were just not on the radar.

Likewise, some of the women involved in the Suffragist movement debated granting the vote to immigrant women (those not born in the United Kingdom). It must be noted that this was occurring during the height of the First World War, when anti-foreign sentiment was running hot, and any ideology that was perceived as a threat to the Empire (like giving immigrants the vote) had little chance of passing through the corridors of power. Mennonites and Doukhobors, for example, had their right to vote rescinded in 1917-18 because of their refusal of military service.

Enfranchisement, the right to vote in a democratic society, has only in the last 50 years been seen as a general right of all adults in Canada. Before this, it was a slow crawl to full suffrage. In 1867, only 11% of the population could vote, and these were almost exclusively white males that owned a certain amount of property or cash. Even before this, Catholics, non-British immigrants, Jacobites (!), Jews and First Nations were excluded in one way or another from voting in different parts of Canada. The vote was also denied to Asians in British Columbia until 1948, and to women in Quebec until 1940. The geographical isolation of some groups in the north until the second half of the 20th century also hindered them from exercising their right to vote.

As we work to create this exhibit, we hope that Manitobans continue to contact us with artefacts, stories and opinions about the right to vote for women in Manitoban history.

Dr. Roland Sawatzky

Dr. Roland Sawatzky

Curator of History

Roland Sawatzky joined The Manitoba Museum in 2011. He received his B.A. in Anthropology from the University of Winnipeg, M.A. in Anthropology from the University of South Carolina, and Ph.D. in Archaeology…
Meet Dr. Roland Sawatzky

Scientific Jargon: Translated

While proofreading a scientific journal article I recently wrote, I found myself thinking “wow, this is really boring!” Scientists always write their journal articles in technical, impartial terms so as to sound as objective as possible. That’s part of the reason why scientific conferences are so enjoyable; you often get an opportunity to find out about the real problems scientists encountered while trying to conduct their field research. That got me thinking – what if scientists wrote the blunt, honest truth about our field research experiences instead of the dry, dispassionate scientific jargon that we feel compelled to write? So for your benefit here are some of the things a scientist might write in a journal article and what it might have actually meant.

Woman kneeling in a wild prairie and closely examining yellow flowers for pollinating insects.

Due to a technical error, some data was unusable.
Translation: I dropped my portable computer in a swamp.

The first attempt at relocating the rare species was unsuccessful.
Translation: I couldn’t figure out how to use my new GPS.

The second attempt was also unsuccessful.
Translation: We couldn’t find the #$%&* thing!

The plant was located on the third field visit.
Translation: The guy we hired to pilot the boat found it.

Wildlife interference prevented collection of additional data.
Translation: A polar bear tried to eat me.

View over a field where cows are grazing towards storm clouds brewing in the distance.

Voucher specimens of most insect species observed were collected.
Translation: The wily ones got away.

Collection locations are correct within a 1-km radius.
Translation: The batteries in my GPS died half way through the hike. The spares didn’t work either.

Images from the field trip were unrecoverable.
Translation: I forgot to put the memory card in my camera.

The maximum amount of time I could spend surveying was four hours.
Translation: I spent the other four hours getting my flat tire fixed.

Data from one of the plots could not be collected.
Translation: Rabbits ate the plants I was studying.

Due to inclement weather, the survey was not completed.
Translation: I was afraid of getting struck by lightning because I was carrying a metal hiking pole.

Now you might think I’m joking but some of the things I mentioned really happened either to me or someone I know. Guess which ones! So remember if you are ever reading something written by a scientist, there’s often a much more interesting story behind it than anyone will ever know.

Dr. Diana Bizecki Robson

Dr. Diana Bizecki Robson

Curator of Botany

Dr. Bizecki Robson obtained a Master’s Degree in Plant Ecology at the University of Saskatchewan studying rare plants of the mixed grass prairies. After working as an environmental consultant and sessional lecturer…
Meet Dr. Bizecki Robson

Was there a Suffragist in your family?

The Manitoba Museum is currently working on an exhibit that will open in November 2015. “Nice Women Don’t Want the Vote”, named after a statement by former Manitoba Premier Sir Rodmond Roblin, commemorates the 100th anniversary of the right to vote for women in the province in 2016.

Elongated triangular flag. The background is yellow wiith a thick black stripe stitched on top reading “Votes for Women” along the centre.

Felt pennant, circa 1910-1916. Black and yellow were the colours of the Suffragist movement in North America. Donated by Warren West. H9-38-198. Copyright the Manitoba Museum.

A French Limoges jar painted in a mid-tone green with red and gold detailing.

We are looking for artifacts! Social and political movements don’t leave many objects behind. Things like banners, flags, and pamphlets are often lost or thrown away after a movement succeeds (or fades). But we’re not just looking for political statements. Everyday objects that are in some way connected to the Suffragist movement, like a dress or pen or shoes, would be just as welcome. For example, we will be featuring French Limoges porcelain painted by Mae Irene Whyte, who marched with Nellie McClung to the Manitoba Legislature to obtain voting rights for women.

We are interested in loans, but may consider donations as well.

Likewise, if you have an interesting story about a Suffragist in your family history, let us know!

You can contact the Curator of History at RSawatzky@ManitobaMuseum.ca.

 

Image: French Limoges jar, 1912-1919, painted by Mae Irene Whyte, Winnipeg. Whyte participated in the Suffragist movement. Donated by Marion E. Kaffka. H9-9-534. Copyright the Manitoba Museum.

Dr. Roland Sawatzky

Dr. Roland Sawatzky

Curator of History

Roland Sawatzky joined The Manitoba Museum in 2011. He received his B.A. in Anthropology from the University of Winnipeg, M.A. in Anthropology from the University of South Carolina, and Ph.D. in Archaeology…
Meet Dr. Roland Sawatzky